DOCSLIB.ORG

The Man in the White Suit

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

PRESS RELEASE – 17 July 2019 IMAGES CAN BE DOWNLOADED HERE @whitesuitcomedy maninthewhitesuit.co.uk Jenny King, Jonathan Church, Matthew Gale and Mark Goucher present STEPHEN MANGAN KARA TOINTON and SUE JOHNSTON in The Man in the White Suit Written and Directed by Sean Foley Based on the play The Flower Within the Bud by Roger MacDougall and Screenplay by Roger MacDougall, John Dighton and Alexander Mackendrick. By special arrangement with Studiocanal FULL CAST AND CREATIVE TEAM ANNOUNCED FOR THE WORLD PREMIERE STAGE PRODUCTION OF THE EALING COMEDY CLASSIC WRITTEN AND DIRECTED BY SEAN FOLEY, THE PRODUCTION WILL PLAY AT THEATRE ROYAL BATH AS PART OF ITS 2019 SUMMER SEASON FROM 5TH – 21ST SEPTEMBER, PRIOR TO OPENING AT WYNDHAM’S THEATRE IN PREVIEW FROM 26TH SEPTEMBER WITH AN OPENING NIGHT OF 8TH OCTOBER FIRST LOOK REHEARSAL PHOTOGRAPHY AVAILABLE HERE CLIP OF SEAN FOLEY AND STEPHEN MANGAN IN DISCUSSION, AVAILABLE HERE The full cast and creative team is announced for Sean Foley’s hotly anticipated stage adaptation of classic Ealing Studios comedy The Man in the White Suit, which will have a three week engagement at Theatre Royal Bath from 5th September as part of its 2019 summer season before its world premiere at the Wyndham’s Theatre, London with performances from 26th September 2019 until 11th January 2020 and opening night on 8th October 2019. Leading the cast of The Man in the White Suit will be the previously announced Stephen Mangan as Sidney Stratton, Kara Tointon as Daphne Birnley and Sue Johnston* as Mrs Watson. They will be joined by Richard Cordery as Birnley, Richard Durden as Sir John, with Delroy Atkinson, Katie Bernstein, Ben Deery, Matthew Durkan, Rina Fatania, Oliver Kaderbhai, Eugene McCoy, Elliott Rennie and Katherine Toy. The Man in the White Suit is adapted for the stage and directed by double Olivier Award-winning writer, actor and director Sean Foley and has set and costume design by award-winning designer Michael Taylor. Brand new songs have been written for this world premiere production by Charlie Fink, known for fronting indie-folk band ‘Noah and the Whale’ as well as being a composer for theatre and film including The Lorax (Old Vic) and A Street Cat Named Bob. Choreography will be by Lizzi Gee, lighting by the Tony Award-winning Mark Henderson, sound by brothers Ben Ringham and Max Ringham, fights directed by Alison De Burgh and songs arranged by Phil Bateman. When Sidney Stratton develops a fabric that never gets dirty and never wears out, manufacturers and trades unions are terrified by the threat it poses to their industry and their jobs. Only Daphne, the mill owner’s daughter, shows Stratton any sympathy as his world gradually falls apart before he finally finds love and a new idea. The 1951 iconic Ealing Studios comedy film starred Alec Guinness, Joan Greenwood and Cecil Parker. It was directed by Alexander Mackendrick and was nominated for an Academy Award for Best Writing (Screenplay). Stephen Mangan’s theatre credits include a Tony Award-nominated performance in The Norman Conquests (The Old Vic / Broadway), Birthday and The People Are Friendly (Royal Court), Jeeves and Wooster (Duke of York’s), Hayfever (Savoy), Midsummer Night’s Dream (RSC) and Rules For Living (National Theatre). Stephen has an extensive list of television credits including Sean Lincoln in Episodes, and new comedy series Bliss. Previous TV credits include the BAFTA-winning British sitcom Green Wing, Free Agents, Dirk Gently. Film credits include Billy Elliot, Birthday, Postman Pat: The Movie (Voice), Rush, Beyond The Pole, Confetti and Festival. Kara Tointon’s theatre credits include: Twelfth Night (RSC), Gaslight (UK Tour), Relatively Speaking (Wyndham’s), Absent Friends (Harold Pinter Theatre) and Pygmalion (Garrick). Her film work includes appearances in Let’s Be Evil, The Last Passenger, The Sweeney, Warrior Queen, Never Play With The Dead, The Football Factory and Just My Luck. On television Kara has appeared in The Keith and Paddy Picture Show, Henry IX, The Halcyon, The Sound of Music Live, Mr Selfridge, Suntrap, Lewis, Bedlam, The Bill, Dream Team, Keen Eddie, Harry and Cosh and EastEnders. BAFTA nominated and British Comedy Award-winning actress Sue Johnston’s theatre credits include Small Change (Donmar Warehouse), The Master Builder (Albery Theatre) and The Play What I Wrote (Wyndham’s). Sue has also played seasons at Manchester Royal Exchange, Bolton Octagon and the Bush Theatre. Best known for her television roles in The Royle Family and Brookside, other screen credits include The Cockfields, Hold the Sunset, Death on the Tyne, Murder on the Blackpool Express, Age Before Beauty, Walk Like a Panther, Good Karma Hospital, Moving On, Waking the Dead, Downton Abbey, Coronation Street, Rovers, Sex, Chips & Rock N’ Roll, Goodbye Cruel World, My Uncle Silas, Brassed Off, Little Dorrit, A Passionate Woman, Sugartown and Jam & Jerusalem amongst others. Sue was appointed OBE in the 2009 Queen's Birthday Honours for services to Drama and to Charity. Richard Cordery’s many theatre credits