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Pais Vasco 2018
The País Vasco Maribel’s Guide to the Spanish Basque Country © Maribel’s Guides for the Sophisticated Traveler ™ August 2018 [email protected] Maribel’s Guides © Page !1 INDEX Planning Your Trip - Page 3 Navarra-Navarre - Page 77 Must Sees in the País Vasco - Page 6 • Dining in Navarra • Wine Touring in Navarra Lodging in the País Vasco - Page 7 The Urdaibai Biosphere Reserve - Page 84 Festivals in the País Vasco - Page 9 • Staying in the Urdaibai Visiting a Txakoli Vineyard - Page 12 • Festivals in the Urdaibai Basque Cider Country - Page 15 Gernika-Lomo - Page 93 San Sebastián-Donostia - Page 17 • Dining in Gernika • Exploring Donostia on your own • Excursions from Gernika • City Tours • The Eastern Coastal Drive • San Sebastián’s Beaches • Inland from Lekeitio • Cooking Schools and Classes • Your Western Coastal Excursion • Donostia’s Markets Bilbao - Page 108 • Sociedad Gastronómica • Sightseeing • Performing Arts • Pintxos Hopping • Doing The “Txikiteo” or “Poteo” • Dining In Bilbao • Dining in San Sebastián • Dining Outside Of Bilbao • Dining on Mondays in Donostia • Shopping Lodging in San Sebastián - Page 51 • Staying in Bilbao • On La Concha Beach • Staying outside Bilbao • Near La Concha Beach Excursions from Bilbao - Page 132 • In the Parte Vieja • A pretty drive inland to Elorrio & Axpe-Atxondo • In the heart of Donostia • Dining in the countryside • Near Zurriola Beach • To the beach • Near Ondarreta Beach • The Switzerland of the País Vasco • Renting an apartment in San Sebastián Vitoria-Gasteiz - Page 135 Coastal -
Catedral Camino De Santiago
joyas del prerrománico, San Miguel de Lillo y Santa María del Naranco. del María Santa y Lillo de Miguel San prerrománico, del joyas Fuente de Foncalada de Fuente Iglesia de Lloriana de Iglesia Llampaxuga señalización del camino del señalización en el primer peregrino primer el en al Oeste y, en su frente, la ladera ya visible del monte Naranco con las dos dos las con Naranco monte del visible ya ladera la frente, su en y, Oeste al Capilla del Carmen del Capilla Símbolo urbano de urbano Símbolo del Apóstol Santiago convirtiéndose convirtiéndose Santiago Apóstol del paisaje que se disfruta es espectacular, con el cordón montañoso del Aramo Aramo del montañoso cordón el con espectacular, es disfruta se que paisaje Iria Flavia para conocer el sepulcro el conocer para Flavia Iria En el siglo IX viajó desde Oviedo a a Oviedo desde viajó IX siglo el En dirige hacia Oviedo por la Venta del Aire, Caxigal, Los Prietos y El Caserón. El El Caserón. El y Prietos Los Caxigal, Aire, del Venta la por Oviedo hacia dirige Alfonso II, el Casto el II, Alfonso través de un camino que sale a la derecha de la carretera, el peregrino se se peregrino el carretera, la de derecha la a sale que camino un de través pronunciadas, que nos llevan hasta las casas del Picu Llanza. Desde aquí, a a aquí, Desde Llanza. Picu del casas las hasta llevan nos que pronunciadas, Portazgo. En la Manzaneda, el Camino discurre a media ladera, con subidas subidas con ladera, media a discurre Camino el Manzaneda, la En Portazgo. -
Comparing the Basque Diaspora
COMPARING THE BASQUE DIASPORA: Ethnonationalism, transnationalism and identity maintenance in Argentina, Australia, Belgium, Peru, the United States of America, and Uruguay by Gloria Pilar Totoricagiiena Thesis submitted in partial requirement for Degree of Doctor of Philosophy The London School of Economics and Political Science University of London 2000 1 UMI Number: U145019 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U145019 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Theses, F 7877 7S/^S| Acknowledgments I would like to gratefully acknowledge the supervision of Professor Brendan O’Leary, whose expertise in ethnonationalism attracted me to the LSE and whose careful comments guided me through the writing of this thesis; advising by Dr. Erik Ringmar at the LSE, and my indebtedness to mentor, Professor Gregory A. Raymond, specialist in international relations and conflict resolution at Boise State University, and his nearly twenty years of inspiration and faith in my academic abilities. Fellowships from the American Association of University Women, Euskal Fundazioa, and Eusko Jaurlaritza contributed to the financial requirements of this international travel. -
Download Curriculum PDF Document
