A Journal for Greek Letters Crisis, Criticism and Critique in Contemporary Greek Studies

Total Page:16

File Type:pdf, Size:1020Kb

A Journal for Greek Letters Crisis, Criticism and Critique in Contemporary Greek Studies Vol. 16-17 B 2013 - 2014 Introduction a Journal for Greek letters Crisis, Criticism And Critique In Contemporary Greek Studies Editors Vrasidas Karalis and Panayota Nazou 1 Vol. 16-17 B 2013 - 2014 a Journal for Greek letters Crisis, Criticism And Critique In Contemporary Greek Studies Editors Vrasidas Karalis and Panayota Nazou The Modern Greek Studies Το περιοδικό φιλοξενεί άρθρα στα Αγγλικά και τα Ελληνικά Association of Australia and αναφερόμενα σε όλες τις απόψεις των Νεοελληνικών Σπουδών New Zealand (MGSAANZ) (στη γενικότητά τους). Υποψήφιοι συνεργάτες θα πρέπει να υποβάλλουν κατά προτίμηση τις μελέτες των σε δισκέτα και σε President - Anthony Dracopoulos έντυπη μορφή. Όλες οι συνεργασίες από πανεπιστημιακούς έχουν Vice President - Elizabeth Kefallinos υποβληθεί στην κριτική των εκδοτών και επιλέκτων πανεπιστημι- Treasurer - Panayota Nazou ακών συναδέλφων. Secretary - Panayiotis Diamadis The Modern Greek Studies Association of Australia and New Published for the Modern Greek Studies Association of Zealand (MGSAANZ) was founded in 1990 as a professional Australia and New Zealand (MGSAANZ) association by those in Australia and New Zealand engaged in Modern Greek Studies. Membership is open to all interested Department of Modern Greek, University of Sydney NSW in any area of Greek studies (history, literature, culture, tradi- 2006 Australia tion, economy, gender studies, sexualities, linguistics, cinema, T (02) 9351 7252 F (02) 9351 3543 Diaspora etc.). [email protected] The Association issues a Newsletter (Ενημέρωση), holds conferences and publishes two journals annually. ISSN 1039-2831 Editorial board Copyright Vrasidas Karalis (University of Sydney) Copyright in each contribution to this journal belongs to its Maria Herodotou (La Trobe University) author. Panayota Nazou (University of Sydney) © 2014, Modern Greek Studies Association of Anthony Dracopoulos (The University of Sydney) Australia Panayotis Diamadis (University of Technology) Elizabeth Kefallinos (Maquarie University) All rights reserved. No parts of this publication may be repro- duced, stored in a retrieval system or transmitted in any form Membership and subscriptions or by any means electronic, mechanical or otherwise without (including annual subscription for 2 issues) the prior permission of the publisher. Individual: AUS $50 US $50 Editors EUR €40 Vrasidas Karalis Institutions: AUS $100 Panayota Nazou US $100 Cover Image EUR €80 Full-time students/ source: National Gallery of Athens website Pensioners AUS $30 artist: Κωνσταντίνος Παρθένης Πλαγιά US $40 , 1908 EUR €30 Design Correspondence and payments Marietta and Martin Buikema Two Minds Department of Modern Greek A18, University of Sydney, NSW 2006 Australia Printing T (+612) 9351 7252 Blink Print E-mail [email protected] Typeface Please send submissions in Times New Roman 12pt, 1.5 spac- Museo Sans, ing, single inverted commas for quotes, with endnotes rather Chaparral Pro and than footnotes. Scotch Modern The periodical welcomes papers in both English and Greek on all aspects of Modern Greek Studies (broadly defined). Prospective contributors should preferably submit their papers on disk and hard copy. All published contributions by academics are refereed (standard process of blind peer assessment). This is a DEST recognised publication. The editors would like to express their gratitude to the Estate of the late Nicholas Anthony Aroney for its generous assistance Dedicated to the memory of Professor Manuel James Aroney AM, OBE 31st August 1932 - 15th February, 2011 Contents / Part B Part A - Addressing the Lemnos Heritage of Gallipoli and its forgotten foundations Cinema / p.105 John N. Yiannakis Theo Angelopoulos and the Cinema of Contemplation / p.11 Investigating the Death of a Legend / p.127 Andrew Horton Martyn Brown ‘Whose Is This Song?’ The invasion of Greece in 1941 and the Nazi Nationalism and Identity through the lens hordes that never were.... / p.147 of Adela Peeva / p.21 Craig Stockings and Eleni Elefterias-Kostakidis Eleanor Hancock From the archives of Oblivion: the first female Greek director Maria Plyta Re-imagining nationhood during the Second (1915-2006) / p.45 World War / p.165 Vrasidas Karalis Anna Efstathiadou Money, Sovereignty and the modern Greek History state / p.185 Peter Prineas ‘A brief and personal account’: the evidence of Charles Dobson on the destruction of the city of Smyrna in Migration September 1922 / p.69 Joanna Hyslop The first Greek-Australian Review: re-organisation in the Greek-Australian Κυθήριοι ομογενείς στην Αυστραλία communities of the post-mass migration era και στην Τασμανία. / p.201 Προσωπικές αφηγήσεις και Toula Nicolacopoulos and αναπαραστάσεις σε έναν George Vassilacopoulos παγκοσμιοποιημένο κόσμο (20ός-21ος αι.) Tales of glory boxes, suitcases and dreams: An Kytherian Emigrants in Australia and investigation of cultural and social changes in Tasmania: personal narratives and the dowry practices of Greek and Italian post- representations in a globalized world war migrants in South Australia / p.215 (20th-21st c.) / p.91 Maria Palaktsoglou, Daniela Cosmini-Rose, George N. Leontsinis Diana Glenn, Eric Bouvet Migration, Integration, Acculturation: Contemporary Greek Philosophy at the Greek-Australian women across Crossroads: generations / p.237 Neokantianism – Existentialism – Elizabeth Kefallinos Phenomenology / p.345 Golfo Maggini Greek, Australian, Greek-Australian or something else? Alexandros Papadiamantis: Alternative identities and communities in A Passionate Saint / p.369 John Charalambous’ Furies (2004) Nicolas Evzonas / p.253 Catalina Ribas-Segura Who is Kazantzakis’ God? / p.387 Nick N. Trakakis Greek Embroidery and the Making of Heritage / p.275 Επιθυμία, Έρωτας, Συναισθήματα: Cheryl Simpson Μια Φιλοσοφική Ανάγνωση του Κίτρινου Φακέλου του Μ. Καραγάτση Part B - Desire, Love, Emotions: A Philosophical Reading of M. Karagatsis’ Language Kitrinos Fakelos / p.419 Eleni Leontsini Commemorating the decipherment of Linear B and the discovery of Mycenaean Αυτοαντίληψη και αυτοπαρουσίαση: η Greek / p.295 Αυτοβιογραφία της Μελίνας Μερκούρη, Stavroula Nikoloudis Γεννήθηκα Ελληνίδα Self-perception and Self-presentation: The acquisition of grammatical gender in Melina Mercouri’s Autobiography I Was Greek / p.307 Born Greek / p.457 P. P. Koromvokis and Panayota Nazou I. Kalaitzidis C. P. Cavafy: Anthonism / p.485 Michael Tsianikas Culture Hume’s Lucianic Thanatotherapy /p.327 The Body of a Political Masochist: George Couvalis Torture, Performance and Power in Elias Maglinis’ The Interrogation / p.505 Tatjana Aleksic continues next page Contents (continued) Η Περιπέτεια του Αντρέα Κορδοπάτη και ο Ενδιάμεσος Χώρος του Θανάση Βαλτινού The Adventure of Andreas Kordopatis and the Interstitial Space of Thenanis Valtinos / p.525 Anthony Dracopoulos Parody and National Crisis: Thanasis Valtinos’ Three Greek One-Act Plays and its critical reception / p.545 Dimitris Paivanás Greece in Italy, or, A Great Silence Sections X-XVII Piero Bigongiari On the Sacred Way / p.563 Eugenio Montale Translated with introduction and notes by Theodore Ell Contributors / p.596 Introduction a Journal for Greek letters Vol. 16-17 B 2013 - 2014 Language Commemorating the decipherment of Linear B and the discovery of Mycenaean Greek / p.295 Stavroula Nikoloudis The acquisition of grammatical gender in Greek / p.307 P. P. Koromvokis and I. Kalaitzidis 2 9 3 Language St Cecilia 2Κωνσταντίνος 9 4 Παρθένης, 1938 Language Stavroula Nikoloudis The University of Melbourne Commemorating the decipherment of Linear B and the discovery of Mycenaean Greek Abstract Linear B is the writing system used by the Mycenaean Greeks dur- ing the Late Bronze Age, roughly between 1450 – 1200 BCE. Clay tablets inscribed in the Linear B script had been unearthed at the excavations of Knossos, Crete, in the early 1900s and subsequently at Pylos and Mycenae on the mainland of Greece,1 but they had remained largely unreadable for decades, until a British architect by the name of Michael Ventris, who had always had a keen interest in languages, announced on a BBC radio pro- gramme, that was aired on 1st July 1952, that he had deciphered Linear B and that it represented the earliest surviving form of the Greek language.2 This was a major breakthrough, complementing the archaeological inves- tigations of the time by giving scholars access to the textual information recorded in the Linear B tablets about the socio-political, economic and religious facets of life in the Mycenaean world. This paper commemorates the 60th anniversary of this important achievement in two ways: first, it outlines the unique contributions of the four main pioneers involved in the decipherment (Michael Ventris, Alice E. Kober, Emmett L. Bennett, Jr. and John Chadwick); second, it focuses on a small section of Linear B tablet PY Ep 704 in order to illustrate the detailed information contained in these texts and to consider the diachronic development of the Greek language by pointing to several key similarities and differences between Mycenaean and Modern Greek. 2 9 5 Language The decipherment revealed that the Linear B tablets were economic documents. They include landholding and taxation information, they indi- cate what was coming into the central administrative centres, usually called ‘palaces,’ in the form of raw materials and what was going out as finished products or as material to be worked into finished products. They include lots of inventories of items such as vessels, chariot equipment, animals,
