DOCSLIB.ORG

6 December 2008

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
6 December 2008 “A Christmas Festival” 1. Stage Centre Goff Richards 2. Into the Light Jay Bocook 3. Benedictus from The Armed Man Mass Karl Jenkins 4. Sarah Holden: Three Gershwin numbers George and Ira Gershwin 5. Dance of the Snowmen Howard Blake 6. Finnegan’s Wake Archibald James Potter 7. King Kong Soundtrack Highlights James Newton Howard ** INTERVAL – REFRESHMENTS IN AID OF CRISIS ** 8. Strathcarron – Sword Dance Philip Sparke 9. Colonial Song Percy Aldridge Grainger 10. Sarah Holden: I. Pie Jesu & In Paradisum from Requiem Karl Jenkins II. The Time of Snow Bob Chilcott 11. Sleigh Ride Leroy Anderson 12. A ‘Home Alone’ Christmas John Williams ** RETIRING COLLECTION IN AID OF CRISIS ** Crisis is the national charity for single homeless people. Crisis opens seven centres from 23 to 30 December offering homeless or vulnerably housed people companionship, access to essential services, learning opportunities and a programme of entertainment If you have any comments on tonight’s concert or would like to join our mailing list, please complete a feedback form and deposit at the back of the Church Programme Notes by Guy Wilson, Master of the Armouries. In this arrangement for concert band the solo is played on the soprano saxophone. Stage Centre (1981) Sarah Holden: Three Gershwin numbers Goff Richards (b.1944) George and Ira Gershwin (1898-1937; 1896-1983) Goff Richards was born in Cornwall and after studying at the Royal College of They Can't Take That Away From Me from ‘Shall We Dance?’ (1937) Music and Reading University, embarked on a career as a composer, arranger I'll Build a Stairway to Paradise from George White's ‘Scandals of 1922’ (1922) and conductor. His works have been performed by the King’s Singers, the Swingle The Man I Love from ‘Lady, Be Good’ (1924) Singers, various BBC Orchestras, Huddersfield Choral Society, London Brass, Evelyn Glennie, Benjamin Luxon and all leading Brass and Military Bands. He Dance of the Snowmen (1982) writes extensively for BBC television, with past commissions including ‘Songs of Howard Blake (b.1938), arr. Hannah Balcombe Praise’, and he has contributed regularly to BBC Radio Two programmes, Howard Blake is one of the most popular and prolific living English composers. He conducting the Goff Richards Orchestra and Burnished Brass among others. has written film scores, such as 'The Duellists' and 'A Month in the Country', and many concert works, including his piano concerto for Princess Diana Into the Light (1995) commissioned by the Philharmonia. Blake wrote the words and music for the Jay Bocook classic animated Channel 4 TV film 'The Snowman', from which Dance of the Into the Light was commissioned by the Verona, New Jersey High School Wind Snowmen is taken. Its concert version continues to receive many performances Ensemble, in memory of a clarinettist in the band. The piece is composed of two worldwide, and the stage version runs every year at Sadlers Wells in London. main sections, one reflective and one soaring and hopeful. It opens with rising- Howard Blake received the O.B.E. for services to music in 1994. scale clusters in the woodwinds and melodic fragments in tuned percussion. Eventually the reflective main theme is introduced in the clarinets and after Finnegan’s Wake (1957) extensive development modulates to a majestic statement by the full ensemble. A Archibald James Potter (1918-1980) brief transition leads to the second section: Allegro. A secondary theme is Archie Potter was the son of a blind Belfast piano tuner. Raised by relatives in introduced by horns and trumpets accompanied by flourishes in the woodwinds. Kent, he won a scholarship to the Royal College of Music in London and studied After more development, the main theme from part one returns in the brasses with Vaughan Williams. A significant figure in Irish music, Potter is particularly while the woodwinds and melodic percussion support with punctuating cross known for his arrangement of the Dublin ballad Finnegan's Wake . The sensitivity rhythms. The work closes in celebration and a feeling of transcendence. of his personality, and his concern about injustice and intolerance, are all evident in his best works. He was also a broadcaster, examiner, teacher and writer. Benedictus from ‘The Armed Man: A Mass for Peace’ (2000) Karl Jenkins (b.1944) King Kong Soundtrack Highlights (2005) Karl Jenkins is described as ‘the most popular classical composer you've never James Newton Howard (b.1951), arr. Jay Bocook heard of’. Sales of his choral music are into the millions worldwide and he is the James Newton Howard is a multiple Academy Award nominated film composer. UK's biggest-selling living classical composer. The Armed Man was voted as the After leaving college, he toured with Elton John as a keyboardist during the late eighth-best piece of classical music ever by the listeners