DOCSLIB.ORG

Mark Duplass Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mark Duplass Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Mark Duplass Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Your Sister's Sister https://bg.listvote.com/lists/film/movies/your-sister%27s-sister-2009666/actors Blue Jay https://bg.listvote.com/lists/film/movies/blue-jay-27958185/actors Goliath https://bg.listvote.com/lists/film/movies/goliath-25205882/actors People Like Us https://bg.listvote.com/lists/film/movies/people-like-us-33191/actors True Adolescents https://bg.listvote.com/lists/film/movies/true-adolescents-7847344/actors Paddleton https://bg.listvote.com/lists/film/movies/paddleton-50649727/actors Parkland https://bg.listvote.com/lists/film/movies/parkland-3365474/actors The Puffy Chair https://bg.listvote.com/lists/film/movies/the-puffy-chair-7758712/actors The Lazarus Effect https://bg.listvote.com/lists/film/movies/the-lazarus-effect-18669765/actors Room 104 https://bg.listvote.com/lists/film/movies/room-104-28324881/actors The Morning Show https://bg.listvote.com/lists/film/movies/the-morning-show-54958411/actors Togetherness https://bg.listvote.com/lists/film/movies/togetherness-7813148/actors Tammy https://bg.listvote.com/lists/film/movies/tammy-15901539/actors Hannah Takes the https://bg.listvote.com/lists/film/movies/hannah-takes-the-stairs-5648966/actors Stairs When the Streetlights https://bg.listvote.com/lists/film/movies/when-the-streetlights-go-on-96414696/actors Go On Bombshell https://bg.listvote.com/lists/film/movies/bombshell-58814589/actors The One I Love https://bg.listvote.com/lists/film/movies/the-one-i-love-17112726/actors Mercy https://bg.listvote.com/lists/film/movies/mercy-16664100/actors The League https://bg.listvote.com/lists/film/movies/the-league-2467722/actors Tully https://bg.listvote.com/lists/film/movies/tully-27957927/actors Humpday https://bg.listvote.com/lists/film/movies/humpday-1750540/actors Greenberg https://bg.listvote.com/lists/film/movies/greenberg-629974/actors Safety Not https://bg.listvote.com/lists/film/movies/safety-not-guaranteed-2110480/actors Guaranteed https://bg.listvote.com/lists/film/movies/2079635/actors Враг https://bg.listvote.com/lists/film/movies/%D0%B2%D1%80%D0%B0%D0%B3- номер еР%D0%BD%D0%BE%D0%BC%D0%B5%D1%80-%D0%B5%D0%B4%D0%BD%D0%BE-152531/actors ´Ð½Ð¾.
Load more

Recommended publications
  • Title Director Screening Section Premiere Status
    Title Director Screening Section Premiere Status An Evening With Sacred Bones Records Jacqueline Castel Special Events World Premiere Bernie Richard Linklater Special Events Best of Vimeo Shorts: Vimeo Loves Various Special Events Big Star: Nothing Can Hurt Me Drew DeNicola Special Events Casa de mi Padre Matt Piedmont Special Events Coffin Joe's "This Night I Will Possess Jose Mojica Marins Special Events Your Corpse" Girl Walk // All Day Jacob Krupnick Special Events Re: Generation Music Project Amir Bar Lev Special Events Adam Russell, Renga Special Events North American Premiere John Sear SXSW & The Alamo Drafthouse present: Special Events World Premiere Epic Meal Time The Oyster Princess (1919) Ernst Lubitsch Special Events with live score by Bee vs. Moth when you find me presented by Canon Bryce Dallas Howard Special Events U.S. Premiere George Dunning, Yellow Submarine (1968) Newly Restored (UK) Robert Balser, Special Events Jack Stokes Title Director Screening Section Premiere Status Phil Lord, 21 Jump Street Headliners World Premiere Christopher Miller BIG EASY EXPRESS Emmett Malloy Headliners World Premiere Decoding Deepak Gotham Chopra Headliners World Premiere Girls Lena Dunham Headliners World Premiere Killer Joe William Friedkin Headliners U.S. Premiere MARLEY Kevin Macdonald Headliners North American Premiere The Cabin in the Woods Drew Goddard Headliners World Premiere The Hunter Daniel Nettheim Headliners U.S. Premiere Blue Like Jazz Steve Taylor Narrative Spotlight World Premiere Crazy Eyes Adam Sherman Narrative Spotlight World Premiere Fat Kid Rules The World Matthew Lillard Narrative Spotlight World Premiere frankie go boom Jordan Roberts Narrative Spotlight World Premiere Hunky Dory Marc Evans Narrative Spotlight North American Premiere In Our Nature Brian Savelson Narrative Spotlight World Premiere Keyhole Guy Maddin Narrative Spotlight U.S.