Recommended publications
  • VIPAW Wall Texts
    3rd Venice International Performance Art Week, 2016 Ouch – Pain and Performance A screening programme curated by Live Art Development Agency, London “I see pain as an inevitable byproduct of interesting performance.” Dominic Johnson According to Wikipedia ‘pain’ is an “unpleasant feeling often caused by intense or damaging stimuli…(it) motivates the individual to withdraw from damaging situations and to avoid similar experiences in the future.” But for many artists and audiences the opposite is just as true, and pain within the context of performance is a challenging, exhilarating and profound experience. Ouch is a collection of documentation and artists’ films looking at pain and performance. The works are not necessarily performances about pain, but in some way involve or invoke pain in their making or reading or experience - both the pain artists cause themselves within the course of their work, whether intentional or not, and the experiences of audiences as they are invited to inflict pain on artists or are subjected to pain and discomfort themselves. The selected works feature eminent and ground breaking artists from around the world whose practices address provocative issues including the lived experiences of illness, the aging female body, cosmetic surgery, addiction, embodied public protest, animalistic impulses, blood letting, staged fights, acts of self harm and flagellation, and what can happen when you invite audiences to be complicit in performance actions. Ouch featured artists: Marina Abramovic, Ron Athey, Marcel.Li Antunez Roca, Franko B, Wafaa Bilal, Rocio Boliver, Cassils, Bob Flanagan, Regina Jose Galindo, jamie lewis hadley, Nicola Hunter & Ernst Fischer, Oleg Kulik, Martin O’Brien, Kira O’Reilly, ORLAN, Petr Pavlensky.
    [Show full text]
  • The Art of Communication in a Polarized World This Page Intentionally Left Blank the Art of Communication in a Polarized World
    The Art of Communication in a Polarized World This page intentionally left blank The Art of Communication in a Polarized World KYLE CONWAY Copyright © 2020 Kyle Conway Published by AU Press, Athabasca University 1200, 10011 – 109 Street, Edmonton, AB T5J 3S8 https://doi.org/10.15215/aupress/9781771992930.01 Cover image © Suchat Nuchpleng / Shutterstock.com Cover design by Natalie Olsen Interior design by Sergiy Kozakov Printed and bound in Canada Library and Archives Canada Cataloguing in Publication Title: The art of communication in a polarized world / Kyle Conway. Names: Conway, Kyle, 1977- author. Description: Includes bibliographical references and index. Identifiers: Canadiana (print) 20200162683 | Canadiana (ebook) 20200162691 ISBN 9781771992930 (softcover) | ISBN 9781771992947 (pdf) ISBN 9781771992954 (epub) | ISBN 9781771992961 (Kindle) Subjects: LCSH: Intercultural communication. | LCSH: Translating and interpreting. LCSH: Communication and culture. | LCSH: Language and culture. Classification: LCC P94.6 C66 2020 | DDC 303.48/2—dc23 This book has been published with the help of a grant from the Federation for the Humanities and Social Sciences, through the Awards to Scholarly Publications Program, using funds provided by the Social Sciences and Humanities Research Council of Canada. We acknowledge the financial support of the Government of Canada through the Canada Book Fund (CBF) for our publishing activities and the assistance provided by the Government of Alberta through the Alberta Media Fund. This publication is licensed under a Creative Commons licence, Attribution–Noncommercial–No Derivative Works 4.0 International: see www.creativecommons.org. The text may be reproduced for non-commercial purposes, provided that credit is given to the original author. To obtain permission for uses beyond those outlined in the Creative Commons licence, please contact AU Press, Athabasca University, at [email protected].
