Walsh Bay Arts and Cultural Precinct

Total Page:16

File Type:pdf, Size:1020Kb

Walsh Bay Arts and Cultural Precinct WALSH BAY ARTS AND CULTURAL PRECINCT STATE SIGNIFICANT DEVELOPMENT APPLICATION SSDA 8671 APPENDIX 6: WAYFINDING AND SIGNAGE REPORT Walsh Bay Arts & Cultural Precinct Wayfinding & Signage Strategy Infrastructure NSW (INSW) on behalf of Arts, Screen and Cultural Division 29 September 2017 SSDA Submission ASPECT Studios Pty Ltd ABN 11 120 219 561 Report prepared for InfrastructureNSW by Urban&Public Urban Strategy —Public Life September 2017 Urban Design & Systems Wayfinding & Active Transport Branding & Communications Interpretration & Memorials Video & Digital Production urbanandpublic.com P 02 9699 7182 Level 1, 78–80 George Street Redfern NSW 2016 Australia A studio from ASPECT Studios aspect.net.au 03 CONTENTS Executive Summary 04 4. Site Identity — Existing Conditions 16 4.1 Branding and identification of the Arts 1. Background 05 and Cultural Precinct 16 4.2 Place names, precinct naming and 1.1 The Project 05 addressing systems 16 1.2 Location 05 4.3 Precinct Markers and Gateways 1.3 Purpose of this report 06 4.4 Plaques 20 1.4 History of signage on the site 06 4.5 Interpretive Elements 20 1.5 Walsh Bay Arts and Cultural Precinct Tenants 08 1.5 Attractions and Activation 08 5. Site Identity — Proposed Signage 21 2. Access to Walsh Bay 09 5.1 Building/Wharf Identification 21 5.2 External building signage & awning signage 21 2.1 Public transport 09 5.3 Digital signage and systems 21 2.2 Active transport — walking and cycling 10 5.4 Internal signage 33 2.3 Private Transport and Taxis 11 5.5 Existing signage and interpretive information 33 2.4 Loading & Vehicle Access to Wharfs 11 6. Statutory Signage 34 3. Wayfinding 12 5.1 DDA Compliance 34 3.1 Wayfinding Standards 12 5.2 Fire and Egress 34 3.2 Walsh Bay Public Domain Signage Standards 12 5.3 Vehicular Signage 36 3.3 Legible Sydney Wayfinding System 13 5.4 Regulatory Signage 37 3.4 Other Wayfinding Systems 15 7. Conclusion & Recommendations 38 WALSH BAY ARTS AND CULTURAL PRECINCT WAYFINDING AND SIGNAGE REPORT 04 EXECUTIVE SUMMARY The Walsh Bay Arts and Cultural Precinct site ACTIONS // ACTION 6 // ACTION 11 // ACTION 17 has a number of historical layers of signage, Vehicular signage related to movement in to Building signage, identity treatments and Integrated digital and touch screen displays wayfinding, branding and identity. The key // ACTION 1 and within the site is to be integrated with wayfinding is proposed at entry and arrival and signage are proposed to promote purpose of signage and wayfinding is to provide new WBACP signage system, complying points on Hickson Road and at eastern and events, shows and heritage interpretation. clarity, sense of place Preserve, maintain and reference the existing with relevant standards and be affixed with western gateways on the wharf aprons. Two digital pylons and two digital walls signage on the site and the hand made The industrial architecture of the site and systems appropriate to the architecture. will be employed for visitor information methods used in their production. // ACTION 12 integrated identity of the entire Walsh Bay Shore services. Digital displays will also be used for // ACTION 7 Shed and Finger Wharfs means that the identity // ACTION 2 Install new environmental graphics, signage, proividing ticketing information and selling of particular venues, offices, meeting points Any new signage systems used in the Walsh lighting and projections to the existing event tickets. Create a signage and wayfinding system and gathering areas is often poorly articulated, Bay Arts and Cultural Precinct should Hickson Road bridges that complement the that can incorporate and reflect the range // ACTION 18 making wayfinding more difficult. have a wider influence on an improved and utilitarian structures and social history of and identities of artistic and cultural groups coordinated Walsh Bay wide addressing, the site, whilst enhancing the precinct with The existing heritage interpretation is to The site has multiple entry points and gateways and companies at Walsh Bay — whilst branding, signage and wayfinding strategy a sense of theatre and arrival — especially in be renewed and integrated in the foyer of from different orientations, and multiple modes encouraging a theatre precinct with a for street addresses, wharf and pier numbers the evening. Pier 2/3 and other areas public domain in of transport are used to reach the site. number of venues and companies. and entrances and for any arts and theatre coordination with the appropriate heritage // ACTION 13 Wayfinding, branding and site identity will be an // ACTION 3 related activities. reports. Increase recognition of the important element for the site as many visitors All existing plaques to be retained and significant indigenous heritage of the site, Signage and wayfinding to set the scene // ACTION 8 will be irregular attendees at performances, restored where necessary. New plaques to including people, language and flora and for vibrant and