The Ryukyu Kingdom
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Kondo T Biography
Takahiro Kondo Curriculum Vitae Born 1958, Kyoto, Japan 1978-1982 Hosei University, Tokyo, Japan, Faculty of Literature 1984-1985 Kyoto Prefectural Technical Institute of Ceramics, Kyoto, Japan 1985-1986 Kyoto Municipal Institute of Industrial Research, Kyoto, Japan 2002-2003 Edinburgh College of Art, Edinburgh, MA Design and Applied Art (with support through a fellowship from the Japanese Ministry of Culture) 2018 Artist in Residence, Gardiner Museum, Toronto, Canada Working in Japan Takahiro Kondo lives and works in Kyoto in what was his grandfather’s original studio in the hills of Yamashina. His grandfather, Yuzo Kondo (1902 -1985), was named a Living National Treasure in 1977 for his work in sometsuke or underglaze cobalt blue decoration. Despite his weighty heritage, Kondo did not start working in ceramics until 1986. His early ceramics followed a more traditional path, but he soon established his own independent artistic identity creating dynamic modern work, using simple slabbed forms and experimenting with other media such as metals and cast glass. His experiments with metals resulted in the creation of his unique “silver mist” glaze, for which he is now well known. Kondo draws inspiration from the natural world, with water being a central theme. His work took on another dimension after the disaster of 3/11 when he created a series of meditative figures, the Reduction series, to call attention to the causes and consequences of the events in the Tohoku area for all of Japan. Another important aspect of his career has been his special relationship with Scotland, where inter alia, he gained an MA Design from Edinburgh College of Art, and also learned glassmaking techniques. -
Changes in the Way of Traditional Cloth Makings and the Weavers’ Contribution in the Ryukyu Islands Toshiyuki Sano Nara Women’S University, Too [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 9-2014 Changes in the Way of Traditional Cloth Makings and the Weavers’ Contribution in the Ryukyu Islands Toshiyuki Sano Nara Women’s University, [email protected] Yuka Matsumoto Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons, and the Art Practice Commons Sano, Toshiyuki and Matsumoto, Yuka, "Changes in the Way of Traditional Cloth Makings and the Weavers’ Contribution in the Ryukyu Islands" (2014). Textile Society of America Symposium Proceedings. 885. http://digitalcommons.unl.edu/tsaconf/885 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Changes in the Way of Traditional Cloth Makings and the Weavers’ Contribution in the Ryukyu Islands Toshiyuki Sano and Yuka Matsumoto This article is based on a fieldwork project we conducted in 2013 and 2014. The objective of the project was to grasp the current state of how people are engaged in the traditional ways of weaving, dyeing and making cloth in the Ryukyu Islands.1 Throughout the project, we came to think it important to understand two points in order to see the direction of those who are engaged in manufacturing textiles in the Ryukyu Islands. The points are: the diversification in ways of engaging in traditional cloth making; and the importance of multi-generational relationship in sustaining traditional cloth making. -
Integrating Malaysian and Japanese Textile Motifs Through Product Diversification: Home Décor
Samsuddin M. F., Hamzah A. H., & Mohd Radzi F. dealogy Journal, 2020 Vol. 5, No. 2, 79-88 Integrating Malaysian and Japanese Textile Motifs Through Product Diversification: Home Décor Muhammad Fitri Samsuddin1, Azni Hanim Hamzah2, Fazlina Mohd Radzi3, Siti Nurul Akma Ahmad4, Mohd Faizul Noorizan6, Mohd Ali Azraie Bebit6 12356Faculty of Art & Design, Universiti Teknologi MARA Cawangan Melaka 4Faculty of Business & Management, Universiti Teknologi MARA Cawangan Melaka Authors’ email: [email protected]; [email protected]; [email protected]; [email protected]; [email protected]; [email protected] Published: 28 September 2020 ABSTRACT Malaysian textile