Screendollars Newsletter 2020-12-28.Pdf
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Di Michael Noer
Federazione [email protected] Associazione Italiana Generale [email protected] Cinema Italiana d’Essai wwww.spettacoloveneto.it dello Spettacolo ATTORI: Andrea Carpenzano, Matteo Olivetti, Milena Mancini, di Michael Noer Max Tortora, Luca Zingaretti SCENEGGIATURA: PRESENTAZIONE E CRITICA Damiano D'Innocenzo, Fabio D'Innocenzo FOTOGRAFIA: Paolo Basato sull'autobiografico best-seller internazionale di Henri Carnera Charrière, nonché remake del celebre film diretto nel 1973 da Franklin J. MONTAGGIO: Marco Schaffner e sceneggiato da Donald Trumbo, con protagonisti Steve McQueen Spoletini e Dustin Hoffman, PAPILLON, diretto da Michael Noer, segue l'epica storia di MUSICHE: Toni Bruna Henri "Papillon" Charrière, uno scassinatore della malavita parigina che viene PRODUZIONE: Pepito incastrato per omicidio che non ha commesso e condannato a scontare la Produzioni pena nella famigerata colonia penale francese sull'Isola del Diavolo. DISTRIBUZIONE: Adler Determinato a riconquistare la libertà, Papillon crea un'improbabile alleanza Entertainment con un altro condannato, l'eccentrico contraffattore Louis Dega, che in cambio PAESE: Italia di protezione, accetta di finanziare la fuga di Papillon, creando con questo un DURATA: 96 min. legame di amicizia duratura. PAPILLON è un film sulla "fuga di prigione" di due uomini che inizialmente creano un accordo di protezione in cambio di denaro, ma finiscono per essere attaccati insieme dal sangue, dal sudore e dalla paura dell'isolamento. Papillon non è indistruttibile: impara presto che la sua amicizia con il compagno Dega, è un motivo per rimanere in vita. Attraverso Dega, Papillon scopre che la solitudine e l'essere soli sono due entità separate e che la vera lealtà tra gli uomini non si trova nel denaro, ma nell'amore, nel rispetto e nell'onestà. -
Please Be Advised Cinema 2 Is Strictly Allocated, to Avoid Disappointment Please Book in Advance
PLEASE BE ADVISED CINEMA 2 IS STRICTLY ALLOCATED, TO AVOID DISAPPOINTMENT PLEASE BOOK IN ADVANCE Thu Fri Sat Sun Mon Tue Wed Title Mins 16 Jan 17 Jan 18 Jan 19 Jan 20 Jan 21 Jan 22 Jan A Shaun the Sheep Movie: 102 9.50am 9.50am 9.50am 9.50am 9.50am 9.50am Farmageddon (G) 2.45pm 2.45pm 2.45pm 2.45pm 2.45pm 2.45pm Bad Boys For Life (CTC) 139 4.00pm 4.00pm 4.00pm 4.00pm Closed 4.00pm 4.00pm 8.40pm 8.40pm 8.40pm 8.40pm 8.40pm 8.40pm 11.45am 11.45am 11.45am 11.45am 11.45am 11.45am Dolittle (CTC) 116 Baby Session 1.50pm 1.50pm 1.50pm 1.50pm 1.50pm 1.50pm 6.30pm 6.30pm 6.30pm 6.30pm 6.30pm 6.30pm 12.20pm 12.20pm 12.20pm 12.20pm 12.20pm 12.20pm Jumanji: The Next Level 135 7.30pm 7.30pm 7.30pm 7.30pm 7.30pm 7.30pm (PG) Final Session 10.10am 10.10am 10.10am 10.10am 10.10am 10.10am Spies in Disguise (PG) 116 5.15pm 5.15pm 5.15pm 5.15pm 5.15pm 5.15pm Ticket Prices Everyday Budget Wed Adult $13.00 $8.00 Concession $10.00 $5.00 Student $11.00 $6.00 Child $8.00 $5.00 Family $38.00 $24.00 PLEASE BE ADVISED CINEMA 2 IS STRICTLY ALLOCATED, TO AVOID DISAPPOINTMENT PLEASE BOOK IN ADVANCE Thu Fri Sat Sun Mon Tue Wed Title Mins 16 Jan 17 Jan 18 Jan 19 Jan 20 Jan 21 Jan 22 Jan A Shaun the Sheep 102 9.50am 9.50am 9.50am 9.50am 9.50am 9.50am Movie: Farmageddon (G) 2.45pm 2.45pm 2.45pm 2.45pm 2.45pm 2.45pm Bad Boys For Life (CTC) 139 4.00pm 4.00pm 4.00pm 4.00pm Closed 4.00pm 4.00pm 8.40pm 8.40pm 8.40pm 8.40pm 8.40pm 8.40pm 11.45am 11.45am 11.45am 11.45am 11.45am 11.45am Dolittle (CTC) 116 Baby Session 1.50pm 1.50pm 1.50pm 1.50pm 1.50pm 1.50pm 6.30pm 6.30pm 6.30pm 6.30pm 6.30pm 6.30pm 12.20pm 12.20pm 12.20pm 12.20pm 12.20pm 12.20pm Jumanji: The Next Level 135 7.30pm 7.30pm 7.30pm 7.30pm 7.30pm 7.30pm (PG) Final Session 10.10am 10.10am 10.10am 10.10am 10.10am 10.10am Spies in Disguise (PG) 116 5.15pm 5.15pm 5.15pm 5.15pm 5.15pm 5.15pm Ticket Prices Everyday Budget Wed Adult $13.00 $8.00 Concession $10.00 $5.00 Student $11.00 $6.00 Child $8.00 $5.00 Family $38.00 $24.00 Jumanji: The Next Level (PG) Adventure In Jumanji: The Next Level, the gang is back but the game has changed. -