Valentina Bilbao CURRICULUM CURRICULUM 2 Valentina Bilbao is a visual artist, born in Caracas, Venezuela. She discovered her love of painting, drawing, and poetry at a young age. She dedicated herself to learning new techniques that allowed her to further develop her artistic skills. She felt the need to convey her knowledge, so she created the Drawing and Painting Workshop “Pinceladas”, which had children and youth of different ages. Valentina continued to dabble in art and received more training at the School of Visual Arts, while at the same time she studied Psychology. Her artwork captures a full and complete expression of emotions such as joy, passion and love with spontaneity, energy, and strength through a wide range of colors, textures, shapes, and figures, making all of her artwork comprehensive and rich in content. In addition, her artwork has balance and harmony, which is the result of all the elements in the right proportions coming alive and containing a constant motion. Color is the main character of her work, which all other elements are combined. This technique is the result of admiration, and study of the different movements of art, which shows an extraordinary capacity for synthesis and integration. CURRICULUM 3 My paintings carry a message of love, energy, bliss, absolute dedication, and passion. My artistic process is reflected onto my artwork through My passion for life inspires me to bring positive emotions music. Music becomes my air. Music is my energy and I and thoughts together in my work. Through each stroke of capture that energy in my work. -
Final Report – Spain
A CORUÑA – SPAIN Journal of the mobility February 2020 Arrival of all teams Sunday 16th February On Sunday 16th of February, our turn to be the host country had arrived, so, full of excitement, teachers and host families headed to Alvedro, our city airport to welcome all the teams. The 1st team to arrive was the Portuguese one, who unfortunately landed without luggage, but happy to be in A Coruña... 1st team: Portugal The 2nd team to arrive was the Italian one, who after flying to Santiago de Compostela, instead of A Coruña, arrived to the hotel where all the teachers were staying to be welcomed by the host families... 2nd team: Italy 3rd team: Lithuania 4th team: Czech Republic 5th team: Croatia 1st day, Welcome to: CPR Plurilingüe La Grande Obra de Atocha!! 17th February 2020 The first day in school started with a welcome ceremony by the youngest students in our school and their teachers, who gathered together with all the foreign teams, Spanish host students and teachers and the Spanish Headmistress. The ceremony consisted of a welcoming speech, a song about water, a traditional song and dance of our region performed by two of our older students and a final surprise where everyone played and symbolised a storm only using their hands, feet and body. It was time to explain our visitors the story of our School and our Founder “Don Baltasar Pardal Vidal” and then show them around our facilities: playgrounds, classrooms, canteen, library... Together with María Osuna, art and history teacher, we got the chance to get to know A Coruña, not all of it, but the surroundings of our School. -
Art History of Spain in the History of Western Art, Spain
Art History of Spain In the history of Western Art, Spain occupies a very significant and distinct position; after the French and the Italians, the Spanish are probably the most important contributors to the development and evolution of art in the Western Hemisphere. Over the centuries, numerous Spanish artists have contributed heavily to the development of European art in almost all the “major” fields like painting, sculpture and architecture. While Spanish art has had deep linkages with its French and Italian counterparts, Spain’s unique geographic location has allowed it to evolve its own distinct characteristics that set it quite apart from other European artistic traditions. Spain’s fascinating history of conquest and trade is inextricably linked to the evolution of its art. Cave Paintings of Altamira, Spain The earliest inhabitants of what is now modern-day Spain were known for their rich art traditions, especially with respect to cave-paintings from the Stone Age. The Iberian Mediterranean Basin in the regions of Aragon and Castile-La Mancha in eastern Spain, and the world famous Altamira Cave paintings in Cantabria are both UNESCO World Heritage sites that showcase vivid cave paintings from the Stone Age. Pre-Romanesque Period Over the course of history, Spain has been deeply influenced by the culture art of its neighbors, who were more often than not its conquerors. The Roman control over Hispania, from 2nd century BC to 5th century AD, had a deep influence on Spain, especially in its architecture dating from that period. The Aqueduct of Segovia, Alcantara Bridge and the Tower of Hercules Lighthouse are some of the important monuments from that period that still survive to-date. -
