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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
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America Celebrates Independence Day with a Bang Biggest July 4 Display of Military Pageantry Since 1850
# 1 Indian American Weekly: Since 2006 VOL 7 ISSUE 27 ● DALLAS ● JULY 05 - 11, 2019 ● ENQUIRIES: 646-247-9458 www.theindianpanorama.news America Celebrates Independence Day with a Bang Biggest July 4 Display of Military Pageantry since 1850 COMMENT BIDISHA ROY Prof I.S.Saluja WASHINGTON (TIP): Each year Washington, DC celebrates the Fourth of July with a bang. The 2019 extravaganza Time to Recommit to became very special, as President American Values Donald Trump wanted to add a military hile 4th of July reminds me of flavor to this year's Independence Day the glorious history of celebrations with Troops, tanks and a W American nation, of the flypast. The Presidenthas re-branded the heroic struggle for Independence, of day as a "Salute to America" and the the great sacrifices made by many for nation watched the biggest July 4 display upholding the values for which of military pageantry since 1850. America stands, which allmake every contd on Page 20 American proud of the great American heritage, it also tells me in President Donald Trump speaks during an 2019 that the great American nation is Independence Day celebration in front of the faced today, 243 years after Lincoln Memorial in Washington, Thursday, Independence in 1776, with a host of July 4, 2019. The Washington Monument and issues which seem to be tearing apart the reflecting pool are in the background. the fine fabric of the great nation. Photo credit : Pool photo by Susan Walsh Greatness comes to a nation when its leaders are loving and caring and treat all as equals, respecting their Trump Pursues with Census Structural reforms needed for dignity.
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The Winning Woman of Hindi Cinema
ADVANCE RESEARCH JOURNAL OF SOCIAL SCIENCE A CASE STUDY Volume 5 | Issue 2 | December, 2014 | 211-218 e ISSN–2231–6418 DOI: 10.15740/HAS/ARJSS/5.2/211-218 Visit us : www.researchjournal.co.in The winning woman of hindi cinema Kiran Chauhan* and Anjali Capila Department of Communication and Extension, Lady Irwin College, Delhi University, DELHI (INDIA) (Email: [email protected]) ARTICLE INFO : ABSTRACT Received : 27.05.2014 The depiction of women as winners has been analyzed in four sets of a total of eleven films. The Accepted : 17.11.2014 first two sets Arth (1982) and Andhi (1975) and Sahib Bibi aur Ghulam (1962), Sahib Bibi aur Gangster (2011), Sahib Bibi aur Gangster returns (2013), explore the woman in search for power within marriage. Arth shows Pooja finding herself empowered outside marriage and KEY WORDS : without any need for a husband or a lover. Whereas in Aandhi, Aarti wins political power and Winning Woman, Hindi Cinema returns to a loving marital home. In Sahib Bibi aur Ghulam choti bahu after a temporary victory of getting her husband back meets her death. In both films Sahib Bibi aur Gangster and returns, the Bibi eliminates the other woman and gangster, deactivates the husband and wins the election to gain power. she remains married and a Rani Sahiba. In the set of four Devdas makes and remakes (1927–2009) Paro is bold, shy, glamorous and ultimately liberated (Dev, 2009). Chanda moves from the looked down upon, prostitute, dancing girl to a multilingual sex worker who is empowering herself through education and treating her occupation as a stepping stone to HOW TO CITE THIS ARTICLE : empowerment.
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Dev.D 1 Dev.D Is an Indian Romantic Drama Film Released on 6 February
Dev.D 1 Dev.D Dev D Theatrical release poster Directed by Anurag Kashyap Produced by Ronnie Screwvala Written by Anurag Kashyap Vikramaditya Motwane Based on Devdas by Sharat Chandra Chattopadhyay Starring Abhay Deol Mahie Gill Kalki Koechlin Music by Amit Trivedi Cinematography Rajeev Ravi Edited by Aarti Bajaj Release date(s) •• 6 February 2009 Running time 144 min Budget 60 million (US$1.0 million) Box office 215.0 million (US$3.6 million) (domestic gross) Dev.D is an Indian romantic drama film released on 6 February 2009. Written and directed by Anurag Kashyap, it is a modern-day take on Sarat Chandra Chattopadhyay's classic Bengali novel Devdas,[1] previously adapted for the screen by P.C. Barua and Bimal Roy and more recently by Sanjay Leela Bhansali.[2] Dev.D was embraced by the media, critics and public. The film is set in contemporary Punjab and Delhi, where familial ties are negotiated by the traditions of patriarchy and marriages are reduced to a game of power and "honour". Plot Dev (Abhay Deol) is the son of a rich businessman. He and Paro (Mahi Gill) are childhood sweethearts. But Dev, being an insecure narcissist, instead of acknowledging her affection and care, nudges Paro over frivolous things. Dev is sent to London for higher studies when his father senses how spoilt his son is. While separated by distance, Paro and Dev's youthful love only blossoms more. Dev arrives in Chandigarh to meet Paro. Their endeavor to make love makes for some dark comic moments. The seeds of suspicion are sown here, which the couple will never be able to weed out for a lifetime.
