THE WILLIAM RANDOLPH HEARST COLLECTION

Photographs and Acquisition Records On Microfiche

Published with the kind cooperation of The Library of the C. W. Post Campus of Long Island University

Donald L. Ungarelli, University Director of libraries

And with the kind assistance of Taylor Coffman, Consulting Editor

By CLEARWATER PUBLISHING COMPANY, INC. 1995 Broadway, New York, NY 10023 (212) 873-2100 PUBLISHER'S PREFACE By Norman A. Ross

This project was suggested to Clearwater Publishing by Elsie Wilensky, to whom the publisher is grateful.

The project was organized and managed by Clearwater's stalwart editors, Eleonora Bertacchi and Caroline Murphy, to whom the publisher is also grateful.

And enormous counsel and assistance were provided by Taylor Coffman, who guided us in the filming, wrote the introduction and prefatory notes and who edited the subject index.

The publisher apologizes to readers of this Guide for the fact that the type faces vary. However, it was necessary to produce the various sections of the guide using different software packages and different output devices (included plain old typewriters) and it wasn't feasible to get everything to look the same. Nevertheless it is believed and hoped that this guide will prove to be quite thorough and very helpful to users of the microfiche collection.

Annotated Table of Contents Wherein the Succeeding Pages are Explained

The William Randolph Hearst Collection, an introduction and brief history by Taylor Coffman, which will certainly be invaluable to anyone working with the collection 1

Prefatory Notes, also by Taylor Coffman, prepared after the microfiche were produced in order to guide the reader carefully through what may be a bit confusing 7

Major Subject Categories, being a list, largely in the sequence of the books (and microfiche), providing an overview of the original organization of the collection 9

Alphabetical Index to the Book Titles, being quite similar to the previous page, however this listing is in alphabetical order and provides the microfiche numbers in addition to the book numbers 10

Table of Contents to the books and microfiche, providing a numerical listing of the numbered books and an alphabetical and chronological listing of the sales catalogs 11

Subject Index to the entire collection, based on the titles of the numbered volumes and their subtitles as well 23

I THE WILLIAM RANDOLPH HEARST COLLECTION

By Taylor Coffman

The legendary publisher William Randolph Hearst belonged to a generation of great American collectors that included Joseph Widener, George Blumenthal, John D. Rockefeller, Jr., Archer Milton Huntington, Samuel Kress, George Grey · Barnard, and Clarence Mackay. So much for Hearst's being readily definable, whether as a publisher or as part of a generation of collectors. He was a supreme individualist, a bold nonconformist; therein lies the allure--as well as the controversy--that has always surrounded him. But Hearst was similar to at least two of his contemporaries, Widener and Huntington, in being a second­ generation collector within a wealthy family, his first-generation predecessor having been his mother, Phoebe Apperson Hearst.

Hearst, who was born in San Francisco in 1863, went to Europe with his mother as early as 1873. Even then the ten-year-old boy had, in his mother's words, "a mania for antiquities."1 During that first trip abroad he made a few small collections, prophetic of things to come, among them some papal medallions he acquired in Rome. Of Hearst's collecting during the 1880s about all that is known is that while a student at Harvard he bought a rare edition of The Federalist. In 1891 Hearst bought some American historical autographs at the Leffingwell sale in Boston. A year later he bought some mummies in Egypt, the whereabouts of which are now unknown. In fact, before Hearst was thirty he bought only one item that can readily be located today--the Italian pozo (wellhead) for which Phoebe Hearst named the Hacienda del Pozo de Verona, her country estate near Pleasanton, California, where her son installed the wellhead in the 1890s. In the 1920s Hearst removed the wellhead to his own country estate at San Simeon.

In moving from San Francisco to New York in 1895 to assume ownership of his second newspaper, the New York Morning Journal, Hearst gained direct access to the leading art and literary markets in the country. About this time he began to keep at least partial records of his purchases, although it was not until the 1920s that he started keeping systematic, comprehensive records. Despite their spottiness, Hearst's early records · reveal in microcosm the diversity that characterized his lifetime of collecting--Chinese porcelains in 1894, Remington paintings in 1895, Hispano-Moresque ware in 1898 and 1899, genre paintings throughout the late 1890s, Greek vases in 190 l. That he had actually acquired considerably more during these years is evident from Mrs. Fremont Older's life of Hearst. "As early as 1893," Mrs. Older noted, "Hearst followed the great art sales of the world. At thirty he was known to dealers as an enthusiastic and judicious collector of art objects."2 In reference to the late 1890s in New York she wrote, "He attended almost every auction of consequence, or sent a representative with a list of objects interesting him and the price he was willing to pay."3 Her description of the Worth House on Twenty-fifth Street, where Hearst lived from 1897 to 1900, is equally telling: "He put in beamed ceilings, tiled floors, rare mantels, and furnished the rooms with antique furnitures and tapestries."" (The tapestries may have been his mother's since Hearst himself did not begin collecting in that area until shortly after 1900.) Further evidence of greater collecting activity can be found in the auction-room reports of the New York newspapers of the period, in which the name "W. R. Hearst" often appears.

1 Nor with only few exceptions did Hearst record his European purchases before those he made through the Paris art market in 1901 and 1903. But once again there is evidence of greater collecting activity. Edward Fowles of Duveen Brothers, for example, recalled Hearst's having bought some German beer mugs about 1900 at their London galleries; Fowles also recalled that Hearst was "soon to become one of Duveen's greatest clients and to be known to the world as a great newspaper magnate."6 The names of other European dealers first appear, perhaps belatedly, in Hearst's records for the first decade of the century--Arthur Tooth & Sons in 1905; Julius Bohler in 1908; Etienne Delaunoy, Galeries Heilbronner, and A. S. Drey in 1909. And also in 1909 the names of the European auctioneers Frederik Muller and Rudolph Lepke first appear.

In 1900 Hearst moved to 123 Lexington Avenue, the former home of President Chester Arthur. John K. Winkler's description of the Lexington House in 1905 vividly conveys the eclecticism of the period: A score of costly paintings stood on the floors, leaning against the walls. Here was a wonderfully painted and gilded Egyptian mummy­ case standing on end under glass; there a complete suit of ancient German armor. On a pianola stood a gilded bronze statuette of Caesar crossing the Rubicon and one of Napoleon as First Consul. In a corner gleamed Fremiet's golden St. George and the Dragon and under a window a beautiful porcelain Eve with Cain and Abel, as infants, playing at her knee. Through an open door could be seen the quaint oak dining room with deer antlers for chandeliers and picturesque groupings of Delft and old glass.6 Despite its four stories, the Lexington house was inadequate for Hearst's growing collection. In 1907 Hearst moved to the Clarendon apartments at 137 Riverside Drive, where, after dramatically altering the upper floors, he had more space for his remaining years in New York. Mrs. Fremont Older · described the . Clarendon as a "vast, high, distinguished Gothic hall, gleaming with armor," in which some of Hearst's "rarest tapestries were suitably placed."7

By 1907 Hearst was a seasoned "amateur," an auction-room sportsman with an intimate knowledge of the New York market. In The Elegant Auctioneers, Wesley Towner's invaluable history of the salesrooms, Hearst figures prominently in the recounting of the Stanford White sales of that year, the first two which were held in White's Gramercy Park mansion. "Only the most exclusive trade was actually admitted to the house.... Even John D. Rockefeller, Jr., and William Randolph Hearst were required to identify themselves," Towner wrote. Of the bidders at the White sales, Hearst and Rockefeller "were perhaps the bitterest opponents, spatting like schoolboys over everything in sight."8 Among Hearst's purchases was the ceiling from Stanford White's drawing room, a rare example that Hearst later used at San Simeon. Until the 1920s, however, Hearst's records continued to omit more items than they listed; the ceiling was eventually inventoried as "No Record of Purchase." At any rate, Hearst clearly was collecting with a passion during the first decade of the century, and he continued doing so during the second decade.

2 The year 1919 saw Hearst make the transition from impressive collecting to spectacular collecting. Phoebe Apperson Hearst died, leaving him a fortune in mining properties and real estate to add to his publishing empire. With the World War over, Hearst was ready to collect with new fervor. And now there was San Simeon, the estate he began developing in California that year, to inspire new directions in collecting, particularly along Spanish and Italian lines, both of which were ideally suited to the recent shift in the market toward southern European importations. At the opening of the 1919-1920 sales season, New York's galleries were laden with hand-me-downs of every description from the Old World; Spain and Italy were especially well represent­ ed. Even more furnishings, more objects of art, more architectural elements became available as the twenties unfolded. The supply proved nearly inexhaus­ tible--a bonanza that history timed perfectly for William Randolph Hearst.

