Dublin Culture Night 2012 – Participants
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18_121726-bindex.qxp 4/17/09 2:59 PM Page 486 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Ardnagashel Estate, 171 Bank of Ireland The Ards Peninsula, 420 Dublin, 48–49 Abbey (Dublin), 74 Arigna Mining Experience, Galway, 271 Abbeyfield Equestrian and 305–306 Bantry, 227–229 Outdoor Activity Centre Armagh City, 391–394 Bantry House and Garden, 229 (Kildare), 106 Armagh Observatory, 394 Barna Golf Club, 272 Accommodations. See also Armagh Planetarium, 394 Barracka Books & CAZ Worker’s Accommodations Index Armagh’s Public Library, 391 Co-op (Cork City), 209–210 saving money on, 472–476 Ar mBréacha-The House of Beach Bar (Aughris), 333 Achill Archaeological Field Storytelling (Wexford), Beaghmore Stone Circles, 446 School, 323 128–129 The Beara Peninsula, 230–231 Achill Island, 320, 321–323 The arts, 8–9 Beara Way, 230 Adare, 255–256 Ashdoonan Falls, 351 Beech Hedge Maze, 94 Adrigole Arts, 231 Ashford Castle (Cong), 312–313 Belfast, 359–395 Aer Lingus, 15 Ashford House, 97 accommodations, 362–368 Agadhoe, 185 A Store is Born (Dublin), 72 active pursuits, 384 Aillwee Cave, 248 Athlone, 293–299 brief description of, 4 Aircoach, 16 Athlone Castle, 296 gay and lesbian scene, 390 Airfield Trust (Dublin), 62 Athy, 102–104 getting around, 362 Air travel, 461–468 Athy Heritage Centre, 104 history of, 360–361 Albert Memorial Clock Tower Atlantic Coast Holiday Homes layout of, 361 (Belfast), 377 (Westport), 314 nightlife, 386–390 Allihies, 230 Aughnanure Castle (near the other side of, 381–384 All That Glitters (Thomastown), -
'Dublin's North Inner City, Preservationism and Irish Modernity in the 1960S'
Edinburgh Research Explorer Dublin’s North Inner City, Preservationism and Irish Modernity in the 1960s Citation for published version: Hanna, E 2010, 'Dublin’s North Inner City, Preservationism and Irish Modernity in the 1960s', Historical Journal, vol. 53, no. 4, pp. 1015-1035. https://doi.org/10.1017/S0018246X10000464 Digital Object Identifier (DOI): 10.1017/S0018246X10000464 Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: Historical Journal Publisher Rights Statement: © Hanna, E. (2010). Dublin’s North Inner City, Preservationism and Irish Modernity in the 1960s. Historical Journal, 53(4), 1015-1035doi: 10.1017/S0018246X10000464 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The Historical Journal http://journals.cambridge.org/HIS Additional services for The Historical Journal: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here DUBLIN'S NORTH INNER CITY, PRESERVATIONISM, AND IRISH MODERNITY IN THE 1960S ERIKA HANNA The Historical Journal / Volume 53 / Issue 04 / December 2010, pp 1015 - 1035 DOI: 10.1017/S0018246X10000464, Published online: 03 November 2010 Link to this article: http://journals.cambridge.org/abstract_S0018246X10000464 How to cite this article: ERIKA HANNA (2010). -
Weekend in Dublin
2L Travel +1 (305) 432 -2458 [email protected] Weekend in Dublin ________________________________________________________________________________Itinerary Package price includes: 49-seater coach for Half Day on Day 1 (09:00 – 13:00 or 13:30 – 17:30) Guide for Half Day (Panoramic tour) on day 1 Coach for Half Day on day 1 (Panoramic tour) 3 Nights in a three star centrally located hotel in Dublin, Bed & Full Irish Breakfast basis Airport transfer from your hotel to Dublin Airport on Day 4 Day 1 Details Arrive at the Dublin Airport and meet with your guide at the arrival halls. Depart for Dublin Panoramic City Tour (appr 3h). The guided panoramic city tour takes you through the most famous monuments and landmarks of Dublin, the city on the banks of River Liffey. You’ll see some of the town’s most important buildings, including GPO which dominates the famous O’Connell Street, arterie of the Northern City and Palace of Justice in Four