motifs especially the Batik motifs and its product are highly potential to sustain in a global market. The integration of intercultural design of Malaysian textile motifs and Japanese textile motifs will further facilitate both textile industries to be sustained and demanded globally. Besides, Malaysian and Japanese textile motifs can be creatively design on other platforms not limited to the clothes. Therefore, this study is carried out with the aim of integrating the Malaysian textile motifs specifically focuses on batik motifs and Japanese textile motifs through product diversification. This study focuses on integrating both textile motifs and diversified the design on a home décor including wall frame, table clothes, table runner, bed sheets, lamp shades and other potential home accessories. In this concept paper, literature search was conducted to describe about the characteristics of both Malaysian and Japanese textile motifs and also to reveal insights about the practicality and the potential of combining these two worldwide known textile industries. The investigation was conducted to explore new pattern of the combined textiles motifs. -
T.C. Istanbul Aydin Üniversitesi Sosyal Bilimler Enstitüsü
T.C. İSTANBUL AYDIN ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TEKSTİLDE SHIBORI VE STENCIL BASKI TEKNİĞİNİN SANATSAL UYGULAMALARI YÜKSEK LİSANS TEZİ Emine YILDIZ (Y1312.240003) Görsel Sanatlar Ana Sanat Dalı Görsel Sanatlar Programı Tez Danışmanı: Prof. Dr. Bayram YÜKSEL Ocak, 2017 YEMİN METNİ Yüksek lisans tezi olarak sunduğum” Tekstilde Shibori Ve Stencil Baskı Tekniğinin Sanatsal Uygulamaları” adlı çalışmanın, tezin proje safhasından sonuçlanmasına kadarki bütün süreçlerde bilimsel ahlak ve geleneklere aykırı düşecek bir yardıma başvurulmaksızın yazıldığını ve yararlandığım eserlerin Bibliyoğrafya’da gösterilenlerden oluştuğunu, bunlara atıf yapılarak yararlanılmış olduğunu belirtir ve onurumla beyan ederim.( 05.01.2017) Emine YILDIZ iii ÖNSÖZ İnsanoğlunun örtünme ve doğa koşullarından korunma gereksinimi ilk insandan bu yana varolagelmiştir. Zaman içerisinde, sosyal, ekonomik ve kültürel değişimin yaşanması giyiminde farklı yönlere kaymasını engelleyememiştir. Giderek globalleşen dünyamız da, tekstil ürünlerinin desen, kumaş, renk çeşitliliğine rağmen, düşünsel gelişimin, sanatsal yaklaşımına yetemediği anlaşılmıştır. Günümüz insanları teknolojinin ilerlemesi ve aynı tarz giyimden bıkmış ve farklı tasarım ve farklı kumaş desenli kıyafet isteğine yönelmiştir. Japon sanatı shibori çok eski geleneği bu gün yeryüzüne tekrar çıkarmıştır. İnsanlarımızın bu isteğine cevap veren ve hatta duygularını kumaşıyla bütünleştiren bu sanat, bir çok teknikte değişik etkileşimler ve değişik formlar meydana getirmiştir. Shibori tekstil ürünlerini hiçe -
Sino-US Relations and Ulysses S. Grant's Mediation
Looking for a Friend: Sino-U.S. Relations and Ulysses S. Grant’s Mediation in the Ryukyu/Liuqiu 琉球 Dispute of 1879 Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Chad Michael Berry Graduate Program in East Asian Studies The Ohio State University 2014 Thesis Committee: Christopher A. Reed, Advisor Robert J. McMahon Ying Zhang Copyright by Chad Michael Berry 2014 Abstract In March 1879, Japan announced the end of the Ryukyu (Liuqiu) Kingdom and the establishment of Okinawa Prefecture in its place. For the previous 250 years, Ryukyu had been a quasi-independent tribute-sending state to Japan and China. Following the arrival of Western imperialism to East Asia in the 19th century, Japan reacted to the changing international situation by adopting Western legal standards and clarifying its borders in frontier areas such as the Ryukyu Islands. China protested Japanese actions in Ryukyu, though Qing Dynasty (1644-1912) leaders were not willing to go to war over the islands. Instead, Qing leaders such as Li Hongzhang (1823-1901) and Prince Gong (1833-1898) sought to resolve the dispute through diplomatic means, including appeals to international law, rousing global public opinion against Japan, and, most significantly, requesting the mediation of the United States and former U.S. President Ulysses S. Grant (1822-1885). Initially, China hoped Grant’s mediation would lead to a restoration of the previous arrangement of Ryukyu being a dually subordinate kingdom to China and Japan. In later negotiations, China sought a three-way division of the islands among China, Japan, and Ryukyu. -
