Byron Writers Festival 2018
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East Tower Inspiration Page 6
The newspaper for BBC pensioners – with highlights from Ariel online East Tower inspiration Page 6 AUGUST 2014 • Issue 4 TV news celebrates Remembering Great (BBC) 60 years Bing Scots Page 2 Page 7 Page 8 NEWS • MEMORIES • CLASSIFIEDS • YOUR LETTERS • OBITUARIES • CROSPERO 02 BACK AT THE BBC TV news celebrates its 60th birthday Sixty years ago, the first ever BBC TV news bulletin was aired – wedged in between a cricket match and a Royal visit to an agriculture show. Not much has changed, has it? people’s childhoods, of people’s lives,’ lead to 24-hour news channels. she adds. But back in 1983, when round the clock How much!?! But BBC TV news did not evolve in news was still a distant dream, there were a vacuum. bigger priorities than the 2-3am slot in the One of the original Humpty toys made ‘A large part of the story was intense nation’s daily news intake. for the BBC children’s TV programme competition and innovation between the On 17 January at 6.30am, Breakfast Time Play School has sold at auction in Oxford BBC and ITV, and then with Channel 4 over became the country’s first early-morning TV for £6,250. many years,’ says Taylor. news programme. Bonhams had valued the 53cm-high The competition was evident almost ‘It was another move towards the sense toy at £1,200. immediately. The BBC, wary of its new that news is happening all the time,’ says The auction house called Humpty rival’s cutting-edge format, exhibited its Hockaday. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
The Literary Studies Convention @ Wollongong University 7 – 11 July 2015
1 The Literary Studies Convention @ Wollongong University 7 – 11 July 2015 with the support of AAL, the Australasian Association of Literature ASAL, the Association for the Study of Australian Literature AULLA, the Australasian Universities Language and Literature Association The Faculty of Law, Humanities and the Arts School of the Arts, English and Media English and Writing Program University of Wollongong and Cengage Learning Maney Publishing The convention venues are Buildings 19, 20 and 24 of the University of Wollongong. The Barry Andrews Memorial Lecture and Prize-Giving will be in the Hope Lecture Theatre (Building 43) ** Please note that some books by delegates and keynote speakers will be for sale in the University of Wollongong’s Unishop in Building 11. Look for the special display for the Literary Networks Convention. 2 3 Barry Andrews Memorial Address: Tony Birch .......................................................................... 10 Keynote Address: Carolyn Dinshaw ............................................................................................. 11 Keynote Address: Rita Felski ......................................................................................................... 12 Dorothy Green Memorial Lecture: Susan K. Martin .................................................................. 13 Plenary Panel: Australia’s Literary Culture and the Australian Book Industry ....................... 14 Plenary Panel: Literary Studies in Australian Universities – Structures and Futures ........... 16 Stephen -
Bwf.Org.Au Brisbane Writers Festival 2019 This Way
Thursday, 5 September–Sunday, 8 September 5 September–Sunday, Thursday, BOOK NOW bwf.org.au Brisbane Writers Festival 2019 this way Join the Conversation humanity #bwf19 Contents 1 2 3 4 Thank you to A message from A message Ticket our partners the Minister for from the information the Arts Artistic Director 6 7 8 9 Special Angel's Tirra Lirra Meet the Events Palace by the River Author 10 26 27 28 Program Love YA Free Events BWF in for Families Your Suburb 30 32 34 35 Events for Writers Timetable Getting to BWF Team the Festival and Board Brisbane Writers Festival Thanks its Supporters Government Partners Proudly supported by Major Partner Home of Brisbane Writers Festival Cultural Partner Supporting Partners Media Partners Marketing Partners Hospitality Partners Program Partners Consulate of Canada, Kindred: 12 Queer #LoveOzYA Stories, Queensland Writers Centre, Griffith Review, A Spectrum Connected and Inala Wangarra Providing Partners Grassroots IT and PKF Hacketts BWF acknowledges the generous support of our donors, with special thanks to the Taylor Family. We are a not-for-profit organisation and rely on the generosity of donors and partners to support our aim of bringing stories to life in Queensland communities. Brisbane Writers Festival is supported by the Queensland Government through Arts Queensland. Brisbane Writers Festival is assisted by the Australian Government through the Australia Council, its arts funding and advisory body. 1 Brisbane Writers Festival 2019 Welcome to Brisbane Writers Festival Welcome to Brisbane Writers The genuine sharing and receiving Festival 2019, one of Australia’s of our unique stories give us the leading literary events, celebrating tools to unpack information and the power of words through make sense of our ever-changing exceptional experiences that inspire, world. -
Kim Scott's Writing and the Wirlomin Noongar Language and Stories Project
