“BIRDS with STRINGS” Please Rejoin Us

Total Page:16

File Type:pdf, Size:1020Kb

“BIRDS with STRINGS” Please Rejoin Us notes The Monthly Newsletter of JazzErie October 2008 Vol. 14, Issue. 10 14 Years Serving the Jazz Community JAZZERIE CHARLIE PARKER MEMBERSHIP Hopefully most of you have re-upped for the 2008-09 JazzErie Membership year. If you have, many thanks for continuing to support this hardworking volunteer organization. If you haven’t yet joined/rejoined, NOW’S THE TIME! Those whose memberships have lapsed will not be eligible for discounted tickets at JazzErie events BRUCE JOHNSTONE (remember Liebman’s coming), and your subscription to News Notes will cease, either in November or December. “BIRDS WITH STRINGS” Please rejoin us. Bring a friend. A TRIBUTE TO CHARLIE PARKER • Rosch Recital Hall, Fredonia University • IN THIS ISSUE... • Fredonia, NY (directions at end of article) • Charlie Parket w/ Strings ............p.1-2 • Sunday, Oct.19 • 1:00 pm (pre-concert talk at 12:30 pm) • Record Collector? .......................p.2 Adults.......................................$20 Experience the beauty and warmth of this Board Minutes ............................p.3 Alumni, Faculty, & Staff........$15 beautiful, timeless and engaging music Bird Lives! Students (Fredonia)................$5 President’s Message ...................p.3 The performers: String Trio of NY........................p 3 In 1950, Clef Records acceded to a Alto saxophonist Darcy Hepner, a long-standing dream of Charlie Parker strong jazz performer and educator on The Jazz Line..............................p.4 to record with strings. The record, the Canadian scene, is less well known “Bird With Strings,” became one of in the U.S. Raised in Hamilton, Ontario, JazzErie Discussion Group .........p.5 Hepner’s musical trajectory began as an his best selling records and one that Celebrating Roots .......................p. 6 he himself considered to be one of his accomplished young cellist. He switched to saxophone while exploring rock & best. With the discovery of the original JE Performance Calendar ...........p. 7 manuscripts used for the recording, this roll (first as a guitarist) with college concert is a reconstruction of these great friends in Canada, became infected with JazzErie Cruise Pics ...................p. 7 performances, delivered with insight the challenges and beauty of jazz, and and expertise by great contemporary completed his formal education with an Jazz on the Radio ........................p. 7 musicians. Don’t miss this rare tribute. ...continued on pg. 2 For More Information: www.jazzerie.com MA degree in jazz from the University Bruce Johnstone is the producer and JAZZ ERIE of Miami music program. He moved instigator of this event. Johnstone hails to New York to pursue studies with Lee from New Zealand, showed his talent JazzErie is a com- early – New Zealand Junior Symphony munity of music lovers and at age 13 (clarinet), New Zealand Radio musicians and, a member- Orchestra at age 16 (adding baritone, alto ship organization dedicated & flute.) Went on the road at 21, playing to sharing with children, behind biggest U.S. pop stars of the day adults and one an-other when they toured down under. To Europe an awareness and love of in 1969, playing in Copenhagen with music, particularly jazz. JazzErie brings avant-garde legends Horace Parlan and toget-her people who want to listen to jazz, Don Cherry, and mainstream musicians learn about it, play it and just live it. Al Grey and bassist Niels-Henning Orsted Pederson. To U.S. in 1972, joined Check out our website at Konitz and Bob Mintzer, and gigs with the Maynard Ferguson band, becoming www.jazzerie.com for complete local musicians, ultimately including a featured soloist and developing an information on current and many jazz greats – Liebman, Olliver international reputation (#3 in Downbeat upcoming events. Lake, Kenny Wheeler, Louis Bellson, etc. poll.) More gigs, records, a stint with From 1985-89 Hepner taught full-time Woody Herman, then came to this area 2007-2008 Board of Directors at Berklee College of Music in Boston, to settle with his bride, Robyn in Ripley, then back to New York (and worldwide) N.Y. Continues to astound with area President................................. Ed Goebel for gigs with legends BB King, Aretha and traveling bands, but his major gig is Vice President ............................. Ted Ely Franklin, Sergio Mendez, Henry Mancini teaching at Fredonia University, where he Treasurer ..............................Liz Scarpelli and others, plus workshop