Until the mid-1920s, when he moved back to California after thirty years in the East, Hearst followed the market firsthand, as he always had, but now with more determination than ever before. He bought on a royal scale, stockpiling art and architectural works in grandiose array. "Everything comes to America," gloated the Anderson Galleries in 1922 over a consignment of Near Eastern art. "The weaves, the enamelled potteries, the silver and gold encrusted bronzes of the East are now easier to find in New York than anywhere else on the globe."9 Hearst nevertheless made sure to continue his coverage of the European market through agents in London and on the Continent; although New York now dominated the market, there were still prizes to be bagged abroad, choice things that would probably never find their way across the Atlantic. His enthusiastic collecting of German decorative arts, for example, for which there was virtually no market in this country, would have been impossible otherwise. No other American was better represented in Europe.

Hearst's collecting assumed encyclopedic proportions truly dizzying to behold. He bought at auctions and through dealers, in person and through agents, in New York and elsewhere in the country, in England and throughout Europe. Seemingly he was everywhere, collecting everything at once--from classical antiquities to medieval and Renaissance works, both of which were particular favorites, to Early American, nineteenth-century, and Art Deco pieces. His purchase of St. Donat's Castle in Wales in 1925 and of Mrs. 0 . H. P. Belmont's estate at Sands Point, Long Island, in 1927 gave impetus to even more collecting. And still there were San Simeon and the Clarendon, to say nothing of the other art absorbers in Hearst's repertoire. Gene Fowler, a former Hearst newspaperman, recalled Ben Hecht's having quipped that "Mr. Hearst had gathered more European works than Napoleon had, and without firing a shot."1o

By the late 1920s Hearst outgrew rented storage in Manhattan and had to provide his own warehousing. Realist that he was, he put his burgeoning surplus of objects into a five-story building running the length of a city block along Southern Boulevard in the Bronx. A full-time staff was installed, and the Hearst Collection soon became one of the most thoroughly documented private assemblages in history. Upon entering the Southern Boulevard warehouse, each new acquisition was numbered and photographed, and its description and provenance were methodically recorded. Many previous acquisitions, some from as early as the 1890s, were also documented retrospec-

3 tively as part of the new system. (Those objects that were already in California were excluded, as were those that were accumulating in England for St. Donat's; nevertheless, the Southern Boulevard files quickly became voluminous.) By 1937 Hearst's collecting had spanned some fifty years, the records of which filled 125 volumes representing more than a hundred categories of art and literary material. The complete set of illustrated volumes--which was revised and brought fully up to date in 1939--was given to Long Island University by the Hearst Corporation in the 1970s.

Nineteen-thirty-seven was as transitional for Hearst as 1919 had been, but painfully so. A belated victim of the Depression, Hearst stopped collecting for the next six years; in the meantime he liquidated much of his art and literary property. ·.The results over the next two years were predictable. A cautious buyer's market meant that many items realized but a fraction of the prices paid for them during the palmy days. The first sales were auctions held at Sotheby's and Christie's in London in 1937 and 1938 and at Parke-Bernet in New York in 1938 and 1939. Despite the conservative climate, there were some high points, such as the Part I sale at Parke-Bernet entitled "Great Events in American History," a choice offering of old autographs and manu­ scripts that deservedly brought some good prices. But the sheer immensity of the Hearst Collection remained a problem even after several auctions. To liquidate a significant portion of it by traditional means was impracticable-­ "something like trying to unload an oil tanker with a medicine dropper," as a contemporary observer put it.11

In 1940 a solution was found. As much as half of the Hearst Collection was offered to one and all through Gimbel Brothers, a department store in New York City. The Hammer Galleries directed both the opening exhibition in the winter of 1941 and the subsequent sale, which, fueled by the huge inventory at the Southern Boulevard warehouse, ran throughout much of the Second World War. (The Hammer Galleries catalog, "Art Objects & Furnishings from the William Randolph Hearst Collection," has been included in the microfiche as supporting documentation; so have the seven catalogs of the Hearst sales at Parke-Bernet in 1938-1939 as well as related items, some of them dating from as late as 1963.)

Bargain hunting flourished at Gimbels. Ancient trinkets could be had for a few dollars; a rare set of tapestries priced at $199,894 was likewise a windfall for the right party. The press had a field day, often poking fun at Hearst for his fall from grace. The event did have its humorous side, to be sure. One woman named Mrs. Klotz, after reading about the sale, wrote wide­ eyedly to Gimbels, "Please send me a Benvenuto Cellini bowl, as advertised. Kindly choose a good color to go with a blue dining room."12 But there was nothing lighthearted about the parodying of Hearst and his collection in the movie Citizen Kane, which by uncanny coincidence was released the same year the Gimbels sale opened. What had seemed gala and spectacular now seemed freakish, even sinister or perverse. The image sank deep into the public consciousness.

It was not long, though, before the real-life William Randolph Hearst, rejuvenated by wartime prosperity, reappeared in the traditional art market. Some of his last purchases had been made at the Victor Rothschild sales at Sotheby's in 1937; in 1943 the eighty-year-old Hearst quietly resumed collecting

4 by purchasing a Greek vase through the same London auctioneers. From then until his death in 1951, Hearst followed the New York and London markets from California. There was no thought of collecting on the lordly scale he had once enjoyed; instead he now took pleasure in buying modestly for himself, and above all, in improving the Los Angeles County Museum. Acting in concert with its new director, W. R. Valentiner, Hearst contributed generous funds and unequaled experience toward the acquisition of old master paintings, sculptures, and decorative arts for Los Angeles. He also provided numerous objects from his San Simeon and Southern Boulevard warehouses. It was a fitting end to a life in collecting that had spanned three-quarters of a century.

Since 19 51 the Hearst Collection and its founder have received mixed reviews. The legacy of Citizen Kane held sway for years. Aline B. Saarinen, for example, blasted Hearst in The Proud Possessors ( 1958) and decried San Simeon for "the enormity of its presumption.d 3 W. G. Constable took an equally dim view in Art Collecting in the United States of America (1961), stating that the Hearst Collection "represented the lust for possession run mad" and that Hearst himself "must go down in history not as a collector, but as a gigantic and voracious magpie."14 A cooler head belonged to Kenneth Clark, who, with good British wit, came indirectly to Hearst's defense in Great Private Collections {1963): "But although it may seem irrational to buy something which one will never see, every collector knows that the first tug on the line is the real moment of ecstasy. We do not expect an angler to eat every fish he catches."16 Inevitably, the pendulum began to swing back, although Wesley Towner was still ahead of his time when he treated Hearst humanely in The Elegant Auctioneers {1970). It was innovative enough of Nathaniel Burt, in Palaces for the People (1977}, to describe San Simeon as "far from being the mere kitsch that most easterners" had been led to believe it was.16 Thomas Hoving, however, ranked Hearst as low as eightieth on his list of "America's 101 Top Collectors" {1983), conceding merely that Hearst was "being reevaluated," and that he might have been much more of a collector" than had been thought at the time of his death.17

The one thing these and other observers lacked, irrespective of their views, was the primary documentation we now have before us, more than 600 microfiche strong. Will these records enhance the image of the Hearst Collection, corroborating what the Hammer Galleries said in its 1941 catalog of the Gimbels sale: "To have assembled in one collection so ambitious a store of rare works embracing the various phases of artistic and craftsmanlike accomplishment is, in itself, an outstanding and memorable achievement"?18 I think they ultimately will. In the meantime conservators and curators, librarians and registrars, collectors and dealers will find these records indispensable in researching "ex-Hearst" items, of which there are thousands in museums and private collections. Historians, too, will find them illuminating. And critics and connoisseurs will be far better equipped than ever before to assess William Randolph Hearst and the vast collection he formed.

5 ) NOTES

1. Mrs. Fremont Older, William Randolph Hearst: American (New York and London: D. Appleton-Century Company, 1936), p. 28. 2. Ibid., p. 115. 3. Ibid., p. 20 I. 4. Ibid. 5. Edward Fowles, Memories of Duveen Brothers (London: Times Books, 1976), p. 11. 6. John K. Winkler, W. R. Hearst: An American Phenomenon (New York: Simon and Schuster, 1928), p. 203. The same description appears in Winkler, William Randolph Hearst: A New Appraisal (New York: Hastings House, 1955), p. 143. 7. Mrs. Fremont Older, William Randolph Hearst, p. 345. 8. Wesley Towner, The Elegant Auctioneers (New York: Hill & Wang, 1970), pp, 181 -82,183. 9. R. M Riefstahl, introduction to catalogue of H. Kevorkian sale, March 16-18, 1922 (New York: The Anderson Galleries, 1922). 10. Gene Fowler, Skyline: A Reporter's Reminiscence of the 1920s (New York: The Viking Press, 1961), p. 92. II. Jack Alexander, "Cellini to Hearst to Klotz," Saturday Evening Post, I November 1941, p. 88. 12. Ibid., p. 16. 13. Aline B. Saarinen, The Proud Possessors: The Lives, Times and Tastes of Some Adventurous American Art Collectors (New York: Random House, 1958), p. 75. 14. W. G. Constable, Art Collecting in the United States of America: An Outline of a History (London: Thomas Nelson and Sons, 1961) pp. 139, 140. 15. Kenneth Clark, introduction to Douglas Cooper, ed., Great Private Collections (New York: The Macmillan Company, 1963), p. 15. 16. Nathaniel Burt, Palaces for the People: A Social History of the American Art Museum (Boston and Toronto: Little, Brown and Company, 1977), p. 394. 17. Thomas Hoving, "America's 101 Top Collectors: Peter Widener, Pierpont Morgan--and After," Connoisseur, September 1983, p. 117. 18. Art Objects & Furnishings from the William Randolph Hearst Collection: Catalogue Raisonne.. .and Complete Index (New York: Hammer Galleries, 1941), p. 6.