Courts, an old Dubiln port area with beautiful Customs House. You’ll also drive through Phoenix Park which is the biggest town park in the Europe and houses the residence of the President of Republic of Ireland and famous Dublin Zoo. The Southern City is more sophisticated with elegant Georgian houses with their multicolored doors and magnificent Grafton Street are with its great shops and the famous Trinity College with its huge Old Library and Book of Kells. You’ll see the St.Patrick’s Cathedral, the most important church in Ireland and medieval church of Christ Church where the 14th century copy of Magna Carta is displayed. -
Jack B. Yeats
JACK B. YEATS Biography 1871 August 29, Jack Butler Yeats born at 23 Fitzroy Road, London, son of John Butler Yeats, artist, and Susan Pollexfen of Sligo 1879 Went to Sligo to live with his grandparents, William and Elizabeth Pollexfen. He went to school there, and stayed with them until 1887 1887 Rejoined his family in London in order to attend art school. His grandmother was strongly in favour of him following a career as an artist. Attended classes at South Kensington School of Art, Chiswick School of Art, Westminster School of Art. Season ticket for the American Exhibition at Earls Court, starring Buffalo Bill 1888 First black and white illustrations accepted for publication in The Vegetarian in April 1891 Illustrating for Ariel and Paddock Life . First book illustrations 1892 Designing posters for David Allen & Sons in Manchester. Illustrated Irish Fairy Tales by his brother W.B.Yeats 1894 Staff Artist on Lika Joko. In August he married Mary Cottenham White, who had been a student with him in Chiswick, and was eight years older that Jack. They rented a house called 'The Chestnuts' on the River Thames, at Chertsey 1895 First exhibited at the Royal Hibernian Academy in Dublin, a watercolour called Strand Races, West of Ireland 1897 Moved to Strete, Devon to live at 'Snail's Castle' (Cashlauna Shelmiddy). Began to concentrate on watercolour painting. Painted his first oil. First one-man show of watercolours in November, at the Clifford Gallery, Haymarket 1898 Jack and Cottie visited Northern Italy, on what seems to have been a belated honeymoon, combined with a celebration of the success of his first solo exhibition the previous year. -
2012-Dubliners-Programme.Pdf
DUBLIN: ONE CITY, ONE BOOK: EVENTS (continued) ABOUT THE BOOK JOYCEAN TOUR OF GLASNEVIN CEMETERY FARMLEIGH, CASTLEKNOCK Dubliners is Joyce at his most direct and his most accessible. Any reader Following upon Dublin’s designation as Glasnevin Cemetery, the heart of the James Joyce in the Phoenix Park may pick it up and enjoy these fifteen stories about the lives, loves, small UNESCO City of Literature, what more Hibernian necropolis, has many links to Area – exhibition of rare books from the triumphs and great failures of its ordinary citizens without the trepidation James Joyce’s life and writing. From the Benjamin Iveagh Library. Wed-Sun & appropriate title could there be for Dublin: Hades Chapter in Ulysses, which takes Bank Holidays from 1 April. 10am-4.30pm that might be felt on opening, say, Ulysses, famed for its impenetrabil- One City, One Book 2012 than James place in the cemetery, to the family grave as part of the guided tour. Further ity and stream-of-consciousness hyperbole. At the same time, although Joyce’s DUBLINERS! which is the final resting place of his information Tel: 01 8155981 Also Joycean simply written, there is great depth and many levels to the stories, in parents; walk through the life, time and exhibition by contemporary Japanese which the characters – young, middle-aged and old – are revealed, to imagination of James Joyce. photographer Motoko Fujita. Admission Joyce is the city’s most celebrated lit- Daily throughout April at 1pm. Tickets free themselves, or sometimes only to the reader, in all their frail humanity. erary son and his masterly collection €10 include a visit to Glasnevin Museum THE JAMES JOYCE CENTRE, 35 NORTH GREAT •The Sisters•An Encounter•Araby•Eveline•After the Race•Two Gallants• of short stories gives a remarkable JOYCEAN WALKING TOURS GEORGE’S STREET insight into the lives of a disparate group of Dublin citizens in the early Echoes of Joyce’s Dublin. -