presentations is chair of the Jazz Studies program. in far-flung locations (Istanbul, Berlin, The Fredonia Chamber Jazz Directors even Sacramento, CA.) Meanwhile, he Ensemble, which will perform under Joe Curlett Robb Hoff was establishing a new music program Johnstone’s direction, is culled from the Charles Lute Al Lubiejewski at Selkirk College, British Columbia. John Marzalek Scott Meier Following a four-year tour with Blood, ranks of Fredonia’s best students. Carl Hultman Sheldon Peterson Sweat & Tears (1999-2004,) Hepner More on how to get there: Take I-90 Allen Zurcher Mary Watson returned to teaching in his home town of east to Exit 59 (Dunkirk & Fredonia). Dick Thompson John Kytic Hamilton, where he is currently Professor After the toll booth, go straight to the Paul Bates Kathy Danielson of Music at Mohawk College. “T” intersection with Central Ave. Turn Past Presidents Pianist Tony Caramia is currently left on Central to the Main Campus Entrance (on your right.) Rosch Recital David F. Van Amburg 1994-1995 Professor of Piano and Director of Hall is located more-or-less in the center (Founding President) Piano Pedagogy at Eastman School of Music. Caramia’s credentials include of the campus. There is parking on Atty. Al Lubiejewski 1995-1997 your right as you enter the campus, and Virginia M. Pelkowski 1997-1999 an appearance as a guest on Marian McPartland’s somewhat behind Rosch Hall. R. Patrick Rodgers 1999-2002 “Piano Jazz “ Steve Eidell 2002-2003 radio show which INTERESTED IN Tom McLaren 2003-2005 already puts him HISTORICAL JAZZ Carl Hultman 2005-2008 among jazz’ piano elite. His latest DISCS??? JAZZERIE NOTES is published monthly CD, “Tribute” News Notes has been contacted by JazzErie which is a subsidiary organiza- (cdbaby, 2006) by the widow of a former record tion of the Erie Art Museum, features the music collector who wants to offer mint a nonprofit organization. of Ellington, condition 33 1/3 LP’s to jazz lovers at JazzErie Notes McPartland, a reasonable price. The records are of Editor - Dick Thompson Brubeck and his Andy Kirk, Earl Hines, Chick Webb, published by own compositions. He has lectured Duke Ellington, The Chicagoans, The Erie Art Museum for JazzErie and performed at workshops and jazz Count Basie (“Kansas City Piano”), printed by training institutes around the world Woody Herman (“The Turning Point”), PIP Printing West (Europe, Australia, New Zealand). In and others -- $5 each. She also offers 2825 West 26th St. • Erie, PA 16506 2005, Caramia presented a multi-media a two-record set of “Louis Armstrong tribute to composer Harold Arlen on at Carnegie Hall” for $25. These are Deadline is the 15th of each month. the occasion of Arlen’s 100th birthday. new records, sent to her husband by a Send articles to: Caramia’s own compositions are record distributor, and have never been [email protected] published by Hal Leonard. played. or Box 8833, Erie, PA 16505 Local legend and internationally Contact Betty Smith at 866-0554. recognized jazz musician and educator Page 2 JazzErie Notes discussed. The Performance Committee SUMMARY OF was commended on its early completion JAZZERIE JAZZERIE of the 2008-2009 season’s schedule. Paul Bates reported that radio, internet, PRESIDENT’S BOARD MINUTES posters and print media have received MESSAGE September 2, 2008 information regarding the Eric Alexander Because of rain at the start of our concert. Ted Ely reported that he and Ed Jazz & Blues Walk, the crowd was The minutes of the August 5, 2008 Goebel filed a request for a grant from somewhat smaller than last year’s, and meeting were approved. Liz Scarpelli The Arts Council of Erie for the 2008- JazzErie faced a deficit of almost $2,000. confirmed that the Jazz & Blues Walk 2009 performance season. Al Zurcher This is money that is needed to help pay receipts were down about $2,000. Ed is attempting to arrange for a master’s for previously scheduled world-class jazz Goebel reported that the Jazz Cruise workshop to be given by Dave Liebman groups. Fundraiser on the Scott Free was sold prior to his November 21, 2008 concert. JazzErie no longer has this deficit. out, with 29 guests expected. The John Marzalek reported that high school Our thanks go out to the generosity of Performance Committee reported that musicians met every Wednesday during Nick and Kim Scott of Scott Enterprises arrangements for the Eric Alexander the summer to learn and practice playing and 29 JazzErie supporters who attended concert were complete. Not many season jazz. John Kytic said that JazzErie has the fund raising Jazz Cruise on the Scotts’ tickets were being purchased, although received over 100 membership renewals. yacht, the Scott Free. Comments of those more sales were expected at the concert. No one present at the meeting was who attended ranged from “fantastic time” to “couldn’t have been better.” Whether and the extent to which there is interested in organizing the Erie Jazz Hall or can be a definition of a “jazz singer” of Fame at this time. Thus, leadership Speaking of world-class jazz groups, for the Singers’ Night concert was will be sought outside the Board. if you didn’t attend the Eric Alexander concert held at Gannon University on September 6, 2008, you missed one expanded its focus to include numerous of the best jazz quartets to ever have STRING TRIO OF commissioned works by contemporary performed in Erie. They played many avant-gardists, plus arrangements standards, along with some of their own NEW YORK of classic pieces by jazz masters.
Recommended publications
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • Festival Report: Hudson Valley Jazz Fest
    FESTIVAL REPORT Hudson Valley Jazz Fest Detroit Jazz Fest Guelph Jazz Festival by Laurence Donohue-Greene by Greg Thomas by Ken Waxman m o c . d r o w z z a j . w w w / / g : r p e t t b h n e t r s o z r t i n a F n K o y r C n ’ a e O G L n y y a b b s o o u t t S o o ) h h c P P ( String Trio of New York Wynton Marsalis Sextet Darius Jones & Matthew Shipp For New Yorkers looking to bolt out of the city for a The 2012 Detroit Jazz Festival held over Labor Day A specter was haunting the 2012 Guelph Jazz Festival day-trip or long weekend, Warwick, an hour’s drive weekend was a cornucopia of value at the perfect price: (GJF): the ghost of John Coltrane. Coltrane was honored northeast, is a great destination. From fall foliage and free. Considering the headliners - Sonny Rollins, in direct and indirect ways throughout the five-day apple picking (the 24th Applefest is Oct. 14th) to its Wynton Marsalis, Terence Blanchard (the Artist-in- festival, which takes places annually in this college third annual jazz festival (Aug. 16th-19th), the small Residence), Chick Corea/Gary Burton, Wayne Shorter, town, 100 kilometers west of Toronto. This year’s town is bustling with activity. Kenny Garrett and Pat Metheny - the vision of the new edition (Sep. 5th-9th), featured two live performances The Hudson Valley Jazz Festival (né Warwick Jazz Artistic Director Christopher Collins can be summed of Ascension, Coltrane’s 1965 masterwork, one by an Festival) is the brainchild of Steve Rubin, a jazz up by a WBGO radio tag line: real jazz, right now.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Uptown Conversation : the New Jazz Studies / Edited by Robert G
    uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M.
    [Show full text]
  • Sound Directions Inc
    SOUND DIRECTIONS, INC. Senior Leadership Resumes JAMES EMERY Guitarist/composer James Emery, virtuoso guitarist and composer, has been active on the international jazz and contemporary music scene since 1975. He has recorded 26 CDs as a leader or co-leader and has performed his works in over 25 countries worldwide. He has received international critical acclaim for his work leading various ensemble formations, and he is also celebrated for his work with the String Trio of New York, a veritable institution of jazz and creative music which he co- founded in 1977. Emery has become known for his distinctive and highly original approach to both improvisation and composition. His sound and ideas are immediately recognizable, leading the distinguished music critic Francis Davis to observe “Absolutely nobody sounds like Emery”. This singular artistic expression has resulted in many awards, grants and commissions, most notably a Guggenheim Fellowship in 1995. His sensibility as a musician draws in nearly equal measures on formal notions of structure and technique and a robust willingness to improvise, experiment and follow his musical intuition. Emery has been acclaimed as “one of the world’s finest guitarists...[he] possesses an encyclopedic jazz vocabulary as a technician and composer ...staggering technical virtuosity, remarkable creative spirit...” (allaboutjazz.com). The New York Times wrote, “Emery is a fleet guitarist with a personal touch and sound...mercurial, poised and thoroughly satisfying.” The German magazine Stereo lauded Emery’s compositional skills, observing “the guitarist succeeds in something astonishing: shaping modernistic sound dimensions in an extraordinarily delightful way and making them accessible to a wider audience...”.