6 PREFATORY NOTES

This microfiche edition comprises record books from William Randolph Hearst's Southern Boulevard (Bronx) warehouse, as well as catalogs of sales of Hearst items. Together these materials--the originals of which are owned by the library of the C. W. Post Campus of Long Island University, Greenvale, New York--provide a unique documentation of the Hearst Collection

The Record Books (Cards 1-601)

The records of the Hearst Collection were arranged in the 1930s in 125 looseleaf books (or albums) numbered consecutively from 1 to 118 (with a few additional parts designated as A, B and C). At the front of each book is a table of contents listing the items recorded within and the pages on which their descriptions can be found. In addition to the description pages, there is usually a photograph of each item and, in many instances, a transaction record detailing its acquisition and eventual disposition.

An internal system of S/B (Southern Boulevard) Lot and Article numbers was devised for the Collection as early as the 1920s. These numbers appear on the description pages as well as on the other pages pertaining to a given item. The description pages also cite both the subject category of the item and its corporate owner, either I.S.A.C. (International Studio Art Corporation) or A.N. (American Newspapers). In some instances the letters S.U. (Studio­ Unidentified) appear after the designation of ownership. The subject classi­ fication and ownership usually remain consistent throughout a given book. This information has been included in the microfiche headers.

A few minor inconsistencies in recording methods are the almost inevitable result of the sheer size and variety of the Hearst Collection. For example, whereas most items were assigned their own Lot and Article numbers, sometimes an entire group of related items was assigned the same number. Similarly, the entries in most books were numbered beginning with number 1, but in a few of the books the entries were numbered consecutively from the preceding book!

The later record books (111-118) are on the whole less complete and less uniform than the earlier ones. They consist of items from a variety of subject categories, and many of the entries lack accompanying photographs. The record books pertaining to Hearst's holdings of books, autographs and manu­ scripts (books 97-100) are also a bit unusual. They contain no photographs at all and their descriptions often carry over from one page to the next. For this reason the transaction records have been filmed at the ends of these books.

In all the other books a mmtmum of a standard entry, consisting of a description page and photograph, can be expected. If one or both of these elements is missing, a target giving a brief explanation of the circumstances has been filmed in sequence. A small number of transaction records that could not be assigned to an appropriate book were filmed as a group on Card 601.

7 Included in this Guide are a Table of Contents for the record books; a list of the major subject categories; and a Subject Index. Hearst's classifica­ tions have been adhered to throughout. Those used in the Subject Index reflect not only the titles of the record books but also the subheadings from their tables of contents. The index, however, is not keyed to individual items, nor has any attempt been made to incorporate conventional art terminology. Rather, the index is designed to facilitate the retrieval of groups of related items.

The Catalogs (Cards 602-652)

Perhaps the most important catalog of the various Hearst sales is the Hammer Galleries volume entitled "Art Objects and Furnishings from the William Randolph Hearst Collection (Cards 602-606). The index in the Hammer catalog was derived directly from the Southern Boulevard record books and follows their order closely. Lot and Article numbers, for example, were cited throughout the index and also in the main body of the catalog. Published in 1941, the Hammer Galleries catalog contains but one substantial departure from Hearst's classifications: the word "German" was consistently changed to the less offensive "Austrian."

By contrast, the Parke-Bernet catalogs (Cards 608-644) reflect the house style of the Parke-Bernet Galleries, and no references were made either to Hearst's classifications or to "SIB Lot" and Article numbers. Nonetheless, the Parke-Bernet catalogs run the gamut from "Arms and Armor" to "Western Americana" and cover considerable areas of the Hearst Collection. "Summaries of Auction" were found and were filmed for the first five of seven parts of the 1938-39 sales; catalogs of other Parke-Bernet sales as late as 1963 have been included in the microfiche as well.

The last few microfiche are devoted to other Hearst catalogs in the material at Long Island University: a "Preliminary Catalogue of Mrs. Phoebe Hearst's Loan Collection in the Palace of Fine Arts (San Francisco)" dating from 1916, and a few catalogs from Christie's and Sotheby's of the late 1930s.

Many of the catalogs include handwritten marginalia citing prices realized, Lot and Article numbers, and the like. In one instance--Parke­ Bernet's "European Arms and Armor of the XV -XIX Century" (Cards 637-638)-­ the marginalia found in two copies of the same catalog differed enough to warrant filming them both. The marginalia may very well provide the key to determining the exact correlation between the catalogs and the Hearst record books.

8 THE WILLIAM RANDOLPH HEARST COLLECTION

MAJOR SUBJECT CATEGORIES

Subject Book Nos. Arms and Armor 1-10, 111* Tapestries 11-13, 111* Paintings 14-22, 118 furniture 23-33, 112 Gold and Silver 34-36, 111* Art Objects 37-61, 113A-1138 Pottery, China, and Glassware 62-75, 114-115 Buildings and Parts 76-96, 110, 116 Books, Autographs, and Manuscripts 97-100, 117A* Stained Glass 10 1-1 04, 111 * tv1iscellaneous Hangings 105-106, 117 A *-1178* Jewelry and Precious Stones 107, 111* flags, Banners, and Miscellaneous Items 108 Rugs, Mats, and Carpets 109, 112 Miscellaneous 1178*

* These books include items from more than one subject category. for space reasons they have been classified as "Miscellaneous" on the microfiche headers.

9 WILLIAM RANDOLPH HEARST COLLECTION ALPHABETICAL INDEX TO THE BOOK TITLES CLEARWATER PUBLISHING COMPANY, INC.

MICRO­ FICHE SUBJECT BOOK NUMBERS

Arms and Armor 1-10 1 to 52 Art Objects 37-61 168 to 282 Art Objects 113A & B 550 to 561 Books, Autographs and Manuscripts 97-100 439 to 491 Buildings and Parts 76-96 363 to 438 Buildings and Parts 110 532 to 537 Buildings and Parts 116 578 to 582 Flags, Banners and Miscellaneous Items 108 522 to 525 Furniture 23-33 98 to 151 Furniture, Rugs, Mats and Carpets 112 543 to 549 Gold and Silver 34-36 152 to 167 Jewelry and Precious Stones 107 516 to 521 Miscellaneous 111 538 to 542 Miscellaneous n.a. 601 Miscellaneous 117A & B 583 to 598 Miscellaneous Hangings 105, 106 508 to 511 Paintings 14-22 67 to 97 Paintings 118 595 to 600 Pottery, China and Glassware 62-75 283 to 362 Pottery, China and Glassware 114 & 115 562 to 577 Pottery, China and Glassware 114 562 to 570 Pottery, China and Glassware 115 571 to 577 Rugs, Mats and Carpets 109 526 to 531 Stained Glass 101-104 492 to 507 Tapestries 11-13 53 to 66