diverse arts precicnt, where rehearsals, events and meetings. The City of Sydney ‘Legible Sydney’ system be of high quality cast bronze and carefully fauna. each companies activities, events, brands will be the principal wayfinding system for sited in relation to other plaques and signs on Improvements and additions to city wide and imagery are allowed to be promoted and // ACTION 19 directing pedestrians to and from the local the site. wayfinding through the ‘Legible Sydney’ presented. area, nearby transport nodes and local All existing accessible and DDA compliant program by the City of Sydney will greatly // ACTION 14 // ACTION 4 attractors to the Walsh Bay Arts and Cultural signage to removed and upgraded to current improve pedestrian and cycle access to the Precinct. All messaging and maps shall be Better support interpretive walks and allow standards and be manufactured in high neighbourhood from further afield. Signage in Increase the level and visibility of cycling updated to recognise new venues, venue for expansion of the Theatre Walk on Pier 2/3 quality long lasting finishes and where The Rocks and Barangaroo will complement services;such as bicycle parking. Walking names and locations. and investigate opportunities for additional possible incorporated within the developed wayfinding particularly for tourists and visitors.. times and routes to Walsh Bay to be walks. Existing interpretive signage to suite of signs rather than as an after thought. promoted at major transport nodes such // ACTION 9 Key to the success of wayfinding will be the be reviewed for relevance and replaced/ Where possible standard off–the–shelf signs, as Circular Quay, Wynyard, Barangaroo and identity of the Walsh Bay Arts and Cultural Better integration and improved consistency renewed where suitable. stickers and laminated signs should not be Darling Harbour and the future Barangaroo Precinct itself within a larger collection of of wayfinding messaging and mapping used for DDA compliance. Metro Station. Wayfinding signage used // ACTION 15 buildings, wharfs and public spaces along across all sign sites in the precinct, especially to support and encourage active transport // ACTION 20 Hickson Road. The second component of ease in The Rocks and Barangaroo. Replace existing entry signage with access. of access and movement will be the internal signage that reflects a new brand identity Statutory signage to be implemented using wayfinding system developed for Arts Precinct // ACTION 5 and individual venue names, reflecting the the City of Sydney standard public space and tenancies, venues and public spaces. The site // ACTION 10 heritage and qualities of existing signage on parks system. Install illuminated City of Sydney taxi rank is relatively large and can involve long walks site. It is propsed to reinstate the removed pylons (Legible Sydney type) on Hickson Use clear and consistent naming of wharfs, // ACTION 21 to reach venues particularly those at the end original large '4' and '5' wharf numbers to the Road to improve visibility and provide more aprons, venues, rooms and offices is key to of each wharf. The better the wayfinding, the north end of Wharf 4/5. All vehicle signage to be reviewed and information about taxi services for visitors establishing a useful and practical wayfinding better the customer and visitor experience will updated to current standards and installed and residents. system that allows and ease of orientation // ACTION 16 be through ease of movement and ability to find in appropriate locations in robust with and access to desired destinations within the particular locations, performances and events. New external building and awning signage well designed hardware and fittings. All precinct and wider neighbourhood, removing to be located on Hickson Road to assist in messaging, speed limits and load limits to be New wayfinding, signage and branding should confusion and ambiguity about venue establishing a theatre district atmosphere reviewed and made consistent. reflect a contemporary approach, but work addresses. and provide amenity, activity, clarity and within the contextual heritage environment information about the arts companies, cognisant of the hand made and ‘working wharf’ venues and events. language of signage, materials, construction and identity. The overall approach should allow for an indivuality that evokes the sense of a 'Theatre District', with many venues and activities occuring within it to encourage visitation and to enhance the urban area as a vital and interesting part of Sydney. WALSH BAY ARTS AND CULTURAL PRECINCT WAYFINDING AND SIGNAGE REPORT 05 1 BACKGROUND FIGURE 01 SITE LOCATION 1.1 The Project 1.2 Location Pier 2/3 is legally described as Lot 11 in DP 1138931 and Wharf 4/5 is legally described as Lot 65 in DP 1048377. The total area for these SYDNEY The NSW Government is committed to The site generally comprises Pier 2/3, Pier 4/5 HARBOUR lots is 18,090 m2. development of a public arts and cultural and its shore sheds which make up Wharf 4/5, BRIDGE precinct at Walsh Bay.