    [Show full text]
  • Bill's Guide to Week Two of the 47Th Annual Chicago International Film
    Bill’s Guide to Week Two of the 47th Annual Chicago International Film Festival By Bill Stamets Special for Films for Two® My recommended films in Week Two (in “must see” order): 1.) Pina: German director Wim Wenders previously profiled Japanese film director Yasujiro Ozu, Japanese fashion designer Yohji Yamamoto and Cuban musicians. His latest documentary introduces cinefiles to the choreography of German avant-gardist Pina Bausch. In his first use of 3-D cinematography, Wenders evokes the volume of the stage, even for performances staged in non-theatrical settings, including a tramway and an escalator. Four different works are presented. Some are revisited via archival 2-D footage. Seeing various versions adds more figurative depth to our appreciation of Bausch's work than the 3-D adds literal depth to our onscreen perception. Bausch's death during the making of the film may have lent an elegiac note to the laudatory interviews with members of her international company Tanztheater Wuppertal. They do not speak on camera during looking-into-the lens portrait sessions. The soundtrack excerpts their comments, apparently recorded off- camera, to underscore their role as voiceless dancers. Wenders channels Bausch's tactile and theoretical grasp of the body as metaphysical material for art. 2.) The Descendants: Alexander Payne (Sideways, About Schmidt, Election, Citizen Ruth) directs George Clooney as Matt King, an Hawaiian lawyer dealing with his wife hospitalized in a coma and their 10-year-old and 17- year-old daughters. Payne and his co-writers start from Kaui Hart Hemmings' 2008 novel for a truly touching male melodrama, as Clooney's character reconciles his mixed emotions about his wife.
    [Show full text]
  • Trabalho Apresentado No GP Cinema, XV Encontro Dos Grupos De Pesquisas Em Comunicação, Evento Componente Do XXXVIII Congresso Brasileiro De Ciências Da Comunicação
    Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXVIII Congresso Brasileiro de Ciências da Comunicação – Rio de Janeiro, RJ – 4 a 7/9/2015 The Puffy Chair Experiências em mosaico na geração selfie1 Luiz Otávio Vieira PEREIRA2 Carlos Pernisa JÚNIOR3 Universidade Federal de Juiz de Fora, Juiz de fora, MG Resumo O objetivo do artigo é o de realizar uma análise do filme The Puffy Chair (2005), dirigido pelos irmãos Jay e Mark Duplass. O longa-metragem foi um dos precursores do movimento mumblecore, corrente do cinema independente norte-americano que se apropria do suporte digital para mobilizar a democratização do fazer cinematográfico. Utilizando o conceito de memória de Beatriz Sarlo, e o estudo sobre o vídeo digital, de Ivana Bentes, a ideia é promover o diálogo entre a experiência de vida dos diretores e a transposição desses elementos para a narrativa cinematográfica, além de discutir o hibridismo entre cinema e mídia digital. Outro aspecto central do estudo será o de aproximar o movimento mumblecore, conhecido pelo slogan do it yourself, do comportamento self-portrait e do caráter individualista das narrativas contemporâneas. Palavras-chave: Cinema amador; mídias digitais; mumblecore; narração da experiência Introdução O modo como a tecnologia interfere no sistema de produção de cultura é caracterizado pela aceleração do tráfego de informação e pela diluição dos papeis simbólicos desempenhados pelos agentes do processo de comunicação. Nesse contexto, promover um recorte acerca da democratização do cenário cinematográfico representa um esforço em desvendar, por meio de um fragmento, os mecanismos pelos quais se engendra a produção de sentido na era da revolução digital.
    [Show full text]
  • 'Bad' Sound: What Puts the 'Mumble' Into Mumblecore?