10 ) WILLIAM RANDOLPH HEARST COLLECTION

TABLE OF CONTENTS

BOOK # TITLE CARD #

1 Guns, Pistols, cannons, etc. (I.S.A.C.) 1 to 7

2 Miscellaneous Armor [I.S.A.C.] 8 to 12

3 Daggers, Knives, Rapiers, Swords, etc. 13 to 18 (I. S. A. C.) , vol. 1

4 Hafted Weapons, Maces, etc. (I.S.A. C.) 19 to 24

5 Daggers, Knives, Rapiers, Swords, etc. 25 to 29 (I . s. A. c.) , vol. 2

6 Suits and Partial Suits of Armor (I.S.A.C.) 30 to 33

7 Helmets [I.S.A.C.] 34 to 37

8 Miscellaneous Horse Armor [I.S.A.C.] 38 to 41 ) 9 Breastplates and Backplates, Chain Mail, 42 to 45 Shields [I.S.A.C.]

10 Miscellaneous Weapons and Accessories 46 to 52 (I.S.A.C.)

11 Tapestries: Flemish, XV-XVII Century 53 to 56 (I.S.A.C. and A.N.)

12 Tapestries: Flemish, XV-XVII Century 57 to 62 (I.S.A.C. and A.N.)

13 Tapestries: Flemish, French, and 63 to 66 Miscellaneous Countries (I.S.A. C. and A.N.)

14 American Paintings (I.S.A.C.) 67 to 70

15 English Paintings (I.S.A.C.) 71 to 73

16 Chinese Paintings (I.S.A.C.) 74 to 75

17 Dutch Paintings (I.S.A.C.) 76 to 79

18 French Paintings (I.S.A.C.) 80 to 84

11 TABLE OF CONTENTS BOOK # TITLE CARD #

19 Italian Paintings and Frescoes (I.S.A.C.) 85 to 89

20 Flemish, German, and Spanish Paintings 90 to 92 (I.S.A.C.)

21 Norwegian, swiss, Austrian, Peruvian 93 to 94 Paintings (I.S.A.C.)

22 Miscellaneous Paintings (A.N.) 95 to 97

23 Early American Furniture (I.S.A.C.) 98 to 100

24 Early American Furniture (A.N. ) 101 to 105

25 English Furniture (I.S.A.C. and A.N.), vol. 1 106 to 111

26 English Furniture (I.S.A.C. and A.N.), vol. 2 112 to 117

27 Spanish Furniture (I.S.A.C. and A.N.) 118 to 123

28 Italian Furniture (I.S.A.C. and A.N.), vol. 1 124 to 128

29 Italian Furniture (I.S.A.C. and A.N.), vol. 2 129 to 133

30 French Furniture (I.S.A.C. and A.N.), vol. 1 134 to 138

31 French Furniture (I.S.A.C. and A.N.), vol. 2 139 to 143

32 German, Flemish, and Dutch Furniture 144 to 148 (I.S.A.C.)

33 Furniture: Miscellaneous Countries (I.S.A.C.) 149 to 151

34 English Silver (I.S.A.C.) 152 to 156

35 German Silver (I.S.A.C. and A.N.) 157 to 162

36 Gold and Silverware: Miscellaneous Countries 163 to 167 (I . S.A.C.)

37 Dutch Tiles (I.S.A.C.) 168 to 172

38 Dutch Tiles and Other Countries (I.S.A.C.) 173 to 177

39 Stoves: Various Countries (I.S.A.C.) 178 to 181

40 Lighting Fixtures: Luesterhangings, 182 to 185 Torcheres, etc. (I.S.A.C.)

12 TABLE OF CONTENTS BOOK # TI TLE CARD #

41 Lighting Fixtures: Ornate Candlesticks, 186 to 190 Lamps, Lusters, etc. (I.S.A.C.)

42A Pewter: Various Countries (I.S . A. C.) 191 to 195

42B Pewter: Vari ous Countries (I. S.A.C.) 196 to 200

43 Stone Sculpture: Italian, Spanish, 201 to 204 Miscellaneous Countries (I.S.A.C.)

44 stone Sculpture: French and Unknown 205 to 208 (I.S.A.C. )

45 Egyptian Antiquities (I . S.A.C.) 209 to 214

46 Ship Models, Figureheads, etc., and Americana 215 to 21 9 (I . S . A. C.)

47 Clocks, Barometers, Spheres, Sundials 220 to 223 (I.S.A.C.)

48 Wood Sculpture: German, Flemish, English 224 to 227 {I.S.A.C. )

49 Wood Sculpture: Spanish, French, 228 to 230 Miscellaneous (I.S.A.C.)

50 Church Objects (I.S.A.C.) 231 to 235

51 Andirons, Fire Tools, Bed Warmers, Foot 237 to 239 stoves, Fire Screens, etc. (I.S.A.C.)

52 Roman Objects, etc. (I.S.A.C.) 240 to 244

53 Greek Objects, etc. (I . S . A.C. ) 245 to 249

54 Sculpture, Terra-Cotta, Stucco, etc.: French, 250 to 253 Italian, etc. (I.S.A.C.)

55 Chinese, Irish, Peruvian, etc. , and Indian 254 to 257 Objects {I.S.A.C.)

56 Sculpture, Bronze and Other Substances: 258 to 261 Various Countries (I . S . A.C. )

57 Egypti an, Peruvian, etc. , and Miscellaneous 262 to 265 Ancient Countries (A.N.)

13 TABLE OF CONTENTS BOOK # TITLE CARD #

58 German Jugs, Steins, etc., and Miscellany 266 to 269 (A. N.)

59 Frescoes, Mirrors, Boxes and Locks, etc. 270 to 273 (I.S.A.C.) 60 Plates, Plaques, Jugs, Mortars, etc. 274 to 278 (I.S.A.C.)

61 Miscellaneous Art Objects: Various Countries 279 to 282 (I.S . A.C.) 62 Liverpool, Sunderland, Lowestoft (I.S.A.C.) 283 to 289 63 Worcester, Spode, Leeds, etc. (I.S.A.C.) 290 to 296 64 Staffordshire: Pitchers, Teapots, Coffeepots, 297 to 302 etc . (I . s . A. c. ) 65 Tobies, Tea Sets, Dishes, Miscellaneous 303 to 308 (I.S.A.C.)

66 French, American, Weesp, etc. (I.S.A.C. ) 309 to 312 67 Chinese Ware (I.S.A.C.) 313 to 319 68 Delft Ware (I.S.A.C.) 320 to 326 69 German Glass (I.S.A.C.) 327 to 331 70 Glass: Bohemian, American, English, Venetian, 332 to 335 Dutch, and Miscellaneous (I.S.A.C.) 71 German Ware (I.S . A.C.) 336 to 342

72 Pottery, etc.: Peruvian, Egyptian, etc. 343 to 346 (I.S.A.C.)

73 Hispano-Moresque and Spanish (Ware) 347 to 351 (I.S.A.C.) 74 ' The Peyta Collection' and Italian (Ware] 352 to 356 (I.S.A.C.)

75 [Ware:] Greek, Egyptian, Italian, German, 357 to 362 English, etc. (A.N.)

14 TABLE OF CONTENTS BOOK # TITLE CARD #

76 Monastery 363 to 366 Kiddal Hall Castle Benavente, Stone Elements (I.S.A.C.) 77 Three French Cloisters (I.S.A. C.) 367 to 369

78 Columns and Capitals: Miscellaneous Countries 370 to 373 (I.S . A.C.) 79 Corbels, Bosses, etc.: Miscellaneous 374 to 376 Countries (I.S.A.C.) 80 Stone Doorways, Portals, Gates: Miscellaneous 377 to 380 Countries (I.S.A.C. ) 81 Doors: Miscellaneous Countries (I.S.A.C.) 381 to 385 82 Windows, Facades, Grilles, etc.: 386 to 389 Miscellaneous Countries (I.S.A.C.) 83 Staircases and Appurtenances: Miscellane ous 390 to 392 Countries (I.S.A.C.) 84 Rooms and Paneling, English: Gothic, XVI 393 to 395 Century (I.S.A.C.) 85 Rooms and Paneling, English: XVII Century 396 to 398 (I . S.A.C.) 86 Paneled Rooms, English: XVIII Century 399 to 401 (I.S.A.C.)

87 Paneled Rooms: Elizabethan (I.S.A. C.) 402 to 405

88 Paneled Rooms: Jacobean (I.S.A.C.) 406 to 408 89 Rooms and Paneling: Miscellaneous Countries 409 to 411 (I.S.A.C.) 90 Paneled Rooms and Various Antiques (A.N.) 412 to 414 91 German Rooms and Paneling (I.S.A.C.) 415 to 416 92 Ceilings: Spanish, Moorish, English, German, 417 to 420 and Miscellaneous countries (I.S.A.C.)

15 TABLE OF CONTENTS BOOK # TITLE CARD #

93 Lighting Fixtures: Chandeliers, Luesterweibs, 421 to 424 etc. (I. s . A. c. )

94 Mantelpieces, Chimneypieces, etc.: French 425 to 428 (I.S.A.C.)

95 Mantelpieces, Chimneypieces, etc. : 429 to 433 Miscellaneous Countries (I.S.A.C.)

96 Door Knockers, Stonework, Woodwork, etc.: 4:34 to 438 Miscellaneous Countries (I.S.A.C.)

97A Books, Autographs, and Manuscripts, A-F 439 to 445 (I.S.A.C.)

97B Books, Autographs, and Manuscripts, F 446 to 451 (cont.)-N (I.S.A.C.)

97C Books, Autographs, and Manuscripts, N 452 to 457 (cont.)-W (I.S.A.C.)

98A Books, Autographs, and Manuscripts, A-B 458 to 463 (A. N.)

98B Books, Autographs, and Manuscripts, B 464 to 470 (cont.)-D (A.N.)