Recommended publications
  • Woolloomooloo-Brochure-170719.Pdf
    Your companion on the road. We make your life stress-free by providing everything you need to create the stay you want. Apartment living with the benefits of a hotel service. stay real. Sydney’s harbour side suburb. Nesuto Woolloomooloo is situated on the Sydney city centre fringe, in the beautiful harbour side suburb of Woolloomooloo, about 900 metres from the heart of Sydney city on the eastern side towards Potts Point. These fabulous serviced-apartments are set in a beautiful heritage listed 4 storey building, located amongst traditional Sydney terrace houses in the tree lined streets of historic Woolloomooloo, a 3-minute walk from the restaurants and bars at Finger Wharf and the legendary Harry’s Cafe de Wheels. Nesuto Woolloomooloo Sydney Apartment Hotel offers a range of self-contained Studio, One, Two and Three Bedroom Apartments, allowing you to enjoy all the comforts of home whilst providing the convenience of apartment style accommodation, making it ideal for corporate and leisure travellers looking for short term or long stay accommodation within Sydney. Nesuto. stay real. A WELCOMING LIVING SPACE Nesuto Woolloomooloo Sydney Apartment Hotel offers a range of spacious self-contained Studio, One, Two and Three Bedroom Apartments in varying styles and layouts. We offer fully equipped kitchenettes, varied bedding arrangements and spacious living areas, ideal for guests wanting more space, solo travellers, couples, families, corporate workers or larger groups looking for a home away from home experience. Our Two and Three Bedroom apartments, along with some Studio apartments, have full length balconies offering spectacular views of the Sydney CBD cityscape and Sydney Harbour Bridge.
    [Show full text]
  • 3.3 Precinct and Internal Address System 3.4 Building/Wharf
    22 3.3 Precinct and internal 3.4 Building/Wharf Identification address system Currently Wharf 4/5 has large neon signage Articulating individual venues, arts at the main Hickson Road entry point for companies, tenancies and public facilities the Sydney Theatre Company and Sydney within the overall precinct can be resolved Dance Company. Similar large neon building using the existing Wharf and Pier numbering signage is also located on the north facade and the historical internal and external bay of the finger wharf (in poor condition). numbers and other retained markers and There are also Walsh Bay Signage Code signs within the finger wharf structures. signs identifying vehicle entry points to each The inconsistent use of the terms ‘wharf’, wharf/pier. and ‘pier’ should be addressed and The renovation of Wharf 4/5 removed the corrected prior to development of signage significant large hand painted harbour and mapping. The existing theatres are facing pier numbers ‘4’ and ‘5’ which should well known as Wharf 4/5 whilst the eastern be reinterpreted and installed in a similar finger wharf is referred to as Pier 2/3. location similar to Pier 2/3. The utilitarian Confusion is extended with entries to the and functional nature of these elements east and west sides of Wharf 4/5 individually should be retained or reimagined where signed as Pier 4 and Pier 5. The general use they have been previously removed. of the term ‘wharf’ is encouraged following the more common local terminology of New building, wharf and pier identification ‘finger wharf’, Woolloomooloo Wharf, Manly is to be incorporated into the new works, Wharf etc.
