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18Th Viking Congress Denmark, 6–12 August 2017
18th Viking Congress Denmark, 6–12 August 2017 Abstracts – Papers and Posters 18 TH VIKING CONGRESS, DENMARK 6–12 AUGUST 2017 2 ABSTRACTS – PAPERS AND POSTERS Sponsors KrKrogagerFondenoagerFonden Dronning Margrethe II’s Arkæologiske Fond Farumgaard-Fonden 18TH VIKING CONGRESS, DENMARK 6–12 AUGUST 2017 ABSTRACTS – PAPERS AND POSTERS 3 Welcome to the 18th Viking Congress In 2017, Denmark is host to the 18th Viking Congress. The history of the Viking Congresses goes back to 1946. Since this early beginning, the objective has been to create a common forum for the most current research and theories within Viking-age studies and to enhance communication and collaboration within the field, crossing disciplinary and geographical borders. Thus, it has become a multinational, interdisciplinary meeting for leading scholars of Viking studies in the fields of Archaeology, History, Philology, Place-name studies, Numismatics, Runology and other disciplines, including the natural sciences, relevant to the study of the Viking Age. The 18th Viking Congress opens with a two-day session at the National Museum in Copenhagen and continues, after a cross-country excursion to Roskilde, Trelleborg and Jelling, in the town of Ribe in Jylland. A half-day excursion will take the delegates to Hedeby and the Danevirke. The themes of the 18th Viking Congress are: 1. Catalysts and change in the Viking Age As a historical period, the Viking Age is marked out as a watershed for profound cultural and social changes in northern societies: from the spread of Christianity to urbanisation and political centralisation. Exploring the causes for these changes is a core theme of Viking Studies. -
Questions for Art of Medieval Spain
www.YoYoBrain.com - Accelerators for Memory and Learning Questions for Art of Medieval Spain Category: Default - (74 questions) Alabaster sculpture of Tanit/Astarte, nicknamed "Dama de Galera," Madrid, Museo Arqueológico, 7th c BCE -Phinecean object that found home in Iberian religious practices -Phineceans: eastern culture; experts in maritime travel; traded with Iberian locals; began settling in coastal cities around mouth of the mediterranean around 8th cen. BCE Sculpture of Askepios, from Empùries, 2 c BCE -Greek Empuries -from Sanctuary of Askepios (God of Medicine) Dama de Baza, 4th c. CE -reminiscent of ancient Greek Chios Kore -from native culture of Iberia: culturally receptive but politically resistant to invading groups; independent tribes) -rise of votive figure echo to the Phineceans Head of Augustus, early 1st c. CE -sculpture from Merida (sculptures from this area were among the finest on the peninsula) -Merida (aka Augusta Emerita) was a military settlement; founded by Augustus for retired soldiers; not founded on a pre-existing site which is different from ordinary Roman towns in Spain; became a politically important city Mérida, theater, inscr. 15-16 BC -attached to amphitheater; deliberate connection -attributed to Augustus -well preserved -partly reconstructed (scenae frons- elaborate, built later during Hadrian period) Tarragona (Tarraco), Arch of Bará, 2nd c CE -Tarragona was capital of Eastern Roman Spain (being on top of a hill, it was hard to attack and therefore a good place for a capital) -The arch is just outside -
THE Vikings the VIKINGS
THE vikings THE VIKINGS 1 TABLE DES MATI RES TABLE OF CONTENTS Artistic Direction WHO WERE THE VIKINGS? Sylvain Lapointe Who were they? .............................................................................................. 4 Where did they come from? ...................................................................... ... 5 Text Pier-Luc Lasalle When did they live? .................................................................................... ... 5 Sailors ................................................................................................................ 6 Music Explorer-pirates and bandit-tradesmen ................................................ ... 7 Enrico O. Dastous How did one turn Viking? ......................................................................... ... 7 Mode of government ..................................................................................... 8 Staging Eloi ArchamBaudoin Trade ................................................................................................................. 8 Viking currency ............................................................................................... 9 Authorship of the Pedagogical Document Agriculture ....................................................................................................... 9 Aude Le Dubé DAILY LIFE IN THE VIKING ERA Translation Gaëtan Chénier Tasks ............................................................................................................. ... 10 Housing Cover Illustration Food -
Thevikingblitzkriegad789-1098.Pdf
