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Title Director Screening Section Premiere Status
Title Director Screening Section Premiere Status An Evening With Sacred Bones Records Jacqueline Castel Special Events World Premiere Bernie Richard Linklater Special Events Best of Vimeo Shorts: Vimeo Loves Various Special Events Big Star: Nothing Can Hurt Me Drew DeNicola Special Events Casa de mi Padre Matt Piedmont Special Events Coffin Joe's "This Night I Will Possess Jose Mojica Marins Special Events Your Corpse" Girl Walk // All Day Jacob Krupnick Special Events Re: Generation Music Project Amir Bar Lev Special Events Adam Russell, Renga Special Events North American Premiere John Sear SXSW & The Alamo Drafthouse present: Special Events World Premiere Epic Meal Time The Oyster Princess (1919) Ernst Lubitsch Special Events with live score by Bee vs. Moth when you find me presented by Canon Bryce Dallas Howard Special Events U.S. Premiere George Dunning, Yellow Submarine (1968) Newly Restored (UK) Robert Balser, Special Events Jack Stokes Title Director Screening Section Premiere Status Phil Lord, 21 Jump Street Headliners World Premiere Christopher Miller BIG EASY EXPRESS Emmett Malloy Headliners World Premiere Decoding Deepak Gotham Chopra Headliners World Premiere Girls Lena Dunham Headliners World Premiere Killer Joe William Friedkin Headliners U.S. Premiere MARLEY Kevin Macdonald Headliners North American Premiere The Cabin in the Woods Drew Goddard Headliners World Premiere The Hunter Daniel Nettheim Headliners U.S. Premiere Blue Like Jazz Steve Taylor Narrative Spotlight World Premiere Crazy Eyes Adam Sherman Narrative Spotlight World Premiere Fat Kid Rules The World Matthew Lillard Narrative Spotlight World Premiere frankie go boom Jordan Roberts Narrative Spotlight World Premiere Hunky Dory Marc Evans Narrative Spotlight North American Premiere In Our Nature Brian Savelson Narrative Spotlight World Premiere Keyhole Guy Maddin Narrative Spotlight U.S. -
2009 Sundance Film Festival Announces Films in Competition
Media Contacts: For Immediate Release Brooks Addicott, 435.658.3456 December 3, 2008 [email protected] Amy McGee, 310.492.2333 [email protected] 2009 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN COMPETITION Festival Celebrates 25 Years of Independent Filmmaking and Cinematic Storytelling Park City, UT—Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 25th Sundance Film Festival. In addition to the four Competition categories, the Festival presents films in five out-of-competition sections to be announced tomorrow. The 2009 Sundance Film Festival runs January 15-25 in Park City, Salt Lake City, Ogden, and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. "This year's films are not narrowly defined. Instead we have a blurring of genres, a crossing of boundaries: geographic, generational, socio-economic and the like," said Geoffrey Gilmore, Director, Sundance Film Festival. "The result is both an exhilarating and emotive Festival in which traditional mythologies are suspended, discoveries are made, and creative storytelling is embraced." "Audiences may be surprised by how much emotion this year's films evoke," said John Cooper, Director of Programming, Sundance Film Festival. "We are seeing the next evolution of the independent film movement where films focus on storytelling with a sense of connection and purpose." For the 2009 Sundance Film Festival, 118 feature-length films were selected including 88 world premieres, 18 North American premieres, and 4 U.S. premieres representing 21 countries with 42 first-time filmmakers, including 28 in competition. -
November 2, 2012 | Volume X, Issue 11 Maryland Voters Poised to Make History Obama, Other Leaders Embrace Gay Marriage Rev
OUT November 2, 2012 | Volume X, Issue 11 Maryland Voters Poised to Make History Obama, other leaders embrace gay marriage Rev. Donte BY STEVE CHARING cally whose lines were blurred with religios- Hickman The long, hard-fought battle to win civil ity. It became a key component of the 2004 speaking marriage rights for same-sex couples in presidential election where 11 states went on TV ad Maryland is reaching the day of truth. By to the voters to enshrine discrimination into supporting November 6, Marylanders will have voted their respective constitutions. Question 6 on Question 6, which would, if approved, Not satisfied, the sitting president, extend myriad rights, benefits and responsi- George W. Bush, favored a federal con- bilities to gay and lesbian couples and their stitutional amendment to define marriage children as well as protections for religious as solely between a man and a woman. institutions to follow their own beliefs. If ap- Though that effort ultimately failed, the proved, Maryland will become the first state measures put forth in those 11 states suc- to have legalized same-sex marriage via ceeded as did ballot measures of an ad- the ballot. ditional 21 states over the next few years It had been a slow slog to reach this including the bitter Proposition 8 battle in point. When same-sex marriage became California in 2008. legal in Massachusetts in 2004 by a court In Maryland, while the state legislature ruling, the issue became a firestorm politi- —continued on page 2 Re-Elect President Barack Obama President Obama deserves another four der people. -