98C Books, Autographs, and Manuscripts, D 471 to 477 (cont. ) - F (A. N. )

99 Books, Autographs, and Manuscripts, G-P 478 to 486 (A. N.)

100 Books, Autographs, and Manuscripts, R-Z 487 to 491 (A.N.)

101 French Stained Glass (I.S.A.C.), vol. 1 492 to 495

102 French Stained Glass (I.S.A.C.), vol. 2 496 to 498

103 Stained Glass: German,Austrian, Flemish, 499 to 502 Swiss, Dutch, Swedish, Tyrolian [I.S.A.C.]

104 Stained Glass: English, Spanish, American, 503 to 507 Miscellany [I.S.A.C.]

105 Miscellaneous Hangings: English, French, 508 to 511 German, Italian, Spanish (I.S.A.C.)

16 TABLE OF CONTENTS BOOK # TITLE CARD #

106 Miscellaneous Hangings: Oriental, American, 512 to 515 and Miscellaneous Countries (I.S.A.C.)

107 Jewelry and Precious Stones (I.S.A.C. and 516 to 521 A.N.)

108 French, Italian, Oriental, American, and 522 to 525 Miscellaneous Countries (I.S.A.C. and A.N.)

109 Spanish, Moorish, oriental, American, and 526 to 531 Miscellaneous Countries (I.S.A.C. and A.N.)

110 Sands Point Building and Parts (A.N.) 532 to 537

111 Arms and Armor, Gold and Silver, Jewelry, 538 to 542 Stained Glass, Tapestries (A.N.-S.U.)

112 Furniture and Rugs, Mats, and carpets 543 to 549 (A.N.-S.U.)

113A Art Objects and Indian Objects (A . N.-S.U.) 550 to 555

113B Art Objects and Indian Objects (A.N.-S.U.) 556 to 561

114 Pottery, China, and Glassware (A.N.-S.U.) 562 to 570

115 Pottery, China, and Glassware (A.N.-S.U.) 571 to 577

116 Buildings and Parts (A.N. - S.U.) 578 to 582

117A Books, Autographs, and Manuscripts 583 to 588 Miscellaneous Hangings and Household Furnishings [A.N. - S.U.]

117B Miscellaneous Hangings and Household 589 to 598 Furnishings Miscellaneous Personal Items [A.N.-S.U.]

118 Paintings 595 to 600 Drawings Prints Photographs, etc. Frames (A.N.-S.U.) n . a. 601

17 TABLE OF CONTENTS

AUTHOR TITLE YEAR CARD

Hammer Galleries Art Objects and Furnishings 1941 602 Hammer Galleries Art Objects and Furnishings 1941 603 Hammer Galleries Art Objects and Furnishings 1941 604 Hammer Galleries Art Objects and Furnishings 1941 605 Hammer Galleries Art Objects and Furnishings 1941 606 Hammer Galleries Stained Glass and Windows from (n.d.] 607 the William Randolph Hearst Collection Parke-Bernet Galleries Part I: Historical and 1938 608 Literary Autographs and Manuscripts Parke-Bernet Galleries Part I: Historical and 1938 609 Literary Autographs and Manuscripts Parke-Bernet Galleries Part I: Historical and 1938 610 Literary Manuscripts Parke-Bernet Galleries summary of Auction: Part I 1938 611 Parke-Bernet Galleries Part II: Important American 1938 612 Furniture, Historical Blue Staffordshire Ware Parke-Bernet Galleries Part II: Important American 1938 613 Furniture, Historical Blue Staffordshire Ware Parke-Bernet Galleries Part II: Important American 1938 614 Furniture, Historical Blue Staffordshire Ware Parke-Bernet Galleries Part II: Important American 1938 615 Furniture, Historical Blue Staffordshire Ware Parke-Bernet Galleries Summary of Auction: Part II 1938 616

18 TABLE OF CONTENTS

AUTHOR TITLE YEAR CARD

Parke-Bernet Galleries Part III: Books in Fine 1938 617 Bindings, Autograph Manuscripts and Letters, Original Drawings.

Parke-Bernet Galleries Part III: Books in Fine 1938 618 Bindings, Autograph Manuscripts and Letters, Original Drawings Parke-Bernet Galleries Summary of Auction: Part III 1938 619 Parke-Bernet Galleries Part IV: Early English Silver 1939 620 and Furniture, French Furniture, Delft, Chinese Porcelains, etc. Parke-Bernet Galleries Part IV: Early English Silver 1939 621 and Furniture, French Turniture, Delft, Chinese Porcelains, etc. Parke-Bernet Galleries Part IV: Early English Silver 1939 622 and Furniture, French Furniture, Delft, Chinese Porcelains, etc. Parke-Bernet Galleries Part IV: Early English Silver 1939 623 and Furniture, French Furniture, Delft, Chinese Porcelains, etc. Parke-Bernet Galleries Summary of Auction: Part IV 1939 624

Parke-Bernet Galleries Part V: Books in Fine 1939 625 Bindings, Manuscripts and Autograph Letters, Original Drawings Parke-Bernet Galleries Part V: Books in Fine 1939 626 Bindings, Manuscripts and Autograph Letters, Original Drawings

19 TABLE OF CONTENTS

AUTHOR TITLE YEAR CARD

Parke-Bernet Galleries Part V: Books in Fine 1939 627 Bindings, Manuscripts and Autograph Letters, Original Drawings (Duplicate]

Parke-Bernet Galleries Part V: Books in Fine 1939 628 Bindings, Manuscripts and Autograph Letters, Original Drawings [Duplicate]

Parke-Bernet Galleries Summary of Auction: Part v 1939 629

Parke-Bernet Galleries Part VI: First Editions, Books 1939 630 in Fine Bindings, Manuscripts and Autograph Letters

Parke-Bernet Galleries Part VI: First Editions, Books 1939 631 in Fine Bindings, Manuscripts and Autograph Letters

Parke-Bernet Galleries Part VII: Arms and Armor, 1939 632 Oriental Lowestoft, Chinese Porcelains, etc.

Parke-Bernet Galleries Part VII: Arms and Armor, 1939 633 oriental Lowestoft, Chinese Porcelains, etc.

Parke-Bernet Galleries Art Treasures: Egyptian, 1951 634 Greek, and Roman Art Greek Terra-cotta Vases, etc.

Parke-Bernet Galleries Art Treasures: Egyptian, 1951 635 Greek, and Roman Art Greek Terra-cotta Vases, etc.

Parke-Bernet Galleries Art Treasures: Egyptian, 1951 636 Greek, and Roman Art Greek Terra-Cotta Vases, etc.

Parke-Bernet Galleries European Arms and Armor of the 1952 637 XV-XIX Century

Parke-Bernet Galleries European Arms and Armor of the 1952 638 XV-XIX Century [Duplicate]

20 TABLE OF CONTENTS

AUTHOR TITLE YEAR CARD

Parke-Bernet Galleries Arms and Armor [of the] 1957 639 XVI-XIX Century Parke-Bernet Galleries Egyptian, Greek, and Roman 1959 640 Antiquities Gothic and Renaissance Art Arms and Armor

Parke-Bernet Galleries Egyptian, Greek, and Roman 1959 641 Antiquities Gothic and Renaissance Art Arms and Armor

Parke-Bernet Galleries Works of Art, Furniture, and 1963 642 Architectural Elements Parke-Bernet Galleries Works of Art, Furniture, and 1963 643 Architectural Elements Parke-Bernet Galleries Western Americana and Mexican 1963 644 Artifacts

San Francisco Art Preliminary Catalogue of Mrs. 1916 645 Association Phoebe A. Hearst's Loan Collection in the Palace of Fine Arts

[The National Magazine Sales Report: Personal Items 1938 646 Co.] at St. Donat's Castle

Christie's Old English and Foreign Silver 1938 647 ... Removed from St. Donat's Castle, Wales

Christie's Old English and Foreign Silver 1938 648 ... Removed from St. Donat's Castle, Wales Christie's Summary of Auction: English 1938 649 and Foreign Silver • • • at St. Donat's Castle

Christie's Important English Furniture of 1939 650 the 15th to 18th Centuries, Objects of Art, and Tapestry

21 TABLE OF CONTENTS

AUTHOR TITLE YEAR CARD

Christie's Important English Furniture of 1939 651 the 15th to 18th Centuries, Objects of Art and Tapestry (Duplicate] Sotheby's Summary of Auction 1939 652

22 WILLIAM RANDOLPH HEARST COLLECTION PHOTOGRAPHS AND ACQUISITION RECORDS SUBJECT INDEX

SUBJECT BOOK

A Accessories, Firearm 10 Accessories, Miscellaneous 10 Alabaster Sculpture 54 Alcantara Monastery 76 Alsatian Stoves 39 Altars and Parts 50 American Banners 108 American Bronze Sculpture 56 American Carpets 109 American Chimneypieces 95 American Flags 108 American Furniture, Early 23, 24 American Furniture, Miscellaneous 23 American Glass 70 American Indian Objects 55 American Mantelpieces 95 American Mats 109 American Paintings 14 American Rugs 109 American Ship Models 46 American Stained Glass 104 American Ware 66, 114, 115 Americana 46, 108 Ancient Civilizations, Miscellaneous Objects 52 Ancient Countries, Miscellaneous Objects 57 Ancient Countries, Ware 75 Andirons 51 Antiques 90 Antiquities, Egyptian 45 Apparel 108 Appurtenances 83 Architectural Panels, Marble 83 Armchairs 26, 29, 31 Armoires 31, 32 Armor, English 6 Armor, French 6 Armor, German 6 Armor, Horse 8 Armor, Italian 6 Armor, Spanish 6 Armor, Miscellaneous 2 1 6, 11

23 SUBJECT BOOK

Arms 111 Arquebuses 1 Asiatic Pottery 74 Augsburg Silver 35 Austrian Paintings 21 Austrian Stained Glass 103 Austrian Stoves 39 Austrian Ware 114, 115 Autographs 97A-C, 98A-C, 99, 100 117A

