A Practical Manual of Screen Playwriting : for Theater and Television Films
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Desert Island Times 21
D E S E RT I S L A N D T I M E S S h a r i n g f e l l o w s h i p i n NEWPORT SE WALES U3A No.21 11th September 2020 The Grandeur of Raglan Castle A view taken from the north shows just how impressive this castle is A miscellany of Contributions from OUR members A Brief News Update I mentioned in DIT 20 that your committee had met (outdoors and socially distanced!) towards the end of July to “catch up” on ongoing business and to consider our present position. I also reported that to assist us we have co-opted Jackie Kerr to our ranks. Jackie thought she ought to clarify her position, and photographed by Pat Fackrell, she can be seen doing just that by holding a placard (made by Pat)! Jackie might only be “temporary” but already she, together with Gwyneth Hawkes and Jan Howell, have formed a sub-committee to took at and propose changes to the U3A timetable, so that we are prepared for the time when we can get back together again. We await negotiations with the Church Authorities (a meeting which was due to be held this month but which has, of course, been postponed), when we will be seeking an extension to our existing accommodation so that we can more effectively use the space we already hire and make more time slots available in what had become a crowded timetable. Watch this space for future developments! Although, in common with all other U3As across the country, we will not be able to hold an AGM this year, we still wish our membership to make certain decisions, and relevant documents will be circulated in due course. -
Radical Intimacy in Contemporary Art: Abjection, Revolt, Objecthood
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 Radical Intimacy in Contemporary Art: Abjection, Revolt, Objecthood Keren Moscovitch Follow this and additional works at: https://digitalmaine.com/academic RADICAL INTIMACY IN CONTEMPORARY ART: ABJECTION, REVOLT, OBJECTHOOD Keren Moscovitch Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty of the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Ewa Plonowska Ziarek, PhD Julian Park Professor of Comparative Literature and Global Gender and Sexuality Studies, University at Buffalo; Senior Research Fellow, Philosophy, Western Sydney University Committee Member: Silvia MaZZini, PhD Teaching Fellow (Aesthetics, Continental Philosophy) at the University of Groningen (NL), Faculty of Philosophy Committee Member: George Smith, PhD Founder and President; Edgar E. Coons, Jr. Professor of New Philosophy, Institute for Doctoral Studies in the Visual Arts iii © 2019 Keren Moscovitch ALL RIGHTS RESERVED iv it is not only the biological but being itself that is heard in the intimate. —Julia Kristeva To my grandfather אסלב לש יל אל v ACKNOWLEDGEMENTS I would like to thank my committee, particularly my dissertation director and mentor, Dr. Ewa Plonowska Ziarek for her commitment to this project and her generosity of spirit. Thank you as well to Dr. George Smith for leading the way and for so many great talks. Much gratitude to Dr. Silvia MaZZini for joining me on this journey. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Der Filmkomponist Max Steiner (1888-1971)
exil.arte-Schriften Band 2 Für exil.arte herausgegeben von Gerold Gruber Peter Wegele Der Filmkomponist Max Steiner (1888–1971) 2012 BÖHLAU VERLAG WIEN KÖLN WEIMAR Gedruckt mit Unterstützung durch den Fonds zur Förderung der wissenschaftlichen Forschung Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Coverabbildung: RKO-Studioporträt von Max Steiner, 1933 © Max Steiner Collection, Perry Special Collections, Brigham Young University © 2012 by Böhlau Verlag Ges.m.b.H & Co. KG, Wien Köln Weimar Wiesingerstraße 1, A-1010 Wien, www.boehlau-verlag.com Alle Rechte vorbehalten. Dieses Werk ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist unzulässig. Umschlaggestaltung: Michael Haderer, Wien Satz: Bettina Waringer Druck und Bindung: General Nyomda Kft. Gedruckt auf chlor- und säurefreiem Papier Printed in Hungaria ISBN 978-3-205-78801-0 Inhalt Vorwort . 9 1. Einführung . 11 1.1. Vom Stummfilm zum Tonfilm . 12 1.2. Filmmusiktechnik. 19 1.2.1. Erste Annäherung an den Film . 19 1.2.2. Cues und Click . 23 1.2.3. Der Orchestrator . 29 1.2.4. Instrumentierung . 34 1.2.5. Melodik . 41 1.2.5.1. Zitate. 41 1.2.5.2. Leitmotive. 46 1.2.6. Harmonik . 56 1.2.6.1. Die „unendliche Harmonie“ bei Richard Wagner . 56 1.2.6.2. Underscoring. 57 1.2.7. Mickey Mousing . 61 1.2.8. Dialog und Musik . 63 1.3. Filmmusik und das Musiktheater . 65 2. Das Leben von Max Steiner . 69 2.1. -