of Classic FM. 1970s and early 1980s before moving into film music. He scored the surprise Born in Penclawdd, South Wales, he studied piano and oboe as a child, becoming blockbuster ‘Pretty Woman’ and received his first Academy Award nomination for principal oboe in the National youth Orchestra of Wales. He then went on the read his score for Barbra Streisand's drama ‘The Prince of Tides’. Howard's skills music at the University of Wales and at the Royal Academy of Music. In the 1970s encompass a plethora of genres, including ‘The Fugitive’, ‘My Best Friend's he played with Ronnie Scott's jazz band and jazz-rock fusion band Soft Machine, Wedding’ , ‘ The Village’ and ‘Wyatt Earp’. He has also contributed music for TV before starting to composr for advertisements and television. series, earning an Emmy nomination in 1995 for his theme to ‘ER’. The Armed Man is a call to arms dating from the mid-15th century, when the ** Interval ** Ottoman Turks were threatening to overrun the whole of Europe. Jenkins’ interpretation is an hour-long work, standing comparison with Britten’s War (Refreshments available at the back of the Church in aid of Crisis) Requiem. The Royal Armouries commissioned it to celebrate the Millennium, but much of Jenkins’ inspiration came from the shock of the short but savage war in Kosovo. The Benedictus , which actually comes after the battle in the main work, is quite short and tranquil, introducing the sad poem ‘Now the Guns have Stopped’ Strathcarron – Sword Dance from ‘Hymn of the Highlands’ (2003) A ‘Home Alone’ Christmas (1993) Philip Sparke (b.1951) John Williams (b.1932), arr. Paul Lavender Philip Sparke is a composer who often writes for brass and wind bands. John Williams is one of the best known, awarded, and financially successful Strathcarron is a movement from his Hymn of the Highlands in which each composers in US history, having composed over 80 film scores. Created during movement reflects a different location in the beautiful Scottish highlands. one of Williams' best and strongest periods ever, shortly after the score for Strathcarron , named after a village at the head of Loch Carron, near the Isle of ‘Indiana Jones and the Last Crusade’, and just before his music for ‘Hook’ and Skye, takes the form of a sword dance, alternating between fast and slow tempos. ‘Far and Away’, A ‘Home Alone’ Christmas is packed with the kind of lyricism, playfulness and warmth that made those scores so likeable and loved. Colonial Song (1913) To create a Christmas sound, Williams uses an array of percussive and rhythmic Percy Aldridge Grainger (1882-1961) instruments, as well as lots of brass. Setting the Trap adds a soft rock'n'roll Originally written for piano as a birthday gift to Grainger’s mother Rose in 1911, drumbeat, with Christmas carols sneaking in and out of the music, while Holiday the first version of Colonial Song for winds was written in 1913 and premiered Flight and Making the Plane pay homage to Tchaikovsky's Nutcracker suite. under Edwin Franko Goldman’s baton in 1919. In this piece, Grainger wished to express feelings aroused by the scenery of his native country, Australia. Sarah Holden: Pie Jesu & In Paradisum from ‘Requiem’ (2005) Karl Jenkins (b.1944) (Our thanks go to Michelle Jobson for these programme notes.) Pie Jesu Domine, dona eis requiem. O sweet Lord Jesus, grant them rest; Dona eis requiem sempiternam. grant them everlasting rest In paradisum deducant te Angel; May angels lead you into paradise; in tuo adventu suscipiant te Martyres, may the martyrs receive you at your et perducant te in civitatem sanctam coming and lead you to the holy city of Jerusalem. Jerusalem. Chorus Angelorum te suscipiat, May a choir of angels receive you, et cum Lazaro quondam paupere and with Lazarus, who once was poor, aeternam habeas requiem. may you have eternal rest. Sarah Holden: The Time of Snow (1998) Biographies Bob Chilcott (b.1955) Bob Chilcott was a chorister at Kings’ College, Cambridge and is one of Britain’s Da Capo Concert Band most active composers and choral conductors. The Time of Snow tells of Mary Da Capo Concert Band was founded in November 1997 by a group of former and Joseph’s journey to Bethlehem, set against a bleak winter landscape. members of Barnet Schools’ Music Centres who had 'grown-up' and found themselves back in North London post-school/university with nowhere to play their Sleigh Ride (1948) musical instruments. The Band was therefore formed, with the principal objective Leroy Anderson (1908-1975) of providing amateur adult woodwind, brass and percussion players with a The music of Leroy Anderson is firmly entrenched in American popular culture. A friendly, dynamic and challenging environment in which to play. composer of distinctive and delightful miniatures, his best-known works include The Band’s name includes an Italian musical term - Da Capo - meaning 'from the The Syncopated Clock, Blue Tango and Sleigh Ride.