Getting to Know the Many Facets of Japan
Feature Getting to Know the Many Facets of Japan 智Kyoto University’s Rich Tapestry of Research If you want to get to know Japan from many different angles, Kyoto University is the place to visit. This issue of Research Activities introduces only a small part of the research projects under way at the university. We hope that you will find something here that grabs your interest, and stimulates your curiosity to find out about the many other research activities going on at Kyoto University. Japan Modren History Where do our images of Kyoto and Japan come from? Collaborative Research on Kyoto, Japan’s Ancient Capital, and other Historical Cities. We are accustomed to seeing the city of Kyoto represented by graceful and elegant images, such as exquisitely crafted Japanese cuisine and confectionary, traditional craftwork such as Nishijin textiles and Kiyomizuyaki pottery, and the scenery of old temples and shrines or the Higashiyama mountains. You may be surprised to learn, however, that such images of Kyoto did not evolve naturally over time, but were contrived and created in modern times for political reasons. In order to “catch up” with powerful Western nations and become one of the world’s “the first- PHOTO: Wikipedia rate countries,” the nation-state of Japan, which The Hō-ō-do Hall of Byodo-in Temple (Uji City), an established image of Kyoto in modern history had been established during the Sino–Japanese and Russo–Japanese Wars, adopted a national policy to employ kokufu bunka (Japan’s traditional national culture) as the image for Kyoto City and a symbol of national identity. -
Imaginary Aesthetic Territories: Australian Japonism in Printed Textile Design and Art
School of Media Creative Arts and Social Inquiry (MCASI) Imaginary Aesthetic Territories: Australian Japonism in Printed Textile Design and Art Kelsey Ashe Giambazi This thesis is presented for the Degree of Doctor of Philosophy of Curtin University July 2018 0 Declaration To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Signature: Date: 15th July 2018 1 Acknowledgements I would like to sincerely express my thanks and gratitude to the following people: Dr. Ann Schilo for her patient guidance and supervisory assistance with my exegesis for the six-year duration of my candidacy. To learn the craft of writing with Ann has been a privilege and a joy. Dr. Anne Farren for her supervisory support and encouragement. To the staff of the Curtin Fashion Department, in particular Joanna Quake and Kristie Rowe for the daily support and understanding of the juggle of motherhood, work and ‘PhD land’. To Dr. Dean Chan for his impeccably thorough copy-editing and ‘tidying up’ of my bibliographical references. The staff in the School of Design and Art, in particular Dr. Nicole Slatter, Dr. Bruce Slatter and Dr. Susanna Castleden for being role models for a life with a balance of academia, art and family. My fellow PhD candidates who have shared the struggle and the reward of completing a thesis, in particular Fran Rhodes, Rebecca Dagnall and Alana McVeigh. -
Rethinking Interaction Between Indigenous Traditional Knowledge and Modern