Disputed Territories as Sites of Possibility: Kim Scott's Writing and the Wirlomin Noongar Language and Stories Project Natalie Quinlivan BA International Studies, BA Communications (Creative Writing), MA English A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences School of Literature, Art and Media University of Sydney April 2019 Abstract Kim Scott was the first Aboriginal author to win the Miles Franklin Literary Award in 2000 for Benang, an award he won again in 2011 for That Deadman Dance. Yet despite these national accolades, Scott interrogates the very categories of Australian and Indigenous literatures to which his work is subjected. His writing reimagines, incorporates and challenges colonial ways of thinking about people and place. This thesis reveals the provocative proposal running through Scott’s collected works and projects that contemporary Australian society (and literature) should be grafted onto regional Aboriginal languages and stories as a way to express a national sense of “who we are and what we might be”. Scott’s vision of a truly postcolonial Australia and literature is articulated through his collected writings which form a network of social, historical, political and personal narratives. This thesis traces how Scott’s writing and the Wirlomin Noongar Language and Stories Project (Wirlomin Project) reconfigure colonial power relationships in the disputed territories of place, language, history, identity and the globalised world of literature. Ultimately, Scott intends to create an empowered Noongar position in cross-cultural exchange and does so by disrupting the fixed categories inherent in these territories; territories constructed during the colonising and nationalising of Australia. -
21 – 23 February University of Western Australia Welcome to Literature & Ideas
PERTH FESTIVAL LITERATURE & IDEAS 21 – 23 FEBRUARY UNIVERSITY OF WESTERN AUSTRALIA WELCOME TO LITERATURE & IDEAS Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. Welcome to Perth Festival’s Literature & Ideas Weekend, nestled on the campus of the University of Western Australia, our Founding Partner. Within a broader Festival 2020 program that celebrates this city and its stories, this weekend acknowledges the importance of histories both oral and written, as we share figurative campfires of understanding here on Whadjuk Boodja. This festival-in-a-festival has been curated by extraordinary local writer, Sisonke Msimang. Her broad knowledge is matched only by the size of her heart – traits that shine through in this program of big ideas and intimate revelation. I do trust you’ll enjoy it. IAIN GRANDAGE Image: Jess Wyld ARTISTIC DIRECTOR Image: Nick White The Stevie Wonder song ‘Love’s in Need of Love Today’ was an a more overt role in our public discussions. This is no excuse to integral part of my childhood. At every family party it would be avoid truth telling: we have asked our guests to bring their most played at full blast and everyone would join in, singing along at the loving, direct and clear selves to the table. top of our voices until we were drowning out Stevie, belting out We are excited to introduce you to an international roster of the lyrics which managed to be simultaneously saccharine and writers from Indonesia, Bangladesh, Thailand, Nigeria and Pakistan poignant: whose books we love. -
Six Flaws in the Case Against Three Jailed Al-Jazeera Journalists
Six flaws in the case against three jailed al-Jazeera journalists During the trial of Peter Greste, Mohamed Fahmy and Baher Mohamed the Guardian witnessed a litany of faults in prosecution Patrick Kingsley in Cairo theguardian.com, Wednesday 25 June 2014 00.36 AEST Peter Greste, Mohamed Fahmy and Baher Mohamed have been sentenced to between seven and 10 years in jail. Photograph: Hamada Elrasam/AP Three al-Jazeera journalists were jailed in Egypt this week for endangering Egyptian national security – and the country's foreign ministry insists that "due process was adhered to" in their trial. But the Guardian – the only newspaper to attend and report on each of the trial's 13 sessions – witnessed a litany of flaws. As Amnesty International, who also observed every session, notes: "the prosecution failed to produce a single shred of solid evidence". Retraction of key prosecution claims The prosecution's claim that the journalists had endangered national security rested on the testimony of a committee of "experts" from state television, who made the assertion in writing before the trial began. But under cross-examination in the trial's 10th hearing, the committee's three representatives admitted they did not know whether the journalists' work had endangered national security – collapsing the prosecution's case, and raising the question of whether the committee had written their own report in the first place. Irrelevant evidence To prove that the journalists had fabricated news, prosecutors presented dozens of videos and recordings – taken from various hard drives and phones owned by the defendants – that had no relevance either to Egypt or al-Jazeera. -
Al Jazeera's Expansion: News Media Moments and Growth in Australia
Al Jazeera’s Expansion: News Media Moments and Growth in Australia PhD thesis by publication, 2017 Scott Bridges Institute of Governance and Policy Analysis University of Canberra ABSTRACT Al Jazeera was launched in 1996 by the government of Qatar as a small terrestrial news channel. In 2016 it is a global media company broadcasting news, sport and entertainment around the world in multiple languages. Devised as an outward- looking news organisation by the small nation’s then new emir, Al Jazeera was, and is, a key part of a larger soft diplomatic and brand-building project — through Al Jazeera, Qatar projects a liberal face to the world and exerts influence in regional and global affairs. Expansion is central to Al Jazeera’s mission as its soft diplomatic goals are only achieved through its audience being put to work on behalf of the state benefactor, much as a commercial broadcaster’s profit is achieved through its audience being put to work on behalf of advertisers. This thesis focuses on Al Jazeera English’s non-conventional expansion into the Australian market, helped along as it was by the channel’s turning point coverage of the 2011 Egyptian protests. This so-called “moment” attracted critical and popular acclaim for the network, especially in markets where there was still widespread suspicion about the Arab network, and it coincided with Al Jazeera’s signing of reciprocal broadcast agreements with the Australian public broadcasters. Through these deals, Al Jazeera has experienced the most success with building a broadcast audience in Australia. After unpacking Al Jazeera English’s Egyptian Revolution “moment”, and problematising the concept, this thesis seeks to formulate a theoretical framework for a news media turning point. -
