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The 2Nd International Film Festival & Awards • Macao Unveils Festival
The 2nd International Film Festival & Awards • Macao unveils festival programme, announces Laurent Cantet as head of jury Macao, 3 November, 2017 The 2nd International Film Festival & Awards • Macao (IFFAM) today announced its programme at a press conference in Macao. The Hong Kong/Macao premiere of Paul King’s Paddington 2 will open the IFFAM on Friday 8 December with the festival running until Thursday 14. The programme includes 10 competition films including the Asian premieres of Venice Film Festival prize winners Foxtrot by Samuel Maoz, and Custody, by Xavier Legrand, as well as Toronto Film Festival breakout Beast, by Michael Pearce and the London Film Festival hit Wrath of Silence, directed by Xin Yukun. For its second edition the IFFAM has exclusively dedicated the feature film competition to films by first and second time film makers with a $60,000 USD prize being awarded to the best feature. The prestigious competition jury comprises of: Laurent Cantet – Director (Jury President) Jessica Hausner - Director Lawrence Osborne - Novelist Joan Chen – Actress / Director Royston Tan – Director Representing the latest style of genre cinema to Asian audiences, highlights from the Flying Daggers strand features Cannes Film Festival smash A Prayer Before Dawn by Jean-Stéphane Sauvaire and Brian Taylor’s Toronto sensation Mom and Dad. The Asian premiere of Saul Dibb’s Journey’s End is screening as an Out-Of-Competition gala alongside Bong Joon-ho’s Okja, showing on the big screen for the first time in the region, and Pen-ek Ratanaruang’s latest movie Samui Song which will be screened with director and cast in attendance. -
January 2013 12.01.2013 Saturday Lohri 13.01.2013 Sunday Makar
January 2013 12.01.2013 Saturday Lohri 13.01.2013 Sunday Makar Sankranti August 2013 14.01.2013 Monday Kumbh Mahaparv 06.08.2013 Tuesday Amavas 17.01.2013 Thursday Bada Guruwaar 08.08.2013 Thursday Bada Guruwaar 22.01.2013 Tuesday Ekadashi Vrat 09.08.2013 Friday Hariyali Teej 27.01.2013 Sunday Paush Purnima 11.08.2013 Sunday Naag Panchmi 30.01.2013 Wednesday Ganesh Chaturthi 21.08.2013 Friday Raksha Bandhan February 2013 September 2013 06.02.2013 Wednesday Ekadashi Vrat 08.09.2013 Sunday Hartalika Tritiya 10.02.2013 Sunday Amavas 12.09.2013 Thursday Bada Guruwaar 14.02.2013 Thursday Basant Panchmi 20.09.2013 Friday Sarva Pitra Shraadha Start 21.02.2013 Thursday Ekadashi Vrat October 2013 21.02.2013 Thursday Bada Guruwaar 04.10.2013 Friday Sarva Pitra Shraadha Samapt March 2013 05.10.2013 Saturday Sharad NavRatras Start 08.03.2013 Friday Ekadashi Vrat 10.10.2013 Thursday Bada Guruwaar 10.03.2013 Sunday Maha Shiv Ratri 12.10.2013 Saturday Shri Durga Ashtami 11.03.2013 Monday Somvati Amavasya 13.10.2013 Sunday Maha Navmi (Ram Navmi) 27.03.2013 Wednesday Holi (Dhulendi) 13.10.2013 Sunday Dussehra April 2013 22.10.2013 Tuesday Karva Chauth 11.04.2013 Thursday Bada Guruwaar 27.10.2013 Sunday Ahoi Ashtami 11.04.2013 Thursday NavRatras Start 13.04.2013 Saturday Vaisakhi November 2013 18.04.2013 Thursday Shri Durga Ashtami 01.11.2013 Friday Dhan Teras 19.04.2013 Friday Shree Ram Navmi 03.11.2013 Sunday Deepawali/MahaLakshmi May 2013 Poojan 09.05.2013 Thursday Amavas 05.11.2013 Tuesday Bhai Dooj 12.05.2013 Sunday ParshuRam Jayanti 07.11.2013 Thursday -
2019 Drik Panchang Hindu Calendar
2019 Drik Panchang Hindu Calendar Hindu Calendar for San Francisco, California, United States Amanta Calendar - new month begins from Amavasya Page 1 of 25 January 2019 Margashirsha - Pausha 1940 Navami K Pratipada S Saptami S Purnima S Ashtami K SUN 30 24 6 1 13 7 20 15 27 23 रिव 07:29 16:55 07:30 17:01 07:29 17:08 07:26 Pausha Purnima 17:15 07:22 17:23 Shakambhari Purnima Bhanu Saptami Chandra Grahan *Purna Tula Dhanu 10:56 Meena 23:23 Mithuna 10:36 Tula Chitra 18:49 U Ashadha 31:07+ Revati 23:23 Punarvasu 15:53 Swati 24:59+ Dashami K Dwitiya S Ashtami S Pratipada K Navami K MON 31 25 7 2 14 8 21 16 28 24 सोम 07:30 16:56 07:30 17:02 07:29 17:09 07:26 17:16 07:21 17:24 Pongal Chandra Darshana Makara Sankranti Tula Makara Mesha Karka Tula 19:30 Swati 19:15 Shravana Ashwini 24:27+ Pushya 12:58 Vishakha 25:45+ Ekadashi K Tritiya S Navami S Dwitiya K Dashami K TUE 1 26 8 3 15 9 22 17 29 25 मंगल 07:30 16:57 07:30 17:03 07:29 17:10 07:25 17:17 07:21 17:25 Saphala Ekadashi Tula 13:54 Makara 23:46 Mesha 30:39+ Karka 10:02 Vrishchika Vishakha 20:10 Shravana 10:11 Bharani 24:43+ Ashlesha 10:02 Anuradha 27:11+ Dwadashi K Chaturthi S Dashami S Tritiya K Ekadashi K WED 2 27 9 4 16 10 23 18,19 30 26 बुध 07:30 16:57 07:30 17:04 07:28 17:11 07:25 17:18 07:20 17:26 Sakat Chauth Pradosh Vrat Pausha Putrada Ekadashi Lambodara Sankashti Chaturth Shattila Ekadashi Vrishchika Kumbha Vrishabha Simha Vrishchika 29:11+ Anuradha 21:34 Dhanishtha 13:20 Krittika 24:11+ P Phalguni 28:52+ Jyeshtha 29:11+ Trayodashi K Panchami S Ekadashi S Panchami K Dwadashi K THU -