    [Show full text]
  • Sydney Harbour Superyacht Guidelines
    Sydney Harbour superyacht guidelines Guidelines for Masters operating Superyachts on Sydney Harbour Contents Executive Summary 1 Qualifications and registration 9 Port procedures 2 Boat licences and certificates of competency 9 Directions for navigation 2 Registration of vessels 9 Directions and regulations to be observed 2 Protected animals 10 Required charts 2 Approach distances 10 Port services 2 Speed 10 Pilotage requirements 2 Approach directions 10 Wind and weather 3 Action if a marine mammal approaches 11 Port Authority of NSW Vessel Traffic Service 3 Communications 11 Pilot boarding place 3 VHF channels 11 Sydney Harbour – general considerations 3 Important contact details 11 General 3 Useful websites 12 Speed limits 3 Photographs 13 Speed restricted areas 4 Anzac Bridge 13 Conduct within Sydney Harbour 7 Rozelle Bay Superyacht Marina 13 Prohibited areas for general navigation 7 Campbells Cove 14 General 7 Sydney Cove – Circular Quay 15 Restricted access areas 7 Fort Denison 15 Collision or incident reports 8 Garden Island Naval Base 15 Berthing at commercial wharves 8 Walsh Bay 16 Pollution, nuisance or danger 8 Sydney Harbour Bridge 17 Marine Pollution Act 1987 8 Jones Bay Wharf, Pyrmont 17 Pump-out facilities 8 Kirribilli Point 17 Garbage 9 Anzac Bridge 18 Causing of nuisance or danger 9 Glebe Island Bridge 18 Farm Cove 18 Wind frequency analyses 19 FRONT COVER PHOTO: ANDREA FRANCOLINI Executive Summary Welcome to Sydney. The aim of these guidelines is to assist superyacht masters Superyachts are free to enter and move around with their preparations for a visit to Sydney Harbour and to Sydney Harbour subject to compliance with the provide a reference document during the visit.
    [Show full text]
  • GENERAL PURPOSE STANDING COMMITTEE No
    UNCORRECTED COPY CORRECTED COPY GENERAL PURPOSE STANDING COMMITTEE No. 3 Friday 18 September 2009 Examination of proposed expenditure for the portfolio area LANDS The Committee met at 9.15 p.m. MEMBERS The Hon. A. R. Fazio (Chair) The Hon. D. J. Clarke The Hon. G. S. Pearce (Deputy-Chair) The Hon. G. J. Donnelly The Hon. R. A. Smith Ms S. P. Hale The Hon. M. S. Veitch _______________ PRESENT The Hon. A. B. Kelly, Minister for Lands Land and Property Management Authority Mr W. Watkins, Director General Mr R. Costello, Director, Finance and Corporate Support _______________ UNCORRECTED COPY CORRECTIONS TO TRANSCRIPT OF COMMITTEE PROCEEDINGS Corrections should be marked on a photocopy of the proof and forwarded to: Budget Estimates secretariat Room 812 Parliament House Macquarie Street SYDNEY NSW 2000 DEPUTY-CHAIR: In the absence of the Chair, I will chair the meeting. The Committee hearing for the inquiry into budget estimates for 2009-10 is open to the public. I welcome Minister Kelly and accompanying officials to this hearing. Today the Committee will examine the proposed expenditure for the portfolio of Lands. In accordance with the Legislative Council guidelines for the broadcast of proceedings, only Committee members or witnesses may be filmed or recorded. People in the public gallery should not be the primary focus of any filming or photos. In reporting the proceedings of this Committee the media must take responsibility for what they publish or what interpretation they place on anything that is said before the Committee. The guidelines for the broadcast of the proceedings are available on the table by the door.