Load more

Recommended publications
  • Howard London Music Publisher’S Christmas Party and She of Both Violin and Piano Parts So That Now All the Pieces Asked Me If I Had Written Anything for Violin
    572083 bk Blake 9/15/08 1:50 PM Page 5 I met Madeleine Mitchell last December at a music. In some cases I undertook considerable revisions Jack Rothstein Howard London music publisher’s Christmas party and she of both violin and piano parts so that now all the pieces asked me if I had written anything for violin. I told her I are eminently playable (if not exactly easily playable). I Jack Rothstein came to London in 1947 to had just finally completed a violin sonata after about 35 cannot thank Madeleine enough for her enthusiasm and study with Max Rostal but such was his BLAKE years and typically she said: ‘When can we try it?’ We immense hard work in putting this together and I hope, talent that within a remarkably short time got together and gradually explored the other works as she does, that it will give as much pleasure to those he was offered the position of leader of the now featured on this album. I realised much to my who get to hear it as we got from playing it. prestigious Boyd Neel Chamber Orchestra. surprise that there was in existence more than seventy He went on to lead orchestras such as the Violin Sonata • Piano Quartet minutes of music for piano and strings. Even more Howard Blake Philharmonia, the London Mozart Players, surprising was the fact that all of that music had begun the Northern Sinfonia and later Howard its journey during the same time slot, from 1973 to Howard Blake is a Fellow of the Royal Academy of Blake’s own orchestra, the Sinfonia of Madeleine Mitchell, Violin • Howard Blake, Piano 1976.
    [Show full text]
  • 4992975-119B27-5060189560608.Pdf
    A brand new suite of music and words based on Alice in Wonderland by Lewis Carroll with text by Louis de Bernières 1 All in the Golden Afternoon 2.12 17 The Queen’s Croquet Ground 2 All in the Golden Afternoon (Sally Beamish b.1956)* 3.46 (Richard Dubugnon b.1968) 8.55 3 Down the Rabbit Hole 1.30 18 The Mock-Turtle Soup (Ilya Gringolts b.1982) 5.12 4 Down the Rabbit Hole (Roxanna Panufnik b.1968) 1.54 19 The Lobster Quadrille 1.25 5 The Pool of Tears 0.45 20 The Lobster Quadrille (Colin Matthews b.1946) 1.45 6 The Pool of Tears (Mark-Anthony Turnage b.1960) 4.10 21 Who Stole the Tarts? 0.46 7 A Caucus Race 0.49 22 Who Stole the Tarts? (Gwilym Simcock b.1981) 3.43 8 A Caucus Race (Stuart MacRae b.1976) 2.17 23 Alice’s Evidence 1.11 9 The Rabbit sends in a Little Bill (Poul Ruders b.1949) 2.22 24 Alice’s Evidence (Augusta Read Thomas b.1964) 2.33 10 Advice from a Caterpillar 2.21 Total time 61.07 11 Advice from a Caterpillar (Howard Blake b.1938) 4.52 12 Pig and Pepper 1.18 Maureen Lipman narrator 13 Pig and Pepper (Carl Davis b.1936) 2.07 Matthew Trusler violin 14 A Mad Tea-Party 1.21 Ashley Wass piano 15 A Mad Tea-Party (Stephen Hough b.1961) 2.25 *Elise Smith triangle 16 The Queen’s Croquet Ground 1.25 2 WONDERLAND AND THE LENNY TRUSLER CHILDREN’S FOUNDATION From the original idea through to the release of this album, Wonderland has constantly grown and developed to become the most exciting and ambitious project with which we’ve ever been involved.
