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Free Turquerie: an Eighteenth-Century European Fantasy Pdf FREE TURQUERIE: AN EIGHTEENTH-CENTURY EUROPEAN FANTASY PDF Haydn Williams | 240 pages | 11 Nov 2014 | Thames & Hudson Ltd | 9780500252062 | English | London, United Kingdom Cornucopia Magazine : Turquerie: An Eighteenth-Century European Fantasy Turquerie : An Eighteenth-century Turquerie: An Eighteenth-Century European Fantasy Fantasy. Haydn Williams. This is the first book, painstakingly researched from many scattered sources, to identify the key elements of what in our own time has become a popular and collectable area of the fine art and decorative arts: turquerie. With the arrival of Ottoman embassies and their elaborate entourages at the courts of Europe in the early eighteenth century, a fascination with all things Turkish took hold among royalty and aristocracy that lasted until Turquerie: An Eighteenth-Century European Fantasy French Revolution. Turbaned figures appeared in paintings, as ceramic figures, and on the stage; tented boudoirs became the rage; and crossed crescents, palm trees, and camels featured on wall panels, furniture, and enamel boxes. Here Haydn Williams, an expert on the decorative arts, shows how it was a theme that sparked varied responses in different places. Its most intense and long-lasting expression was in France, but its reach was broad—from a pavilion built by Catherine II in Russia to the Turkish tents erected Turquerie: An Eighteenth-Century European Fantasy the Elbe to celebrate a royal marriage in Dresden in ; from an ivory statuette of a janissary created for King Augustus II of Poland to the costumes worn for a carnival celebration in Rome in The book is organized into eight thematic and chronological chapters that concentrate on particular Turquerie: An Eighteenth-Century European Fantasy, such as painting, tents, interiors, and costumes and settings for the stage. In all, this splendid volume enables the reader to indulge in the whimsies and fancies of the European elite of the eighteenth century. He is editor of Enamels of the World Turquerie: An Eighteenth-century European Fantasy - Haydn Williams - Google книги Print subscribers automatically receive FREE access to the digital archive. Please register at www. Painstakingly researched Turquerie: An Eighteenth-Century European Fantasy many sources, this is the first book to look at the artistic phenomenon Turquerie: An Eighteenth-Century European Fantasy as turquerie. At the end of the 17th century, the long-standing fear of the Turk in Europe was gradually replaced by fascination. Travellers accounts of the Ottoman lands, translations of works such as One Thousand and One Nightsand the magnificent spectacle of Ottoman ambassadors and their retinues were among the catalysts that inspired the creation of a European fantasy of Turquerie: An Eighteenth-Century European Fantasy world. In this new book, Haydn Williams shows how turquerie manifested itself in the arts across Europe. Its Turquerie: An Eighteenth-Century European Fantasy intense and long-lasting expression was in France, but its reach was broad: from a mosque folly in Kew Gardens to an ivory statuette of a janissary created in Dresden for King Augustus II of Poland and the costumes worn for a carnival celebration in Rome in Focusing on categories including painting, architecture, interiors and the theatre, Turquerie provides an engaging account of this whimsical European fantasy. A Dutch mastiff with a languid gaze sits upon a plump velvet cushion. He holds a silken handkerchief aloft with one paw, while the other delicately supports a gold and crystal pipe. It also illustrates the elasticity of the Ottoman world in the imagination of European artists, architects and craftsmen. The topic of turquerie is a nebulous one. He illustrates the eclectic and interconnected nature of Turquerie: An Eighteenth-Century European Fantasy responses to Ottoman culture, with the emphasis placed on France and the 18th century. Examples from other centuries and locations are judiciously incorporated, and they serve to underline the pan-European nature of this phenomenon. Portraits of turbaned princes and merchants feature strongly, but the author gives equal prominence to Turkish allusions in European theatre, balls and masquerades, garden follies and the decorative arts. This inclusive panorama is particularly welcome, and it illustrates the inherent malleability of Ottoman culture as a source of inspiration and model of imitation. The taste for things Turkish ranged from the minute to the monumental: Ottoman characters adorned snuffboxes and sewing kits, flowerpots and sugar boxes; crescent moons were twisted to decorate chairs, and figures of enslaved Turks propped up the beds of European princes. Equally, turquerie found expression in the erection