Map of La Rioja Haro Wine Festival
TRAVEL AROUND SPAIN SPAIN Contents Introduction.................................................................6 General information......................................................7 Transports.................................................................10 Accommodation..........................................................13 Food.........................................................................15 Culture......................................................................16 Region by region and places to visit..............................18 Andalusia........................................................19 Aragon............................................................22 Asturias..........................................................25 Balearic Islands...............................................28 Basque Country................................................31 Canary Islands.................................................34 Cantabria........................................................37 Castille-La Mancha...........................................40 Castille and León.............................................43 Catalonia........................................................46 Ceuta.............................................................49 Extremadura....................................................52 Galicia............................................................55 La Rioja..........................................................58 Madrid............................................................61 -
Control Social Y Represión De Los Delitos De Índole Sexual En El
Control social y represión de los delitos de índole sexual en el Duranguesado durante el Antiguo Régimen Contrôle social et répression des crimes de nature sexuelle à Duranguesado sous l'Ancien Régime. Social control and repression of crimes of a sexual nature in Duranguesado during the Ancien Régime. Antzinako Erregimenean zehar izaera sexualeko delituen kontrola eta errepresioa Durangaldean. José Patricio ALDAMA GAMBOA Doctor en Historia por la UPV/EHU Clio & Crimen , nº 16 (2019), pp. 131-158 Artículo recibido: 04/03/2019 Artículo aceptado: 10/09/2019 Resumen: Este artículo pretende analizar el control social y la represión de algunos delitos sexuales (amancebamiento, pro - miscuidad sexual y prostitución) durante el Antiguo Régimen en el marco geográfico de la Merindad de Durango (Bizkaia), en donde las personas perseguidas y castigadas lo fueron por poner en entredicho unos modelos de comportamiento sexual, establecidos y consen - suados por las élites dirigentes. Se analizarán, igualmente, las sanciones, castigos y acciones punitivas puestas en marcha, no solo como un mecanismo sancionador, sino también recuperador del individuo disidente o desviado. Palabras clave: Sexualidad. Prostitución. Delito sexual. Amancebamiento. Antiguo Régimen. Résumé: Cet article vise à analyser le contrôle social et la répression de certains crimes sexuels (concubinage, promiscuité sexue - lle et prostitution) au cours de l'Ancien Régime dans le cadre géographique du Merindad de Durango (Biscaye), où se trouvaient les per - sonnes persécutées et punies pour avoir remis en question des modèles de comportement sexuel établis et acceptés par les élites dirigeantes. Les sanctions, punitions et actions punitives mises en place seront également analysées, non seulement en tant que mécanisme de sanction, mais aussi en tant que récupération de l'individu dissident ou déviant. -
Estudios Interdisciplinares De Arqueología
ANEJOS DE Estudios Interdisciplinares de Arqueología Diciembre 2016 Asociación de OVIEDO Profesionales Independientes de la Anejos de NAILOS Número 3 Arqueología de 3Oviedo, 2016 Anejos de NAILOSISSN 2341-3573. ISSN 2341-3573. Nº. 3, 2016 Asturias 1 Anejos de Nailos Estudios Interdisciplinares de Arqueología Estudios sobre la Edad Media en el norte de la península ibérica José Antonio Fernández de Córdoba Pérez (coordinador de la edición) Jornadas sobre Arqueología Medieval organizadas por APIAA en 2013, 2014 y 2015 Consejo Asesor Consejo Editorial David Álvarez-Alonso Universidad Nacional de Educación a Distancia Esteban Álvarez Fernández Francesc Xavier Hernández Valentín Álvarez Martínez Universidad de Salamanca Cardona Arqueólogo Universitat de Barcelona Xurxo Ayán Vila Luis Blanco Vázquez Universidad del País Vasco José María Martín Civantos Arqueólogo Universidad de Granada Antonio Blanco González Jesús Fernández Fernández Universidad de Salamanca Iván Muñiz