include Network, Power of Yes and ‘Tis Pity She’s a Whore (National Theatre), Richard III, Henry VI, Twelfth Night, Hamlet, Merry Wives of Windsor, Volpone, Romeo and Juliet, Othello, and Henry IV part II (RSC), Sweet Bird of Youth and The Front Page (Chichester Festival Theatre), Waste (Almeida), Spring Awakening (Novello), Love Story (Duchess) and Waiting For Godot (Crucible Theatre Sheffield). Television credits include Marcella, Dickensian, Esio Trot, Inside No 9, Backup and Love Hurts. Film credits include About Time, The Wife, Les Miserables and Social Suicide. Richard Durden’s career spans 50 years with recent theatre credits including Ben Hur (Tricycle), Titus Andronicus and A Mad World My Masters (RSC), The Emperor and Gallilean (National Theatre), Shadowlands (Wyndham’s and UK Tour), Once Bitten and The Madras House (Orange Tree), Richard III and High Society (Crucible Theatre, Sheffield), and Orpheus Descending (Donmar Warehouse). Television credits include Back To Life, Ghosts, The Child in Time, Jonathan Strange & Mr Norrell, The Last Days of Lehman Brothers, The Amazing Mrs Pritchard, and Fingersmith. Film credits include Churchill, Star Wars: Episode IX, Oliver Twist, The Awakening, The Jacket and Batman. Delroy Atkinson’s theatre credits include Sylvia (Old Vic), Present Laughter (Chichester Festival Theatre), The Firm (Hampstead), The Amen Corner (National Theatre), The Book of Mormon (The Prince of Wales), Avenue Q (Gielgud) and Five Guys Named Moe (UK Tour). Katie Bernstein’s theatre credits include The Play That Goes Wrong (Duchess and International Tour), Allegro (Southwark Playhouse), Mrs Henderson Presents (Noel Coward and Theatre Royal Bath), Urinetown (Apollo and St. James Theatre), Rent (UK Tour), Run (Polka) and Goodbye Barcelona (Arcola) Ben Deery’s theatre credits include King Lear, Titus Andronicus, A Mad World My Masters (RSC), The Art Of Success, The Taste Of The Town (Rose Theatre Kingston), Death of a Salesman (UK Tour) and Insignificance (Theatre Clwyd). Screen credits include Father Brown, Call the Midwife and A Street Cat Named Bob. Matthew Durkan’s theatre credits include Rosencrantz & Gildenstern Are Dead and Housed (Old Vic), The Secret Garden (York Theatre Royal), Kiki’s Delivery Service (Southwark Playhouse), Oxy & The Morons (New Wolsey Theatre), Nell Gwynn (Apollo) and The Cherry Orchard and Doctor Selavy’s Magic Theatre (New Wimbledon Studio). Rina Fatania’s most recent theatre credits include Dead Dog in a Suitcase (UK Tour), Approaching Empty (Kiln), The Village (Theatre Royal Stratford East), The Tin Drum (Kneehigh, UK Tour), Oliver Twist (Regent’s Park Open Air Theatre), Roller Disco (Soho) and Anita & Me (UK Tour). Screen credits include Wanderlust, People Just Do Nothing, Raabta and Mumbai Charlie. Oliver Kaderbhai’s theatre credits include Margot, Dame, The Most Famous Ballerina in the World (Kings Head), The Best Man (Playhouse), Jumping on my Shadow (Lakeside Arts Centre), Hatch (Polka Theatre), One Minute (The Vaults), The Provoked Wife (UK Tour) and Go to Your God Like a Soldier (Old Vic Tunnels/The Underbelly). Eugene McCoy’s theatre credits include La Mancha (ENO), A Christmas Carol and Groundhog Day (Old Vic), The Pajama Game (Shaftesbury/Chichester Festival Theatre), American Psycho (Almeida Theatre), Jersey Boys (Prince Edward), Little Shop of Horrors (UK Tour), They’re Playing Our Song (Menier Chocolate Factory), Oklahoma! (Chichester Festival Theatre) and Guys and Dolls (Piccadilly and Donmar Warehouse). Screen credits include Paddington 2 and Little Crackers. Elliott Rennie’s theatre credits include Alice in Wonderland, Thumbelina and A Scarborough Christmas Carol (Stephen Joseph Theatre), Shakespeare in Love (Duke of York’s), The Jungle Book and The B.F.G. (Derby Theatre). Katherine Toy’s theatre credits include Coriolanus, Vice Versa and Salome (RSC), Much Ado About Nothing (Rose Theatre Kingston), As You Like It, Two Gentlemen of Verona and Stig of the Dump (Storyhouse Chester), Othello, A Midsummer Night’s Dream and Cyrano de Bergerac (Grosvenor Park, Chester) and Life of Galileo, Cyrano de Bergerac and The False Servant (National Theatre). As a musician, her credits include Comedy of Errors (RSC) and Wild Orchids (Chichester Festival Theatre). This world premiere production will reunite Stephen Mangan and Sean Foley who created the Olivier Award winning comedy Jeeves and Wooster together. Foley also teams up again with Michael Taylor with whom he created the five times Olivier Award nominated The Ladykillers. Foley’s production will feature a cast of fourteen including actor musicians and a specially written score. Based on the play The Flower Within the Bud by Roger MacDougall and screenplay by Roger MacDougall, John Dighton and Alexander Mackendrick, this world premiere production of The Man in the White Suit is presented by Jenny King, Jonathan Church, Matthew Gale and Mark Goucher, by special arrangement with Studiocanal. *Sue Johnston will play the role of Mrs Watson for a strictly limited engagement until the end of November, with further casting to be announced.
Recommended publications
  • Five Children and It