    [Show full text]
  • 572688Bk Blake 25/4/11 9:56 Pm Page 2
    572688bk Blake 25/4/11 9:56 pm Page 2 Howard Blake (b.1938) canon into it as well (Moderato più sereno). It comes to overturning of ideals. The fourth movement is a rustic Howard Blake grew up in Brighton, singing lead rôles as a boy a second point of repose. I hear a fast, insistent leaning dance, interrupted briefly by a reference to the previous treble, at eighteen winning a piano scholarship to the Royal semitone idea (Presto) and feel it needs virtuoso movement. It is as if a young veteran, determined to blot Academy of Music, where he studied with Harold Craxton and variations against it for each player – cello, second out the horrors of the past and make a new start, is Howard Ferguson. Over an intensely active career he has violin, viola, first violin, whose variation is in G sharp haunted by intrusive memories. The final movement is a written music in virtually every genre. His concert works minor and ferocious! But it slows down, and comes to a resolution. Beauty still exists, though perhaps with added include the Piano Concerto for Princess Diana, commissioned third point of repose. And what comes out of that? poignancy, and idealism is not dead.” by the Philharmonia Orchestra, in which he also featured as Surprisingly the cradle song, now very sad and in B flat This string quartet, transcribed from the Suite for soloist, the Violin Concerto to celebrate the centenary of the minor. It feels that it must go to D flat major and lo and string orchestra, was specially made by the composer City of Leeds, large-scale choral/orchestral works such as behold it turns into an instrumental transposition of the for this recording in March 2010.
    [Show full text]
  • NEWSLETTER Registered Charity No 1067071
    NEWSLETTER Registered Charity no 1067071 ISSUE NO 42 CHRISTMAS 2018 Charity no 1067071 Educational events featured in 2018 As we come to the end of another year we reflect on the three important educational Annual General Meeting events which have been promoted by our Tuesday 22 January, 2.00pm Steinway Hall Society this year. The most recent of these has been Chamber Music for Early We will be holding our AGM in the Learners of all ages which took place at refurbished Steinway Hall on Tuesday 22 Clarendon Muse, Watford on Sunday 21 January at 2.00pm. We do hope you will join us for this if you can, and if not please October, where speakers were Nadia let us know if there are any important Lasserson and Heleen Verleur. This was issues you would like us to discuss. an inspiring and informative day which included a delicious lunch - see below! Plans for 2019 A review of the event can be found on Whilst educational matters are a high page 4. priority for our Society, we also encompass a wide range of interests and activities. Our educational event in 2019 will be our popular Piano Trio Day which will take place at Gloucestershire Academy of Music on Sunday 17 March. We are also in talks with an author about an interesting book on Sonata Form, explained through the medium of piano trios and we hope to feature an event centred around the composer Arthur Butterworth later in the year. This has been a very expensive year for the Earlier in the year we ventured into the Society and our reserves are extremely low realm of competitions for the first time so we hope you will all renew your with two Intercollegiate Piano Trio subscriptions promptly by 1 January.
    [Show full text]
  • Booklet-DDA21222.Pdf
    dda 21222 VOICE Paul Rhodes Kenneth Smith divine art records - a division of divine art recordings group dda21222 Booklet.indd 1-2 13/7/13 23:35:59 VOICE the divine art family of labels 1 Fantasia on ‘Greensleeves’ Ralph Vaughan Williams (1872-1958) arr. Smith/Rhodes 5.15 2 Chanson de Matin Edward Elgar (1857-1934) arr. Smith/Rhodes 3.30 3 La Capricieuse Edward Elgar (1857-1934), arr. Kenneth Smith 4.41 4 Make Believe from ‘Granpa’ Howard Blake (b.1938) arr. Paul Rhodes 3.35 5 Brigg Fair Percy Grainger (1882-1961) arr. Paul Rhodes 4.07 Two Country Impressions William Lloyd-Webber (1914-1982) arr. Kenneth Smith 6 i. Mulberry Cottage 2.07 7 ii. Frensham Pond 2.19 8 Lotus Land, Op. 47 No. 1 Cyril Scott (1879-1970), arr. Smith/Rhodes 6.01 A full list of over 300 titles, with full track details, reviews, artist profiles and audio samples, is on 9 English Air Peter Lamb (b.1925) 4.21 our website. All our recordings are available at any good record store or direct from our secure web stores. Five Bagatelles Gerald Finzi (1901-1956) arr. Kenneth Smith 10 i. Prelude 3.33 11 ii. Romanza 4.29 12 iii. Carol 1.59 Diversions LLC (Divine Art USA), 333 Jones Drive, Brandon, VT 05733, USA Tel: +1 802 247 4295 email: [email protected] 13 iv. Forlana 2.42 14 v. Fughetta 2.10 Divine Art Ltd., 3 Cypress Close, Doddington, Cambs. PE15 0LE, UK 15 The Serious Doll Edward Elgar (1857-1934), arr.
