Commencement 1981 Since Graduation Is Just Around the Corner, I Thought You Would Noon and from 1: 00 P.M
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An event benefitting the AP World Organization th SEPTEMBER 11 , 2021 PerformingBOB JAMES Artists PIECES OF A DREAM GERALD ALBRIGHT JAZZ FUNK SOUL MARION MEADOWS ALEX BUGNON JEFF BRADSHAW AND FRIENDS 114 S. New York Avenue, Atlantic City, New Jersey AP WORLD An 501c-3, tax deductible organization built on the legacy of a beloved son, doing our part to strengthen families and inspire communities during difficult times. Professional basketball player, DeAndre’ Bembry of the Toronto Raptors, launched AP World in memory of his brother, Adrian Potts. Adrian celebrated his brothers’ accomplishments and planned to be sitting alongside DeAndre’ to watch the NBA draft on June 23, 2016. Adrian helped plan the draft party with their mother, Essence. Essence dedicated her life to helping her sons achieve success and was devastated when she received the dreaded phone call no parent ever wants to hear. In the early morning of June 11, 2016 literally days before the much-anticipated draft, Essence received the tragic news from Adrian’s father. Her 20-year-old, ambitious, fun-loving and tenacious son, was shot and killed near the University of North Carolina, Charlotte campus. This tragedy had a shocking and paralyzing effect on the Bembry family. Knowing where to find support and assistance while planning a funeral service, dealing with unimaginable grief and the reality of life without a son, brother and best friend, were overwhelming for Essence and DeAndre’. This family tragedy served as the catalyst for DeAndre’ to develop a support system that could be an anchor and a resource hub for other families who may have to take a similar journey through grief. -
Beyond Classical
About the director, dean taba A highly regarded studio and freelance musician, Dean Taba began his musical studies on the piano at the age of 6 and played french horn in the Hawaii Youth Symphony. It was a desire to play in the high school jazz band that introduced him to the bass and improvised music. After extensive studies at the Berklee College of Music in Boston and a refinement of his skills on both the acoustic and electric bass, Dean relocated in 1984 to Los Angeles to HYS JAZZ become one of its most in demand musicians. Also a respected clinician and educator (Los Angeles Beyond Classical Music Academy, Musician’s Institute, Cal-Poly Pomona, Grove School of Music) Dean has recently performed/ recorded with Jeff Lorber, David Benoit, Mark Murphy, Jake Shimabukuo, Andy Summers, Sadao Watanabe, The San Francisco Symphony, Hiroshima, Rick Braun, The American Jazz Institute Orchestra, Dave Koz, Jeff Richman, Pauline Wilson, The Philippine Philharmonic Orchestra, Daniel Ho, Bill Watrous, and many others as well as playing on countless CDs, TV shows, and movie soundtracks. Take your passion and drive for music Learn more about HYS to the next level! HiYouthSymphony.org @HiYouthSymphony Hawaii Youth Symphony Open 1110 University Ave. #200 to all Honolulu, HI 96826-1598 (808) 941-9706 Students ages 14 - 18 (Grades 9 - 12) apply today! who play guitar, bass, While no prior jazz or improvisational experience is necessary, keyboards, piano, drums, admission to The Combo is by audition only. Up to 2 students sax, trumpet, trombone. of each instrument will be selected. -
Mediabase Chart
9/30/21, 2:07 PM Smooth Jazz 7-Day Report | Smooth Jazz Panel | Published Chart | Mediabase 24/7 Charts ... … You have 92 unread Net News stories. search by keyword ... Home > Mediabase > 7-Day Report > Smooth Jazz MediabaseMediabase Song Charts Adds Stations SONG CHARTS Report Panel Format 7-Day Report Smooth Jazz Smooth Jazz Currents/Recurrents C Get Report S O N G C H A R T S : 7 - D AY R E P O R T Smooth Jazz Smooth Jazz -- Published Chart -- Currents Only lw: Sep 12 - Sep 18 TW: Sep 19 - Sep 25 lw TW Artist Title TW lw Move Aud HOT 1 1 VINCENT INGALA On The Move 107 99 8 0.089 2 2 NICK COLIONNE Right Around The Corner 100 92 8 0.095 7 3 NILS Above The Clouds 88 83 5 0.074 9 4 BRIAN SIMPSON So Many Ways 84 80 4 0.091 6 5 RICHARD ELLIOT Right On Time 83 84 -1 0.082 3 6 ANDY SNITZER Non Stop 83 88 -5 0.09 13 7 ADAM HAWLEY Risin' Up 82 68 14 0.077 10 8 PAUL BROWN Deep Into It f/Rick Braun 81 77 4 0.092 5 9 RAGAN WHITESIDE Off The Cuff 81 85 -4 0.069 14 10 KAYLA WATERS Open Portals 79 67 12 0.058 4 11 PAUL HARDCASTLE Tropicool 79 85 -6 0.073 Industry Directory quickquick searchsearch 15 12 CHRISTIAN DE MESONES Hispanica f/Bob James 75 61 14 0.06 Industry Directory 12 13 JEFF LORBER FUSION Back Room 73 72 1 0.097 Name 11 14 BLAIR BRYANT B's Bounce 72 73 -1 0.081 8 15 DARREN RAHN Midnight Sun 71 81 -10 0.069 Company or Call Letters 17 16 JIMMY B. -