Mark Duplass Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ)
Mark Duplass Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Your Sister's Sister https://bg.listvote.com/lists/film/movies/your-sister%27s-sister-2009666/actors Blue Jay https://bg.listvote.com/lists/film/movies/blue-jay-27958185/actors Goliath https://bg.listvote.com/lists/film/movies/goliath-25205882/actors People Like Us https://bg.listvote.com/lists/film/movies/people-like-us-33191/actors True Adolescents https://bg.listvote.com/lists/film/movies/true-adolescents-7847344/actors Paddleton https://bg.listvote.com/lists/film/movies/paddleton-50649727/actors Parkland https://bg.listvote.com/lists/film/movies/parkland-3365474/actors The Puffy Chair https://bg.listvote.com/lists/film/movies/the-puffy-chair-7758712/actors The Lazarus Effect https://bg.listvote.com/lists/film/movies/the-lazarus-effect-18669765/actors Room 104 https://bg.listvote.com/lists/film/movies/room-104-28324881/actors The Morning Show https://bg.listvote.com/lists/film/movies/the-morning-show-54958411/actors Togetherness https://bg.listvote.com/lists/film/movies/togetherness-7813148/actors Tammy https://bg.listvote.com/lists/film/movies/tammy-15901539/actors Hannah Takes the https://bg.listvote.com/lists/film/movies/hannah-takes-the-stairs-5648966/actors Stairs When the Streetlights https://bg.listvote.com/lists/film/movies/when-the-streetlights-go-on-96414696/actors Go On Bombshell https://bg.listvote.com/lists/film/movies/bombshell-58814589/actors The One I Love https://bg.listvote.com/lists/film/movies/the-one-i-love-17112726/actors Mercy https://bg.listvote.com/lists/film/movies/mercy-16664100/actors -
Bill's Guide to Week Two of the 47Th Annual Chicago International Film
Bill’s Guide to Week Two of the 47th Annual Chicago International Film Festival By Bill Stamets Special for Films for Two® My recommended films in Week Two (in “must see” order): 1.) Pina: German director Wim Wenders previously profiled Japanese film director Yasujiro Ozu, Japanese fashion designer Yohji Yamamoto and Cuban musicians. His latest documentary introduces cinefiles to the choreography of German avant-gardist Pina Bausch. In his first use of 3-D cinematography, Wenders evokes the volume of the stage, even for performances staged in non-theatrical settings, including a tramway and an escalator. Four different works are presented. Some are revisited via archival 2-D footage. Seeing various versions adds more figurative depth to our appreciation of Bausch's work than the 3-D adds literal depth to our onscreen perception. Bausch's death during the making of the film may have lent an elegiac note to the laudatory interviews with members of her international company Tanztheater Wuppertal. They do not speak on camera during looking-into-the lens portrait sessions. The soundtrack excerpts their comments, apparently recorded off- camera, to underscore their role as voiceless dancers. Wenders channels Bausch's tactile and theoretical grasp of the body as metaphysical material for art. 2.) The Descendants: Alexander Payne (Sideways, About Schmidt, Election, Citizen Ruth) directs George Clooney as Matt King, an Hawaiian lawyer dealing with his wife hospitalized in a coma and their 10-year-old and 17- year-old daughters. Payne and his co-writers start from Kaui Hart Hemmings' 2008 novel for a truly touching male melodrama, as Clooney's character reconciles his mixed emotions about his wife. -
Seattle Jobs Plan Update Is Focused on Supporting Innovation and Building Shared Prosperity
2013 Economic Indicators: a snapshot of recovery Seattle Jobless Rate Drops Below 5% for the First Time Since 2008 Washington State EmploymentJune 19, 2013 Security Department, Good news about our city’s economy keeps rolling in. Seattle continues to outperform the region, the state, and the country in our rate of job growth and retail sales. Our monthly unemployment rate is down to 4.7 percent in April, well below that of the state and the nation as a whole. We’re training workers through the Seattle Jobs Initiative, investing in schools, and building new infrastructure. This is great news for Seattle. But we can’t coast on our success. We can look across America to see examples of cities that did not continue innovating and fell into