    Theorising ‘bad’ sound: what puts the ‘mumble’ into mumblecore? This is a pre-copyedited version of an article accepted for publication in The Velvet Light Trap following peer review. The definitive publisher-authenticated version is available through the University of Texas Press. Few film genres, styles or movements are named with respect to their sound quality; ‘mumblecore’ – a cycle of independent, very low-budget American movies that emerged in the middle of the last decade – is a rare exception. The label is somewhat pejorative – the ‘origin myth’ is that it was jokingly coined by a sound mixer, but has since stuck.1 Aymar Jean Christian observes that mumblecore directors are uncomfortable with the term and tend not to self-identify as mumblecore, making the term analogous to the subcultural term ‘hipster.’2 However, despite being named with reference to its sound, there has been little analysis of its soundtracks, either academically or in the popular press, beyond dismissing the sound as ‘bad,’ with no further comment. This particular notion of ‘bad’ sound bears closer examination; however, close attention to mumblecore’s audiovisual style needs to be contextualised within the broader category of American independent cinema, of which it is a part. Hence, the label is attached to more than just a style – as has been widely argued, American independent or ‘indie’ cinema is partly an economic category, partly a style and partly a discourse.3 As an economic category, given their very low budgets and self-financed status, mumblecore films can be categorised as ‘house indie,’ as delineated by a critic cited by Michael Z.
    [Show full text]
  • Joni Goes Postal
    JONI GOES POSTAL JOANNE WANNAN A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF OF MASTER OF FINE ARTS GRADUATE PROGRAM IN FILM YORK UNIVERSITY TORONTO, ONTARIO September 2016 © Joanne Wannan, 2016 ii ABSTRACT Joni Goes Postal is a feature film comedic screenplay. The story tracks the emotional journey of Joni, a 34- year-old postal worker who discovers that her long-term boyfriend cheated on her. Stuck in a dead-end job, confronted with overwhelming feelings of anger, betrayal and loss, Joni is jolted out of complacency and forced to confront her own fears and insecurities as she struggles to find new meaning and purpose in her life. The story examines a break-up, and explores concepts of love, loss, grief, and obsession. iii ACKNOWLEDGEMENTS I would like to thank Colleen Wagner for her insight, guidance, encouragement, and endless notes. Colleen believed in this project from the start, and cheered me on when I wanted to throw in the towel. She taught me to trust my instincts and believe in myself as an artist. I am grateful to have had her as my thesis advisor. Many thanks to John Greyson for his patience and unwavering support, both during my time as a graduate student at York, and on this project. John helped me navigate the minefields of completing this thesis, with a keen sense of humour and a grounded perspective. Thanks to Kuowei Lee, to all my professors at York, and to my fellow screenwriters. I’d especially like to thank the other writers in my class - Mary, Meghan, and Samantha.
    [Show full text]
  • Representations of Masculinity in Contemporary Hollywood Comedies a Thesis Presented to the Facult
    In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Nicholas D. Bambach August 2016 © 2016 Nicholas D. Bambach. All Rights Reserved. 2 This thesis titled In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies by NICHOLAS D. BAMBACH has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT BAMBACH, NICHOLAS D., M.A., August 2016, Film In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies Director of Thesis: Ofer Eliaz This thesis discusses the increasing visibility of masculine identity in contemporary Hollywood comedies. I examine how shifting developments in economic, societal, cultural, and gender relations impacted the perception of cinematic masculinity. The men, more specifically white and heterosexual, in these films position themselves as victims and, as a result, turn to alternative outlets to ease their frustrations and anxieties. In order to broadly survey the genre of the past two decades, I focus on three consistently popular character tropes in Hollywood comedies: slackers, office workers, and bromantic friendships. All the male characters discussed throughout the thesis are plagued by their innermost anxieties and desires that compromise their gendered identities. However, these films resort to a regressive understanding of masculinity and functions within the dominant heteronormative structures. This thesis demonstrates how Hollywood comedies present a contradictory and multifaceted image of modern masculinity.