International Workshop Proceedings Rethinking Interaction between Indigenous Traditional Knowledge and Modern Traditional Interaction between Indigenous Rethinking Rethinking Interaction between Indigenous Traditional Knowledge and Modern Knowledge Edited by Yugo Tomonaga and Shincha Park International Workshop Rethinking Interaction between Indigenous Traditional Knowledge and Modern Knowledge October 15, 2017 Wagenkan 202, Fukakusa Campus Ryukoku University Edited by Yugo Tomonaga and Shincha Park ©2018 All Rights Reserved The opinions expressed in this publication are those of the author/s and do not necessarily reflect the view of Ryukoku University. No part of this publication shall be reproduced in any form without the permission of the author/s. This publication has been supported by JSPS KAKENHI Grant Number 16K03246 for the project “Environmental Anthropological Study of Watershed Management among Indigenous people in Australia and Japan”, and Social-Cultural Research Institute, Ryukoku University, for the project “Comparative Studies on Environmental Management of Catchment and Forest as the Water Source in Australia and Japan”. Echika.T Rethinking Interaction between Indigenous Traditional Knowledge and Modern Knowledge 2017.10.15 (SUN) 10:00 - 17:00 Ryukoku University Fukakusa Campus Wagenkan, Room 202 By JSPS KAKENHI Grant Number 16K03246 TEL: 075-366-2201 / 077-543-7670 E-mail: [email protected] / [email protected] PHOTOS Martin F. Nakata Yasukatsu Matsushima Akio Tanabe Yugo Tomonaga Liying Lin Kinhide -
Loom Abbreviation S JF January/February RH
Handwoven Index, 2012 – January/February 2018 Both authors and subjects are contained in the index. Keep in mind that people’s names can be either authors or subjects in an article. The column “Roving Reporters” is not indexed, nor is the “Letters” or “From the Editor,” unless it is substantial. Projects are followed by bracketed [ ] abbreviations indicating the shaft number and loom type if other than a regular floor loom. To find an article, use the abbreviations list below to determine issue and loom type. For instance, “Warped and twisted scarves. Handwoven: MJ12, 66-68 [4]” is a 4-shaft project found on pages 66-68 of the May/June 2012 issue. Issue Loom abbreviat abbreviation ions: s JF January/February RH Rigid heddle MA March/April F Frame loom MJ May/June P Peg or pin loom SO September/October C Card/tablet weave ND November/December I Inkle loom T Tapestry loom D Dobby loom 3-D weaving Weaving in 3-D. Handwoven: ND14, 63-64 A Abbarno, Luciano A weaver on the verge. Handwoven: ND12, 11 Abernathy-Paine, Ramona An Elizabethan sonnet in a shawl. Handwoven: JF14, 54-56 [10] Warped and twisted scarves. Handwoven: MJ12, 66-68 [4] absorbency Reflections on absorbency. Handwoven: SO14, 70-71 Acadian textiles Boutonné snowflake pillow. Handwoven: SO15, 67-68 [2, RH] Boutonné: an Arcadian legacy. Handwoven: SO15, 66-67 Cajun cotton. Handwoven: JF15, 66-67 Cajun-inspired cotton dish towels. Handwoven: JF15, 67-68 [4] Adams, Mark Tapestry through the ages. Handwoven: MJ15, 6 Adams, Theresa Blooming leaf runner. Handwoven: MA12, 36-37 [4] Adamson, Linda Summer and winter with a twist polka-dot towels. -
Sheila Hicks
VOLUME 28. NUMBER 2. FALL, 2016 Sheila Hicks, Emerging with Grace, 2016, linen, cotton, silk, shell, 7 7/8” x 11”, Museum purchase with funds from the Joslyn Art Museum Association Gala 2016, 2016.12. Art © Sheila Hicks. Photo: Cristobal Zanartu. Fall 2016 1 Newsletter Team BOARD OF DIRECTORS Letter from the Editor Vita Plume Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of External Relations) At TSA in Savannah we welcomed new board members and said good-bye to those President who have provided dedicated service for four or more years to our organization. Designer and Editor: Tali Weinberg (Executive Director) [email protected] ALL Our talented executive director, Tali Weinberg has served us well, developing Member News Editor: Caroline Charuk (Membership & Communications Coordinator) F 2016 procedures that will serve us into the future and implementing board directed Editorial Assistance: Vita Plume (TSA President) Lisa Kriner Vice President/President Elect NEWSLETTER CONTENTS changes during her tenure. Tali is now stepping out to pursue her artwork with a [email protected] full time residency in Tulsa, Oklahoma for a year. I wish her well even as I will miss 3 Letter from the Editor working with her. Our Mission Roxane Shaughnessy Past President 4 Letter from the President [email protected] Our organization has embarked on developing a strategic plan in 2016 and is in the The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for 6 Letter from the Executive Director process of gathering input from a broad range of constituents, both members and the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, Owyn Ruck non-members. -
