DOCSLIB.ORG

Publications for Phillip Slater 2020 2019 2016 2015 2014 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Publications for Phillip Slater 2020 2019 2016 2015 2014 2013 Publications for Phillip Slater 2020 Tasmanian International Arts Festival & Big hART Inc. Barker, S., Slater, P. (2020). 1. Mirage Sustains 2. Ground to Armfield, N., Barker, S., Briggs, W., Buday, H., Cullen, M., Body Vertical Flow 3. Incline Obscures. On On Running 2: Dukes, A., Gilfedder, E., Koman, J., Masters, N., Moody, C., Mirage Sustains, All primary digital platforms, Sydney, Slater, P., et al (2015). King Lear. Roslyn Packer Theatre, Australia: MGM International Distribution. Walsh Bay, Sydney, Australia: Sydney Theatre Company. Slater, P., Barker, S. (2020). Liveworks Serenade (untitled for Nolan, P., Choi, K., Balodis, J., Kim, D., Tregloan, A., Slater, trumpet and drumkit). Carriageworks Liveworks Festival: P., Barker, S., Legs on the Wall., AsiaNow. (2015). Tale of Liveworks Serenade. Performance Space, Sydney, Australia: Samulnori. The Tale of Samulnori (World Premier Carriageworks. Performance). Seoul Street Arts Creation Centre, Seoul, Korea, Slater, P., Sheldon, J. (2020). Liveworks Serenade (untitled for Republic of (South): Seoul Street Arts Festival/Legs On The voice, trumpet and electronics). Carriageworks Liveworks Wall/AsiaNow. Festival: Liveworks Serenade. Performance Space, Sydney, Australia: Carriageworks. 2014 Slater, P., Keegan, M., McMahon, M., Hirst, B., Barker, S. Slater, P., Dean, R. (2014). 1. Weaving the Rugs for trumpet (2020). Phil Slater Quintet: 1. Music from The Dark Pattern (1) and algorithmic sound 2. Tribute to Kenny Wheeler. 2. Music from The Dark Pattern (2) [Portfolio]. The Earshift Australysis: Journeys and Constructions. Recital Hall East, Music Festival 2020. Old 505 Theatre, Sydney, Australia: Sydney Conservatorium of Music, Sydney, Australia: The New Earshift Music. Music Network. 2019 Slater, P., Barker, S. (2014). Henka (for Trumpet and Percussion). Sydney Fringe Festival. Old 505 Theatre, Sydney, Slater, P., Keegan, M., McMahon, M., Hirst, B., Barker, S. Australia: Sydney Fringe Festival. (2019). 1. Mnemosyne; 2. The Dilemma Throw; 3. Glow; 4. Barker, S., Il Dong, B., Slater, P., Dewhurst, C., McMahon, M., Opal; 5. Third Bell; 6. The Promise; 7. Monument; 8. Cloud Lee, R. (2014). Mujing. Sydney Sacred Music Festival. Hidden; 9. The Golden Seam; 10. Seven; 11. The Dark Pattern Campbelltown Arts Centre, Campbelltown, Sydney, Australia: [Portfolio]. On The Dark Pattern, CD, Bandcamp, iTunes, Sydney Sacred Music Festival. Spotify, Youtube, GooglePlay, Sydney, Australia: Earshift Music/MGM. Slater, P., Greening, J., McMahon, M., Zwartz, J., Barker, S. (2014). Seasons with Exceptions. Sydney International Brass 2016 Festival. Sydney Congress Hall, Sydney, Australia: Sydney International Brass Festival. Barker, S., Slater, P. (2016). 1. On Running 2. Breath Form Movement 4. Cyclic and Pendulum (elastic recoil). On On Barker, S., Il Dong, B., Tinkler, S., Dewhurst, C., Running, CD, Sydney, Australia: MGM. McConnachie, S., Slater, P., Tomlinson, V., Veltheim, E. (2014). The Return of Spring. 2014 Creative Music Intensive. Barker, S., Slater, P., Dewhurst, C. (2016). 3. Hill/Mind. On On Tank Arts Centre, Cairns, Australia: The Australian Art Running, CD, Sydney, Australia: MGM. Orchestra. Slater, P., Atkins, J. (2016). Noon: 1. Maker's Sigh 2. Constellation. Ngeringa 24. Ukaria Cultural Centre (formerly 2013 Ngeringa Cultural Centre), Mount Barker Summit, SA, Ford, A., Lacey, G., Slater, P. (2013). Untuning the Sky, Radio, Australia: Ukaria Cultural Centre (formerly Ngeringa Cultural internet, Sydney, Australia: Australian Broadcasting Centre). Corporation. Lacey, G., McGuire, M., Slater, P., Atkins, J., Davies, S. Slater, P. (2013). 