    [Show full text]
  • Performance Art in Eastern Europe Since 1960
    H-Soyuz New publication: Performance Art in Eastern Europe since 1960 Discussion published by Amy Bryzgel on Wednesday, June 7, 2017 Media Release: A University of Aberdeen academic has published a new book dedicated to an art form previously excluded from the history books. Dr Amy Bryzgel, Senior Lecturer in Film and Visual Culture, has just published the first academic monograph outlining the history, development and significance of performance art in Eastern Europe. She said: “As a result of the Cold War, and the divisions of Europe into East and West, art from Eastern Europe has largely been excluded from the history books. Experimental art forms, such as performance, were not officially recognised by the various governments in the region, where painting and sculpture remained the main options for professional artists. “Many artists in Eastern Europe experimented with performance art because they were able to use their bodies to express what they perhaps couldn’t in painting. “ The book, Performance Art in Eastern Europe since 1960, was funded by the Leverhulme Trust and Arts and Humanities Research Council, and it involved more than two years of research which took Dr Bryzgel across an area previously behind the Iron Curtain. It includes discussion of more recent performance art in the region, such as that by Russian artists Pussy Riot and Petr Pavlensky, which have made international headlines alongside consideration of the long history of performance in Eastern Europe. Dr Bryzgel added: “This book has been a labour of love that would not have been possible without the generosity of so many artists, art historians and arts practitioners in the region.
    [Show full text]
  • Final List EMD2015 02062015
    N° Title LastName FirstName Company Country 1 Dr ABDUL RAHMAN Noorul Shaiful Fitri Universiti Malaysia Terengganu United Kingdom 2 Mr ABSPOEL Lodewijk Nl Ministry For Infrastructure And Environment Netherlands 3 Mr ABU-JABER Nizar German Jordanian University Jordan 4 Ms ADAMIDOU Despina Een -Praxi Network Greece 5 Mr ADAMOU Christoforos Ministry Of Tourism Greece 6 Mr ADAMOU Ioannis Ministry Of Tourism Greece 7 Mr AFENDRAS Evangelos Independent Consultant Greece 8 Mr AFENTAKIS Theodoros Greece 9 Mr AGALIOTIS Dionisios Vocational Institute Of Piraeus Greece 10 Mr AGATHOCLEOUS Panayiotis Cyprus Ports Authority Cyprus 11 Mr AGGOS Petros European Commission'S Representation Athens Greece 12 Dr AGOSTINI Paola Euro-Mediterranean Center On Climate Change (Cmcc) Italy 13 Mr AGRAPIDIS Panagiotis Oss Greece 14 Ms AGRAPIDIS Sofia Rep Ec In Greece Greece 15 Mr AHMAD NAJIB Ahmad Fayas Liverpool John Moores University United Kingdom 16 Dr AIFANDOPOULOU Georgia Hellenic Institute Of Transport Greece 17 Mr AKHALADZE Mamuka Maritime Transport Agency Of The Moesd Of Georgia Georgia 18 Mr AKINGUNOLA Folorunsho Nigeria Merchant Navy Nigeria 19 Mr AKKANEN Mika City Of Turku Finland 20 Ms AL BAYSSARI Paty Blue Fleet Group Lebanon 21 Dr AL KINDI Mohammed Al Safina Marine Consultancy United Arab Emirates 22 Ms ALBUQUERQUE Karen Brazilian Confederation Of Agriculture And Livesto Belgium 23 Mr ALDMOUR Ammar Embassy Of Jordan Jordan 24 Mr ALEKSANDERSEN Øistein Nofir As Norway 25 Ms ALEVRIDOU Alexandra Euroconsultants S.A. Greece 26 Mr ALEXAKIS George Region Of Crete
    [Show full text]