2 In memory of Jeffrey Martin Whittock (1927–2013), much-loved and respected father and papa. 3 ACKNOWLEDGEMENTS A number of people provided valuable advice which assisted in the preparation of this book; without them, of course, carrying any responsibility for the interpretations offered by the book. We are particularly indebted to our agent Robert Dudley who, as always, offered guidance and support, as did Simon Hamlet and Mark Beynon at The History Press. In addition, Bradford-on-Avon library, and the Wiltshire and the Somerset Library services, provided access to resources through the inter-library loans service. For their help and for this service we are very grateful. Through Hannah’s undergraduate BA studies and then MPhil studies in the department of Anglo-Saxon, Norse and Celtic (ASNC) at Cambridge University (2008–12), the invaluable input of many brilliant academics has shaped our understanding of this exciting and complex period of history, and its challenging sources of evidence. The resulting familiarity with Old English, Old Norse and Insular Latin has greatly assisted in critical reflection on the written sources. As always, the support and interest provided by close family and friends cannot be measured but is much appreciated. And they have been patient as meal-time conversations have given way to discussions of the achievements of Alfred and Athelstan, the impact of Eric Bloodaxe and the agendas of the compilers of the 4 Anglo-Saxon Chronicle. 5 CONTENTS Title Dedication Acknowledgements Introduction 1 The Gathering -
Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community
Sociology and Anthropology 4(2): 82-91, 2016 http://www.hrpub.org DOI: 10.13189/sa.2016.040205 Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community Irina-Maria Manea Faculty of History, University of Bucharest, Romania Copyright©2016 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract This paper will be exploring how a specific the cultural codes were preserved: Black metal artists rejoice category of popular music known as Viking Metal in war imagery, fantastic stories and landscapes and above thematically reconstructs heritage and what meanings we can all anti-Christian. The Norwegian scene at the beginning of decode from images generally dealing with an idealized past the ’90 (e.g. Mayhem Burzum, Darkthrone) had a major more than often symbolically equated with Norse myth and impact on defining the genre and setting its aesthetics, antiquity. On the whole we are investigating how song texts however, Sweden’s Bathory played no lesser role, both and furthermore visual elements contribute to the formation through the tone and atmosphere sustained musically by lo-fi of a cultural identity and memory which not only expresses production and lyrically by flirtating with darkness and evil. attachment for a particular time and space, but also serves as More importantly, Bathory marked the shift towards Nordic a leisure experience with the cultural proposal of an alternate mythology and heathen legacy in his Asatru trilogy (Blood selfhood residing in the reproduction of a mystical heroic Fire Death 1988, Hammerheart 1990, Twilight of the Gods populace. -
History 311 the Viking World
The Viking World Christian Raffensperger History 311-1W Fall Semester 2017 MWF 2:15–3:20 P.M. Hollenbeck 313 The Vikings occupy an important place in European, and indeed, Eurasian history. From their first recorded attack on Lindisfarne in 793, the Vikings roamed the Baltic and North Seas, continental Europe, the Mediterranean, the eastern European river systems, and even the Caspian and Black Seas. In their travels they met peoples of various faiths and origins, and traded with and raided them all equally. This course will explore the initial outburst of Viking expansion beginning in the late eighth century, look at the way Vikings lived at home and abroad, and will also examine the effect Vikings had on the various places they visited. We will also study the Icelandic sagas that have survived to this day as a view to what they can tell us about Viking life and practices. Writing Intensive PAST Credit Professor: Christian Raffensperger Office: Hollenbeck 311 Office Phone: 937-327-7843 Office Hours: MW 9:00–10:30 A.M. or by appointment E-mail address: [email protected] Assignments and Deadlines There is a separate assignment sheet that I will hand out which details all of the graded assignments for this class. Please follow that assignment sheet in attempting to understand what each assignment is, and if you do not understand, please ask (in advance of the due date!). Due dates are included here on the syllabus. Class discussion is 10% of your total grade for this class. As such it is incredibly important that you come prepared each day. -
The Viking World