    [Show full text]
  • Barangaroo (Formerly East Darling Harbour): MP06 0162 MOD 4 (Hotel Development, Additional GFA and Height)
    PO Box 484 North Sydney NSW 2059 T: 02 8904 1011 F: 02 8904 1133 E: [email protected] Planning Institute of Australia (NSW Division) Submission: Barangaroo (formerly East Darling Harbour): MP06_0162 MOD 4 (Hotel development, additional GFA and Height) The Planning Institute of Australia (PIA) is the peak body representing professionals involved in planning Australian cities, towns and regions. The Institute has around 4,500 members nationally and around 1,300 members in New South Wales. PIA NSW plays key roles in promoting and supporting the planning profession within NSW and advocating key planning and public policy issues. Introduction The Planning Institute of Australia (NSW Division) welcomes the opportunity to comment on the proposed amendment for the approved Concept Plan for Barangaroo on Public Exhibition between 11 August 2010 and 10 September 2010. This submission has been prepared by members of PIA on behalf of the Institute. The Institute has made a previous submission on the Barangaroo proposals directly to the Barangaroo Delivery Authority, following the on-site public display within the Old Ports Building at Millers Point, earlier this year. This submission was prepared as a letter to the Chief Executive Officer of the Delivery Authority, dated 15 April 2010. A copy of this letter is included as an Attachment to this submission. Institute members have also more recently attended the Community Forums on Barangaroo organised by the Barangaroo Delivery Authority in May 2010 and also the current public exhibition display at the City of Sydney Council, One Stop Shop. The comments below relate to the proposed Amendment to the Concept Plan for Barangaroo currently on Public Exhibition.
    [Show full text]
  • Developing the West Head of Sydney Cove
    GUNS, MAPS, RATS AND SHIPS Developing the West Head of Sydney Cove Davina Jackson PhD Travellers Club, Geographical Society of NSW 9 September 2018 Eora coastal culture depicted by First Fleet artists. Top: Paintings by the Port Jackson Painter (perhaps Thomas Watling). Bottom: Paintings by Philip Gidley King c1790. Watercolour map of the First Fleet settlement around Sydney Cove, sketched by convict artist Francis Fowkes, 1788 (SLNSW). William Bradley’s map of Sydney Cove, 1788 (SLNSW). ‘Sydney Cove Port Jackson 1788’, watercolour by William Bradley (SLNSW). Sketch of Sydney Cove drawn by Lt. William Dawes (top) using water depth soundings by Capt. John Hunter, 1788. Left: Sketches of Sydney’s first observatory, from William Dawes’s notebooks at Cambridge University Library. Right: Retrospective sketch of the cottage, drawn by Rod Bashford for Robert J. McAfee’s book, Dawes’s Meteorological Journal, 1981. Sydney Cove looking south from Dawes Point, painted by Thomas Watling, published 1794-96 (SLNSW). Looking west across Sydney Cove, engraving by James Heath, 1798. Charles Alexandre Lesueur’s ‘Plan de la ville de Sydney’, and ‘Plan de Port Jackson’, 1802. ‘View of a part of Sydney’, two sketches by Charles Alexandre Lesueur, 1802. Sydney from the north shore (detail), painting by Joseph Lycett, 1817. ‘A view of the cove and part of Sydney, New South Wales, taken from Dawe’s Battery’, sketch by James Wallis, engraving by Walter Preston 1817-18 (SLM). ‘A view of the cove and part of Sydney’ (from Dawes Battery), attributed to Joseph Lycett, 1819-20. Watercolour sketch looking west from Farm Cove (Woolloomooloo) to Fort Macquarie (Opera House site) and Fort Phillip, early 1820s.