88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
Earnest Walker Jr
EARNEST WALKER JR. Smooth Groove Artist Earnest Walker Jr. spent the first 15 years of his life traveling the country with his family. The experience taught him an appreciation of different cultures and musical styles. At the age of nine, Walker started playing the guitar, but a year later he picked up the saxophone and it has been his passion ever since. When he was only 14 years old, the established musicians in Pensacola, Florida felt his playing was so essential they would sneak Walker into night clubs to showcase his talents. Walker studied music education at Bethune-Cookman College in Daytona Beach, and later attended Florida State University, quickly establishing himself as one of the most sought-after saxophonists on both campuses and all around the state of Florida. After college, Walker joined the Air Force, where he performed with different groups in each town he was stationed. After the military, Walker toured and performed in most of the central to eastern portions of the country, including Miami, Daytona Beach, Charleston SC, Philadelphia, New Orleans, Atlanta, Tampa, Orlando and Denver. In the late 90’s, he moved to Philadelphia and became a member of the prestigious smooth jazz band “Blind Date”. Returning to Miami in 2003, Earnest Walker Jr is well known in the city of South Beach as a show stopper that is sure to leave the audience breathless. Location: Miami, FL USA Influences: Grover Washington Jr, Cannonball Adderly, Maceo Parker, Earth Wind & Fire, Gerald Albright, Ronnie Laws Booking & Media Contact: HJ Entertainment | 816.945.0288 | www.EarnestWalkerJr.com ON STAGE As solid, compelling and in the pocket as Walker is on disc, he’s best known in the jazz world as a powerhouse performer whose stage presence and creative style guarantees that every crowd is in an uproar. -
Glenn Gould in the Style of Thuggish Lunatics, Smashing Were a Series of Uneven Releases, Long Hia
TEACHING WITH IN TUNE I C O N GREAT MUSICIANS IN HISTORY BY PETER GERSTENZANG WHO: Rock quartet from London, England WHAT: One of the essential acts of the original 1960s British Invasion; loud, lyrical, and ambitious WHEN: Formed in 1964, still active in 2017, even after losing two key members and matured into one of the towering songwriters of the time. With their 1969 “rock opera” Tommy, the Who showed they could make a conceptually uni- BY PETER GERSTENZANG ed album that brought in elements of classical music ICONOGRAPHY and told a story—a strange ICON GREAT MUSICIANS IN HISTORY BY PETER GERSTENZANG tale about a deaf, dumb, The Who and blind boy who mirac- Singer and ulously regains his senses GREAT MUSICIANS IN HISTORY WHO: OR THE FIRST 10 years of their existence, the Who and becomes a prophet—while never WHO: Classical pianist ICON electric guitar player A gospel and thrillingly stretched the boundaries of rock, becoming sounding pretentious. WHAT: A brilliant, if eccentric, WHAT: The music only improved from there musical interpreter who R&B pioneer who may one of the most important and in uential British bands redefi ned how a classical just be the mother of F with the 1971 masterpiece Who’s Next and HE ARGUMENT rock music musician could play, record, Born Mar. 20, of the ’60s, along with the Beatles and the Rolling Stones. a second rock opera, 1973’sQuadrophenia, act, and look about who was WHEN: which told stories of both the mods and BY PETER GERSTENZANG 1915, Cotton Plant, After a brief stint as the Detours, gui- WHEN: Born Sept. -