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A Study of Idiosyncratic Hilarity Based Cinematic Ride by SMEEP KANG
International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2019): 7.583 A Study of Idiosyncratic Hilarity based Cinematic Ride by SMEEP KANG Amandeep Kaur Arneja PHD Scholar, Renaissance University, Indore, Madhya Pradesh, India Abstract: Punjabis are incessantly appraised as light-hearted bracket, as they are always high on hilarity. And when this attribute get hold as a core notion in any cinematic presentation, it tickles the funny bones of viewers. Such constitution on celluloid not only amuses the laughter but also reinvigorate spectator from their established rote procedure. The genre of comedy is not new in Cinema and when it coalesces in Punjabi Cinema, it germinates the new ecstatic wave among audience. Such cinematic contents triggered the omnipresence characteristics of cheerfulness among Punjabis .The epitome of comic on celluloid in Punjabi Cinema to experience laughter rides is accomplished by ingenious film-maker Smeep Kang. Cinema by Smeep Kang had given a shift from proto-typical comic contents to immaculate recreation of humorous effects on celluloid. He continued the comic legacy lead by Jaspal Bhatti ji and had created a new comic definition in Punjabi Cinema. His passionate piece of work continues to fascinate the audience by inducing laughter. Accomplished director with his creative skills made people laugh out of heart. Smeep Kang cinema is not restricted with zonal parameters but also by the general audience worldwide. His movie Carry on Jatta (2012) was a true paradigm of fun-riot Cinema that created a new wave of salutation among audience. The new level of excellence by Smeep holds back the audience for further flicks.
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INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
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Popularity of Punjabi Comedy Films Among Youth
Popularity of Punjabi Comedy Films among Youth JasdeepKaur Ph.D Research Scholar, Department of Journalism and Mass Communication Punjabi University Patiala Abstract Punjabi cinema for once has come out from the Sarsonkekhet and is exploring hot spots of youth such as universities. For once, it is making the jatt fall in love instead of making him fight with a gandasa. JattJeonaMaur, Jatti Da Badla etc. Punjabi cinema has revolved around the handsome jatt, till someone sent him packing to Canada where he had to deal with a lot of things. Punjabi director’s encased the situation by translating them in movies like Asa Nu MaanWatnan Da, Kabaadi, Jag JeondiyanDeyMeley, till the time it was decided no more. Now, the jatt would go back to his college days, fall in love, hang out with friends and participate in youth festivals. This has opened a new chapter in Punjabi films, Navaniat Singh one of the directors who has introduced different jatt in this era. This is when Punjab and Punjabi film fraternity decided to go young, happy and joyful with movies like Mel KaradeRabba, Dharti, Saadi Love Story, YaarAnmulle, Burrah, Tumera 22 main Tera 22etc. It is the newness in Punjabi cinema that has caught the fancy of audiences, the actors and the producers alike and this newness has come in the form of comedy.Today, Punjabi film makers are exploiting humor to gain popularity and revenue.Now- a -days, everyone is laughing their way to success at the box office which pretty explains the popularity of movies based on comedy. Keywords: Punjabi Movies, Youth, Popularity, Budgets, comedy Introduction Big budgets have entered Punjabi cinema.
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America Celebrates Independence Day with a Bang Biggest July 4 Display of Military Pageantry Since 1850
# 1 Indian American Weekly: Since 2006 VOL 13 ISSUE 27 ● NEW YORK / DALLAS ● JULY 05 - 11, 2019 ● ENQUIRIES: 646-247-9458 www.theindianpanorama.news America Celebrates Independence Day with a Bang Biggest July 4 Display of Military Pageantry since 1850 COMMENT BIDISHA ROY Prof I.S.Saluja WASHINGTON (TIP): Each year Washington, DC celebrates the Fourth of July with a bang. The 2019 extravaganza Time to Recommit to became very special, as President American Values Donald Trump wanted to add a military flavor to this year's Independence Day hile 4th of July reminds me of celebrations with Troops, tanks and a the glorious history of flypast. The Presidenthas re-branded the W American nation, of the day as a "Salute to America" and the heroic struggle for Independence, of nation watched the biggest July 4 display the great sacrifices made by many for of military pageantry since 1850. upholding the values for which contd on page 32 America stands, which allmake every American proud of the great American heritage, it also tells me in President Donald Trump speaks during an 2019 that the great American nation is Independence Day celebration in front of the Lincoln Memorial in Washington, Thursday, faced today, 243 years after July 4, 2019. The Washington Monument and Independence in 1776, with a host of the reflecting pool are in the background. issues which seem to be tearing apart Photo credit : Pool photo by Susan Walsh the fine fabric of the great nation. Greatness comes to a nation when its leaders are loving and caring and Trump Pursues with Census Structural reforms needed for treat all as equals, respecting their dignity.