    Five Children and It

    Pathé FIVE CHILDREN AND IT Press pack Released Friday 15 October 2004 - Scotland Only Released Friday 22 October 2004 - Nationwide For further information please contact: Emily Carr [email protected] Victoria Keeble [email protected] Bella Gubay [email protected] 020 7426 5700 Pathé FIVE CHILDREN AND IT Press pack Capitol Films and the UK Film Council present in association with the Isle of Man Film Commission and in association with Endgame Entertainment a Jim Henson Company Production a Capitol Films / Davis Films Production Written by: David Solomons Produced by: Nick Hirschkorn Lisa Henson Samuel Hadida Directed by: John Stephenson FIVE CHILDREN AND IT Cast List It .............................................................................. Eddie Izzard Cyril......................................................................... Jonathan Bailey Anthea...................................................................... Jessica Claridge Robert ...................................................................... Freddie Highmore Jane.......................................................................... Poppy Rogers The Lamb................................................................. Alec & Zak Muggleton Horace...................................................................... Alexander Pownall Uncle Albert............................................................. Kenneth Branagh Martha...................................................................... Zoë Wanamaker Father......................................................................
  • Bring up the Bodies

    Bring up the Bodies

    BRING UP THE BODIES BY HILARY MANTEL ADAPTED FOR THE STAGE BY MIKE POULTON DRAMATISTS PLAY SERVICE INC. BRING UP THE BODIES Copyright © 2016, Mike Poulton and Tertius Enterprises Ltd Copyright © 2014, Mike Poulton and Tertius Enterprises Ltd Bring Up the Bodies Copyright © 2012, Tertius Enterprises Ltd All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BRING UP THE BODIES is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BRING UP THE BODIES are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016.
  • Alexandra Caulfield - Costume Designer