Durham E-Theses
Durham E-Theses The development of the qur'anic calligraphy and illumination under the Mamlukes, 1300-1376 and in Ir James, David Lewis How to cite: James, David Lewis (1982) The development of the qur'anic calligraphy and illumination under the Mamlukes, 1300-1376 and in Ir, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1984/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 iý THE DEVELOPMENT OF QUR'ANIC CALLIGRAPHY AND ILLUMINATION UNDER THE MAMLUKES 1300- 1376 AND IN IRAQ AND IRAN IN THE SAME PERIOD A THESIS SUBMITTED TO THE FACULTY OF ARTS !N THE UNIVERSITY OF DURHAM FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DAVID JAMES MA (DUNELM) SUPERVISOR ; DR R. W. J. AUSTIN The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. -
Kerlin Gallery
Kerlin Gallery Elizabeth Magill pink mineral, 2020 oil on canvas 12 x 15.9 in / 12.8 x 16.7 x 2 in framed AVAILABLE $12,500.00 In 2020 Elizabeth Magill spent five months of lockdown on the coast of Ireland, swapping her east London studio for one nestled in the rural landscape which has long featured in her work. The result is a series of paintings, collectively titled 'Her Nature' that explore our physical and psychological relationship to the land. Each painting has its own, very different mood, its own story or mystery such as 'pink mineral,' with its fantastical 'red sky at night,' its title a reference to Rose Quartz, one of many earthly treasures or 'smoulder,' the contained, potential energy of a sleeping volcano. Magill has said of these new works: 'These particular paintings came out of this unusual time. They were my response to nature but are also a kind of lament to the strange times we are living in... perhaps too they are my attempt to suggest a beauty; a beauty created by distance and maybe the passing of time and an acknowledgment to things we can’t fully fathom'. About the Artist: Elizabeth Magill b.1959, Canada. Lives and works in London and County Antrim, Northern Ireland Elizabeth Magill’s recent solo show ‘Headland’ toured to Limerick City Gallery of Art, Limerick, (2017); Ulster Museum, Belfast, (2018); Royal Hibernian Academy, Dublin (2018) and New Art Gallery, Walsall, UK, (2019). Other solo exhibitions include The Hugh Lane, Ireland, (2016); Towner Gallery & Museum, Eastbourne, UK, (2011); Ikon Gallery, Birmingham, travelling to Milton Keynes Gallery, Milton Keynes; BALTIC, Gateshead and Glynn Vivian Gallery, Swansea, (all 2005). -
Public Engagement
07 Public Engagement Engaging wider society is The highly successful Inside Trinity documentary series trended encapsulated in Trinity’s mission on Twitter each night it aired on RTÉ in September and October 2016. Filmed throughout the 2015/16 academic year, the series and Strategic Plan, and happens offered a fascinating glimpse of a great Irish institution at work. on a number of different levels The cameras captured the whole gamut of life: study, teaching including organising public and learning, research, sports and much more. lectures and events, making On-going annual synergies with national events include Trinity welcoming the public on campus for Culture research available online, media Night, Open House Dublin, and Front façade lighting up green coverage, social media activity, and to celebrate St Patrick’s Day, and red to welcome in the Chinese welcoming the public on campus. New Year in February. ‘PROBE: Research Uncovered’, a pop-up festival returned in September with a packed programme of talks, experiments, and interactive