Constructing 'Race': the Catholic Church and the Evolution of Racial Categories and Gender in Colonial Mexico, 1521-1700
CONSTRUCTING ‘RACE’: THE CATHOLIC CHURCH AND THE EVOLUTION OF RACIAL CATEGORIES AND GENDER IN COLONIAL MEXICO, 1521-1700 _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Alexandria E. Castillo August, 2017 i CONSTRUCTING ‘RACE’: THE CATHOLIC CHURCH AND THE EVOLUTION OF RACIAL CATEGORIES AND GENDER IN COLONIAL MEXICO, 1521-1700 _______________ An Abstract of a Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Alexandria E. Castillo August, 2017 ii ABSTRACT This dissertation examines the role of the Catholic Church in defining racial categories and construction of the social order during and after the Spanish conquest of Mexico, then New Spain. The Catholic Church, at both the institutional and local levels, was vital to Spanish colonization and exercised power equal to the colonial state within the Americas. Therefore, its interests, specifically in connection to internal and external “threats,” effected New Spain society considerably. The growth of Protestantism, the Crown’s attempts to suppress Church influence in the colonies, and the power struggle between the secular and regular orders put the Spanish Catholic Church on the defensive. Its traditional roles and influence in Spanish society not only needed protecting, but reinforcing. As per tradition, the Church acted as cultural center once established in New Spain. However, the complex demographic challenged traditional parameters of social inclusion and exclusion which caused clergymen to revisit and refine conceptions of race and gender. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
Omer Avital Ed Palermo René Urtreger Michael Brecker
JANUARY 2015—ISSUE 153 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM special feature BEST 2014OF ICP ORCHESTRA not clowning around OMER ED RENÉ MICHAEL AVITAL PALERMO URTREGER BRECKER Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JANUARY 2015—ISSUE 153 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Omer Avital by brian charette Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Ed Palermo 7 by ken dryden [email protected] Advertising: On The Cover : ICP Orchestra 8 by clifford allen [email protected] Editorial: [email protected] Encore : René Urtreger 10 by ken waxman Calendar: [email protected] Lest We Forget : Michael Brecker 10 by alex henderson VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Smoke Sessions 11 by marcia hillman [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Tom Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Special Feature: Best Of 2014 28 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Miscellany Terrell Holmes, Robert Iannapollo, 43 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Event Calendar 44 Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman As a society, we are obsessed with the notion of “Best”. -
Black Magic Woman Organ Transcription
Black Magic Woman Organ Transcription Jeth is acidulous and dimpled litigiously while untoned Solomon mumbling and upbuilt. Unverified Filip pants that Jude dilute pleasingly.avidly and scrutinised studiedly. Moore communalising his influxes clay landward, but fetterless Augusto never prefix so This site is arranged for black magic woman sheet music festivals were all music notes icon will be logged in the firework recipes first have an amazing vocalist Black Magic Woman HL03744142 Black Magic Woman Marching Band Hal Leonard Marching Band to Score Parts 7420 Add the basket. Abide upon Me Easy Piano Sheet Music. Black Magic Woman Chords. School in Rock Students Cover Oye Como School little Rock. This collection for Piano Voice and Guitar features 16 favourites from the Guitar legend Carlos Santana Songs include Black Magic Woman Corazon Espinado Evil Ways The subordinate of Love. Black Magic Woman Ultimate Santana. Black Magic Woman by Carlos Santana Other versions of this composition Black magic woman Solo Piano 6 votes. SANTANA OYE COMO VA SHEET MUSIC PIANOVOCAL. Black Magic Woman Guitarist Eric Hansen. 2 mar 2020 black magic woman sheet home by santana for lid and recorder His songs like europa black magic woman oye como va. Black Magic Woman Sheet count And Tabs Carlos Santanapdf Uploaded by Tarsila Don 0 0 November 2019 PDF Bookmark Embed Share Print. Instrumentation piano and vocals Edition Songbook Language English. JamwithCarlosSantanapdf. Maria Corazon Espinado Oye Como Va Black Magic Woman Samba Pa Ti ua. Black Magic Woman By Santana Peter Green new Music Plus. Like cancer lead guitar the keyboard solo for this Oye Como Va cover also isn't. -