Crime Wave for Clara CRIME WAVE
Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International, -
A Guide to the Filmscripts in the Lilly Library Book Department
From Abbott and Costello in the Foreign Legion to Zorro Rides Again: A Guide to the Filmscripts in the Lilly Library Book Department There are presently over nine hundred scripts in the Lilly Li brary Book department. The movies represented range from the silent version of Ben Hur to Breaking Away. The collection's scope is broad; one can find scripts for great film classics, musicals, mys teries, adventures, shorts, westerns, comedies, and science fiction movies. Many types of filmscripts make up the collection-drafts, cutting continuities, preliminary editions, shooting finals. Gener ally the scripts are accompanied by publicity photos. Although the majority of filmscripts in the collection are for talkies, several scripts are for silent films. The text of a silent film script is devoted primarily to directions for camera shots and de scriptions of the action, and provides title captions instead of dia logue. The earliest script in the collection is for The Four Horsemen of the Apocalypse (released in 1921), the film that gave Rudolph Valentino his first starring role. The Big Parade (1925), King Vidor's popular film about an average man's experiences at war, estab lished John Gilbert as a top star. The Jazz Singer (1927) was the first full length feature with both singing and talking, starring AI }olson in his first movie role. Wings (1928), considered to be the last of the silent spectaculars, was the first movie to receive an Academy Award. Clara Bow and Charles Rogers starred in this tale of World War I flyers. One of the most lavish films of the silent era was the the 1926 MGM version of Ben Hur, starring Ramon Novarro, directed by William Wellman. -
Click Here to Download The
Dr. Erika R. Hamer Dr. Erika R. Hamer DC, DIBCN, DIBE DC, DIBCN, DIBE Board Certified Board Certified Chiropractic Neurologist Chiropractic Neurologist Practice Founder/Owner Practice Founder/Owner Family Chiropractic Care Family Chiropractic Care in Ponte Vedra Beach & Nocatee Town Center in Ponte Vedra Beach & Nocatee Town Center Dr. Erika R. Hamer Dr. Erika R. Hamer DC, DIBCN, DIBE NOCATEE Initial Visit and Exam DC, DIBCN, DIBE NOCATEE Initial Visit and Exam Board Certified Initial Visit and Exam - Valued at $260! Board Certified Initial Visit and Exam - Valued at $260! Chiropractic Neurologist RESIDENT Valued at $260! Chiropractic Neurologist RESIDENT Valued at $260! Practice Founder/Owner SPECIAL *Offer alsoalso valid valid for for reactivating reactivating patients - those not Practice Founder/Owner SPECIAL *Offer alsoalso valid valid for for reactivating reactivating patients - those not Family Chiropractic Care seenpatients at the- those office not in seen the at previous the office six months. Family Chiropractic Care seenpatients at the- those office not in seen the at previous the office six months. Serving St. Johns County for 17 Years in the previous six months. Serving St. Johns County for 17 Years in the previous six months. www.pontevedrawellnesscenter.com In Network for Most Insurance Companies www.pontevedrawellnesscenter.com In Network for Most Insurance Companies Nocatee Town Center/834-2717 205 Marketside Ave., #200, Ponte Vedra, FL 32081 Nocatee Town Center/834-2717 205 Marketside Ave., #200, Ponte Vedra, FL 32081 Most Insurance -
Titolo Anno Imdb ...All the Marbles 01/01/1981 10,000 Bc