B Backplates 9 Banners, American 108 Banners, French 108 Banners, Italian 108 Banners, Oriental 108 Barometers 47, 113 Bas Reliefs 113 Beds 25, 28, 30, 32 Bedsteads 23, 24 Belgian Capitals 78 Belgian Columns 78 Belgian Furniture 33 Benavente, Castle, (Spanish) 76 Benches 2 6 , 27 , 29, 112 Benches, Chorus 27, 29 Bisque Sculpture 54 Bohemian Furniture 33 Bohemian Glass 70 Bohemian Ware 114, 115 Bookcases 26 Books 97A-C, 98A-C, 99, 100 117A Bosses 78 Bosses, Spanish 78 Bottles 71 Boxes 59 Bras eros 73 Brass Objects 113 Breastplates 9 Bronze, Greek 53 Bronze Objects 113 Bronze, Roman 52 Bronze Sculpture, American 56 Bronze Sculpture, English 56 Bronze Sculpture, French 56 Bronze Sculpture, Italian 56 Buffets 26, 31

24 SUBJECT BOOK

Buildings and Parts 116 Bureaus 24 c Cabinets 26, 29, 30, 32, 112 Cabinets, Secretary 24 Calivers 1 Candelabrum, Metal 40 Candlesticks 40, 41 Candlesticks, Ornate 41 Cannon 1 Capitals, Belgian 78 Capitals, Flemish 78 Capitals, French 78 Capitals, Italian 78 Capitals, Moorish 78 Capitals, Spanish 78 Capitals, Miscellaneous 78 Carbines 1 Carpets 109, 112 Carpets, American 109 Carpets, Moorish 109 Carpets, Oriental 109 Carpets, Spanish 109 Cassoni 28, 31 Castle Benavente (Spanish) 76 Ceilings 921 110 Ceilings, English 92 Ceilings, German 92 Ceilings, Moorish 92 Ceilings (Sands Point) 110 Ceilings, Spanish 92 Central American Indian Ware 114, 115 Chain Mail 9 Chairs 23, 24, 26, 27, 29, 31, 32, 112 Chandeliers 93, 116 Chest of Drawers 23, 24, 26 Chest-on-Chests 23, 24 Chests 24, 25, 27, 31, 32, 33, 112 Chia Ch'ing Ware 67 Chi'en Lung Ware 67 Chimney Hooks 51 Chimneypieces, American 95 Chimneypieces, Dutch 95 Chimneypieces, English 95 Chimneypieces, French 94

25 SUBJECT BOOK

Chimneypieces, German 95 Chimneypieces, Italian 95 Chimneypieces, Miscellaneous 95 Chinese Helmets 7 Chinese Lowestoft Ware 114, 115 Chinese Objects 55 Chinese Paintings 16 Chinese Ware 67, 114, 115 Choir Stalls 27, 29, 50 Chopes 71 Chorus Benches 27, 29 Church Furnishings 50 Church Furniture 27, 29, 31 Church Objects 50 Cistercian Monastery, Spanish 76 Clay Sculpture 54 Clocks 24, 32, 47, 112' 113 Clocks, Early American 47 Clocks, English 47 Clocks, French 47 Clocks, German 47 Clocks, Italian 47 Cloisters, French 77 Coalport Ware 63 Coffeepots, Staffordshire 64 Columbian Ware 72 Columns 78, 116 Columns, Belgian 78 Columns, Flemish 78 Columns, French 78 Columns, Italian 78 Columns, Moorish 78 Columns, Spanish 78 Columns, Miscellaneous 78 Combination Weapons 1 Commodes 26, 30 Consoles 32 Corbels 78, 79, 116 Corbels, Spanish 79 Costa Rican Ware 72 Credences 31 Credenzas 29 Cribs 24 Crossbows 10 Crown Derby Ware 63 Cupboards 24, 25, 29, 31, 33, 112

26 SUBJECT BOOK

D

Daggers 3 f 51 10 Dags 1 Damascene Tiles 38 Delft Ware 68, 114, 115 Desks, Writing 24 Diptychs 50 Dishes 73 Dishes, Staffordshire 65 Door Knockers 96 Doors 81, 90 Doors, English 81 Doors, French 81 Doors, Italian 81 Doors, Persian 81 Doors, Spanish 81 Doors, Syro-Damascan 81 Doors, Miscellaneous 81 Doorways 80 Doorways, Stone, French 80 Doorways, Stone, German 80 Doorways, Stone, Italian 80 Drawings 118 Dressers 32, 112 Dressoirs 31 Dutch Chimneypieces 95 Dutch Furniture 32 Dutch Glass 70 Dutch Goldware 36 Dutch Mantelpieces 95 Dutch Objects 61 Dutch Paintings 171 22 Dutch Paneled Rooms 89 Dutch Ship Models 46 Dutch Silverware 36 Dutch Stained Glass 103 Dutch Tiles 371 38 Dutch Ware 1141 115 Dutch Ware (Weesp) 66

E Early American Clocks 47 Early American Furniture 231 24 Egyptian Antiquities 45 Egyptian Helmets 7 Egyptian Jewelry 107 Egyptian Objects 571 721 113 Egyptian Ware 75 Elizabethan Paneled Rooms 87

27 SUBJECT BOOK

English Armor 6 English Bronze Sculpture 56 English Ceilings 92 English Chimneypieces 95 English Clocks 47 English Doors 81 English Furniture 25, 26 English Glass 70 English Hangings 105 English Lowestoft Ware 114, 115 English Mantelpieces 95 English Objects 61 English Paintings 15 English Paneled Rooms 84-88, 90 English Ship Models 46 English Silver 34 English Stained Glass 104 English Ware 62-65, 75, 114, 1 15 English Wood Sculpture 48 Engravings 118 Etruscan Jewelry 107

F Facades 82 Faience, Hispano-Moresque 74 Figureheads 46 Fire Grates 51 Fire Screens 51 Fire Tools 51 Firearm Accessories 10 Firedogs 51 Fireplace Furnishings 51 Fixtures, Lighting 41, 93, 110, 114 Fixtures, Lighting, Flemish 93 Fixtures, Lighting, German 93 Fixtures, Lighting, Italian 93 Fixtures, Lighting, Miscellaneous 93 Fixtures, Lighting (Sands Point) 110 Flags, American 108 Flags, French 108 Flags, Italian 108 Flags, Oriental 108 Flemish Capitals 78 Flemish Columns 78 Flemish Furniture 32 Flemish Lighting Fixtures 93 Flemish Objects 61 Flemish Paintings 20' 22 Flemish Stained Glass 103

28 SUBJECT BOOK

Flemish Tapestries 11-13 Flemish Ware 114, 115 Flemish Wood Sculpture 48 Fonts 50 Foot Stoves 51 Forks 59 Fowling Pieces 1 Frames 118 French Armor 6 French Banners 108 French Bronze Sculpture 56 French Capitals 78 French Chimneypieces 94 French Clocks 47 French Cloisters 77 French Columns 78 French Doors 81 French Flags 107 French Furniture 30' 31 French Gates 80 French Goldware 36 French Grates 82 French Grilles 82 French Hangings 105 French Helmets 7 French Mantelpieces 94 French Objects 61 French Paintings 18' 22 French Paneled Rooms 89 French Plaster Sculpture 54 French Portals 80 French Silverware 36 French Stained Glass 101, 102 French Stone Doorways 80 French Stone Sculpture 44 French Stoves 39 French Tapestries 13 French Terra-Cotta Sculpture 54 French Ware 66' 114' 115 French Windows 82 French Wood Sculpture 49 Frescoes 59 Frescoes, Italian 19 Furnishings, Fireplace 51 Furnishings, Household 117A, 117B Furnishings, Miscellaneous Church 50 Furniture, American 23 Furniture, Belgian 33 Furniture, Bohemian 33

29 SUBJECT BOOK

Furniture, Church 27, 29, 31 Furniture, Dutch 32 Furniture, Early American 23, 24 Furniture, English 25 , 26 Furniture, Flemish 32 Furniture, French 30, 31 Furniture, German 32 Furniture, Indian 33 Furniture, Italian 28, 29 Furniture, Mexican 33 Furniture, Portuguese 33 Furniture, Spanish 27 Furniture, Swiss 33 Furniture, Syro- Damascan 33 Furniture, Tyrol ian 33 Furniture, Miscellaneous 26, 27, 29, 31, 33, 112

G Games 59 Gates, French 80 Gates, German 80 Gates, Italian 80 Gates, Miscellaneous Countries 80 German Armor 6 German Ceilings 92 German Chimneypieces 95 German Clocks 47 German Furniture 32 German Gates 80 German Glass 69, 70 German Hangings 105 German Helmets 7 German Jugs 58 German Lighting Fixtures 93 German Mantelpieces 95 German Objects 61 German Paintings 20, 22 German Paneled Rooms 91 German Portals 80 German Silver 35 German stained Glass 103 German steins 58 German Stone Doorways 80 German Stoves 39 German Ware 71, 75, 114, 115 German Wood Sculpture 48 German-English Paintings 22