decline. Seattle has been there before. And we have more work to do. Some residents still struggle to find work. Others have a job but still don’t make enough money to support their families. Our neighborhood businesses have bounced back from the recession, but still need support to remain strong. This Seattle Jobs Plan update is focused on supporting innovation and building shared prosperity. We are launching Startup Seattle, an initiative to support the growth of the Seattle technology startup community. We will work to streamline regulation and permitting of restaurants and cafés. We will also improve construction permitting across City departments to save time and improve transparency. We’ll support expansion of our manufacturing and PHOTO CREDIT: Mayor’s Office Mayor’s PHOTO CREDIT: maritime industries. And we’re building the next generation infrastructure, from rail to broadband, that can sustain innovation for decades to come. -
The Artists' View of Seattle
WHERE DOES SEATTLE’S CREATIVE COMMUNITY GO FOR INSPIRATION? Allow us to introduce some of our city’s resident artists, who share with you, in their own words, some of their favorite places and why they choose to make Seattle their home. Known as one of the nation’s cultural centers, Seattle has more arts-related businesses and organizations per capita than any other metropolitan area in the United States, according to a recent study by Americans for the Arts. Our city pulses with the creative energies of thousands of artists who call this their home. In this guide, twenty-four painters, sculptors, writers, poets, dancers, photographers, glass artists, musicians, filmmakers, actors and more tell you about their favorite places and experiences. James Turrell’s Light Reign, Henry Art Gallery ©Lara Swimmer 2 3 BYRON AU YONG Composer WOULD YOU SHARE SOME SPECIAL CHILDHOOD MEMORIES ABOUT WHAT BROUGHT YOU TO SEATTLE? GROWING UP IN SEATTLE? I moved into my particular building because it’s across the street from Uptown I performed in musical theater as a kid at a venue in the Seattle Center. I was Espresso. One of the real draws of Seattle for me was the quality of the coffee, I nine years old, and I got paid! I did all kinds of shows, and I also performed with must say. the Civic Light Opera. I was also in the Northwest Boy Choir and we sang this Northwest Medley, and there was a song to Ivar’s restaurant in it. When I was HOW DOES BEING A NON-DRIVER IMPACT YOUR VIEW OF THE CITY? growing up, Ivar’s had spokespeople who were dressed up in clam costumes with My favorite part about walking is that you come across things that you would pass black leggings. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
PLAYLIST (Sorted by Decade Then Genre) P 800-924-4386 • F 877-825-9616 • [email protected]
BIG FUN Disc Jockeys 19323 Phil Lane, Suite 101 Cupertino, California 95014 PLAYLIST (Sorted by Decade then Genre) p 800-924-4386 • f 877-825-9616 www.bigfundj.com • [email protected] Wonderful World Armstrong, Louis 1940s Big Band Young at Heart Durante, Jimmy April in Paris Basie, Count Begin the Beguine Shaw, Artie 1960s Motown Chattanooga Choo-Choo Miller, Glenn ABC Jackson 5 Cherokee Barnet, Charlie ABC/I Want You Back - BIG FUN Ultimix Edit Jackson 5 Flying Home Hampton, Lionel Ain't No Mountain High Enough Gaye, Marvin & Tammi Terrell Frenesi Shaw, Artie Ain't Too Proud to Beg Temptations I'm in the Mood for Love Dorsey, Tommy Baby Love Ross, Diana & the Supremes I've Got My Love to Keep Me Warm Brown, Les Chain of Fools Franklin, Aretha In the Mood Miller, Glenn Cruisin' - Extended Mix Robinson, Smokey & the Miracles King Porter Stomp Goodman, Benny Dancing in the Street Reeves, Martha Little Brown Jug Miller, Glenn Got To Give It Up Gaye, Marvin Moonlight Serenade Miller, Glenn How Sweet it Is Gaye, Marvin One O'Clock Jump Basie, Count I Can't Help Myself (Sugar Pie, Honey Bunch) - Four Tops, The Pennsylvania 6-5000 Miller, Glenn IDrum Can't MixHelp Myself (Sugar Pie, Honey Bunch) Four Tops, The Perdido - BIG FUN Edit Ellington, Duke I Heard it Through the Grapevine Gaye, Marvin Satin Doll Ellington, Duke I Second That Emotion Robinson, Smokey & the Miracles Sentimental Journey Brown, Les I Want You Back Jackson 5 Sing, Sing, Sing - BIG FUN Edit Goodman, Benny (Love is Like a) Heatwave Reeves, Martha Song of India Dorsey, Tommy -
Youth Arts Transforms Lives Artswork National Campaign 2011