Liste Des Chaines /Filmes/Vods/Series
Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Colonne1 Tunisia 1 Tunisia 2 Tunisia Nat 3 Elhiwar Ettounsi ATTESSIA Nessma Hannibal Telvza Tv Al Janoubia Tunisna MTunisia Sahel TV Al Mustakillah Zitouna Al Insen Carthage TV AR-MECCA CANAL ALGERIE ENTV Algeria 3 AR-Algerie-Tamazight-tv4 TV5 Samira Echorouk Echourouk News Echorouk Benna Ennahar Elheddaf Dzair Dzair News Numidia News El Djazairia 1 EL BILAD Beur Fadjr Bahia Berbere Al Magharibia 1 AlaoulaInterHD ALAoulaInter AR-AlAoula-Layoune Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com 2M Maroc Arryadia AR-Arrabiaa AlMaghrebia Assadissa Maroc Tamazight AR-Medi-1_TV AR-MBC1_HD AR-MBC_1 AR-MBC_2 AR-MBC2_HD AR-MBC_4 AR-MBC4_HD AR-MBC-MAX AR-MBC_MAX-HD AR-MBC-Action AR-MBC_Action-HD AR-MBC-DRAMA AR-MBC_Drama-HD AR-MBC_MASR AR-MBC-masr2 AR-MBC_Bollywood-HD AR-MBC_Bollywood AR-Rotana_Cinema-HD AR-Rotana-Cinema-EGY AR-Rotana-Cinema-KSA AR-Rotana_Aflam AR-Rotana_Masria-HD AR-Rotana-Masriya AR-Rotana-Clip AR-Rotana_Music-HD AR-Rotana-Music AR-Rotana-Khalijiya HD AR-Rotana-Khalijiya AR-Rotana_Classic-HD AR-Rotana-Classic AR-ART_Aflam_1 AR-ART_Aflam-2 AR-ART_Cinema AR-ART_Hekayat-1 AR-ART_Hekayat-2 AR-BeIn_Movies1_HD AR-BeIn_Movies2_HD AR-BeIn_Movies3_HD AR-BeIn_Movies4_HD Ar-Bein-Gourmet Ar-Bein-Junior Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Ar-BeinDrama AR-StarCinema-1 AR-StarCinema-2 AR-Toktok_Cima AR-Cima AR-AL-SHASHA-CINEMA AR-4G-AFLAM AR-4G-CIMA AR-4G-CLASSIC AR-4G-DRAMA AR-4G-FILM AR-CINEMA-1 AR-CINEMA-2 AR-CIMA-TUBE AR-CINEMA-TUBE AR-Darbaka-Aflam -
Screendollars About Films, the Film Industry No
For Exhibitors September 21, 2020 Screendollars About Films, the Film Industry No. 135 Newsletter and Cinema Advertising We celebrate the remarkable career of actress Frances McDormand, who has delighted audiences for 35 years with her portrayals of strong-willed and colorful heroines. Her debut to feature film was in 1984 in Blood Simple, directed by brothers Joel and Ethan Coen. Joel and Frances met in 1983 during her audition for the film, became a couple and married the next year. McDormand also starred in the Coen Brothers’ comedies Raising Arizona (1987) and Fargo (1996), in which she played a very pregnant detective, Marge Gunderson, with an unforgettable Norwegian-American accent. McDormand has earned critical acclaim throughout her long and prolific career for her performances in film and television and on stage. In fact, she is one of only 24 actors to have won Academy, Emmy and Tony Blood Simple Awards, a feat known as the Triple Crown of Acting. Her most recent role is in Chole Zhao’s Nomadland, about a (1984) woman in her 60’s who sets off in a van to wander through the American West, a modern-day nomad. The film and McDormand’s performance have emerged as darlings of the 2020 International Film Festival circuit. Nomadland is being distributed by Searchlight Pictures and opens in theatres nationwide on 12/2. “I'm a character actress, plain and simple...Who can worry about a career? Have a life. Movie stars have careers - actors work, and then they don't work, and then they work again.” – Frances McDormand Three Billboards -
Dolemite Is My Name
DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number. -
Actress Carey Mulligan to Receive the Artistic Achievement Award During the Centerpiece Presentation of Wildlife Costume Desi
Media Contact: Nick Harkin / Matthew Bryant Carol Fox and Associates 773.969.5033 / 773.969.5034 [email protected] [email protected] For Immediate Release: Sept. 12, 2018 ACTRESS CAREY MULLIGAN TO RECEIVE THE ARTISTIC ACHIEVEMENT AWARD DURING THE CENTERPIECE PRESENTATION OF WILDLIFE COSTUME DESIGNER RUTH CARTER (BLACK PANTHER, SELMA) TO BE HONORED WITH A CAREER ACHIEVEMENT AWARD AT THIS YEAR’S BLACK PERSPECTIVES TRIBUTE The Festival will also pay tribute to the legacy of actress and Festival co-founder Colleen Moore and Chicago graphic artist Art Paul th CHICAGO – The 54 Chicago International Film Festival, presented by Cinema/Chicago, today