O Fenômeno K-Pop – Reflexões Iniciais Sob a Ótica Da Construção Do Ídolo E O Mercado Musical Pop Sul-Coreano1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação 40º Congresso Brasileiro de Ciências da Comunicação – Curitiba - PR – 04 a 09/09/2017 O FENÔMENO K-POP – REFLEXÕES INICIAIS SOB A ÓTICA DA CONSTRUÇÃO DO ÍDOLO E O MERCADO MUSICAL POP SUL-COREANO1 Letícia Ayumi Yamasaki2 Rafael de Jesus Gomes3 Universidade do Estado de Mato Grosso (UNEMAT) Resumo: A finalidade deste artigo é discutir de que forma a indústria fonográfica começa a se reinventar a partir da abrangência da internet e da cultura participativa (JENKINS, 2008) e suas estratégias para sobreviver nesse mercado. Dessa forma, pretende-se analisar aqui o fenômeno K-Pop (Korean Popular Music) e suas técnicas para a construção do ídolo, licenciamento de produtos e seu respectivo sucesso no mercado global de música. A partir de uma reflexão inicial, discutiremos aqui como a indústria cultural está absorvendo esses elementos e construindo novos produtos. Como aporte metodológico, reuniu-se a pesquisa bibliográfica a partir dos conceitos sobre produtos culturais, economia afetiva além de pesquisa em sites focados no universo da cultura Pop Sul-Coreana. Palavras-chave: K-Pop, convergência, estratégias, indústria cultural 1. INTRODUÇÃO Um mercado que fatura bilhões de dólares por ano, altamente influenciado pelo uso de tecnologias durante o processo de produção, consumo e sua relação com a lógica do capital (BOLAÑO, 2010); (ARAGÃO, 2008); (BRITTOS, 1999); (DIAS, 2010). Este é o cenário da indústria fonográfica que, nos últimos 20 anos precisa lidar com o faturamento de suas produções e, ao mesmo tempo, precisa também se adaptar aos processos de compartilhamento via aplicativos, streamings e serviços on demand (JENKINS, 2008); (KELLNER, 2004). -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
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Advances in Social Science, Education and Humanities Research, volume 307 1st Social and Humaniora Research Symposium (SoRes 2018) The Reception Audience of the Woman’s Beauty in Korean Drama Endri Listiani Deddy Mulyana, Edwin Rizal Communication department Communication Department Universitas Islam Bandung Universitas Padjadjaran Bandung, Indonesia Sumedang, Indonesia [email protected] [email protected], [email protected] Ahmad Mulyana Communication Department Universitas Mercu Buana Jakarta, Indonesia [email protected] Abstract—Standardization is conveyed through the media, certain lifestyle is then born. The lifestyles portrayed by which is often able to manipulate someone as a form that must be Korean dramas have been followed by teenagers. They imitate followed by the audience. Therefore, this research aims to what they see, starting from the hairstyle to the clothes of explore the concepts of beauty in the minds of the Korean drama Korean celebrities [1]. The same thing has happened in viewers. This study uses a qualitative method, with an audience Indonesia. reception approach. Data collection techniques are: in-depth interviews, field observations and literature studies. The result is Every day people see a lot of information from a variety of that people choose to consume drama by considering the different media. With the development of technology, people storyline, filling their free time, actors and cinematography. Most easily consume a lot of media at once. Stanley Baran and of the informants stated that their actors were beautiful and Dennis Davis in West and Turner, argue that "the media has wanted to be like them. There are also people who are willing to become a major tool in which we have all experienced or save their money to buy makeup and clothes made in Korea so studied many aspects through the world around us" [2]. -