    [Show full text]
  • C U R E N T Cross
    COMUNE DI BOTTICINO Provincia di Brescia C con il patrocinio U CROSS R BOTTICINO JAZZ II Centro Lucia E 30-31 Ottobre 2009 N in collaborazione con T CROSSCURRENT BOTTICINO JAZZ II Produzione: Comune di Botticino, Botticino Servizi s.r.l. e Associazione Culturale Crosscurrent Direttore Artistico: Luigi Settala Direttore Esecutivo: Mariateresa Porteri Organizzazione: Mario Fava, Cesare Magagna, Davide Lorenzon Fotografo ufficiale: Luciano Rossetti Fonica: Zanetti Audio Artwork: Carlo Majorani Progetto grafico e realizzazione: La Grafica Webmaster: Alessandro Camanini Il festival è patrocinato dal Settore Turismo di Regione Lombardia e Provincia di Brescia e dalla SIdMA - Società Italiana di Musicologia Afroamericana Biglietti: 20 e serata, 35 e abbonamento Prevendita on-line Informazioni: Ufficio Cultura Comune di Botticino tel. 0302197460 con il patrocinio COMUNE DI BOTTICINO Provincia di Brescia CROSSCURRENT BOTTICINO JAZZ II 30/31 OTTOBRE 2009 CENtro LUCIA BotticiNO (BS) I lusinghieri risultati ottenuti nella prima edizione di Botticino Jazz (dal 27 al 29 ottobre 2008) sono riassunti nel tutto esaurito che si è registrato in ognuna delle tre serate di un festival al debutto. Il quartetto del pianista e compositore Corrado Guarino, il quartetto di Amiri Baraka, il trio Burrell, Conquest e Barnes, il quartetto di improvvisazione Parker, Drake, Mateen e Wilkes, il duo Puglisi, Drake e in particolar modo l’ensemble di William Parker “The inside songs of Curtis Mayfield”, hanno riscosso da un pubblico composto prevalentemente da neofiti un successo ben oltre le aspettative. Il festival si terrà venerdì 30 e sabato 31 ottobre e da quest’anno viene chiamato Crosscurrent per sottolineare la direzione controcorrente della manifestazione e le benefiche tendenze conflittuali generatesi nella musica jazz dopo la rivoluzione del free.
    [Show full text]
  • The William Paterson University Department of Music Presents New
    The William Paterson University Department of Music presents New Music Series Peter Jarvis, director featuring the William Paterson University Percussion Ensemble and New Music Ensemble with Kevin Norton Monday, February 6, 2017, 7:00 PM Shea Center for the Performing Arts Program Gemini Payton MacDonald For Percussion Duo Elise McAloon and Jessi Gerbasi Invention 1 (2006) Daniel Levitan For Percussion Duo Peter Jarvis and Daniel Lucci Dichotomy, Opus 50 (2016)* Peter Jarvis For Piano Solo Carl Patrick Bolleia Nocturne, Opus 15 (2011) Peter Jarvis For Piano Solo Carl Patrick Bolleia Heather “The Heat” Hardy (2017)* Kevin Norton For Solo Percussion Kevin Norton Marimbastück (1969) Maki Ishii For Percussion Trio Edward Broesler, Jesse Gerbasi Elise McAloon – Marimba Soloist Payton MacDonald – Coach Sotto Voce (2005) Ron Mazurek Solo For Timpani, Voice and Electronic Sound Sean Dello Monaco Peter Jarvis ‐ Coach Sonic Ceremony, Opus 42 (2016) Peter Jarvis For Percussion Solo Payton MacDonald Gyro (2012) Tomer Yarvi For Percussion Duo Sean Dello Monaco & Jesse Gerbasi Peter Jarvis – Coach * = World Premiere Program Notes Gemini: Payton MacDonald "Friendship is one mind in two bodies." ‐ Mencius I wrote Gemini as a gift for my good friend Blake Tyson. Blake and I have been friends for many years and although we live far apart, we still talk on the phone almost every week. It often seems we are one mind in two bodies, with so many similarities in our lives and in our tastes in music and art. Blake’s wonderful Vertical River—also for vibraphone and marimba—partly inspired this piece. The title “Gemini” comes from the famous myth of the twin brothers Castor and Pollux.