30 SUBJECT BOOK

Glass Lamps 41 Glass Lusters 41 Glass, American 70 Glass, Bohemian 70 Glass, Dutch 70 Glass, English 70 Glass, German 69 Glass, Stained, American 104 Glass, stained, Austrian 103 Glass, Stained, Dutch 103 Glass, stained, English 104 Glass, Stained, Flemish 103 Glass, Stained, French 101, 102 Glass, Stained, German 103 Glass, Stained, Spanish 104 Glass, Stained, Swedish 103 Glass, Stained, Swiss 103 Glass, stained, Tyrol ian 103 Glass, Stained, Miscellaneous 104, 111 Glass, Venetian 70 Glass, Miscellaneous 70 Globes 47 Goblets 42B, 60 Gold 111 Goldware, Dutch 36 Goldware, French 36 Goldware, Italian 36 Goldware, Spanish 36 Goldware, Miscellaneous 36 Gothic Paneled Rooms 84 Grates, Fire 51 Grates, French 82 Grates, Italian 82 Grates, Spanish 82 Greco-Roman Objects 113 Greek Bronze 53 Greek Helmets 7 Greek Jewelry 107 Greek Objects 53 Greek Stone 53 Greek Ware 75 Grilles, French 82 Grilles, Italian 82 Grilles, Spanish 82 Grilles, Miscellaneous 96 Guild Marks 59 Guns 1

31 SUBJECT BOOK

H Hackwood Ware 63 Hafted Weapons 41 10 Hammers, War 4 Hanging Lamps 41 Hangings 105, 106, 117A, 117B Hangings, English 105 Hangings, French 105 Hangings, German 105 Hangings, Italian 105 Hangings, Oriental 106 Hangings, Spanish 105 Helmets, Chinese 7 Helmets, Egyptian 7 Helmets, French 7 Helmets, German 7 Helmets, Greek 7 Helmets, Italian 7 Helmets, Spanish 7 Helmets, Miscellaneous 7 Highboys 23, 24 Hispano-Moresque Faience 74 Hispano-Moresque Tiles 38 Hispano-Moresque Ware 73 Horse Armor 8 Household Furnishings 117A, 117B

I Implements, Stone 10 Indian Furniture 33 Indian Objects 113 Indian Ware, Central American 1141 115 Instruments, Musical 591 113 Ireland, Jewelry (found in) 107 Ireland, Objects (found in) 55 Irish Ware 114-115 Italian Armor 6 Italian Banners 108 Italian Bronze Sculpture 56 Italian Capitals 78 Italian Chimneypieces 95 Italian Clocks 47 Italian Columns 78 Italian Doors 81 Italian Flags 108 Italian Frescoes 19 Italian Furniture 281 29 Italian Gates 80 Italian Goldware 36

32 SUBJECT BOOK

Italian Grates 82 Italian Grilles 82 Italian Hangings 105 Italian Helmets 7 Italian Jewelry 107 Italian Lighting Fixtures 93 Italian Mantelpieces 95 Italian Objects 61 Italian Paintings 19, 22 Italian Paneled Rooms 89 Italian Portals 80 Italian Pottery 74 Italian Silverware 36 Italian Stone Doorways 80 Italian Stone Sculpture 43 Italian Stucco Sculpture 54 Italian Terra-Cotta Sculpture 54 Italian Tiles 38 Italian Ware 74, 75, 114, 115 Italian Windows 82

J Jacobean Paneled Rooms 88 Japanese Objects 113 Japanese Ware 114- 115 Jars, Tea 42A, 42B Jewelry, Egyptian 107 Jewelry, Etruscan 107 Jewelry, Greek 107 Jewelry, Ireland (found in) 108 Jewelry, Italian 107 Jewelry, Roman 107 Jewelry, Miscellaneous 107, 111 Jugs 58, 60, 71 Jugs, German 58

K K'ang Hsi Ware 67 Kiddal Hall (Yorkshire) 76 Knives 3, 59 Knockers, Door 96 Krugs 71

L Lamps, Glass 41 Lamps, Hanging 41 Lamps, Mounted 41 ) Lanterns 41 33 SUBJECT BOOK

Leeds Ware 63 Lighting Fixtures 40, 41, 93, 110, 116 Lighting Fixtures, Flemish 93 Lighting Fixtures, German 93 Lighting Fixtures, Italian 93 Lighting Fixtures (Sands Point) 110 Lighting Fixtures, Miscellaneous 93 Lights, Wall 41 Lille Tapestries 13 Linen Panels 113 Liverpool Ware 62 Locks 591 96 Lowboys 24 Lowestoft Ware 62, 114, 115 Lowestoft Ware, Chinese 114, 115 Lowestoft Ware, English 114, 115 Luesterhangings 40 Luesterweibchens 116 Luesterweibs 93 Lusters, Glass 41

M Maces 4 Mandolins 59 Mantelpieces 90, 94, 95 Mantelpieces, American 95 Mantelpieces, Dutch 95 Mantelpieces, English 95 Mantelpieces, French 94 Mantelpieces, German 95 Mantelpieces, Italian 95 Mantels 116 Mantels (Sands Point) 110 Manuscripts 97A-C, 98A- C, 99, 110 117A Marble Architectural Panels 83 Marble Objects 113 Marble, Saint-Beat (Pyrenees) 77 Marine Paintings 15 Marks, Guild 59 Mason Ware 63 Mats 109, 112 Mats, American 109 Mats, Moorish 109 Mats, Oriental 109 Mats, Spanish 109 Mexican Furniture 33 Mezzotints 118 Ming Ware 67

34 SUBJECT BOOK

Mirrors 23, 24, 26, 30, 35 59, 112 Models, Ship 46, 113 Models, Ship, American 46 Models, Ship, Dutch 46 Models, Ship, English 46 Monastery, Alcantara 76 Monastery, Spanish Cistercian 76 Moorish Capitals 78 Moorish Carpets 109 Moorish Ceilings 92 Moorish Columns 78 Moorish Mats 109 Moorish Rugs 109 Mortars 60 Mosaic Panels 113 Mounted Lamps 41 Mugs 62 Murals 118 Musical Instruments 59, 113 Muskets 1

N Norwegian Paintings 21

0 Oil Paintings 118 Oriental Banners 108 Oriental Carpets 109 Oriental Flags 108 Oriental Hangings 106 Oriental Mats 109 Oriental Objects 113 Oriental Rugs 109 p Paintings, American 14 Paintings, Austrian 21 Paintings, Chinese 16 Paintings, Dutch 17, 2 2 Paintings, English 15 Paintings, Flemish 20, 22 Paintings, French 18, 22 Paintings, German 20, 22 Paintings, German-English School 22 Paintings, Italian 19, 22 Paintings, Marine 15

35 SUBJECT BOOK

Paintings, Norwegian 21 Paintings, Oil 118 Paintings, Peruvian 21 Paintings, Spanish 20, 22 Paintings, Swiss 21 Paneled Rooms, Dutch 89 Paneled Rooms, Elizabethan 87 Paneled Rooms, English 84-88, 90 Paneled Rooms, French 89 Paneled Rooms, German 91 Paneled Rooms, Gothic 84 Paneled Rooms, Italian 89 Paneled Rooms, Jacobean 88 Paneling 116 Panels 118 Panels, Architectural 83 Panels, Linen 113 Panels, Marble 83 Panels, Mosaic 113 Panels, Tile 113 Pans, Warming 51 Parisian Tapestries 13 Persian Doors 81 Persian Pottery 72 Persian Tiles 38 Personal Items 117B Peruvian Objects, Early 55 Peruvian Objects, Pre-Columbian 57 Peruvian Paintings 21 Peruvian Pottery 72 Petronels 1 Pew Ends 50 Pewter 113, 42A, 42B Peyta Collection 74 Photographs 118 Pianos 112 Pipes 113 Pistols 1 Pitchers 62, 71 Pitchers, Staffordshire 64 Plaques 50, 60, 7 3 Plaster Objects 113 Plaster Sculpture, French 54 Plates 42A, 6 0, 6 2 , 7 3 Platters, Staffordshire 65 Porcelain 113 Porcelain Sculpture 54 Portals, French 80 Portals, German 80

36 SUBJECT BOOK

Portals, Italian 80 Portals, Miscellaneous 80 Portuguese Furniture 33 Pottery 113 Pottery, Asiatic 74 Pottery, Italian 74 Pottery, Persian 72 Pottery, Peruvian 72 Pratt Ware 63 Pre-Columbian Peruvian Objects 57 Pre-Gobelin Tapestries 13 Precious Stones 107, 111 Precious Stones, Egyptian 107 Precious Stones, Etruscan 107 Precious Stones, Greek 107 Precious stones, Ireland (found in) 107 Precious Stones, Italian 107 Precious Stones, Roman 107 Prints 119