    [Show full text]
  • Review of Environmental Factors Woolloomooloo Wastewater
    Review of Environmental Factors Woolloomooloo Wastewater Stormwater Separation Project March 2016f © Sydney Water Corporation (2016). Commercial in Confidence. All rights reserved. No part of this document may be reproduced without the express permission of Sydney Water. File Reference: T:\ENGSERV\ESECPD\EES Planning\2002XXXX_Hot spots 3\20029431 Woolloomooloo sewer separation\REF Publication number: SWS232 03/16 Table of Contents Declaration and sign off Executive summary ........................................................................................................... i 1. Introduction ........................................................................................................... 1 1.1 Project Background .................................................................................................... 1 1.2 Woolloomooloo Wastewater Stormwater Separation .............................................. 2 1.3 Related stormwater projects ...................................................................................... 4 1.4 Scope of this REF ........................................................................................................ 4 2. Stakeholder and community consultation .......................................................... 5 2.1 Consultation objectives .............................................................................................. 5 2.2 Social analysis ............................................................................................................. 5 2.3 Consultation
    [Show full text]
  • Risk Assessments in Heritage Planning in New South Wales
    The Johnstone Centre Report Nº 184 Risk Assessments in Heritage Planning in New South Wales A Rapid Survey of Conservation Management Plans written in 1997–2002 by Dirk HR Spennemann Albury 2003 © Dirk H.R. Spennemann 2003 All rights reserved. The contents of this book are copyright in all countries sub- scribing to the Berne Convention. No parts of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without the written permission of the author, except where permitted by law. CIP DATA Spennemann, Dirk H.R. (1958–) Risk Assessments in Heritage Planning in New South Wales. A Rapid Survey of the Conservation Management Plans written in 1997–2002 / by Dirk H.R. Spennemann Johnstone Centre Report nº 184 Albury, N.S.W.: The Johnstone Centre, Charles Sturt University 1v.; ISBN 1 86467 136 X LCC HV551.A8 S* 2003 DDC 363.34525 1. Emergency Management—Australia—New South Wales; 2. Historic Preservation—Australia—New South Wales; 3. Historic Preservation—Emergency Management ii Contents Contents ...................................................................................................iii Introduction..............................................................................................4 Methodology............................................................................................5 The Sampling Frame.....................................................................5 Methodology..................................................................................5
    [Show full text]
  • Seaborn Broughton & Walford Foundation Newsletter
    Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 25 1 23rd January 2017 Chairman’s Letter announced nearly $300,000 in grants. Last year’s Dear Friends recipients included the Griffin Theatre Company, Sport For Jove, the Seymour Centre, the Hayes On behalf of the Board, Staff and volunteers at the Theatre, Monkey Baa, Outhouse Theatre, Red Line at Seaborn, Broughton & Walford Foundation may I extend the Old Fitzroy, Critical Stages, Powerhouse Youth our very best wishes to you for the New Year. May 2017 Theatre, National Theatre of Parramatta, Sydney bring good health, much happiness and many fine Critics Awards, Currency House and the State Opera performances. of South Australia to assist in completing their four- Last year ended on a high note for the Foundation and year project to produce Australian composer George our loyal Friends. Following the relocation to our new Palmer’s opera Cloudstreet, a critically-acclaimed premises in Neutral Bay, we are now optimistic about world premiere based on Tim Winton’s novel. the exciting opportunities that are emerging as we work Warm congratulations also go to Francesca Savige to support the Australian performing arts in 2017. and Shaun Rennie who won this year’s Sandra Bates Director’s Awards, a prize offering mentoring and Since the last Newsletter, we have achieved a number of directing experience for emerging theatre directors milestones: the celebration of three decades of at the Ensemble Theatre in Kirribilli.
    [Show full text]
  • Millers Point and Walsh Bay Heritage Review (March 2007) Recommendations
    ATTACHMENT E ATTACHMENT E MILLERS POINT AND WALSH BAY HERITAGE REVIEW (MARCH 2007) RECOMMENDATIONS Note: The final Millers Point and Walsh Bay Heritage Review (March 2007) can be viewed on Council’s website at: http://www.cityofsydney.nsw.gov.au/Development/HeritageInformation/ MillersPointAndWalshBayHeritage.asp ATTACHMENT E 6.0 RECOMMENDATIONS This section sets out the recommendations that arise from this study. They relate to the creation of a Heritage Conservation Area, identification of places of individual heritage significance, planning considerations and management of both the private and public aspects of the study area. The recommendations are proposed within the framework that the whole of the area is of very high heritage value, that overall it should be retained and managed as it is currently being managed and that there should not be major or dramatic changes to the area or its character. It is also noted that there is limited opportunity for new buildings or elements to be added to the area, the recent development having occupied most of the vacant and available development sites. 6.1 Heritage Conservation Area 1 It is recommended that the appropriate form of heritage protection for the area is the recognition of a Millers Point/Walsh Bay Heritage Conservation Area in the City of Sydney LEP Schedule. This changes the status of the area from the current ‘Special Area’ LEP listing. This would be consistent with the planning management of other areas of heritage significance within the broader City of Sydney local government area and can provide uniform controls and management. 2 The proposed revised area boundary should be adopted as the Heritage Conservation Area boundary as set out in figure 6.1 and 6.2.