    Alexandra Caulfield - Costume Designer

    AMANDA McALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44(0)207 244 1159 www.ampmgt.com • e-mail: [email protected] ALEXANDRA CAULFIELD - COSTUME DESIGNER EMMY Award Nomination, BAFTA & RTS Nominations Best Costume Design www.alexandracaulfield.co.uk FEATURE CREDITS: PRISONERS OF PARADISE Director Mitch Jenkins Coming of age Love story set in 1925 Producers Jim Mooney, Mike Elliott colonial Mauritius Exec. Producers Alan Govinden, Maria J Govinden (Covid shoot) Production Co. AMG International Film / Sega Media Pty Ltd THE FLYING SCOTSMAN Director Douglas Mackinnon Bio Drama Producers Peter Broughan, Claire Chapman, Sara Giles Featuring Jonny Lee Miller, Stephen Berkoff, Brian Cox Production Co. ContentFilm / Scottish Screen / Scion Films / MGM BAFTA Nominated Scotland Award Best Film THE BEST MAN Director Stefan Schwartz Contemporary Comedy Drama Producer Neil Peplow Featuring Stuart Townsend, Amy Smart, Simon Callow Production Co. Endgame Ent. / Insider Films / Redbus Pictures SPARKLE Directors Tom Hunsinger, Neil Hunter Contemporary Comedy Drama Producers Martin Pope, Michael Rose Featuring Bob Hoskins, Stockard Channing, Anthony Head, Lesley Manville Production Co. Magic Light Pictures / Revolver Ent. / Vertigo Films BLACKBOOK (Prep only) Director Paul Verhoeven Period Drama Producer Teune Hilte Featuring Carice van Houten, Sebastian Koch Production Co. Fu Works CAPONE’S BOYS Director Richard Standeven Period Drama Producer Peter Barnes Featuring Marc Warren, Ralph Little, Richard Rowntree Production Co. Alchemy Films THE PAROLE OFFICER Director John Duigan Contemporary Crime Comedy Producer Duncan Kenworthy Featuring Steve Coogan, Omar Sharif, Jenny Agutter Production Co. DNA Films / Figment / Toledo / UK Film / Universal LIAM Director Stephen Frears Period Drama Producer Colin McKeown Featuring Ian Hart, Anne Reid Production Co.
  • King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company

    King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company

    2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice

  • Soundtrack and Garnering Accolades for Their Debut Album “Remind Me in Three Days.” Check out Our Exclusive Interview on Page 7

    Ver su s Entertainment & Culture at Vanderbilt DECEMBER 3—DECEMBER 9, 2008 VOL. 46, NO. 26 “Abstract Progressive” rapping duo The Knux are giving Vincent Chase his soundtrack and garnering accolades for their debut album “Remind Me in Three Days.” Check out our exclusive interview on page 7. We saw a lot of movies over break. We weigh in on which to see and … from which to fl ee. “808s and Heartbreaks” is really good. Hey, Kanye, hey. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 4 FRIDAY, DECEMBER 5 SATURDAY, DECEMBER 6 The Regulars Harley Allen Band — Station Inn Parachute Musical and KinderCastle with Noises Carols & Cocoa — Barnes and Noble, Cool THE RUTLEDGE The go-to joint for bluegrass in the Music City features Harley Allen, 10 — The Mercy Lounge and Cannery Ballroom Springs 410 Fourth Ave. S. 37201 Part of the Mercy Lounge’s Winter of Dreamz musical showcase, a well-known song writer who’s worked with Garth Brooks, Dierks Need to get into the Christmas spirit? The Battle Ground Academy 782-6858 Bentley and Gary Allan to name a few. Make sure to see this living Friday’s event showcases Parachute Musical and KinderCastle along Middle School Chorus will lead you in some of your favorite seasonal legend in action. ($10, 9 p.m.) with opener Noises 10. Head to the Mercy Lounge to enjoy some carols as you enjoy delicious hot chocolate. (Free, 11 a.m., 1701 MERCY LOUNGE/CANNERY live local music and $2.50 pints courtesy of Winter of Dreamz co- Mallory Lane, Brentwood) presenter Sweetwater 420.
  • Anna Bolena Opera by Gaetano Donizetti