López Universidad de Oxford / La Ponte- Universidad Nacional de Ecomuséu Belén Bengoetxea Rementería Educación a Distancia José Antonio Fernández Universidad del País Vasco de Córdoba Pérez Andrew Reynolds Carlos Cañete Jiménez Arqueólogo University College London CCHS–CSIC Alejandro García Álvarez-Busto Joseba Ríos Garaizar Universidad de Oviedo Enrique Cerrillo Cuenca Centro Nacional de Investigación Carlos Marín Suárez Investigador independiente sobre la Evolución Humana Universidad de la República, Uruguay Miriam Cubas Morera Dídac Román Monroig Alejandro Sánchez Díaz University of York Universitat de Barcelona Arqueólogo Ermengol Gassiot Ballbé José Carlos Sánchez Pardo Universitat Autònoma de Universidade de Santiago de David González Álvarez Barcelona Compostela Secretario Incipit-CSIC/Durham University Alfredo González Ruibal Alfonso Vigil-Escalera Guirado Incipit–CSIC Universidad de Salamanca Fructuoso Díaz García Director Fundación Municipal de Cultura de Siero ANEJOS DE Anejo nº 3 de Nailos. -
Dietary Reconstruction of Medieval and Early Modern
DIETARY RECONSTRUCTION OF MEDIEVAL AND EARLY MODERN SPANISH POPULATIONS USING STABLE ISOTOPES OF CARBON AND NITROGEN ____________ A Thesis Presented to the Faculty of California State University, Chico ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Anthropology ____________ by © Amy T. MacKinnon 2015 Spring 2015 DIETARY RECONSTRUCTION OF MEDIEVAL AND EARLY MODERN SPANISH POPULATIONS USING STABLE ISOTOPES OF CARBON AND NITROGEN A Thesis by Amy T. MacKinnon Spring 2015 APPROVED BY THE DEAN OF GRADUATE STUDIES AND VICE PROVOST FOR RESEARCH: _________________________________ Eun K. Park, Ph.D. APPROVED BY THE GRADUATE ADVISORY COMMITTEE: ______________________________ _________________________________ Guy Q. King, Ph.D. Eric J. Bartelink, Ph.D., Chair Graduate Coordinator _________________________________ Georgia L. Fox, Ph.D. PUBLICATION RIGHTS No portion of this thesis may be reprinted or reproduced in any manner unacceptable to the usual copyright restrictions without the written permission of the author. iii DEDICATION This thesis is dedicated to the memory of my grandparents Ermineo Claude Paul Seita April 21, 1921 – February 11, 2015 and Velma Watson Seita January 28, 1923 – March 12, 2015 “Chi tard’arriva mal’alloggia” iv ACKNOWLEDGMENTS I would like to acknowledge with gratitude my thesis committee Dr. Eric Bartelink and Dr. Georgia Fox. Thank you for your support, enthusiasm, and encouragement. I would like to thank Dr. Bartelink especially for introducing me to this project and for training me in the techniques of preparing samples for stable isotope analysis. I would also like to thank Dr. Nicholas V. Passalacqua (Defense POW/MIA Accounting Command) who had the foresight to sample the collection for stable isotope analysis. -
The Vision of a Guggenheim Museum in Bilbao
HARVARD DESIGN SCHOOL THE VISION OF A GUGGENHEIM MUSEUM IN BILBAO In a March 31, 1999 article, the Washington Post? posed the following question: "Can a single building bring a whole city back to life? More precisely, can a single modern building designed for an abandoned shipyard by a laid-back California architect breath new economic and cultural life into a decaying industri- al city in the Spanish rust belt?" Still, the issues addressed by the article illustrate only a small part of the multifaceted Guggenheim Museum of Bilbao. A thorough study of how this building was conceived and made reveals equally significant aspects such as getting the best from the design architect, the master handling of the project by an inexperienced owner, the pivotal role of the executive architect-project man- ager, the dependence on local expertise for construction, the transformation of the architectural profession by information technology, the budgeting and scheduling of an unprecedented project without sufficient information. By studying these issues, the greater question can be asked: "Can the success of the Guggenheim museum be repeated?" 1 Museum Puts Bilbao Back on Spain’s Economic and Cultural Maps T.R. Reid; The Washington Post; Mar 31, 1999; pg. A.16 Graduate student Stefanos Skylakakis prepared this case under the supervision of Professor Spiro N. Pollalis as the basis for class discussion rather to illustrate effective or ineffective handling of an administrative situation, a design process or a design itself. Copyright © 2005 by the President and Fellows of Harvard College. To order copies or request permission to repro- duce materials call (617) 495-4496. -
Livereal Madrid Vs Athletic Bilbao 1 En Ligne Link 2
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