    [Show full text]
  • HBO Introduces the Official Trailer of ROOM 104
    HBO introduces the official trailer of ROOM 104 The Anthology Series Returns For Fourth And Final Season July 24 ROOM 104 returns for its fourth and final season FRIDAY, JULY 24, exclusively on HBO GO, one week before launch on the HBO channel on July 31. Likewise, all the episodes of the season will have a premiere on HBO GO, before the weekly programming on the channel. Created by Mark and Jay Duplass ( “Animals.” and “Togetherness”), the late-night, half-hour anthology series returns with 12 new episodes, each telling a unique and unexpected tale of the characters who pass through a single room of a typical American chain motel. While the setting stays the same, every episode of the series features a different story, with the tone, plot, characters, and even the time period, changing with each installment. Exploring a variety of genres, from dark comedy to sci-fi, to the series’ first ever animated episode and original songs, this season will continue to surprise viewers week to week. The premiere episode will be the first time in the series that Mark Duplass stars, writes, directs and performs original music. Stories and characters featured in season four include: an estranged performer giving a one-night-only performance; a woman battling her dark past with addiction; a dollhouse; transporting back in time; and more. Providing one last glimpse into the lives of the guests in ROOM 104, the final season of the genre bending, and risk-taking anthology proves to be another showcase of writing, performing and directing. The season four
    [Show full text]
  • Especial Nuevo Ho Ywood
    PLOT 24 CUADROS NÚMERO 34 - AGO 2020 ALGO NUEVO BAJO EL SOL Especial Nuevo Hoywood ESCRiBEN CASTAÑO / VALLARELLi / ACEVEDO / ELESGARAY / REAL / LEMA HUERGO / MiNEViTZ / MUJiCA / BiANCHi / DUARTE/ MAiDANA / SANABRiA / OSORiO / LiTTA PLOT REVISTA 24 CUADROS - AÑO 13 Nº 34 Revista 24 Cuadros - N° 34 - Fundada el 17 de Agosto de 2007 PLOT por Fabio Va l l a r e l l i arece mentira que mientras una haciendo esto. Al nal creo que gané la pandemia azota al mundo y discusión por un capricho o por el gran Pamenaza en convertirse en una serie afecto que profesa Castaño hacia mi distópica muy mala de Netix en La 24 persona. Es probable que sean las dos volvemos a sacar un número después de cosas. una muy larga ausencia. Esta revista es así, inexplicable. Nunca se va, nunca En todos estos años que llevo editando llega del todo. Pero sin embargo, siempre la revista solo logramos publicar dos estamos ahí. números. Hubiese sido paradójico que gracias a mí se terminaran los Varias son las razones de la demora en la especiales. No soy buen perdedor. publicación de este número. La principal es nuestra ambición desmedida. Nos Al nal del camino que estamos propusimos generar este especial hace intentando reconstruir se vislumbra un varios años sin prever la dicultad que nuevo horizonte. Quizá una mejor implicaba abordar el fenómeno de la organización haga posible que estemos manera en la que queríamos hacerlo. Al acá más seguido. Y quién dice, a lo mismo tiempo, la página web es una mejor mi delirio de trasnochado de que tentación.
    [Show full text]
  • 6 YEARS Written and Directed by Hannah Fidell
    ! 6 YEARS Written and Directed by Hannah Fidell ! Starring Taissa Farmiga and Ben Rosenfield 80 minutes, color, U.S.A. Sales Contact: ICM/ Jessica Lacy [email protected] / (310) 550-4316 SUBMARINE/ Josh Braun [email protected] / (212) 625-1410 Press Contact: BRIGADE / Gerilyn Shur [email protected] / 917-551-5838 SYNOPSIS A young couple in their early 20s, Dan and Melanie, have known each other since childhood. Now their 6-year romantic relationship is put to the test when Dan receives an attractive job offer from the record label with whom he interns, and he must choose between a move forward and a future with Mel. Growth and temptation happen – but will their relationship remain part of their future? Writer/director Hannah Fidell explores the struggles of young love as it begins to face the next steps into adulthood. Taissa Farmiga and Ben Rosenfield give warm, genuine performances as Mel and Dan, alongside Lindsay Burdge (star of Fidell’s A TEACHER) as a colleague of Dan’s who entices him in more ways than one. HANNAH FIDELL DISCUSSES 6 YEARS I wrote 6 Years focusing on the relationship of two young adults. Who hasn’t had a first love? And who hasn’t gone through a breakup with said first love? (for those of you who are married to that first person...please ignore…) More than anything though, I modeled Dan and Mel’s world on my group of friends in college. Although, the fighting and the physical violence, that was pure fiction. The script was in great hands with Taissa and Ben.