workshops showcasing the best of Irish research. In Front Square, over 3,000 visitors contributed to live research experiments and joined workshops dealing with a range of topics, from perception and intimacy to food security and global migration. PROBE, a collaboration between Trinity and Science Gallery Dublin, was part of European Researchers’ Night, taking place in cities across the continent. RIGHT – The Volunteers by Joe Caslin commissioned as part of the Trinity Creative Challenge Trinity College Dublin – The University of Dublin ≥ Sponsored by the Provost and unveiled in May 2015, the Trinity Creative Challenge award was established to catalyse the creative and cultural arts in Dublin city and to support the development of the creative and cultural industries. -
UCD Commuting Guide
University College Dublin An Coláiste Ollscoile, Baile Átha Cliath CAMPUS COMMUTING GUIDE Belfield 2015/16 Commuting Check your by Bus (see overleaf for Belfield bus map) UCD Real Time Passenger Information Displays Route to ArrivED • N11 bus stop • Internal campus bus stops • Outside UCD James Joyce Library Campus • In UCD O’Brien Centre for Science Arriving autumn ‘15 using • Outside UCD Student Centre Increased UCD Services Public ArrivED • UCD now designated a terminus for x route buses (direct buses at peak times) • Increased services on 17, 142 and 145 routes serving the campus Transport • UCD-DART shuttle bus to Sydney Parade during term time Arriving autumn ‘15 • UCD-LUAS shuttle bus to Windy Arbour on the LUAS Green Line during Transport for Ireland term time Transport for Ireland (www.transportforireland.ie) Dublin Bus Commuter App helps you plan journeys, door-to-door, anywhere in ArrivED Ireland, using public transport and/or walking. • Download Dublin Bus Live app for updates on arriving buses Hit the Road Don’t forget UCD operates a Taxsaver Travel Pass Scheme for staff commuting by Bus, Dart, LUAS and Rail. Hit the Road (www.hittheroad.ie) shows you how to get between any two points in Dublin City, using a smart Visit www.ucd.ie/hr for details. combination of Dublin Bus, LUAS and DART routes. Commuting Commuting by Bike/on Foot by Car Improvements to UCD Cycling & Walking Facilities Parking is limited on campus and available on a first come first served basis exclusively for persons with business in UCD. Arrived All car parks are designated either permit parking or hourly paid. -
VAN JA 2021.Indd
Lismore Castle Arts ALICIA REYES MCNAMARA Curated by Berlin Opticians LIGHT AND LANGUAGE Nancy Holt with A.K. Burns, Matthew Day Jackson, Dennis McNulty, Charlotte Moth and Katie Paterson. Curated by Lisa Le Feuvre 28 MARCH - 10 JULY - 10 OCTOBER 2021 22 AUGUST 2021 LISMORE CASTLE ARTS, LISMORE CASTLE ARTS: ST CARTHAGE HALL LISMORE CASTLE, LISMORE, CHAPEL ST, LISMORE, CO WATERFORD, IRELAND CO WATERFORD, IRELAND WWW.LISMORECASTLEARTS.IE +353 (0)58 54061WWW.LISMORECASTLEARTS.IE Image: Alicia Reyes McNamara, She who comes undone, 2019, Oil on canvas, 110 x 150 cm. Courtesy McNamara, She who comes undone, 2019, Oil on canvas, of the artist Image: Alicia Reyes and Berlin Opticians Gallery. Nancy Holt, Concrete Poem (1968) Ink jet print on rag paper taken from original 126 format23 transparency x 23 in. (58.4 x 58.4 cm.). 1 of 5 plus AP © Holt/Smithson Foundation, Licensed by VAGA at Artists Rights Society (ARS), New York. VAN The Visual Artists’ Issue 4: BELFAST PHOTO FESTIVAL PHOTO BELFAST FILM SOCIETY EXPERIMENTAL COLLECTION THE NATIONAL COLLECTIVE ARRAY Inside This Issue July – August 2021 – August July News Sheet News A Visual Artists Ireland Publication Ireland A Visual Artists Contents Editorial On The Cover WELCOME to the July – August 2021 Issue of within the Irish visual arts community is The Visual Artists’ News Sheet. outlined in Susan Campbell’s report on the Array Collective, Pride, 2019; photograph by Laura O’Connor, courtesy To mark the much-anticipated reopening million-euro acquisition fund, through which Array and Tate Press Offi ce. of galleries, museums and art centres, we 422 artworks by 70 artists have been add- have compiled a Summer Gallery Guide to ed to the National Collection at IMMA and First Pages inform audiences about forthcoming exhi- Crawford Art Gallery. -