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Charlize Theron Says Golden Globes Ignoring Female Directors Is ‘Really Ridiculous’
YOUR PAGE, YOUR STAGE! Community invites you to send your contributions with contact details and complete description of the images to [email protected]. Select images will appear in both the print edition as well as Community Instagram page @communitygt. — PHOTO ESSAY, Page 10 Friday, December 13, 2019 Rabia II 16, 1441 AH Doha today 190 - 260 COVER The snub STORY Charlize Theron says Golden Globes ignoring female directors is ‘really ridiculous’. P2-3 CUISINE SHOWBIZ A mainstream fast food Class war at Golden Globes, so choice in the Middle East. far the rich are winning. Page 6 Page 15 2 GULF TIMES Friday, December 13, 2019 COMMUNITY COVER STORY “It’s incredibly frustrating” PRAYER TIME Fajr 4.46am Shorooq (sunrise) 6.10am — Charlize Theron, ex-Oscar winner, on Zuhr (noon) 11.28am Asr (afternoon) 2.26pm Maghreb (sunset) 4.45pm lack of nomination for female directors Isha (night) 6.15pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Offi ce (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 ote Unquo Qu te “When it is obvious that the goals cannot be reached, don’t adjust the goals, adjust the action steps.” — Confucius It’s really hard, and I think it’s unfair, and it’s why we can’t stop this fight.
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Title ID Titlename D0043 DEVIL's ADVOCATE D0044 a SIMPLE
Title ID TitleName D0043 DEVIL'S ADVOCATE D0044 A SIMPLE PLAN D0059 MERCURY RISING D0062 THE NEGOTIATOR D0067 THERES SOMETHING ABOUT MARY D0070 A CIVIL ACTION D0077 CAGE SNAKE EYES D0080 MIDNIGHT RUN D0081 RAISING ARIZONA D0084 HOME FRIES D0089 SOUTH PARK 5 D0090 SOUTH PARK VOLUME 6 D0093 THUNDERBALL (JAMES BOND 007) D0097 VERY BAD THINGS D0104 WHY DO FOOLS FALL IN LOVE D0111 THE GENERALS DAUGHER D0113 THE IDOLMAKER D0115 SCARFACE D0122 WILD THINGS D0147 BOWFINGER D0153 THE BLAIR WITCH PROJECT D0165 THE MESSENGER D0171 FOR LOVE OF THE GAME D0175 ROGUE TRADER D0183 LAKE PLACID D0189 THE WORLD IS NOT ENOUGH D0194 THE BACHELOR D0203 DR NO D0204 THE GREEN MILE D0211 SNOW FALLING ON CEDARS D0228 CHASING AMY D0229 ANIMAL ROOM D0249 BREAKFAST OF CHAMPIONS D0278 WAG THE DOG D0279 BULLITT D0286 OUT OF JUSTICE D0292 THE SPECIALIST D0297 UNDER SIEGE 2 D0306 PRIVATE BENJAMIN D0315 COBRA D0329 FINAL DESTINATION D0341 CHARLIE'S ANGELS D0352 THE REPLACEMENTS D0357 G.I. JANE D0365 GODZILLA D0366 THE GHOST AND THE DARKNESS D0373 STREET FIGHTER D0384 THE PERFECT STORM D0390 BLACK AND WHITE D0391 BLUES BROTHERS 2000 D0393 WAKING THE DEAD D0404 MORTAL KOMBAT ANNIHILATION D0415 LETHAL WEAPON 4 D0418 LETHAL WEAPON 2 D0420 APOLLO 13 D0423 DIAMONDS ARE FOREVER (JAMES BOND 007) D0427 RED CORNER D0447 UNDER SUSPICION D0453 ANIMAL FACTORY D0454 WHAT LIES BENEATH D0457 GET CARTER D0461 CECIL B.DEMENTED D0466 WHERE THE MONEY IS D0470 WAY OF THE GUN D0473 ME,MYSELF & IRENE D0475 WHIPPED D0478 AN AFFAIR OF LOVE D0481 RED LETTERS D0494 LUCKY NUMBERS D0495 WONDER BOYS
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Mahie Gill Ð¤Ð¸Ð»Ð¼ ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (Ð¤Ð¸Ð»Ð¼Ð¾Ð³Ñ€Ð°Ñ„Ð¸Ñ)​

Mahie Gill Ð¤Ð¸Ð»Ð¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð¤Ð¸Ð»Ð¼Ð¾Ð³Ñ€Ð°Ñ„Ð¸Ñ)