of Ottoman-style tents, kiosks and mock mosques. A striking example is the lateth-century mosque and court constructed at Schloss Schwetzingen in southern Germany for the Elector Palatine Karl Theodor. Painted a bold pink, it blends European and Islamic forms in Turquerie: An Eighteenth-Century European Fantasy curious style: ogee arches with Corinthian columns, and onion domes topped with gilded crescents. Many of these elements are not exclusively Ottoman quotations, but they serve to illustrate the gradual blurring of turquerie into the more homogenous mode of Orientalism. The East becomes a tangle of pagodas and parrots, Chinamen with porcelain bowls and Indian ladies playing musical instruments. In one corner, the Ottoman sultan is shown on horseback and flanked Turquerie: An Eighteenth-Century European Fantasy janissaries. The iconography is familiar, probably drawn from earlier costume books, but the context is novel: the sultan is simply one of many movable pieces in an ever-fantastical East. The emphasis of this study is firmly on European responses to Ottoman culture, but there are hints at exchange operating the other way. One intriguing example is a porcelain rosewater ewer and basin produced in Vienna c This object carefully imitates traditional Turkish ewers in its form, but the decoration is unmistakably a European rendering of Oriental motifs. The great value of this work is in its scope. An impressive range of material is covered, with excellent illustrations adorning almost every page. However, there are moments where detail is sacrificed for breadth, and inevitably a brisk pace is adopted, with certain examples described all too fleetingly. The light footnoting used throughout also makes it difficult for the reader to explore individual items in further detail. Above all, this is a beautifully crafted book: Williams writes clearly and engagingly, and many of the exquisite reproductions are complete with perceptive captions. The rich visual survey of turquerie cannot fail to excite and educate a wide readership about the imaginative capital of the Ottoman world. Cornucopia has joined forces with the digital publishing platform Exact Editions to offer individual and institutional Turquerie: An Eighteenth- Century European Fantasy unlimited access to Turquerie: An Eighteenth-Century European Fantasy searchable archive of fascinating back issues and every newly published issue. If you are already a subscriber, please register at www. View Basket. Book Description Painstakingly researched from many sources, this is the first book to look at the artistic phenomenon known as turquerie. Featured in Cornucopia 53 When Europe flirted with Turkey A Dutch mastiff with a languid gaze sits upon a plump velvet cushion. Books are post-free to subscribers anywhere in the world. For a full list of benefits see Subscriber Club. The Digital Edition Cornucopia has joined forces with the digital Turquerie: An Eighteenth-Century European Fantasy platform Exact Editions to offer individual and institutional subscribers unlimited access to a searchable archive of fascinating back issues and every newly published issue. Thames & Hudson USA - Book - Turquerie: An Eighteenth-Century European Fantasy JavaScript seems to be disabled Turquerie: An Eighteenth-Century European Fantasy your browser. For the best experience on our site, be sure to turn on Javascript in your browser. The first book to evoke Turquerie: An Eighteenth-Century European Fantasy fantasy world of turquerie in all its diversity and richness in eighteenth-century Europe. This is the first book, painstakingly researched from many scattered sources, to identify the key elements of what in our own time has become a popular and collectable area of fine and decorative art: turquerie. At the end of the 17th century, the long-standing fear of the Turk in Europe was gradually replaced by fascination. Turbaned figures appeared in paintings, as ceramic figures, and on the stage; sumptuous boudoirs turcs were created; and crescent moons, palm trees and camels featured on wall panels, furniture and snuff boxes. Turquerie was a theme that sparked varied responses in different places. Its most intense and long-lasting expression was in France, but its reach was broad — from a mosque folly in Kew Gardens to the Turkish tents erected along the Elbe to celebrate a royal marriage in Dresden in ; from an ivory statuette of a janissary created for King Turquerie: An Eighteenth-Century European Fantasy II of Poland to the costumes worn for a procession to celebrate carnival in Rome in The subject is explored thematically within a broadly chronological framework, from early contacts between Europe and the Ottomans following the fall of Constantinople inthrough the great flourishing of turquerie in the
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