    [Show full text]
  • Ridley Scott Digital Booklet.Pdf
    ore than most film directors, Ridley Scott has achieved legendary status Mwithout restricting himself to a single film genre. Rather than fitting into a comfortable routine making the kind of movies audiences might expect, Scott has instead taken it upon himself the rather more thorny task of creating new and astonishing worlds with every film: worlds of the future (Blade RunneR) and of the past (GladiatoR), worlds grounded in both fact (Black Hawk down) and fantasy (leGend), worlds riven by horror (alien) and shot through with unexpected sweetness (MatcHStick Men). Scott’s world is an astonishingly diverse cinematic cosmos, united by that sense of titanic world-making, extraordinary visual style, and - not least - an unusual attention (particularly in this day and age) to the supportive significance of the musical score. The director has asserted, on numerous occasions, his strong feelings about the importance of music. “Picture and sound. We’re experiencing picture and sound,” he said in a 2007 interview with Wired magazine, raising the sonic element to equal footing with a classic director before him, he has had a series of close collaborations his own personal favorite, the visual. Scott has gone further, in the same extending over several films: with Zimmer (and several of Zimmer’s Media interview: “Music is dialogue. And sometimes music is the final, finished, Ventures veterans, including Harry Gregson-Williams, Jeff Rona, and more additional dialogue. Music can be one of the final characters in the film. That’s recently, Marc Streitenfeld). And it’s probably no accident that several why people say you shouldn’t note the film score.
    [Show full text]
  • CLM 08S Barlines News.Indd 10 05/09/2008 10:08:29 EDITED by THOMAS LYDON [email protected] BARLINES NEWS
    BARLINES NEWS [email protected] EDITED BY THOMAS LYDON Medici musician returns to UK A forthcoming exhibition at the National Gallery which will explore the Geoffrey Argent Geoffrey dramatic rise of portraiture in the renaissance, Renaissance Faces: Van Eyck to Titian, will feature one of the earliest-known Italian portraits of a professional musician. It has not been seen in the UK since 1930. The sitter, Francesco Giamberti da Sangallo, was born in about 1404 and died in or shortly before October 1482. The portrait is posthumous, painted by Piero di Cosimo from a death mask. Giamberti was on the payroll of Cosimo de’ Medici as both an architect and a musician. In the background of the portrait references to both these disciplines are balanced; on the left is a village dominated by a circular structure behind which is a palace, in which some of the characteristics of his son’s architectural style seem to be evoked; On the left an open-air mass is being sung, the organ being played by a man wearing a red hat similar to that worn by Giamberti. The exhibition will feature portraits by Raphael,Titian, Botticelli, Van Eyck, Holbein, and Dürer. It runs from 15 October until 18 January next year. Full- Rijksmuseum, Amsterdam price tickets cost £10, senior and Piero di Cosimo (1462–1522) concession tickets are £9 or £5 Francesco Giamberti da Sangallo, on Tuesday afternoons. musician, about 1485 Blake’s 70 Howard Blake hits 70 this October, and to celebrate he will conduct Draw your own score for Exaudi the Royal Philharmonic Orchestra in a programme of his concert works at Cadogan Hall on the big day, 28 October.
    [Show full text]
  • Programme 27Thfeb08
    HPB Productions Presents . q HOWARD BLAKE’S #[] (Composer of ‘The Snowman’) 70th BIRTHDAY CONCEqRT &qin the town of his ancestors q qq q q q q q q q q q q q q q q q q q qq Saturd ay 8th March 2008 7.30pm at cHPE 2008 qWoqodbridge Quay Chqurch q Programme HOWARD BLAKE The most recent edition of Groves Dictionary of Music and Musicians stated: ‘Howard Blake has achieved fame as pianist, conductor and composer.’ He grew up in Sussex, from the age of 11 singing lead roles as a boy soprano and at 18 winning the Hastings Festival Scholarship to The Royal Academy of Music, where he studied piano with Harold Craxton and composition with Howard Ferguson. Over an intensely active career he has written numerous film scores, including ‘The Duellists’ with Sir Ridley Scott and Lord David Puttnam, which gained the Special Jury Award at the Cannes Festival in 1977, ‘A Month in the Country’ with Kenneth Branagh, which gained him the British Film Institute Anthony Asquith Award for musical excellence in 1989, and ‘The Snowman’, which was nominated for an Oscar after its first screening on Channel 4 in 1982 and has won many other prizes internationally. His famous song ‘Walking in the Air’, for which he also wrote the lyrics, was the success that launched Aled Jones in 1985, whilst his concert version for narrator and orchestra is no performed world-wide as well as the full-length ballet of the same name, launched in 1997 and last year celebrating its 10th consecutive Christmas season for Sadler’s Wells at The Peacock Theatre.