July-August 2012
July • August, 2012 Issue 343 jazz &blues report now in our 38th year San Francisco Jazz Festival Sonny Rollins July • August 2012 • Issue 343 SFJAZZ ANNOUNCES 30TH ANNIVERSARY SAN FRANCISCO JAZZ FESTIVAL LINEUP FOR FALL 2012 San Francisco - SFJAZZ, one of the nation’s leading non-profit jazz organi- zations, celebrates the 30th anniversary of the San Francisco Jazz Festival this fall, with a star-studded lineup of concerts kicking off on August 25th and running through December 7th. The landmark season will feature shows by Esperanza Editor & Founder Spalding, Sonny Rollins, Ornette Coleman, Diane Reeves, Branford Marsalis, Bill Wahl Gilberto Gil, along with countless other talented artists. This year’s festival will Layout & Design Bill Wahl feature the following series: Jazz Continuum: Operations Jim Martin • August 25: 2011 Best New Artist Grammy Winner Esperanza Spalding Pilar Martin • September 28: Brecker Brothers Band Reunion with Randy Brecker, Mike Contributors Stern & Dave Weckl Michael Braxton, Mark Cole, Dewey Forward, Nancy Ann Lee, Peanuts, • September 29: ‘80s Miles Revisited, from Miles Smiles with Wallace Roney, Wanda Simpson, Mark Smith, Duane Bill Evans, Robben Ford, Joey DeFrancesco, Darryl Jones & Omar Hakim Verh, Emily Wahl and Ron Wein- • October 5: A solo by Branford Marsalis stock. • October 11: Singular artist Marcus Miller • October 28: Belgian harmonica player Grégoire Maret and his quartet Brilliance From Brazil: Check out our constantly updated website. Now you can search for • October 19: Brazilian pianist Elaine Elias CD Reviews by artists, titles, record • October 25: Musical revolutionary GilbertoPhoto Gil by Martin Philbey labels, keyword or JBR Writers. 15 • November 3: A rare unplugged piano performance by Ivan Lins years of reviews are up and we’ll be Jazz Giants: going all the way back to 1974. -
UNIVERSITY of CALIFORNIA RIVERSIDE a Study of Antichrist
UNIVERSITY OF CALIFORNIA RIVERSIDE A Study of Antichrist Typology in Six Biblical Dramas of 17th Century Spain A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Spanish by Jason Allen Wells December 2014 Dissertation Committee: Dr. James Parr, Chairperson Dr. David Herzberger Dr. Benjamin Liu Copyright Jason Allen Wells 2014 The Dissertation of Jason Allen Wells is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION A Study of Antichrist Typology in Six Biblical Dramas of 17th Century Spain by Jason Allen Wells Doctor of Philosophy, Graduate Program in Spanish University of California, Riverside, December 2014 Dr. James Parr, Chairperson This dissertation examines Antichrist types manifested in the primary antagonists of six biblical dramas of seventeenth century Spanish theater. After researching the topic of biblical typology in the works of theologians Sir Robert Anderson, G.H. Pember, Arthur W. Pink, and Peter S. Ruckman, who propose various personages of both the Old and New Testaments that adumbrate the Antichrist, I devise a reduced list based on extant plays of the Spanish Golden Age whose main characters match the scriptural counterparts of my register. These characters are Cain, Absalom, Haman, Herod the Great, Judas Iscariot, and the Antichrist himself. I consult the Bible to provide the reader with pertinent background information about these foreshadowings of the Son of Perdition and then I compare and contrast these characteristics with those provided by the playwrights in their respective works. By making these comparisons and contrasts the reader is able to observe the poets’ embellishments of the source material, artistic contributions that in many instances probably satisfy the reader’s desire for details not found in the biblical iv narratives.