    [Show full text]
  • Anthony Braxton's Synaesthetic Ideal and Notations for Improvisers
    Critical Studies in Improvisation / Études critiques en improvisation, Vol 4, No 1 (2008) “What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers Graham Lock “See deeply enough, and you see musically.” Thomas Carlyle (qtd. in Palmer 27) “Tuned to its grandest level, music, like light, reminds us that everything that matters, even in this world, is reducible to spirit.” Al Young (132) Flick through the pages of Anthony Braxton’s Composition Notes and you’ll soon encounter some striking visual imagery. In Composition #32, for example, “Giant dark chords are stacked together in an abyss of darkness” (CN-B 375); Composition #75 will take you “’from one room to the next’—as if in a hall of mirrors (‘with lights in the mirrors’)” (CN-D 118); in Composition #77D slap tongue dynamics “can be viewed [as] sound ‘sparks’ that dance ‘in the wind’ of the music” (189); enter the “universe” of Composition #101 and you’ll discover “a field of tall long trees (of glass)” (CN-E 142).1 While it is not unusual for composers to employ visual images when discussing their work, Braxton’s descriptions are clearly not illustrative in the sense of, say, Vivaldi’s poems for La Quattro Stagioni or Ellington’s droll explanations of his song titles. Rather than describe scenes that the music supposedly evokes, Braxton appears instead to offer extremely personal visualisations of the musical events and processes that are taking place in his compositions. Further evidence of this highly individual perspective can be found throughout his work.
    [Show full text]
  • Keith Rowe New Traditionalism
    September 2011 | No. 113 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Keith Rowe New Traditionalism Hal Galper • The Necks • Rastascan • Event Calendar Only those living under rocks not bought during the housing bubble could be unaware of the recent debates going on in the nation’s capital about the country’s economic policies. Maybe some jazz musicians, who know how to stretch a dollar New York@Night and live with crushing financial insecurity, could have helped defuse the crisis. We 4 also have been reporting on the unilateral decision by the National Academy of Interview: Hal Galper Recording Arts and Sciences to remove Latin Jazz from its Grammy Award categories (along with a number of other ‘underperforming’ genres). There have 6 by Ken Dryden been protests, lawsuits and gestures in an attempt to have this policy reversed. Artist Feature: The Necks Though compared to a faltering multi-trillion dollar economy, the latter issue can seem a bit trivial but it still highlights how decisions are made that affect the by Martin Longley 7 populace with little concern for its input. We are curious to gauge our readers’ On The Cover: Keith Rowe opinions on the Grammy scandal. Send us your thoughts at feedback@ by Kurt Gottschalk nycjazzrecord.com and we’ll publish some of the more compelling comments so 9 the debate can have another voice. Encore: Lest We Forget: But back to more pleasant matters: Fall is upon us after a brutal summer 10 (comments on global warming, anyone?). As you emerge from your heat-induced George Barrow Jimmy Raney torpor, we have a full docket of features to transition into long-sleeve weather.
    [Show full text]
  • Alan Broadbent Michael Bisio Wallace Mcmillan
    OCTOBER 2015—ISSUE 162 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM LAROY ALAN MICHAEL WALLACE WES BROADBENT50BISIO MCMILLAN MONTGOMERY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2015—ISSUE 162 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Alan Broadbent 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : Michael Bisio 7 by clifford allen General Inquiries: [email protected] On The Cover : AACM 50th Anniversary 8 by kurt gottschalk Advertising: [email protected] Encore : LaRoy Wallace McMillan by ken waxman Editorial: 10 [email protected] Calendar: Lest We Forget : Wes Montgomery 10 by ken dryden [email protected] VOXNews: LAbel Spotlight : V.S.O.P. by ken dryden [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin For subscription assistance, send check, cash or money order to the address above or email [email protected] Festival Report 13 Staff Writers David R. Adler, Clifford Allen, CD Reviews 14 Fred Bouchard, Stuart Broomer, Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Miscellany 43 Brad Farberman, Sean Fitzell, Kurt Gottschalk, Tom Greenland, Event Calendar Alex Henderson, Marcia Hillman, 44 Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Russ Musto, Joel Roberts, John Sharpe, Elliott Simon, Jazz is a music based on and dependent upon community.