    [Show full text]
  • TOGETHERNESS Written by Jay Duplass Mark Duplass
    TOGETHERNESS Written by Jay Duplass Mark Duplass Story by Jay Duplass Mark Duplass Steve Zissis INT. ALEX’S APARTMENT, BEDROOM - MORNING Slivers of light creak through crummy venetian blinds as ALEX PAPPAS (37), a balding chubbying Greek-American snores heavily. Above his bed are posters of Tom Hanks in Castaway and Robert De Niro in Raging Bull. The faint sound of drilling accompanies his snoring, as well as unintelligible voices whispering, all of which seem to be coming from inside the apartment. Alex’s eyes slowly open. Did he hear something? Probably not. His sleepy eyes roll back into his head, and Alex slips back into never-never-land. This dude knows how to sleep. The sound of a LAMP BREAKING. Alex’s eyes pop wide open this time. It’s real. Someone is inside his apartment. He bolts upright, listening intently, and sees that his bedroom door is unlocked. Alex darts over and presses the lock button down, but it keeps popping back out, refusing to lock. He hears shuffling of feet on the other side. Alex scans his bedroom, sees a crumpled pair of jeans, checks the pockets and finds nothing. ALEX (under his breath) Where’s my fucking phone! Alex tip-toes to the window, slides back the crummy blinds and sees a three story drop into a concrete alley. Alex opens his closet, unsheathes a putter from a golf bag, and hears and sees his bedroom door knob start to turn. Alex jumps into the closet and closes the doors. The bedroom door creaks open, and a man says something loudly to his partner in a foreign language.
    [Show full text]
  • Anthology Series ROOM 104 Returns for Fourth and Final Season July 24
    Anthology Series ROOM 104 Returns For Fourth And Final Season July 24 ROOM 104 returns for its fourth and final season FRIDAY, JULY 24 at 11:00 p.m. ET/PT, exclusively on HBO. Created by Mark and Jay Duplass (HBO’s “ANIMALS.” and “TOGETHERNESS”), the late-night, half-hour anthology series returns with 12 new episodes, each telling a unique and unexpected tale of the characters who pass through a single room of a typical American chain motel. While the setting stays the same, every episode of the series features a different story, with the tone, plot, characters, and even the time period, changing with each installment. Exploring a variety of genres, from dark comedy to sci-fi, to the series’ first ever animated episode and original songs, this season will continue to surprise viewers week to week. The premiere episode will be the first time in the series that Mark Duplass stars, writes, directs and performs original music. Stories and characters featured in season four include: an estranged performer giving a one-night-only performance; a woman battling her dark past with addiction; a dollhouse; transporting back in time; and more. Providing one last glimpse into the lives of the guests in Room 104, the final season of the genre bending, and risk-taking anthology proves to be another showcase of writing, performing and directing. The season four cast includes (in order of appearance): Mark Duplass, Hari Nef, Logan Miller, Jillian Bell, Jon Bass, Dave Bautista, Melissa Fumero, Vivian Bang, Finn Roberts, Adam Shapiro, Breeda Wool, Kevin Nealon, Erinn Hayes, Ron Funches, Sadie Stanley, Shannon Purser, Kendra Carelli, Benjamin Papac, Alison Jaye, Tim Granaderos, Oliva Crocicchia, Harvey Guillen, Gary Cole, Linda Lavin, Jennifer Kim, Kevin McKidd, Desean Terry, Suzanne Nichols, Leonardo Nam, Lily Gladstone, Jordyn Lucas, Natasha Perez, Jake Green, Ntare Mwine, Rebecca Hazlewood, and Susan Park.
    [Show full text]
  • BAGHEAD Directed and Written by the DUPLASS BROTHERS
    Presents BAGHEAD Directed and Written by THE DUPLASS BROTHERS (84 mins, USA, 2008) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html CAST Chad ...................................................STEVE ZISSIS Matt....................................................ROSS PARTRIDGE Michelle .............................................GRETA GERWIG Catherine………………….…………ELISE MULLER FILMMAKERS Directed, Written and Produced by....JAY DUPLASS ............................................................MARK DUPLASS Producer .............................................JOHN BRYANT Co-Producer .......................................JEN TRACY DUPLASS Editor..................................................JAY DEUBY Original Music ...................................J SCOTT HOWARD Special Effects ...................................R. ZANE RUTLEDGE Sound Mix..........................................BYRON WESTBROOK Sound Mix…………………………..GENE PARK 2 DIRECTORS STATEMENT In 1980, the New Orleans Saints were well on their way to another losing season. Some of the fans were losing hope and gaining shame. They stopped going to the games for fear of being seen as a blindly optimistic fool and ridiculed at work the next day. Some fans, however, would not abandon their beloved home team. Sure, they were embarrassed and ashamed, but they were loyal. They stayed. They believed. But, they needed something to hide their faces. Something cheap, something readily available. Something brown and crinkly, where the eyes and mouth could easily be punched out. Now, this story doesn’t really have anything to do with our movie, but it kinda does. When one looks out over a sea of people in a major NFL stadium wearing bags on their heads, it’s a bit hard to process.
    [Show full text]