Born in Seoul, Korea, 1946 Lives and Work in Milano, Italy Education MFA
CHUNG EUN-MO Born in Seoul, Korea, 1946 Lives and work in Milano, Italy Education MFA Graduate School of Art and Architecture - Pratt Institute, New York Selected Solo Exhibitions 2020 Bonomo Gallery, Roma 2018 Villa Flor, S-Chanf, CH 2017 1+1+1 Bijoy Jain, George Sowden, Chung Eun Mo, ASSAB ONE, Milano 2016 Fuori Salone with Karimoku Furniture, Milano 2012 Paintings, 46/B, Milano 2011 20 Carpets-Chung Eun Mo/Nathalie Du Pasquier, Post Design, Milano 2010 Opere – Pittura, Murale, Tavoli e Piastre in Ceramica, Fabbrica delle Arti, Napoli 2007 Fenderesky Gallery, Belfast 2006 Space RED, Milano Galleria Miralli, Viterbo 2005 Palazzo di Primavera, Terni Model Arts and Niland Gallery, Sligo 2004 Galway Arts Centre, Galway Kerlin Gallery, Dublin 2003 Gallery IHN, Seoul Galleria Studio G7, Bologna 2002 Gallery IHN, Seoul Art Fair, Seoul Fenderesky Gallery, Belfast 2001 Gallery IHN, Seoul Kerlin Gallery, Dublin 2000 Primo Piano, Roma 1999 Kerlin Gallery, Dublin 1997 Kerlin Gallery, Dublin Galleria Studio G7, Bologna 1996 Primo Piano, Roma Fenderesky Gallery, Belfast 1994 Galleria Studio G7, Bologna Irish Museum of Modern Art, Dublin Wassermann Galerie, Munich Kerlin Gallery, Dublin 1992 Städtische Galerie im Lenbachhaus, Munich 1991 Fenderesky Gallery, Belfast 1990 Primo Piano, Roma Gangurinn / The Corridor, Reykjavik 1982 Pyramid Gallery, Rochester, New York 1981 Soho Center for Visual Arts, New York 1980 Pratt Institute, Brooklyn, New York Selected Group Exhibitions 2020 Monica De Cardenas, Zuoz AIRMAIL 2, Assab One, Milano Drawings, Fenderesky -
Constellations Creative Arts Practice at Trinity College Dublin
CONSTELLATIONS CREATIVE ARTS PRACTICE AT TRINITY COLLEGE DUBLIN EDITED BY NICHOLAS JOHNSON & PHILIP COLEMAN 1 CONTENTS The Pregnant Box 9 The Lir 6-7 Raising the Curtain on Performance Pedagogy 10 Trinity Journal of Literary Translation 8 The Stoic Man 12 COPD Behavioural Change, Self- Management, and Peer Perspectives 13 Postcards from the Near Future 11 A rainbow in the palm of my hand 20 Samuel Beckett Laboratory 16-17 Time Present and Time Past 18 Trinity Long Room Hub 14-15 Tall Ships: Obedienta Civium Urbis Felicitas 21 Synaptic Serenades 19 Produced by the Creative Arts Practice Research Theme Steering Committee Funded by the Trinity Long Room Hub Arts and Humanities Research Institute Design and Production by Vermillion © 2015 Mapping the Former Soviet Union 25 Samuel Beckett Theatre 22-23 A PhotoVoice Project 28-29 Dynamo Island: The History and Geography of a Utopia 24 Engineering Fictions 27 Nyet! Nyet! Soviet 26 Viking Ghost Hunt / The Stoic Man 12 Haunted Planet 33 BLAST at 100 32 Border Play: TARDIGRADE 34-35 Science Gallery 30-31 Green-graphs The Long Goodbye 36 and IRIS 37 Pen & Palette 40-41 Douglas Hyde Gallery 38-39 AntiMidas, or Book of Kells Bankers in Hades 43 for iPad 42 How Do Artists Learn? 45 Centre for Literary Index of Projects by Title / Translation 44 Researchers 48 Synaptic Serenades 19 Index of Organisations / Collaborators 49 - 52 Acknowledgments 54 Courses in Creative Arts Practice Fields at TCD 53 Oscar Wilde Centre 46-47 About the Research Theme CREATIVE ARTS PRACTICE Creative Arts Practices are integrated into a range of their practices are analysed as social processes in the research activities and themes across all disciplines social sciences; they might be purveyed as content in Trinity: Humanities, Engineering, Science, and for creative technologies, as economic markers for Medicine.