Twisted Sister

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FOR IMMEDIATE RELEASE NOVEMBER 9, 2009 BOULEVARD CASINO PRESENTS TWISTED SISTER LIVE AT THE RED ROBINSON SHOW THEATRE SATURDAY, FEBRUARY 6 Coquitlam, BC – Twisted Sister’s 37-year legacy with global sales of 12 million records, thirty-three Gold and Platinum Awards and more than 9000 performances is nothing short of amazing. Twisted co-lead guitarist, Jay Jay French formed the band in New York City in December, 1972. High school buddy, Eddie “Fingers” Ojeda came on board in 1975 as co-lead guitarist. With the addition of front man, Dee Snider in 1976, the band embraced the theatricality of the shock rock movement combined with their signature hard-rock sound that continues to embrace new fans while remaining loyal to their followers. In 1978, bassist Mark “The Animal” Mendoza joined the band and it was shortly thereafter that Twisted Sister began to make a name for itself on the gruelling club circuit while including more and more Snider-penned original material in the sets. The final addition of drummer, A. J. Pero in 1982 completed the line-up responsible for every Twisted Sister classic including “We’re Not Gonna Take It,” “I Wanna Rock” and their power ballad, “The Price.“ In 2006, the group released the CD, A Twisted Christmas … the overwhelming success of that release and its steady holiday sales each year were the inspiration behind what has become an annual theatrical spectacular, Twisted Christmas on Broadway. Currently they’re celebrating the 25th anniversary of their legendary multi- platinum selling, Stay Hungry with a special edition package of the album which has been released on both CD and vinyl from Rhino Records. The bonus disc features a total of fifteen unreleased recordings including alternate versions of album tracks along with a new track titled “30.” Twisted Sister will be performing for one show only at Boulevard Casino’s Red Robinson Show Theatre in February, 2010. TICKETS ON SALE THURSDAY, NOVEMBER 12 @ 10:00 AM DOORS 7:00 PM SHOW 8:00 PM Tickets: Reg. $79.50 & Golden Circle $99.50 (+ Service Charges) Tickets available at all Ticketmaster Outlets or charge-by-phone (604) 280-4444 or order on-line at www.ticketmaster.ca All shows: 19 years and over unless noted Additional Information Contact: Howard Blank - Vice-President, Media & Entertainment TEL: (604) 303-1000 FAX: (604) 247-8605 [email protected] Donnie Gordon - Manager, Entertainment Publicity & Promotions TEL: (604) 247-4127 FAX: (604) 247-8587 [email protected] .

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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