announced Tributes to actress Carey Mulligan in conjunction with this year’s Centerpiece film Wildlife, and costume designer Ruth Carter as part of the Festival’s annual Black Perspectives Program. The Festival will also celebrate posthumously two artists special to Chicago, graphic designer Art Paul in conjunction with a screening of Jennifer Kwong’s Art Paul of Playboy: The Man Behind the Bunny, and actress and Chicago International Film Festival co-founder Colleen Moore, with a screening of The Power and the Glory (1933). The tributes will take place over the course of the Festival’s 12-day run at AMC River East 21 (322 E. Illinois St.) in Chicago, October 10-21, 2018. British actress Carey Mulligan is one of the paramount talents of her generation. Nominated for an Oscar®, a Golden Globe, and a SAG award for her radiant portrayal of the innocent teenage Jenny in An Education, Mulligan has delivered captivating performances across stage and screen, including Shame, The Great Gatsby, Inside Llewyn Davis, Mudbound, and this year’s Festival selection, Wildlife. -
Jall 20 Great Extended Play Titles Available in June
KD 9NoZ ! LO9O6 Ala ObL£ it sdV :rINH3tID AZNOW ZHN994YW LIL9 IOW/ £L6LI9000 Heavy 906 ZIDIOE**xx***>r****:= Metal r Follows page 48 VOLUME 99 NO. 18 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT May 2, 1987/$3.95 (U.S.), $5 (CAN.) Fla. Clerk Faces Obscenity Radio Wary of Indecent' Exposure Charge For Cassette Sale FCC Ruling Stirs Confusion April 20. She was charged with vio- BY CHRIS MORRIS lating a state statute prohibiting ington, D.C., and WYSP Philadel- given further details on what the LOS ANGELES A Florida retail "sale of harmful material to a per- BY KIM FREEMAN phia, where Howard Stern's morn- new guidelines are, so it's literally store clerk faces felony obscenity son under the age of 18," a third -de- NEW YORK Broadcasters are ex- ing show generated the complaints impossible for me to make a judg- charges for selling a cassette tape gree felony that carries a maximum pressing confusion and dismay fol- that appear to have prompted the ment on them as a broadcaster." of 2 Live Crew's "2 Live Crew Is penalty of five years in jail or a lowing the Federal Communications FCC's new guidelines. According to FCC general coun- What We Are" to a 14- year -old. As a $5,000 fine. Commission's decision to apply a "At this point, we haven't been (Continued on page 78) result of the case, the store has The arrest apparently stems from broad brush to existing rules defin- closed its doors. the explicit lyrics to "We Want ing and regulating the use of "inde- Laura Ragsdale, an 18- year -old Some Pussy," a track featured on cent" and /or "obscene" material on part-time clerk at Starship Records the album by Miami-based 2 Live the air. -
Selling Masculinity at Warner Bros.: William Powell, a Case Study
Katie Walsh Selling Masculinity at Warner Bros.: William Powell, A Case Study Abstract William Powell became a star in the 1930s due to his unique brand of suave charm and witty humor—a quality that could only be expressed with the advent of sound film, and one that took him from mid-level player typecast as a villain, to one of the most popular romantic comedy leads of the era. His charm lay in the nonchalant sophistication that came naturally to Powell and that he displayed with ease both on screen and off. He was exemplary of the success of the new kind of star that came into their own during the transition to sound: sharp- or silver-tongued actors who were charming because of their way with words and not because of their silver screen faces. Powell also exercised a great deal of control over his publicity and star image, which is best examined during his short and failed tenure as a Warner Bros. during the advent of his rise to stardom. Despite holding a great amount of power in his billing and creative control, Powell was given a parade of cookie-cutter dangerous playboy roles, and the terms of his contract and salary were constantly in flux over the three years he spent there. With the help of his agent Myron Selznick, Powell was able to navigate between three studios in only a matter of a few years, in search of the perfect fit for his natural abilities as an actor. This experimentation with star image and publicity marked the period of the early 1930s in Hollywood, as studios dealt with the quickly evolving art and technological form, industrial and business practices, and a shifting cultural and moral landscape. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