EDITORIAL REVIEW No.3 TOPIC: Story/Issue Choices
EDITORIAL REVIEW No.3 TOPIC: Story/issue choices on selected ABC Radio programs SCOPE: The Morning programs on a range of selected capital city and regional Local Radio stations and Radio National. The programs: 702 ABC Sydney – Linda Mottram 774 ABC Melbourne – Jon Faine 612 ABC Brisbane – Steve Austin 891 ABC Adelaide – Ian Henschke 720 ABC Perth – Geoff Hutchison 95.9 ABC Western Plains (Dubbo) – Dugald Saunders/Kelly Fuller 630 North Queensland (Townsville) – Paula Tapiolas 684 The South West (Bunbury) – Naomi Christensen Radio National – Natasha Mitchell TIMEFRAME: One day a week for a four week period (collected retrospectively, with no advance notice to program teams) Week 1: Monday’s program Week 2: Tuesday’s program Week 3: Wednesday’s program Week 4: Thursday’s program APPROACH: ABC Editorial Policy Information will collect the material in the form of program rundowns and audio files of the entire programs for the relevant timeframes. For each edition of each program, the top three subjects of discussion will be identified, based on the time spent discussing each topic/issue. In other words, the top three items will be those to which the program devoted the most amount of time. This may include a range of different items under one topic (for example, an interview with a Minister on a specific policy followed by a reaction from a stakeholder and then followed by talkback from listeners, all on the same subject, would together count as one item). The reviewer will also be provided with a summary of the top issues/topics that Australians consider most relevant and important to them. -
Novel, Suburb, Cosmos
The View from Above from Below: Novel, Suburb, Cosmos Brigid Rooney HROUGH CONVERGENT TECHNOLOGIES OF CAMERA AND FLIGHT, THE VIEW FROM ABOVE directs the opening chapter of The Australian Ugliness (1960), Melbourne- T based Robin Boyd’s famous critique of urban and suburban aesthetic forms. By 1960, such aerial vision was nothing new, but the arrival in 1956 of the Boeing jet meant air-travel was about to eclipse the sea voyage, conquering what Australian historian Geoffrey Blainey famously termed ‘the tyranny of distance’, and ushering in the era of mass tourism. This development naturalised and popularised an aesthetics of panorama that also organises the representation of suburbia. Boyd re-stages the aerial view successively. The visitor’s first approach to Australia is from the north. Moving from Darwin to Bourke, the visitor crosses over country ‘burnt brown and patchy, like a tender sunburnt skin, with sections of darker brown and blood red and blisters of lighter ochre’; his camera-eye view takes in the ‘red backland of Australia’ which ‘looks from the air satisfyingly like its own maps’ (Boyd 18). The arrival of Boyd’s hypothetical visitor, as noted, is staged twice, in the second instance tracking the plane’s approach ‘from across the Pacific’ over 1950s pre- Opera-House Sydney. From the long high view, urban Australia presents a vision of ‘continuity, unity and the promise of comfort in the mushroom roofs and the bright background of tended green’. Momentarily, suburban sprawl figures the ‘love of home’, with ‘great speckled carpets spread wide around every © Australian Humanities Review 60 (November 2016). -
High Wire Act: Peter Carey's My Life As a Fake Anthony
The Journal of the European Association for Studies of Australia, Vol.6 No.1, 2015 High Wire Act: Peter Carey’s My Life as a Fake Anthony J. Hassall Copyright © Anthony J. Hassall 2015. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged. Abstract: This essay examines how Carey displays the multiple fakeries of fiction in My Life as a Fake. It notes the multiple inter-textual references to the Ern Malley hoax and the gothic horror of Mary Shelley’s Frankenstein. It examines the three unreliable narrating voices, the uneven characterisation of Christopher Chubb, and the magic realism seeking to animate Bob McCorkle and his present/absent book My Life as a Fake. It argues that the dazzling display of meta-fictional complexity, much celebrated by reviewers, contributes to the book’s failure to create engaging characters and a credible narrative. Keywords: fiction; fakery; meta-fictional complexity; inter-textual reference; unreliable narration; engaging characters; credible narrative I Peter Carey’s My Life as a Fake (2003) is a typically risk-taking venture. Its spectacular exposure of the multiple fakeries involved in telling the stories of fictional characters is compelling, but it is less persuasive in rendering those fictional characters credible and sympathetic. The first of Carey’s books to be published by Random House, it did not emulate the spectacular success of True History of the Kelly Gang. Initially uncertain of how to respond, some reviewers devoted more space to re-telling the Ern Malley story than to the book itself, which understandably frustrated the author (“Carey’s take on snub?” 1).