  • Trains and by Other Means of Transportation I Was Mapping the Possibilities of Movement of Individuals Within Large Urban Environments
    2019 THESIS East by Northeast or Performing the (mega)City: Movement of a Body Through Transportation Networks ANTONÍN BRINDA I.o Příbor, Czech Republic, before departure LIVE ART AND PERFORMANCE STUDIES 2019 THESIS LIVE ART AND PERFORMANCE STUDIES ABSTRACT DATE: 7.12.2019 AUTHOR MASTER’S OR OTHER DEGREE PROGRAMME Antonín Brinda Live Art and Performance Studies TITLE OF THE WRITTEN NUMBER OF PAGES + APPENDICES IN THE WRITTEN SECTION/THESIS SECTION East by Northeast or Performing the (mega)City: Movement of a 216 pages Body Through Transportation Networks TITLE OF THE ARTISTIC/ ARTISTIC AND PEDAGOGICAL SECTION East by Northeast The artistic section is produced by the Theatre Academy. The artistic section is not produced by the Theatre Academy (copyright issues have been resolved). No record exists of the artistic section. Supervisor/s: Ray Langenbach and Giacomo Bottà The final project can be The abstract of the final project can published online. This Yes be published online. This Yes permission is granted No permission is granted for an No for an unlimited unlimited duration. duration. This thesis deals mainly with my final artistic research work East by Northeast which was conducted across two continents, took several months and involved dozens of people. The project consists of photos, videos, audios, writings, maps, performances, discussions, presentations, artist talks, and one workshop. The main (impossible?) goal/research question was finding ways how to articulate, how to perform (mega)cities through the movement of the body through their transportation networks. I have worked with and within (mega)cities of Moscow (Russia), Ulaanbaatar (Mongolia) and Beijing (China).
    [Show full text]
  • ON PAIN in PERFORMANCE ART by Jareh Das
    BEARING WITNESS: ON PAIN IN PERFORMANCE ART by Jareh Das Thesis submitted in fulfilment of the requirements for the degree of PhD Department of Geography Royal Holloway, University of London, 2016 1 Declaration of Authorship I, Jareh Das hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19th December 2016 2 Acknowledgments This thesis is the result of the generosity of the artists, Ron Athey, Martin O’Brien and Ulay. They, who all continue to create genre-bending and deeply moving works that allow for multiple readings of the body as it continues to evolve alongside all sort of cultural, technological, social, and political shifts. I have numerous friends, family (Das and Krys), colleagues and acQuaintances to thank all at different stages but here, I will mention a few who have been instrumental to this process – Deniz Unal, Joanna Reynolds, Adia Sowho, Emmanuel Balogun, Cleo Joseph, Amanprit Sandhu, Irina Stark, Denise Kwan, Kirsty Buchanan, Samantha Astic, Samantha Sweeting, Ali McGlip, Nina Valjarevic, Sara Naim, Grace Morgan Pardo, Ana Francisca Amaral, Anna Maria Pinaka, Kim Cowans, Rebecca Bligh, Sebastian Kozak and Sabrina Grimwood. They helped me through the most difficult parts of this thesis, and some were instrumental in the editing of this text. (Jo, Emmanuel, Anna Maria, Grace, Deniz, Kirsty and Ali) and even encouraged my initial application (Sabrina and Rebecca). I must add that without the supervision and support of Professor Harriet Hawkins, this thesis would not have been completed.