    [Show full text]
  • First-Wave Women Clarinetists Retrospective: a Guide to Women
    FIRST-WAVE WOMEN CLARINETISTS RETROSPECTIVE: A GUIDE TO WOMEN CLARINETISTS BORN BEFORE 1930 D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Manchusa Loungsangroong, B.M.E., M.M. Graduate Program in Music The Ohio State University 2017 Document Committee: Dr. Caroline Hartig, Advisor Dr. Daryl Kinney Dr. Russel Mikkelson Professor Karen Pierson Copyright by Manchusa Loungsangroong 2017 ABSTRACT Much research has been done on the history and development of the clarinet, including the lives and works of early clarinetists in Europe and America. For mostly sociocultural reasons, the majority of early clarinetists were men. While the possibility exists that there may have been more women clarinetists during early time period, current research has identified only a handful. The underrepresentation of women in the standard clarinet history stems both from restrictions on their participation as well as poor documentation of their activities. Given the lack of diversity in clarinet history, the purpose of this research is to promote awareness of the roles, experiences, and achievements of the women involved in the clarinet history during the nineteenth and the early twentieth centuries, many of whom may have unfortunately gone unrecognized, been discounted, or forgotten. This research first provides a historical overview of the clarinet and its players, as well as history of women in music and their relationships with orchestral instruments. There are four chapters, which present biographies of women clarinetists who were active as soloists, orchestral players, teachers, and composers. This document also includes research regarding the all-women orchestras in Europe and America, and provides information focusing on the clarinetists of the American all-women orchestras.
    [Show full text]
  • CINE BRITÁNICO (1ª Parte)
    Proyector “Marín” de 35mm (ca.1970). Cineclub Universitario Foto: Jacar [indiscreetlens.blogspot.com] (2015). El CINECLUB UNIVERSITARIO se crea en 1949 con el nombre de “Cineclub de Granada”. Será en 1953 cuando pase a llamarse con su actual denominación. Así pues en este curso 2015-2016 cumplimos 62 (66) años. En anteriores ediciones del ciclo LAS DÉCADAS DEL CINE han sido proyectadas (I) LOS AÑOS 70 EN EL CINE ESTADOUNIDENSE (1ª parte) (marzo 2015) Cuando el destino nos alcance (Soylent Green, Richard Fleischer, 1973). Contra el imperio de la droga (The French Connection, William Friedkin, 1971). El viento y el león (The wind and the lion, John Milius, 1975). Marathon Man (Marathon Man, John Schlesinger, 1976). Todos los hombres del presidente (All the president’s men, Alan J. Pakula, 1976). Capricornio Uno (Capricorn One, Peter Hyams, 1977). La invasión de los ultracuerpos (Invasion of the body snatchers, Philip Kaufman, 1978). 2 ENERO 2016 LAS DÉCADAS DEL CINE (II): LOS AÑOS 70 EN EL CINE BRITÁNICO (1ª parte) JANUARY 2016 THE DECADES OF CINEMA (II): 1970s IN BRITISH CINEMA (part I) Martes 12 / Tuesday 12th • 21 h. • Día del Cineclub / Cineclub’s Day EL DOCTOR JEKYLL Y SU HERMANA HYDE (1971) Roy Ward Baker ( DR. JEKYLL & SISTER HYDE) • v.o.s.e. / OV film with Spanish subtitles Viernes 15 / Friday 15th • 21 h. FRENESÍ • (1972) Alfred Hitchcock ( FRENZY ) v.o.s.e. / OV film with Spanish subtitles Martes 19 / Tuesday 19th • 21 h. LA LEYENDA DE LA MANSIÓN DEL INFIERNO (1973) John Hough ( THE LEGEND OF HELL HOUSE ) v.o.s.e.