    [Show full text]
  • SPIRITUAL DIMENSIONS (Cuneiform Rune 290-291)
    Bio information: WADADA LEO SMITH Title: SPIRITUAL DIMENSIONS (Cuneiform Rune 290-291) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: JAZZ / IMPROVISATION “I decided at the very beginning that Golden Quartet would be a lifelong quartet of mine, no matter what the personnel was or which direction it might go, whether it goes to the Golden Quintet…The idea is that of one horn player and rhythym” – Wadada Leo Smith “...not only as inventive and adventurous as he was when he was a younger player, but his creativity and ability to direct a band into new territory is actually farther reaching than ever before. This is brilliant work.” – All Music Guide “The Golden Quartet is the closest thing to a standard jazz group that Wadada Leo Smith ever used to present his own music. …the music is lively, even explosive at time, yet still exquisitely balanced. …No other composer accommodates the independence of the individual and the unity of the ensemble in quite the way Smith does. …the collective sound always coheres into something purposeful and beautiful. Remarkably, the personalities and forces are kept in balance.”– Point of Departure “...a welcome reminder of Smith's continued importance in the continuum of creative improvised music.” – All About Jazz Lauded as “one of the most vital musicians on the planet” by Coda, Wadada Leo Smith is one of the most visionary, boldly original and artistically important figures in contemporary American jazz and free music, and one of the great trumpet players of our time.
    [Show full text]
  • Vinyls-Collection.Com Page 1/55 - Total : 2125 Vinyls Au 25/09/2021 Collection "Jazz" De Cush
    Collection "Jazz" de cush Artiste Titre Format Ref Pays de pressage A.r. Penck Going Through LP none Allemagne Aacm L'avanguardia Di Chicago LP BSRMJ 001 Italie Abbey Lincoln Painted Lady LP 1003 France Abraham Inc. Tweet Tweet LP LBLC 1711 EU Abus Dangereux Happy French Band LP JB 105 M7 660 France Acid Birds Acid Birds LP QBICO 85 Italie Acting Trio Acting Trio LP 529314 France Adam Rudolph's Moving Pictures... Glare Of The Tiger 2LP Inconnu Ahmad Jamal At The Blackhawk LP 515002 France Aidan Baker With Richard Baker... Smudging LP BW06 Italie Air Open Air Suite LP AN 3002 Etats Unis Amerique Air Live Air LP Inconnu Air Air Mail LP BSR 0049 Italie Air 8o° Below '82 LP 6313 385 France Al Basim Revival LP none Etats Unis Amerique Al Cohn Xanadu In Africa LP Xanadu 180 Etats Unis Amerique Al Cohn & Zoot Sims Either Way LP ZMS-2002 Etats Unis Amerique Alan Silva Skillfullness LP 1091 Etats Unis Amerique Alan Silva Inner Song LP CW005 France Alan Silva Alan Silva & The Celestial Com...3LP Actuel 5293042-43-44France Alan Silva And His Celestrial ... Luna Surface LP 529.312 France Alan Silva, The Celestrial Com... The Shout - Portrait For A Sma...LP Inconnu Alan Skidmore, Tony Oxley, Ali... Soh LP VS 0018 Allemagne Albert Ayler Witches & Devils LP FLP 40101 France Albert Ayler Vibrations LP AL 1000 Etats Unis Amerique Albert Ayler The Village Concerts 2LP AS 9336/2 Etats Unis Amerique Albert Ayler The Last Album LP AS 9208 France Albert Ayler The Last Album LP AS-9208 Etats Unis Amerique Albert Ayler The Hilversum Session LP 6001 Pays-Bas
    [Show full text]