    Anna Bolena Opera by Gaetano Donizetti

    ANNA BOLENA OPERA BY GAETANO DONIZETTI Presentation by George Kurti Plohn Anna Bolena, an opera in two acts by Gaetano Donizetti, is recounting the tragedy of Anne Boleyn, the second wife of England's King Henry VIII. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style, meaning beauty and evenness of tone, legato phrasing, and skill in executing highly florid passages, prevalent during the first half of the nineteenth century. He was born in 1797 and died in 1848, at only 51 years of age, of syphilis for which he was institutionalized at the end of his life. Over the course of is short career, Donizetti was able to compose 70 operas. Anna Bolena is the second of four operas by Donizetti dealing with the Tudor period in English history, followed by Maria Stuarda (named for Mary, Queen of Scots), and Roberto Devereux (named for a putative lover of Queen Elizabeth I of England). The leading female characters of these three operas are often referred to as "the Three Donizetti Queens." Anna Bolena premiered in 1830 in Milan, to overwhelming success so much so that from then on, Donizetti's teacher addressed his former pupil as Maestro. The opera got a new impetus later at La Scala in 1957, thanks to a spectacular performance by 1 Maria Callas in the title role. Since then, it has been heard frequently, attracting such superstar sopranos as Joan Sutherland, Beverly Sills and Montserrat Caballe. Anna Bolena is based on the historical episode of the fall from favor and death of England’s Queen Anne Boleyn, second wife of Henry VIII.
  • Patriarchal Dynamics in Politics: How Anne Boleyn's Femininity Brought Her Power and Death

    Patriarchal Dynamics in Politics: How Anne Boleyn's Femininity Brought Her Power and Death

    John Carroll University Carroll Collected Senior Honors Projects Theses, Essays, and Senior Honors Projects Spring 2018 Patriarchal Dynamics in Politics: How Anne Boleyn’s Femininity Brought her Power and Death Rebecca Ries-Roncalli John Carroll University, [email protected] Follow this and additional works at: https://collected.jcu.edu/honorspapers Part of the European History Commons Recommended Citation Ries-Roncalli, Rebecca, "Patriarchal Dynamics in Politics: How Anne Boleyn’s Femininity Brought her Power and Death" (2018). Senior Honors Projects. 111. https://collected.jcu.edu/honorspapers/111 This Honors Paper/Project is brought to you for free and open access by the Theses, Essays, and Senior Honors Projects at Carroll Collected. It has been accepted for inclusion in Senior Honors Projects by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Patriarchal Dynamics in Politics: How Anne Boleyn’s Femininity Brought her Power and Death Rebecca Ries-Roncalli Senior Honors Project May 2, 2018 Ries-Roncalli 1 I. Adding Dimension to an Elusive Character The figure of Anne Boleyn is one that looms large in history, controversial in her time and today. The second wife of King Henry VIII, she is most well-known for precipitating his break with the Catholic Church in order to marry her. Despite the tremendous efforts King Henry went to in order to marry Anne, a mere three years into their marriage, he sentenced her to death and immediately married another woman. Popular representations of her continue to exist, though most Anne Boleyns in modern depictions are figments of a cultural imagination.1 What is most telling about the way Anne is seen is not that there are so many opinions, but that throughout over 400 years of study, she remains an elusive character to pin down.
  • James Griffiths Director