    [Show full text]
  • Bach Society of Dayton Concert History
    CONCERT HISTORY TABLE OF CONTENTS 2002-2003 1 2006-2007 20 2010-2011 40 Sweet Sounds of the Holiday 2 Bach to Haydn 21 Gloria! 41 Cantata 4, Mozart, and More 3 Sweet Sounds of the Holidays 22 Sweet Sounds of the Holidays 42 Bach Plus Four 4 Mass in B Minor 23 St. John Passion 43 The Best of Brahms 24 Shout for Joy! 44 A Season to Remember 2003-2004 5 2007-2008 25 2011-2012 45 On Wings of Song 6 Bach to Vivaldi 26 Handel’s Judas Maccabæus 46 Sweet Sounds of the Holidays 7 Sweet Sounds of the Holidays 27 Sweet Sounds of the Holidays 47 Sing, My Soul 8 Motets and More 28 For the Joy of Singing! 48 Mainly Mozart 9 A Celebration of Spring 29 Bach to Bach 49 Bach to the Future 2004-2005 10 2008-2009 30 2012-2013 50 Byrd, Gibbons, and More 11 Bach Meets Rheinberger and Franck 31 Sing & Celebrate 51 Sweet Sounds of the Holidays 12 Sweet Sounds of the Holidays 32 Sweet Sounds of the Holidays 52 St. John Passion 13 The Art of the Magnificat 33 St. Matthew Passion 53 A Celebration of Spring 14 Israel in Egypt 34 Bach to the Future 54 Choral Masterworks from Early Music to Now 2005-2006 15 2009-2010 35 2013-2014 55 Bach, Busarow, and Brass 16 Christmas Oratorio 36 Hymns of Triumph 56 Sweet Sounds of the Holidays 17 Sweet Sounds of the Holidays 37 Sweet Sounds of the Holidays 57 Celebrating Bach and Mozart 18 Follow the Muse 38 Mass in B Minor by J.S.
    [Show full text]
  • The King's Singers Discography by Album Year
    THE KING'S SINGERS DISCOGRAPHY BY ALBUM YEAR ALBUM TITLE TRACK NAME WORDS MUSIC ARRANGER Track KS personnel Other Where/when Producer Engineer Length Artists recorded 1971 BY APPOINTMENT The peanut vendor Sunshine, Gilbert, Simons Gordon Langford Nigel Perrin KS and GLT Shenandoah Trad. Trad. Gordon Langford Alastair Hume KS Enterprise Records Cherry ripe Trad. Trad. Alastair Thompson KS ENTM 501 Summertime George Gershwin Anthony Holt KS Time was Prado Gordon Langford Simon Carrington KS The Gordon Langford trio Scarborough Fair Trad. Paul Simon Brian Kay KS None but the lonely heart Tchaikowsky KS Linstead market Trad. Trad. Gordon Langford KS The oak and the ash Trad. Trad. Gordon Langford KS Wives and lovers Burt Bacharach KS Blow away the morning dew Trad. Trad. Gordon Langford KS The green leaves of summer Tiomkin KS What kind of things Ron Goodwin Ron Goodwin KS and GLT 1972 THE KING'S SINGERS She's leaving home Lennon/McCartney George Martin Nigel Perrin KS AIR Studios, George Martin Jack Clegg The windmills of your mind Michel Legrand Chris Walker Alastair Hume KS London I love you Samantha Jeremy Lubbock Alastair Thompson KS Columbia (EMI) Morning has broken Chris Walker Anthony Holt KS Apres un reve Joseph Horowitz Simon Carrington KS Watch me Ron Goodwin Brian Kay KS The game George Martin KS Building a wall Ron Goodwin KS My colouring book C. Bowers-Broadbent KS Ask yourself why R. Rodney Bennett KS Orange yellow ochre Chris Walker KS A taste of honey C. Bowers-Broadbent KS 1972 CAPTAIN NOAH AND Captain Noah and his floating zoo Michael Flanders Joseph Horowitz Joseph Horowitz Nigel Perrin KS, JH, DR, Kevin Daly Ian Churches HIS FLOATING ZOO Alastair Hume RJ Alastair Thompson Argo (Decca) ZDA 149 Anthony Holt Simon Carrington Joseph Horovitz (piano) Brian Kay Daryl Runswick (d.
    [Show full text]