Youth Arts Transforms Lives Artswork National Campaign 2011 Youth Arts Transforms Lives - FACT! ‘‘Youth Arts refers to young people taking part in creative, cultural, or expressive activity outside of formal education’’ Sir Ken Robinson – foreword to ‘Taking it Seriously – youth arts in the real world Front cover image provided by UK Rock Challenge, Photograph © Nick Scott Photography 01 CONTENTS CONTENTS Introduction 03 About the Authors & Acknowledgements 04 Executive Summary 05 Campaign Endorsements 07 Interesting Statistics 09 Evidence: 10 Keynote Article: Social Cohesion/ Inclusion 10 Case Studies: Social Cohesion/ Inclusion 11 Keynote Article: Arts as a Tool for Engagement 16 Case Studies: Arts as a Tool for Engagement 17 Keynote Article: Youth Crime 25 Case Studies: Youth Crime 26 Keynote Article: Emotional Development 32 Case Studies: Emotional Development 33 Keynote Article: Health and Wellbeing 35 Case Studies: Health and Wellbeing 37 Keynote Article: Economic Impact 43 Case Study: Economic Impact 44 Keynote Article: Access to the Arts 53 Case Studies: Access to the Arts 54 Keynote Article: Overall Skill Development 63 Case Studies: Overall Skill Development 64 Keynote Article: Educational Development 69 Case Studies: Educational Development 70 Keynote Article: Aspiration and Attainment 75 Case Studies: Aspiration and Attainment 76 Keynote Article: Career Development 82 Case Studies: Career Development 83 Keynote Article: Artistic Excellence and Innovation 88 Case Studies: Artistic Excellence and Innovation 89 Regional Youth Arts Champions 95 Campaign Resources 102 Youth Arts Resources 103 Artswork National Campaign 2011 02 INTRODUCTION Fire Dancers Photograph © Emergency Exit Art's Street Arts Academy INTRODUCTION This resource provides evidence to demonstrate how youth arts can transform young people's lives and enable new generations to progress positively as young citizens influencing the society we live in. -
'Bad' Sound: What Puts the 'Mumble' Into Mumblecore?
Theorising ‘bad’ sound: what puts the ‘mumble’ into mumblecore? This is a pre-copyedited version of an article accepted for publication in The Velvet Light Trap following peer review. The definitive publisher-authenticated version is available through the University of Texas Press. Few film genres, styles or movements are named with respect to their sound quality; ‘mumblecore’ – a cycle of independent, very low-budget American movies that emerged in the middle of the last decade – is a rare exception. The label is somewhat pejorative – the ‘origin myth’ is that it was jokingly coined by a sound mixer, but has since stuck.1 Aymar Jean Christian observes that mumblecore directors are uncomfortable with the term and tend not to self-identify as mumblecore, making the term analogous to the subcultural term ‘hipster.’2 However, despite being named with reference to its sound, there has been little analysis of its soundtracks, either academically or in the popular press, beyond dismissing the sound as ‘bad,’ with no further comment. This particular notion of ‘bad’ sound bears closer examination; however, close attention to mumblecore’s audiovisual style needs to be contextualised within the broader category of American independent cinema, of which it is a part. Hence, the label is attached to more than just a style – as has been widely argued, American independent or ‘indie’ cinema is partly an economic category, partly a style and partly a discourse.3 As an economic category, given their very low budgets and self-financed status, mumblecore films can be categorised as ‘house indie,’ as delineated by a critic cited by Michael Z. -
Tigerstyle Bio Tigerstyle Are an Influential Asian Electronic Fusion
Tigerstyle Bio Tigerstyle are an influential Asian electronic fusion act that also produces artists on their own digital record label (Soldier Sound Records), and have a growing a reputation for creating effective youth projects. They started their music career in 1997 when as DJs they created Desi Bombsquad Sound System with the intent of nurturing the bhangra scene in Scotland as they felt it lagged behind the English bhangra scene. The brothers have have toured all over the world and shared stages with the likes of Lily Allen, Dub Pistols, Misty in Roots, Talvin Singh, Nitin Sawhney, Gunjan, Asian Dub Foundation,Badmarsh & Shri, Truth Hurts, Panjabi MC, Future World Funk as well as Bobby Friction and DJ Nihal on BBC Radio 1. In the second series of Britain's Got Talent on ITV1 in May 2008, the song used by dance act Signature in their audition and again in their performance in the final was "Nachna Onda Nei," a bhangra remix of Michael Jackson's "Billie Jean" and Queen and David Bowie's "Under Pressure," featuring Kaka Bhaniawala with covering vocals. After being featured, it made the top 100 for the first time, spending one week at #62. Tigerstyle are one of the few Asian acts to have ever recorded a live session for the late John Peel. They also performed on the BBC Introducing Stage at Glastonbury Festival in July 2007. Their Bollywood debut came in the shape of exclusive remixes of "Bas Ek Kinng" and "Bhootni Ke," on the soundtrack of the blockbuster movie of summer 2008, Singh Is Kinng.