    [Show full text]
  • A Journal for Greek Letters from Stories to Narratives: the Enigmas of Transition
    Vol. 18 2016 - 2017 Introduction a Journal for Greek letters From Stories to Narratives: the enigmas of transition Editors Vrasidas Karalis and Panayota Nazou 1 Vol. 18 2016 - 2017 a Journal for Greek letters From Stories to Narratives: the enigmas of transition Editors Vrasidas Karalis and Panayota Nazou The Modern Greek Studies by academics are refereed (standard process of blind peer Association of Australia and assessment). This is New Zealand (MGSAANZ) a DEST recognised publication. President - Vrasidas Karalis Το περιοδικό φιλοξενεί άρθρα στα Αγγλικά και Vice President - Maria Herodotou τα Ελληνικά αναφερόμενα σε όλες τις απόψεις Treasurer - Panayota Nazou των Νεοελληνικών Σπουδών (στη γενικότητά Secretary - Panayiotis Diamadis τους). Υποψήφιοι συνεργάτες θα πρέπει να The Modern Greek Studies Association of Australia υποβάλλουν κατά προτίμηση τις μελέτες των and New Zealand (MGSAANZ) was founded in 1990 σε ηλεκτρονική και σε έντυπη μορφή. Όλες οι as a professional association by those in Australia συνεργασίες από πανεπιστημιακούς έχουν υπο- and New Zealand engaged in Modern Greek Studies. Membership is open to all interested in any area of βληθεί στην κριτική των εκδοτών και επιλέκτων Greek studies (history, literature, culture, tradition, πανεπιστημιακών συναδέλφων. economy, gender studies, sexualities, linguistics, The editors would like to express their cinema, Diaspora etc.). Published for the Modern Greek Studies Association gratitude to Mr. Nick Valis & Blink Print The Association issues a Newsletter (Ενημέρωση), of Australia
    [Show full text]
  • Poza Zasadą Przyjemności. Afektywne Operacje Beyond the Pleasure Principle
    9.05–2.07 Zachęta — Narodowa Galeria Sztuki | Zachęta — National Gallery of Art Poza zasadą przyjemności. Afektywne operacje Beyond the Pleasure Principle. Affective Operations kuratorka | curator: Maria Brewińska współpraca | collaboration: Magdalena Komornicka artyści | artists: Marina Abramović, Kader Attia, Monica Bonvicini, Berlinde de Bruyckere, Douglas Gordon, Aneta Grzeszykowska, Mona Hatoum, Jesse Kanda, Teresa Margolles, Piotr Pawlenski | Petr Pavlensky, Aleksandra Ska, Taryn Simon, Andreas Sterzing, Mircea Suciu, Roman Stańczak, David Wojnarowicz, Artur Żmijewski Piotr Pawlenski, Carcass, przed pałacem Maryjskim w Petersburgu, Petr Pavlensky, Carcass, in front of Mariinsky Palace, St. Petersburg, 2013, fotografia i wideo, dzięki uprzejmości artysty 2013, photograph and video, courtesy of the artist na sąsiedniej stronie: opposite: Aneta Grzeszykowska, Skin Head # 06, 2016, skóra naturalna, Aneta Grzeszykowska, Skin Head # 06, 2016, natural leather, stuffing, wypełnienie, dzięki uprzejmości artystki i galerii Raster courtesy of the artists and Raster gallery Wystawa przyjmuje za punkt wyjścia popularną w hu- nazywamy za Brianem Massumi „wstrząsem dla myśli”, m.in. słowa Jacques’a Lacana z eseju Kanta Sadem (Kant manistyce kategorię afektów, rozumianych tu jako auto- lecz zapoczątkowanym w ciele przez niejasne odczucia. avec Sade): „[…] piękno to ostatnia bariera, broniąca matyczna reakcja ciała na bodźce odbierane z otoczenia Staje się on istotnym zdarzeniem otwierającym nowe przystępu fundamentalnej grozie” i Nietzschego z Poza
    [Show full text]
  • Download This PDF File
    Culture Golfo Maggini University of loannina Contemporary Greek Philosophy at the Crossroads: Neokantianism - Existentialism - Phenomenology Abstract During the first two decades of the 20th century, Greece’s philosophical scene was dominated by neokantianism. In the so called “Heidelberg group” of philosophers we come across a company of people educated in post-WW 1 Germany, close to some of the most influential philosophers of their time. Immersed in neokantianism, the triad Theodorakopoulos-Tsatsos-Kanello- poulos served the spirit of this philosophical school not just within the uni­ versity classroom, but also for a much wider public. Within this dominant framework, what was the role and significance of other philosophical trends, such as phenomenology, in the genesis of contemporary Greek philosophy? The main working hypothesis of our research is that the phenomenological movement in Greece was caught since its beginning in the tension between two dominant philosophical currents, neokantianism and existentialism. A more serious effort to cope with phenomenological thought on a systematic basis began in the 1980s. It was accompanied by the increasing recognition of phenomenology as an autonomous field of European philosophy within the Greek academic community. We will then try to demonstrate that this was contingent to the way in which Greek philosophy evolved in the 20th century, inside as well as outside the academia. 345 Culture Small has been the number of publications on the evolution of 20th century Greek philosophy. This is due to many factors, including the obvi­ ous gap between the ex cathedra philosophy teachers, who determined the identity of Greek academic philosophy, and the dynamism and profusion of many “paraphilosophical” occurrences.