    [Show full text]
  • Sydney Opera House Annual Report 2012-2013
    _2012/13 Sydney Opera House Annual Report Celebrating 40 years in 2013 2012/13 Contents 3 Letter to Minister 3 Our History 3 Who We Are 4 Our Mission 5 Elements of Our Strategy 5 Our Values 6 Highlights 7 Awards 8 Chairman’ s Message 10 CEO ’s Message 12 Element 1: Our Stakeholders 14 Element 2: The Building 16 Element 3: Performing Arts 16 Presenting Companies 20 The Opera House Presents 24 Element 4: Visitor Experience 26 Element 5: Our Business Agility 27 Organisation Chart 28 Corporate Governance 30 Trust Members 34 People and Culture 38 Financial Overview 41 Financial Statements 74 Government Reporting 97 Donor Acknowledgement 101 Contact Information 102 Index Cover Image 103 Corporate Partners Sydney Opera House opened in 1973 and celebrates its 40th Anniversary in the 2013 year. 3 Our History Who We Are _1957 _2004 Sydney Opera House is a global icon, the most internationally recognised symbol of Australia and one of the great buildings Jørn Utzon wins Sydney Utzon Room opened – of the world. Opera House design first venue at Sydney competition. Opera House designed We are committed to continuing the legacy of Utzon’s creative by Jørn Utzon. genius by creating, producing and presenting the most acclaimed, imaginative and engaging performing arts experiences from Australia _1959 Recording Studio and around the world: onsite, offsite and online. Work begins on opened. Stage 1 – building the We are one of the world’s busiest performing arts centres, with seven primary performance venues in use nearly every day of the foundations. _2005 year. In 2012/13, 1,895 live performances were enjoyed by more than National Heritage 1.37 million people.
    [Show full text]
  • The National Trust and the Heritage of Sydney Harbour Cameron Logan
    The National Trust and the Heritage of Sydney Harbour cameron logan Campaigns to preserve the legacy of the past in Australian cities have been Cameron Logan is Senior Lecturer and particularly focused on the protection of natural landscapes and public open the Director of Heritage Conservation space. From campaigns to protect Perth’s Kings Park and the Green Bans of the in the Faculty of Architecture, Design Builders Labourers Federation in New South Wales to contemporary controversies and Planning at the University of such as the Perth waterfront redevelopment, Melbourne’s East West Link, and Sydney, 553 Wilkinson Building, G04, new development at Middle Harbour in Sydney’s Mosman, heritage activists have viewed the protection and restoration of ‘natural’ vistas, open spaces and ‘scenic University of Sydney, NSW 2006, landscapes’ as a vital part of the effort to preserve the historic identity of urban Australia. places. The protection of such landscapes has been a vital aspect of establishing Telephone: +61–2–8627–0306 a positive conception of the environment as a source of both urban and national Email: [email protected] identity. Drawing predominantly on the records of the National Trust of Australia (NSW), this paper examines the formation and early history of the Australian National Trust, in particular its efforts to preserve and restore the landscapes of Sydney Harbour. It then uses that history as a basis for examining the debate surrounding the landscape reconstruction project that forms part of Sydney’s KEY WORDS highly contested Barangaroo development. Landscape Heritage n recent decades there has been a steady professionalisation and specialisation History Iof heritage assessment, architectural conservation and heritage management Sydney as well as a gradual extension of government powers to regulate land use.
    [Show full text]