THE VIKING WORLD Edited by Stefan Brink in collaboration with Neil Price Routledge R Taylor & Francis Group LONDON AND NEW YORK CONTENTS List of illustrations xi List of contributors xv Preface xix Stefan Brink and Neil Price Abbreviations xx i Introduction i Stefan Brink Who were the Vikings? 4 Stefan Brink PART I: VIKING AGE SCANDINAVIA People, society and social institutions 1 Scandinavia before the Viking Age 11 Lotte Hedeager 2 Law and society: polities and legal customs in Viking Scandinavia 23 Stefan Brink 3 The Sami and their interaction with the Nordic peoples 32 Inger Zachrisson 4 Women and sexual politics 40 AuSur G. Magnusdottir 5 Slavery in the Viking Age 49 Stefan Brink Living space 6 Naming the land 57 Stefan Brink v — Contents — 7 Farm and village in the Viking Age 67 Jan-Henrik Fallgren (i) Manor, cult and market at Lake Tiss0 77 Lars j0rgensen 8 The development of urbanism in Scandinavia 83 Dagfinn Skre (1) Birka 94 Bjorn Ambrosiani (2) Hedeby: an outline of its research history 101 Volker Hilberg (3) Kaupang — 'Skfringssalr' 112 Dagfinn Skre (4) Lejre and Roskilde 121 Tom Christensen (5) Ribe 126 Claus Feveile (6) 'Ridanass': a Viking Age port of trade at Frojel, Gotland 131 Dan Carlsson (7) Sebbersund 135 Jens N. Nielsen (8) Sigtuna 140 Jonas Ros (9) Viking Age Uppakra and Lund I45 Birgitta Hdrdh Technology and trade 9 Local and long-distance exchange 150 S0ren Michael Sindbcek 10 Coinage and monetary economies 159 Svein H. Gullbekk 11 Viking ships and the sea 170 Jan Bill 12 Viking Age textiles 181 Annika Larsson 13 -
University of Florida Thesis Or Dissertation Formatting
THE MAN AND THE MYTH: HERACLIUS AND THE LEGEND OF THE LAST ROMAN EMPEROR By CHRISTOPHER BONURA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2011 1 © 2011 Christopher Bonura 2 ACKNOWLEDGMENTS I thank my adviser, Dr. Andrea Sterk, for all the help and support she has given me, not just for this thesis, but for her patience and guidance throughout my time as her student. I would never have made it to this point without her help. I would like to thank Dr. Florin Curta for introducing me to the study of medieval history, for being there for me with advice and encouragement. I would like to thank Dr. Bonnie Effros for all her help and support, and for letting me clutter the Center for the Humanities office with all my books. And I would like to thank Dr. Nina Caputo, who has always been generous with suggestions and useful input, and who has helped guide my research. My parents and brother also deserve thanks. In addition, I feel it is necessary to thank the Interlibrary loan office, for all I put them through in getting books for me. Finally, I would like to thank all my friends and colleagues in the history department, whose support and friendship made my time studying at the University of Florida bearable, and often even fun, especially Anna Lankina-Webb, Rebecca Devlin, Ralph Patrello, Alana Lord, Eleanor Deumens, Robert McEachnie, Sean Hill, Sean Platzer, Bryan Behl, Andrew Welton, and Miller Krause. -
Viking Art, Snorri Sturluson and Some Recent Metal Detector Finds. Fornvännen 113
•• JOURNAL OF SWEDISH ANTIQUARIAN RESEARCH 2018:1 Art. Pentz 17-33_Layout 1 2018-02-16 14:37 Sida 17 Viking art, Snorri Sturluson and some recent metal detector finds By Peter Pentz Pentz, P., 2018. Viking art, Snorri Sturluson and some recent metal detector finds. Fornvännen 113. Stockholm. This paper seeks to contribute to a recent debate on the use of private metal detect- ing and its value within archaeology. Specifically it explores – by presenting some recently found Viking Period artefacts from Denmark – how private metal detect- ing can contribute to our understanding of Viking minds. By bringing together the myths as related by Snorri Sturluson in the early 13th century with the artefacts, I argue that thanks to private metal detecting through the last decades, our ability to recognise Viking art as narrative art has improved substantially. Peter Pentz, National Museum of Denmark, Ny Vestergade 10, DK–1471 København K [email protected] Over 60 years ago, Thorkild Ramskou (1953) the main problems in understanding Viking art described Viking art as almost exclusively deco- is the scarcity of reference materials. We largely rative, only functioning as a covering for plain know Norse mythology and its narratives through surfaces. In the rare cases where it was represen- Medieval Christian authors, in particular Snorri. tative, quality was poor. Viking artists, he stated, Hence, the myths have come down to us biased, preferred to portray scenes from myths of the reinterpreted and even now and then propagan- gods and heroic legends. Such scenes functioned dised. Furthermore, what survived is only a selec- as mnemonics; for the viewer they would recall tion. -
Nordic Symbol of Guidance Vector