    [Show full text]
  • Indigenism and Feminism in the Prose Fiction of Rosario Castellanos. George Alexander St
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1981 Indigenism and Feminism in the Prose Fiction of Rosario Castellanos. George Alexander st. john Robinson Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Robinson, George Alexander st. john, "Indigenism and Feminism in the Prose Fiction of Rosario Castellanos." (1981). LSU Historical Dissertations and Theses. 3616. https://digitalcommons.lsu.edu/gradschool_disstheses/3616 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy.
    [Show full text]
  • Print This Article
    The Historical Review/La Revue Historique Vol. 14, 2017 Dear to the Gods, yet all too human: Demetrios Capetanakis and the Mythology of the Hellenic Kantzia Emmanuela American College of Greece https://doi.org/10.12681/hr.16300 Copyright © 2018 Emmanuela Kantzia To cite this article: Kantzia, E. (2018). Dear to the Gods, yet all too human: Demetrios Capetanakis and the Mythology of the Hellenic. The Historical Review/La Revue Historique, 14, 187-209. doi:https://doi.org/10.12681/hr.16300 http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 28/09/2021 14:39:06 | DEAR TO THE GODS, YET ALL TOO HUMAN: DEMETRIOS CAPETANAKIS AND THE MYTHOLOGY OF THE HELLENIC Emmanouela Kantzia Abstract: Philosopher and poet Demetrios Capetanakis (1912-1944) struggled with the ideas of Hellenism and Greekness throughout his short life while moving across languages, cultures, and philosophical traditions. In one of his early essays, Mythology of the Beautiful (1937; in Greek), Hellenism is approached through the lens of eros, pain and the human body. Capetanakis distances himself both from the discourse put forth by the Generation of the Thirties and from the neo-Kantian philosophy of his mentors, and in particular Constantine Tsatsos, while attempting a bold synthesis of Platonic philosophy with the philosophy of despair (Kierkegaard, Shestov). By upholding the classical over and against the romantic tradition, as exemplified in the life and work of Johann Joachim Winckelmann, he seeks to present Hellenism not as a universal ideal, but as an individual life stance grounded on the concrete. His concern for the particular becomes more pronounced in a later essay, “The Greeks are Human Beings” (1941; in English), where, however, one senses a shift away from aesthetics, towards ethics and history.
    [Show full text]
  • Michel Foucault
    POWER/KNOWLEDGE Selected Interviews and Other Writings 1972-1977 Michel Foucault Edited by COLIN GORDON Translated by COLIN GORDON, LEO MARSHALL JOHN MEPHAM, KATE SOPER a Pantheon Books, New York Copyright © 1972, 1975, 1976, 1977 by Michel Foucault Preface and Afterword Copyright © 1980 by Colin Gordon Bibliography Copyright © 1980 by Colin Gordon This collection Copyright © 1980 by The Harvester Press All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Pantheon Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Originally published in Great Britain by The Harvester Press, Limited. LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA Foucault, Michel. Power Iknowledge. Bibliography: p. 1. Power (Social sciences) I. Gordon, Colin. II. Title. HM291.F59 303.3'3 79-3308 ISBN 0-394-51357-6 ISBN 0-394-73954-x (pbk.) Manufactured in the United States of America 40 39 38 37 36 35 34 33 32 31 CONTENTS page Preface vii Translations and Sources xi 1 On Popular Justice: A Discussion with Maoists 1 2 Prison Talk 37 3 Body/Power 55 4 Questions on Geography 63 5 Two Lectures 78 6 Truth and Power 109 7 Power and Strategies 134 8 The Eye of Power 146 9 The Politics of Health in the Eighteenth Century 166 10 The History of Sexuality 183 11 The Confession of the Flesh 194 Afterword 229 Bibliography 261 PREFACE Michel Foucault's name, at least, must now be a familiar one to English-speaking readers, since this is the tenth volume of his writings to have been translated within the last dozen years.
    [Show full text]