Dating Rumors Hernandez Is That Gum and More Dates Non-Whites, and Exhaling Pure Dating on the Christian Era
Jun 13, · Song joong ki and park bo gum dating rumors Hernandez is that gum and more dates non-whites, and exhaling pure dating on the christian era. We specialize in drugstores and good dating subject lines Hernandez is that the ancient human behaviour, pictures and actor park bo-gum hangul: bro, or find a new secret relationship as explained by g. ChatGum is the best new way to chat, meet, and find new friends online using your mobile phone. Best of all it is % Free, and the chats are always live! Feb 05, · The Loving Relationship Of Sophie Skelton and Jeff Gum One roams around gazillions of times until s/he finds the one s/he truly feels for. After that, it’s a full stop, and stability begins to creep in your nerve. Similar is the story of the young actress, Sophie. Mar 02, · It has been a while since dating rumors about the leading stars of Love in The Moonlights, Park Bo-gum and Kim Yoo-jung have surfaced. Ever since the drama, speculations about the two of them dating have been spreading on the internet. It has been reported that Park Bo-gum was always very nice to Kim Yoo-jung, even in their real-life relationship. Find a free dating on Gumtree, the #1 site for classifieds ads in the UK. Find a free dating on Gumtree, the #1 site for classifieds ads in the UK. Close the cookie policy warning. By using this site you agree to the use of cookies. Find out more about our cookie policy. -
Conceptually Androgynous
Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION ................................................................................................................................. -
Ganga As Perceived by Some Ganga Lovers Mother Ganga's Rights Are Our Rights
Ganga as Perceived by Some Ganga Lovers Mother Ganga’s Rights Are Our Rights Pujya Swami Chidanand Saraswati Nearly 500 million people depend every day on the Ganga and Her tributaries for life itself. Like the most loving of mothers, She has served us, nourished us and enabled us to grow as a people, without hesitation, without discrimination, without vacation for millennia. Regardless of what we have done to Her, the Ganga continues in Her steady fl ow, providing the waters that offer nourishment, livelihoods, faith and hope: the waters that represents the very life-blood of our nation. If one may think of the planet Earth as a body, its trees would be its lungs, its rivers would be its veins, and the Ganga would be its very soul. For pilgrims, Her course is a lure: From Gaumukh, where she emerges like a beacon of hope from icy glaciers, to the Prayag of Allahabad, where Mother Ganga stretches out Her glorious hands to become one with the Yamuna and Saraswati Rivers, to Ganga Sagar, where She fi nally merges with the ocean in a tender embrace. As all oceans unite together, Ganga’s reach stretches far beyond national borders. All are Her children. For perhaps a billion people, Mother Ganga is a living goddess who can elevate the soul to blissful union with the Divine. She provides benediction for infants, hope for worshipful adults, and the promise of liberation for the dying and deceased. Every year, millions come to bathe in Ganga’s waters as a holy act of worship: closing their eyes in deep prayer as they reverently enter the waters equated with Divinity itself. -
Languages of New York State Is Designed As a Resource for All Education Professionals, but with Particular Consideration to Those Who Work with Bilingual1 Students
TTHE LLANGUAGES OF NNEW YYORK SSTATE:: A CUNY-NYSIEB GUIDE FOR EDUCATORS LUISANGELYN MOLINA, GRADE 9 ALEXANDER FFUNK This guide was developed by CUNY-NYSIEB, a collaborative project of the Research Institute for the Study of Language in Urban Society (RISLUS) and the Ph.D. Program in Urban Education at the Graduate Center, The City University of New York, and funded by the New York State Education Department. The guide was written under the direction of CUNY-NYSIEB's Project Director, Nelson Flores, and the Principal Investigators of the project: Ricardo Otheguy, Ofelia García and Kate Menken. For more information about CUNY-NYSIEB, visit www.cuny-nysieb.org. Published in 2012 by CUNY-NYSIEB, The Graduate Center, The City University of New York, 365 Fifth Avenue, NY, NY 10016. [email protected]. ABOUT THE AUTHOR Alexander Funk has a Bachelor of Arts in music and English from Yale University, and is a doctoral student in linguistics at the CUNY Graduate Center, where his theoretical research focuses on the semantics and syntax of a phenomenon known as ‘non-intersective modification.’ He has taught for several years in the Department of English at Hunter College and the Department of Linguistics and Communications Disorders at Queens College, and has served on the research staff for the Long-Term English Language Learner Project headed by Kate Menken, as well as on the development team for CUNY’s nascent Institute for Language Education in Transcultural Context. Prior to his graduate studies, Mr. Funk worked for nearly a decade in education: as an ESL instructor and teacher trainer in New York City, and as a gym, math and English teacher in Barcelona. -
Entertainment&Media
ENTERTAINMENT&MEDIA CJ E&M CJ CGV CJ HELLOVISION 1 CJ E&M is Asia’s No.1 integrated contents company, offering a variety of contents and platform services, including media, movies, live entertainment, and games. CJ E&M leverages synergies by converging a myriad of contents to lead the global Hallyu with new contents developed for one source for multi-use. 25 Korea’s first Multiplex Theater CGV boasts the largest number of cinemas in Korea and the greatest brand power. CGV has continued to develop a unique cinema experience so that the audience can watch a movie within the optimal environment. Cultureplex offers a new paradigm in movie theaters and is just one of the many innovations that CJ has brought to the movie industry. 41 CJ HelloVision is a leader in the smart platform market, delivering valuable contents and information to customers. CJ HelloVision provides you with advanced services fit for the new media environment. Its products include smart cable TV ‘hello tv Smart,’ digital cable TV ‘hello tv,’ fast speed internet ‘hello net,’ internet home telephone ‘hello fone,’ Korea’s No.1 budget phone service ‘hello mobile’ and the N screen service ‘tving.’ CJ E&M CJ CGV CJ HELLOVISION 2 3 BUSINESS OVERVIEW FINANCIAL HIGHLIGHTS CJ E&M Weight of each business Sales by year (Unit: billion won) CJ E&M Center, 66, Sangamsan-ro, Mapo-gu, Seoul as % of sales www.cjenm.com (As of 2013) 2013 1,716.1 2012 1,394.6 29% Asia’s No.1 Total Contents Company CJ E&M, 2011 1,279.2 45% creating a culture and a trend 12% Media Sales Profit by Year (Unit: billion won) Game 14% CJ E&M is the No.1 total contents company creating culture and trends. -
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JTBC the most loved and trusted network by Koreans everywhere is now celebrating its 7th anniversary After growing in leaps and bounds over the past seven years, JTBC is again undertaking a ‘challenge’ Coloring your World, JTBC 3 JTBC had been working tirelessly over the past 7 years to provide differentiated contents in the changing global media industry. ‘Newsroom’ has become one of the nation’s most popular programs, attracting the largest audience in Korean history, providing coverage of landmark events, such as the Inter-Korean Summit. Starting with the drama ‘Rain or Shine’ JTBC has continued to expand its lineup with the addition of a Monday-Tuesday drama slot, increasing its depth and diversity. Also by producing hit dramas like ‘SKY Castle’ ‘Misty’ ‘Something in the Rain’ and ‘The Beauty Inside’, JTBC received rave reviews in the aspects of both quality and entertainment. The consecutive successes of JTBC’s season-based, non-scripted programs including ‘Sugar Man’ ‘Hyori’s Bed and Breakfast’ and ‘Hidden Singer’ have proven that JTBC is a broadcaster trusted and watched by many. ‘Wassup Man’ reached new heights in cross-media application by accumulating over 1.6 million subscribers on its YouTube channel. This marked the first time a digital non-scripted program produced by a domestic broadcasting company gained that many subscribers on YouTube. The JTBC media family—which includes JTBC2, JTBC3 FOX Sports, JTBC4 and JTBC Golf —have played a pivotal role in all areas of society from entertainment to lifestyle and sports. Going forward, JTBC will stop at nothing to provide viewers with even better content.