Winds Over Ryukyu. a Narrative on the 17Th Century Ryukyu Kingdom
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository Mikołaj Melanowicz Winds over Ryukyu . A Narrative on the 17th Century Ryukyu Kingdom Introduction A historical drama ( taiga dorama 大河ドラマ), broadcast by Japanese public television NHK about the Ryukyu Kingdom – the present Okinawa prefecture – was an important event which brought back to life things that many Japanese would prefer to remain concealed. The story concerns the history of the Ryukyu Kingdom’s subjugation by the Japanese in the seventeenth century. Before that time, the Ryukyu Kingdom had maintained trade relations with China, the Philippines, Japan and even South-East Asia. It was a period of prosperity stretching over the fifteenth and sixteenth centuries, the time when the kingdom was united and strengthen. The TV series was based on the novel Ryūkyū no kaze (Winds over Ryukyu, 1992), by Chin Shunshin, a well-known writer of Chinese origin. The novel is 900 pages long and divided into three volumes: Dotō no maki ( 怒涛の巻: ’the book of angry waves’), Shippū no maki ( 疾風の 巻 雷雨の巻 : ‘the book of the violent1 wind’), and Raiu no maki ( : ‘the book of the thunderstorm’) . These titles reflect the increasing danger faced by the heroes of the novel and the 100,000 inhabitants of the archipelago. The danger comes from the north, from the Japanese island of Kyushu, the south-eastern part of which was governed by a clan from Satsuma ( 薩摩, present Kagoshima 鹿児島). The Characters of Winds over Ryukyu The heroes of the novel are two fictional brothers: Keitai, who pursues a political career, and Keizan, who devotes himself to the art of dance in its native form; and their girlfriends, future wives, Aki and Ugi. -
THE RYUKYU ISLANDS by William P
THE RYUKYU ISLANDS by William P. Lebra Introduction The commonly held stereotype of Japan as a culturally and linguistically homogeneous nation overlooks the existence of more than one million Ryukyuans (not to mention the Ainu, Chinese, and Koreans) also present in Japan. To illustrate more vividly that point I considered, somewhat face- tiously, subtitling this paper with a well-known Okinawan joke, "Urukun Nippon du yaibii ga yaa" ("Is Oroku a part of Japan?"), which pokes fun at the dialect spoken by the inhabitants of the Oroku district of Naha, the capital of the Ryukyu Islands. It also expresses, I believe, the concern withidentity vis-&-vis Japan common among Ryukyuans. This problem of identity derives from the fact that the Ryukyus have maintained culture(s) and language(s) quite separate and distinct from those of Japan until very recent times. The island groups of Amami, Okinawa, Miyako, and Yaeyama encompass at least four related yet mutually un- intelligible languages which make up the Ryukyuan branch of a Japanese- Ryukyuan family. From 1372 until 1874 the Ryukyu kingdom made regular tribute payments to China, permitting a beneficial trade and assimilation of many aspects of Chinese culture. Although conquest by Satsuma in 1609 reduced the small state to vassalage, a high degree of cultural and political autonomy was permitted; moreover, interaction with China, especially trade, was actually encouraged to the benefit of Satsuma. This duality of cultural influences has been well-recognized by Ryukyuans; for example, the author of the Kian Nikki (1618-1619) ascribes to "elders" the saying, "Think of China as grandmother and regard Japan as grandfather." Al- though the Japanese government announced annexation in 1872, direct administration did not occur until March 30, 1879, when the last king, Sh6 Tai, was forcibly removed by soldiers to permanent exile in Tokyo.