TITOLO ANNO IMDB ...ALL THE MARBLES 01/01/1981 10,000 BC 01/01/2008 11TH HOUR 01/03/2008 15 MINUTES 01/01/2001 20,000 YEARS IN SING SING 01/01/1933 2001: A SPACE ODYSSEY 01/01/1968 2010 01/01/1984 3 MEN IN WHITE 01/01/1944 300 01/06/2007 300: RISE OF AN EMPIRE 01/05/2014 36 HOURS 01/01/1965 42 01/07/2013 42ND STREET 01/01/1933 50 MILLION FRENCHMEN 01/01/1931 6 DAY BIKE RIDER 01/01/1934 6,000 ENEMIES 01/01/1939 7 FACES OF DR. LAO 01/01/1964 7 WOMEN 01/01/1966 8 SECONDS 01/01/1994 A BIG HAND FOR THE LITTLE LADY 01/01/1966 A CERTAIN YOUNG MAN 01/01/1928 A CHILD IS BORN 01/01/1940 A CHRISTMAS CAROL 01/01/1938 A CHRISTMAS STORY 01/01/1983 A CINDERELLA STORY 01/02/2005 A CLOCKWORK ORANGE 01/01/2013 A COVENANT WITH DEATH 01/01/1967 A DATE WITH JUDY 01/01/1948 A DAY AT THE RACES 01/01/1937 A DISPATCH FROM REUTER'S 01/01/1940 A DISTANT TRUMPET 01/01/1964 A DOLPHIN TALE 01/03/2012 A DREAM OF KINGS 01/01/1970 A FACE IN THE CROWD 01/01/1957 A FAMILY AFFAIR 01/01/1937 A FAN'S NOTES 01/01/1972 A FEVER IN THE BLOOD 01/01/1961 A FINE MADNESS 01/01/1966 A FREE SOUL 01/01/1931 A FUGITIVE FROM JUSTICE 01/01/1940 A GLOBAL AFFAIR 01/01/1964 A GUY NAMED JOE 01/01/1943 A KISS IN THE DARK 01/01/1949 A LA SOMBRA DEL PUENTE 01/01/1948 A LADY OF CHANCE 01/01/1928 A LADY WITHOUT PASSPORT 01/01/1950 A LADY'S MORALS 01/01/1930 A LETTER FOR EVIE 01/01/1946 A LIFE OF HER OWN 01/01/1950 A LION IS IN THE STREETS 01/01/1953 A LITTLE JOURNEY 01/01/1927 A LITTLE PRINCESS 01/01/1995 A LITTLE ROMANCE 01/01/1979 A LOST LADY 01/01/1934 A MAJORITY OF ONE 01/01/1962 A MAN AND -
Peter Lorre Season at BFI Southbank
Peter Lorre season at BFI Southbank Season marks the fiftieth anniversary of Lorre’s death and will include screenings of 22 films including M, Mad Love, Casablanca and The Maltese Falcon Monday 28 July 2014, London BFI Southbank today announces a season dedicated to one of the most nuanced and complex actors of his generation Peter Lorre. Marking the fiftieth anniversary of his death, this five week retrospective from Tuesday 2 September – Tuesday 7 October will feature some of Lorre’s most celebrated roles. Lorre was famed for playing sinister characters and even holds the prestigious position of being the first actor to ever portray a Bond villain, when he played Le Chiffre in a 1954 television adaptation of Casino Royale. The season will showcase a number of Lorre’s villainous screen moments such as The Man Who Knew Too Much (1934) and Crime and Punishment (1935), as well as his roles in some of the most iconic films of the golden age of Hollywood including Casablanca (1942) and The Maltese Falcon (1941). The centrepiece of the season will be the film which made Lorre a star, Fritz Lang’s psychological thriller M (1931), re-released by the BFI in cinemas across the UK on September 5. Born László Loewenstein in the small Austro-Hungarian town of Rószahegy (now in present day Slovakia), Lorre won critical acclaim for his theatre work with Bertolt Brecht and international fame beckoned after his first major film role as a compulsive child murderer in M. Made two years before Hitler came to power Lang’s film was renowned for its striking imagery and inventive use of sound; playing on extended run at BFI Southbank this re-release can now be enjoyed in a pin-sharp restoration. -
California Dreamin'
login register ADVERTISE BACK ISSUES CONTACT US SUBSCRIBE search links ARTGUIDE DIARY PICKS NEWS IN PRINT FILM 500 WORDS VIDEO PREVIEWS TALKBACK A & E BOOKFORUM 中文版 SCENE & HERD California Dreamin’ RECENT ARCHIVE LOS ANGELES 02.07.11 Nicolas Trembley on art/fashion collaborations at Art Basel Miami Beach Andrew Berardini around Art Basel Miami Beach Kate Sutton at Art Basel Miami Beach Kaelen Wilson-Goldie around Beirut Nikki Columbus on non- Performa performance Brian Droitcour at the finale of Performa 11 NEWS PICKS FILM Newest Headlines Left: Adrian Brody, China Chow, and Art Los Angeles Contemporary director Tim Fleming. Right: Artist Glenn Kaino. (Photos: Charley Gallay/WireImage) Portland Art Museum Receives Anonymous $2 LOS ANGELES HOLDS SWAY as the promised land, with plenty of space for everyone’s dreams, a city Million Gift always ever just about to be. When art fair organizers dream of Los Angeles, they conjure