R Rapiers 31 5 Reliquaries 50 Reproductions 118 Ridgway Ware 63 Rifles 1 Rockingham Ware 63 Roman Bronze 52 Roman Jewelry 107 Roman Objects 52 Roman Stone 52 Rooms, Paneled, Dutch 89 Rooms, Paneled, Elizabethan 87 Rooms, Paneled, English 84-88, 90 Rooms, Paneled, French 89 Rooms, Paneled, German 91 Rooms, Paneled, Gothic 84 Rooms, Paneled, Italian 89 Rooms, Paneled, Jacobean 88 Rooms, Paneled, Miscellaneous 89 Rooms (Sands Point) 110 Royal Aubusson Tapestries 13 Royal Gobelin Tapestries 13 Rugs 109, 112 Rugs, American 109 Rugs, Moorish 109 Rugs, Oriental 109 Rugs, Spanish 109 Rugs, Miscellaneous 109

37 SUBJECT BOOK

Russian Stoves 39 s Sands Point 110 Scandinavian Objects 61 Schnelles 71 Sconces 116 Sculpture, Alabaster 54 Sculpture, Bisque, Miscellaneous 54 Sculpture, Bronze, American 56 Sculpture, Bronze, English 56 Sculpture, Bronze, French 56 Sculpture, Bronze, Italian 56 Sculpture, Clay 54 Sculpture, French Plaster 54 Sculpture, Porcelain 55 Sculpture, Stone, French 44 Sculpture, Stone, Italian 43 Sculpture, Stone, Miscellaneous 43 Sculpture, Stone, Spanish 43 Sculpture, Stucco, Italian 54 Sculpture, Terra-Cotta, French 54 Sculpture, Terra-Cotta, Italian 54 ) Sculpture, Wood, English 48 Sculpture, Wood, Flemish 48 Sculpture, Wood, French 49 Sculpture, Wood, German 48 Sculpture, Wood, Spanish 49 Sculpture, Wood, Miscellaneous 49 Sculpture, Miscellaneous 56 Secretaries 24, 26, 32 Settees 23, 26, 27, 29, 31' 3 Shields 9 Ship Models 46, 113 Ship Models, American 46 Ship Models, Dutch 46 Ship Models, English 46 Sideboards 26, 31, 32 Sidechairs 26 Silver, Augsburg 35 Silver, English 34 Silver, German 35 Silver, Miscellaneous 111 Silverware, Dutch 36 Silverware, French 36 Silverware, Italian 36 Silverware, Spanish 36 Silverware, Miscellaneous 36 Skein Winders 32

38 ) SUBJECT BOOK

Sofas 24, 26, 112 Spanish Armor 6 Spanish Bosses 78 Spanish Capitals 78 Spanish Carpets 109 Spanish Castles 76 Spanish Ceilings 92 Spanish Cistercian Monastery 76 Spanish Columns 78 Spanish Corbels 78 Spanish Doors 81 Spanish Furniture 27 Spanish Goldware 36 Spanish Grates 82 Spanish Grilles 82 Spanish Hangings 105 Spanish Helmets 7 Spanish Mats 109 Spanish Objects 61 Spanish Paintings 20, 22 Spanish Rugs 109 Spanish Silverware 36 Spanish Stained Glass 104 Spanish Stone Sculpture 43 Spanish Tiles 38 Spanish Ware 73, 114, 115 Spanish Wood Sculpture 49 Spheres 47 Spade Ware 63 Spoons 59 staffordshire Coffeepots 64 Staffordshire Dishes 65 staffordshire Pitchers 64 staffordshire Platters 65 staffordshire Tea Sets 65 staffordshire Teapots 64 Staffordshire Tobies 65 Staffordshire Ware 64, 65 Staicases 83 Stained Glass, American 104 Stained Glass, Austrian 103 stained Glass, Dutch 103 Stained Glass, English 104 Stained Glass, Flemish 103 Stained Glass, French 101, 102 Stained Glass, German 103 Stained Glass, Spanish 104 Stained Glass, Swedish 103 Stained Glass, Swiss 103

39 SUBJECT BOOK

stained Glass, Tyrol ian 103 stained Glass, Miscellaneous 101-4, 111 Stalls 27, 29, 31, 32, 50 Stalls, Choir 27, 29, 50 Steins, German 58 Stipi a Bambocci 29 stone Doorways, French 80 Stone Doorways, German 80 Stone Doorways, Italian 80 Stone Implements 10 Stone Sculpture, French 44 Stone Sculpture, Italian 43 Stone Sculpture, Spanish 43 Stone Sculpture, Miscellaneous 43 Stone, Greek 53 Stone, Roman 52 Stones, Precious 107, 111 Stonework 96 Stools 29, 112 Stoves, Alsatian 39 Stoves, Austrian 39 Stoves, Foot 51 Stoves, French 39 Stoves, German 39 Stoves, Russian 39 Stoves, Swiss 39 Stoves, Miscellaneous 39 Stucco Sculpture, Italian 54 Suites, Furniture 112 Sunderland Ware 62 Sundials 47 Sung Dynasty Ware 67 Swedish Stained Glass 103 Swiss Furniture 33 Swiss Paintings 21 Swiss Stained Glass 103 Swiss Stoves 39 Swords 3, 5, 10 Syro-Damascan Doors 81 Syro-Damascan Furniture 33 T Tables 24, 25, 27, 28, 30 32, 33, 35 Tankards 42B, 71 Tao-Kuang Ware 67 Tapestries, Flemish 11-13 Tapestries, French 13 ) Tapestries, Lille 13

40 SUBJECT BOOK

Tapestries, Paris 13 Tapestries, Pre-Gobelin 13 Tapestries, Royal Aubusson 13 Tapestries, Royal Gobelin 13 Tapestries, Miscellaneous 13, 111 Tea Jars 42A, 42B Tea Sets, Staffordshire 65 Teapots, staffordshire 64 Terra-Cotta Objects 113 Terra-cotta Sculpture, French 54 Terra-cotta Sculpture, Italian 54 Tile Panels 113 Tiles, Damascene 38 Tiles, Dutch 37, 38 Tiles, Hispano-Moresque 38 Tiles, Italian 38 Tiles, Persian 38 Tiles, Spanish 38 Tobies, Staffordshire 65 Tools, Fire 51 Torcheres 35, 40 Triptychs 50 Trumpets 59 Turner Ware 63 Tyrolian Furniture 33 Tyrolian stained Glass 103 u Umbrella Stands 24 Urns 42B v Varguenos 27 Vases 71 Venetian Glass 70 Venezualan Ware 72 Vessels 60 w Wall Lights 41 Wall Paper 96 War Hammers 4 Ware, American 66, 114, 115 Ware, Ancient Countries 75 Ware, Austrian 114, 115 Ware, Bohemian 114, 115 Ware, Central American Indian 114, 115 Ware, Chia Ch'ing 67 Ware, Chi'en Lung 67

41 SUBJECT BOOK

Ware, Chinese 671 1141 115 Ware, Coalport 63 Ware, Columbian 72 Ware, Costa Rican 72 Ware, Crown Derby 63 Ware, Delft 68, 114, 115 Ware, Dutch 661 114 f 115 Ware, Dutch (Weesp) 66 Ware, Egyptian 75 Ware, English 62-65, 75, 114, 115 Ware, Flemish 114, 115 Ware, French 66, 114, 115 Ware, German 71, 75, 114, 115 Ware, Greek 75 Ware, Hackwood 63 Ware, Hispano-Moresque 73 Ware, Irish 114, 115 Ware, Italian 74, 75, 114, 115 Ware, Japanese 114, 115 Ware, K'ang Hsi 67 Ware, Leeds 63 ware, Liverpool 62 Ware, Lowestoft 62, 114, 115 Ware, Lowestoft, Chinese 114, 115 Ware, Lowestoft, English 114, 115 Ware, Mason 63 Ware, Ming 67 Ware, Pratt 63 Ware, Ridgway 63 Ware, Rockingham 63 Ware, Spanish 73, 114, 115 Ware, Spode 63 Ware, Staffordshire 64, 65 Ware, Sunderland 62 Ware, Sung Dynasty 67 Ware, Tao-Kuang 68 Ware, Turner 63 Ware, Venezualan 72 Ware, Wedgwood 63 Ware, Worcester 63 Ware, Yung Cheng 67 Ware, Miscellaneous 63 f 661 67 f 71 f 72 75, 114, 115 Warming Pans 51 Washingtonia 108 Wax Objects 113 Weapons, Combination 1 Weapons, Hafted 4, 10 Weapons, Miscellaneous 10

42 ) SUBJECT BOOK

Wearing Apparel 108 Wedgwood Ware 63 Winders, Skein 32 Windows, French 82 Windows, Italian 82 Wood Objects 113 Wood Sculpture, English 48 Wood Sculpture, Flemish 48 Wood Sculpture, French 49 Wood Sculpture, German 48 Wood Sculpture, Spanish 49 Wood Sculpture, Miscellaneous 49 Woodwork 96 Worcester Ware 63

y Yorkshire (Kiddal Hall) 76 Yung Cheng Ware 67

) 43