Nordic Symbol Of Guidance Vector Matterless Vin convalescing or disanoint some syrinx unstoppably, however eroded Nathanial exposing asexually or flagellated. Unwatery Kane aphorising winsomely and acropetally, she brace her Jonah winnow howsoever. Anthracoid and Kufic Geri encrypts while Northumbrian Georg whirried her irrigator anticipatorily and crevassing manageably. Here is an offensive symbol that are more ancient practices belonging to sign posts to protect themselves and come in any of nordic These emissaries shall not just a dane or ring representing a problem sending your customers of nordic symbol of guidance vector illustration in order history, declaring your social media graphics. As a barrel of protection and guidance it out often used as compass But Vikings usually used sunstone as navigation gear sunstone This was proved by. The chance to an inner journey of a surprisingly large to point than being in norse mythology, innan konongsrikis man, which requires permission from? What led the meaning of oil red triangle? Keith leather maker has built by picking up! In Greek the first letters of the words Jesus Christ Son is God often spell Ichthus meaning fish When found early Christians were persecuted they used the Ichthus as a secret page to identify themselves to conceal other Today it is character of different most widely recognized symbols of Christianity. Of the runic stave but says that mill could adultery be used for spiritual guidance and protection. Most staves were can be carved on its specific surfaces, such as even particular metal or third of wood. Vegvisir is swept with each time in this notation did you do you for women are out all things we know about them. -
Medieval Mediterranean Influence in the Treasury of San Marco Claire
Circular Inspirations: Medieval Mediterranean Influence in the Treasury of San Marco Claire Rasmussen Thesis Submitted to the Department of Art For the Degree of Bachelor of Arts 2019 2 TABLE OF CONTENTS Page CHAPTER I. Introduction………………………...………………………………………….3 II. Myths……………………………………………………………………….....9 a. Historical Myths…………………………………………………………...9 b. Treasury Myths…………………………………………………………..28 III. Mediums and Materials………………………………………………………34 IV. Mergings……………………………………………………………………..38 a. Shared Taste……………………………………………………………...40 i. Global Networks…………………………………………………40 ii. Byzantine Influence……………………………………………...55 b. Unique Taste……………………………………………………………..60 V. Conclusion…………………………………………………………………...68 VI. Appendix………………………………………………………………….….73 VII. List of Figures………………………………………………………………..93 VIII. Works Cited…………………………………………………...……………104 3 I. Introduction In the Treasury of San Marco, there is an object of three parts (Figure 1). Its largest section piece of transparent crystal, carved into the shape of a grotto. Inside this temple is a metal figurine of Mary, her hands outstretched. At the bottom, the crystal grotto is fixed to a Byzantine crown decorated with enamels. Each part originated from a dramatically different time and place. The crystal was either carved in Imperial Rome prior to the fourth century or in 9th or 10th century Cairo at the time of the Fatimid dynasty. The figure of Mary is from thirteenth century Venice, and the votive crown is Byzantine, made by craftsmen in the 8th or 9th century. The object resembles a Frankenstein’s monster of a sculpture, an amalgamation of pieces fused together that were meant to used apart. But to call it a Frankenstein would be to suggest that the object’s parts are wildly mismatched and clumsily sewn together, and is to dismiss the beauty of the crystal grotto, for each of its individual components is finely made: the crystal is intricately carved, the figure of Mary elegant, and the crown vivid and colorful. -
Diocesis Hispaniarum (3Rd-5Th Century)
003 ROMA_english_Maquetación 1 21/02/14 11:33 Página 64 003 ROMA_english_Maquetación 1 21/02/14 11:33 Página 65 From Late Antiquity to Middle Age 004 MEDIEVAL_english_Maquetación 1 21/02/14 11:42 Página 66 Diocesis Hispaniarum (3rd-5th Century) The third century was a period of political and economic instability for the Roman Empire, which culminated with the reign of Diocletian. Under his rule, Hispania was divided into five provinces which together formed the Diocesis Hispaniarum. The fourth century brought a revival of economic prosperity, especially during the reign of the Hispano-Roman emperor Theo- dosius. The growing importance of the rural villas, the new residences of the Hispano-Roman aristocracy, would mark the course of the fourth and fifth centuries. In 380 Theodosius declared Christianity the empire’s official religion, crea- 66 ting a new ideological instrument of power with far-reaching political, ad- ministrative and social consequences. The origins of Christianity in Hispania are heterogeneous, with influences pouring in from North Africa, Rome and other places where important communities had existed since the third cen- tury. Everyday objects like the ones in the display case incorporated Christian symbols such as the Chi-Rho. The exhibition also features sarcophagi with relief decoration, a mosaic memorial plaque and gravestone inscriptions in memory of the dead. Reccesvinth’s crown (The Guarrazar Hoard) > 004 MEDIEVAL_english_Maquetación 1 21/02/14 11:42 Página 67 004 MEDIEVAL_english_Maquetación 1 21/02/14 11:42 Página 68 The Visigothic Kingdom of Toledo (6th-8th Century) After being defeated by the Franks at the Battle of Vouillé (507), the Visi- goths consolidated their power on the Iberian Peninsula and established To- ledo as their capital.