Recent Australian Publications
Recent Australian Publications October 2020 – Dewey Re-use of these records by re-publication is not permitted. Go to Dewey Number • 000 - Computers, information, & general • 700 - Arts & recreation works o 750 - Painting • 100 - Philosophy & psychology o 780 - Music • 200 - Religion • • 300 - Social Sciences 800 - Literature A820 - Australian literature o 320 - Political science o A821 - Australian poetry o 330 - Economics o A822 - Australian drama o 340 - Law o A823 - Australian fiction o 370 - Education o • • 400 - Language 900 - History & Geography • 500 - Science o 910 - Geography and travel • 600 - Technology o 994 - History of Australia o 610 - Medicine & Health o 630 - Agriculture Dewey: 000 Computers, information, & general works 001.942 23 UFO secrets. Volume two.Collector's edition.3 DVD-videos (approximately 540 min.) : sound, colour ; 12 cm. AN: 68090233 AU@ eng rda AU@ contributed cataloguing Audience: Rated: PG. Extraterrestrial beings.Human-alien encounters.Unidentified flying objects. History (Television network), broadcaster. 002.075 23 Booksellers (Documentary film : 2019)The booksellers.1 DVD-video (99 minutes) : sound, colour ; 12 cm. AN: 68072622 NJB eng NJB rda contributed cataloguing trove.nla.gov.au Audience: Censorship classification : G. Book collecting New York (State)Book collectors New York (State)Booksellers and bookselling New York (State) Young, D. W., film director, film producer, editor of moving image work.Mizrachy, Judith, film producer.Wechsler, Dan, film producer.Posey, Parker, 1968-, film producer.Lebowitz, Fran, on-screen participant.Orlean, Susan, on-screen participant.Talese, Gay, on-screen participant. 002.075 23 The booksellers.1 DVD-video (approximately 99 minutes) : sound, colour ; 12 cm. AN: 68067972 TEFMT eng rda TEFMT TEF OCLCF X#4 GL4 MCT OCO JQM OCL IEB CLE INO contributed cataloguing Audience: Censorship classification : G. -
DISNEYLAND Grand Opening on 7/17/1955 the Happiest Place on Earth Wasn't Anything of the Sort for 13 Months of Pandemic Closure
Monday, July 19, 2021 | No. 177 Film Flashback…DISNEYLAND Grand Opening on 7/17/1955 The Happiest Place on Earth wasn't anything of the sort for 13 months of pandemic closure. But, happily, Disneyland began coming back to life in late April and by June 15 wasn't facing any capacity restrictions. Now it's celebrating the 66th anniversary of its Grand Opening July 17, 1955. To help finance Disneyland's construction in Anaheim, Calif., which began July 16, 1954, Walt Disney struck a deal with the then fledgling ABC-TV Network to produce the legendary DISNEYLAND series. For helping Walt raise the $17M he needed -- about $135M today -- ABC also got the right to broadcast the opening day events. Originally, July 17 was just an International Press Preview and July 18 was to be the official launch. But July 17's been remembered over the years as the Big Day thanks to ABC's live coverage -- despite things not having gone well with the show hosted by Walt's Hollywood pals Art Linkletter, Bob Cummings & Ronald Reagan. Live TV was in its infancy then and the miles of camera cables it used had people tripping all over the park. In Frontierland, a camera caught Cummings kissing a dancer. Walt was reading a plaque in Tomorrowland on camera when a technician started talking to him, causing Walt to stop and start again from the beginning. Over in Fantasyland, Linkletter sent the coverage back to Cummings on a pirate ship, but Bob wasn't ready, so he sent it right back to Art, who no longer had his microphone.