    James Griffiths Director

    James Griffiths Director Television 2020 MIGHTY DUCKS Series director, executive producer Writer: Steven Brill, John Goldsmith, Cathy Yuspa Producer: Disney Plus TX TBC 2020 DELILAH Director (TV Movie) Writer: Aisling Bea, Kirker Butler, Sharon Horgan Producers: Kapital Ent. and Merman TX TBC 2019 STUMPTOWN Pilot director (picked up for series), executive producer Writer: Jason Richman Producer: Elias Gertler for ABC Studios Cast: Cobie Smulders TX 25 September 2019 A MILLION LITTLE THINGS Eps 11, 13, 15, 17, executive producer Writer: DJ Nash Producer: Aaron Kaplan, Dana Honor for ABC Studios TX 17 January 2019 2018 WRECKED Ep 310 The Island Family Creators: Jordan and Justin Shipley Producer: Jesse Hara and Ken Topolsky for TBS TX October 2018 A MILLION LITTLE THINGS Pilot, Ep 2, Ep 5, Ep 7, executive producer Writer: DJ Nash Producer: Aaron Kaplan, Dana Honor for ABC Studios TX 26 September 2018 WRECKED Ep 210 Nerd Speak Creators: Jordan and Justin Shipley Producer: Jesse Hara and Ken Topolsky for TBS TX 22 August 2018 2017 THE MAYOR Pilot and Eps 103, 104, 106 and 110, executive producer Writer: Jeremy Bronson EP: Jamie Tarses, Scott Stuber, Dylan Clark for ABC Studios Cast: Lea Michele, Brandon Micheal Hall TX 3 October 2017 BLACK-ISH Ep 323 Liberal Arts Writers: Larry Wilmore and Kenya Barris Cast: Anthony Anderson TX 3 May 2017 2016 CHARITY CASE Pilot, Writer: Robert Padnick Producer: Scott Printz for Twentieth Century Fox Cast: Courteney Cox Produced 2015 COOPER BARRETT’S GUIDE TO SURVIVING LIFE Pilot and series director, executive
  • Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442

    Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442

    English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath.
  • Edit Winter 2013/14

    Edit Winter 2013/14

    WINTER 2013|14 THE ALUMNI MAGAZINE + BILLET & GENERAL COUNCIL PAPERS LAUGHING MATTERS SKY HEAD OF COMEDY LUCY LUMSDEN ON THE FUNNY BUSINESS ROAD TO REFERENDUM HOW OUR EXPERTS ARE SHAPING THE DEBATE ALSO INSIDE AWARD-WINNING FILM'S STUNNING STORY | MEADOWS MEMORIES | ALUMNI WEEKEND PHOTOGRAPHS WINTER 2013|14 CONTENTS FOREWORD CONTENTS elcome to the Winter issue of Edit. The turn 12 26 W of 2014 heralds an exciting year for our staff, students and alumni, and indeed for Scotland. Our experts are part of history as they inform the debate on SAVE THE DATE the referendum (p10), while in a very different arena the 19 - 21 June 2014 University will play a major role in the Commonwealth Toronto, Canada Games in Glasgow (p5). In a nationwide public engagement project our researchers are exploring the 30 10 impact on Scotland of the First World War throughout the four years of its centenary (p17), and on p16 we look back at the heroism of an Edinburgh alumna during the conflict. If you are seeking light relief, you may have to thank Lucy Lumsden. She has commissioned some of 18 Britain's most successful television comedies of recent years, and in our interview (p8) she talks about the importance of making people laugh. We report on an exceptional string of successes, from Professor Peter Higgs's Nobel Prize (p5), to BAFTAs, including one for a documentary whose story is told by a remarkable 04 Update 18 What You Did Next Edinburgh graduate on pages 12-15. Find your friends in photos of our alumni weekend (p22) and, if you couldn't 08 The Interview 20 Edinburgh Experience Lucy Lumsden, make it, we hope to see you at the next one in 2015.
  • Shakespeare on Film, Video & Stage

    Shakespeare on Film, Video & Stage

    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
  • Loveland Preschool Handbook

    Loveland Preschool Handbook

    LOVELAND PRESCHOOL HANDBOOK 2500 N. Garfield Ave. Loveland, CO 80538 www.lovelandpreschool.org LPS Cell Phone 970.412.2320 (Preschool Information Line) Director Cell Phone 970.203.5335 (Class time Emergencies Only) MISSION STATEMENT At Loveland Preschool, parents and teachers cooperate to provide a play-based learning environment where your child will gain independence and grow emotionally, socially, and physically. TABLE OF CONTENTS LOVELAND PRESCHOOL INFORMATION ......................................................... 5 BACKGROUND ................................................................................................... 5 TEACHER- PARENT COOPERATION ......................................................................... 5 LICENSING ........................................................................................................ 6 TEACHER QUALIFICATIONS ................................................................................... 6 LOVELAND PRESCHOOL PHILOSOPHY ...................................................................... 6 ENROLLMENT INFORMATION & ENTRANCE REQUIREMENTS ........................................ 9 REGISTRATION ................................................................................................. 10 Mid-Year Registration Policies ................................................................ 10 RECORDS ........................................................................................................ 10 ATTENDANCE .................................................................................................