something like Alison Gass Appointed the intro to a soft-core porno, something beachy and free and easy with wealthy collectors trailing after Curator for Broad Museum cruising movie stars who are ready to deliver, offscreen, the necessary money shot. Along with the at MSU sophomore iteration of Art Los Angeles Contemporary, which ran the weekend before last, it seems that New Museum Increases the Merchandise Mart has been having its own California dreams, materializing this September as Art Price of Admission to Platform—Los Angeles. Carsten Höller’s Show Cooper-Hewitt National It was a straight shot down I-10 that Thursday from the city’s nondescript downtown towers to the beach, Design Museum Raises out of the smog and into the sunsetting lavender and gold, one of those beautiful days in LA that makes $54 Million to Renovate East Coasters all weepy. -
Mildred Pierce: and Just What Do You Do? Monte Beragon: I Loaf
Mildred Pierce: And just what do you do? Monte Beragon: I loaf. In a decorative and highly charming manner. Mildred Pierce: ls that all? Monte Beragon: With me, loafing is a science. —Mildred Pierce achary Scott spent most of his career in what he called villain. Off-screen, Scott was initially compliant, but soon began crime pictures. After a striking debut as the icy-hearted besieging producers’ offices, trying to alter his typecasting. title character in The Mask of Dimitrios (1944), he played It was an uphill battle. Golden Age Hollywood didn’t much care one exquisite exception—the struggling tenant farmer in about your true background or personality. If you looked wholesome, Jean Renoir’s The Southerner (1945)—only to find him- then wholesome was what you played, which is how incorrigible gam- Zself defined by his next role: Monte Beragon, the smooth, sneaky, bler and womanizer Mickey Rooney made Andy Hardy movies until negative-cash-flow aristocrat who seduces mother and daughter in there was no hiding the dissipation on his face. Scott, on the other hand, Mildred Pierce (1945). Thereafter came Westerns, comedies, even really was an old-money scion; it was the criminal inclinations that a couple of musicals. But mostly, Scott kept playing the same part. existed only in the studio’s imagination. He was born in Austin in 1914. Whether or not he straightened up by the last reel, his typical char- His surgeon father was a direct descendant of George Washington, his acter was either vaguely or explicitly upper crust, in need of a better mother the product of one of the oldest ranching families in Texas. -
Above All Else, Art Should Be Fun....”
FESTIVAL OF THE ARTS JUNE 7/8/9, 2019 2 Celebrating 50 Years of FESTIVAL OF THE ARTS, LA GRANDE VITESSE & GRAND RAPIDS LEADERSHIP IN THE PUBLIC ARTS Images courtesy of Grand Rapids Public Library 3 TABLE OF CONTENTS Welcome! 6 Visitors’ Guide 7 Artisan Village 12 Activities 15 Performance 17 Food Booths 19 Friday Schedule 21 Saturday Schedule 23 Sunday Schedule 27 Food Truck Alley 31 34 Map of Festival 36 Regional Arts Exhibition 56 Festival Committees 62 Festival Donors Please note: Performers, performance times, and performance locations may change without notice. festival is a 501(c)(3) nonprofit organization. We receive support from the Kent County Board of Commissioners and the City of Grand Rapids along with many West Michigan businesses and individuals. KENT COUNTY PROFILE 4 Organized in 1836, KENT COUNTY is composed of 21townships, 5 villages, and 9 cities Kent County is home to a YOUNG, DIVERSE, and EDUCATED population POPULATION +7.6% DEMOGRAPHICS 648,594 SINCE 2010 25.8% identify as ethnic or racial minorities 34.9MEDIAN AGE 39.8MEDIAN AGE 50% are below the age of 35 KENT COUNTY MICHIGAN OVERALL Kent County is part of the FASTEST-GROWING ECONOMY in the United States Five-year growth The Grand Rapids metro economy was the fastest-growing metro economy in the U.S. in 21.8% ECONOMICS 2016, and it is 7th fastest growing over the last five years, according to Headlight Data and Forbes EDUCATION HEALTH ARTS AND CULTURE 15 1+7+16 17 COLLEGES AND UNIVERSITIES RURAL HEALTH CLINICS MUSEUMS AND HISTORICAL HOSPITALS SOCIETIES FEDERALLY