1. Castlemaine Sunsongbook Suite #1 2. (2016). Owl Light. Ngeringa 24. Ukaria Cultural Centre Castlemaine Sunsongbook Suite #2. Castlemaine State Festival: (formerly Ngeringa Cultural Centre), Mount Barker Summit, The Sun Songbook. Castlemaine Town Hall, Castlemaine VIC, SA, Australia: Ukaria Cultural Centre (formerly Ngeringa Australia: Castlemaine State Festival. Cultural Centre). Barker, S., Slater, P., Hunter, S. (2013). 1. Excerpt from 'The Slater, P., Barker, S. (2016). Stu Hunter: The Migration. The Perfectionist' 2. Scribbles on the Wall; Health & Happiness 3. Migration. City Recital Hall, Angel Place, Sydney, Australia: Fahem Boy 4. The Beth Suite (three poems about my mother); Sydney Festival. Mtoto Potea (Lost Child); Archaeologist 5. The Refugee. 2015 Intersections. Campbelltown Arts Centre, Sydney, Australia: 2013 Sydney Writers Festival. Il Dong, B., Barker, S., Dewhurst, C., Lee, R., McMahon, M., Dean, R., Slater, P., Smith, H., White, G. (2013). 1. Slater, P. (2015). 1. Waters Converge 2. Gathering Rains, 3. Hypnagogia 2. Replicant 3. Translating Diemo. Australysis: Ghost Song 4. I Go 5. Streams Revealed 6. Little Gate. On Netting the Nodes. Sydney Conservatorium of Music, Sydney, Trace Sphere: Gathering Rains, CD, Online digital platforms, Australia: New Music Network and Australysis. Sydney, Australia: MGM (The groove Merchants) Digital distribution. Harrison, J., Slater, P., Waples, B. (2013). 1. Plastic Brushes 2. New 3/4 (Three/Four) 3. Music to Forget 4. Tough ECM 5. Lacey, G., Atkins, J., McGuire, M., Slater, P., Rogers, J. (2015). Chaconne No. 3 Variation No. 9 6. What you left Behind. Black Ridge Farm Shearing Shed #1 - #8. The Acoustic Life of Sunday Live: Jackson Harrison Trio. Joan Sutherland Centre, Sheds. Black Ridge Farm Shearing Shed, Milabena, Australia: Penrith, Australia: ABC Classic FM. Art Orchestra w/ Melbourne International Arts Festival. Slater, P. (2013). Jazzgroove Sunsongbook Suite #1. Slater, P., Noble, J. (2010). Touching Dialogue. New Interfaces Jazzgroove: Andy Gander Trio / Phil Slater and the Sun Song for Musical Expression. Eugene Goosens Hall ABC Centre, Book. 107 Projects, Sydney, Australia: Jazzgroove Association. Sydney, Australia: ABC, New Music Network, UTS. Slater, P. (2013). Wollongong Sunsongbook Suite #1. Phil 2009 Slater: The Sun Songbook. WPAC Theatre, Wangaratta, Australia: Wangaratta Jazz and Blues Festival. Slater, P., Elphick, S., Cutlan, P. (2009). 1. Aiming 2. Church 3. Tapcos 4. Progression/Nature. Glebe 'Cafe Church' 8 O'Clock 2012 Sharp Series. Glebe 'Cafe Church' Space, Sydney, Australia: Glebe 'Cafe Church'. Slater, P., Cross, A., Farrar, P., Panucci, B., Goodman, D. (2012). 1. The Loosener 2. Long Walk Home With Lee 3. I Slater, P., Barker, S., Elphick, S., Tinkler, S. (2009). 1. First Remember Rusty 4. Real Velour 5. Broadway 6. Scattered Piece 2. Second Piece. Suite 505 presents The Darts. Suite 505, Showers 7. Like Dave. On Abel Cross Quintet Neo Bop, Sydney, Australia: Suite 505. Compact Disc, Australia, Australia: Rufus Records. Slater, P., McMahon, M., Barker, S., Swanton, L. (2009). 1. Slater, P., Australysis, A. (2012). Inside the Magnetic Spaces. Quartet Piece No. One 2. Quartet Piece No. Two. SIMA Sound Vision 2012: Sounds in Space. Recital Hall East, Sydney present The Phil Slater Quartet. The Seymour Centre, Sydney, Conservatorium of Music, Sydney, Australia: AustraLysis and Australia: Sydney Improvised Music Association. New Music Network. Slater, P., McMahon, M., Barker, S., Dewhurst, C. (2009). Evans, S., Slater, P., Greening, J., Spence, A., Hirst, B., Hall, T. Band of Five Names Improv. 1. 2009 Wangaratta Festival of (2012). Shiva's Wide Sky. Sydney International Women's Jazz Jazz and Blues. Wangaratta Jazz Festival, Sydney, Australia: Festival - Sandy Evans Sextet. The Sound Lounge, Seymour Wangaratta Festival of Jazz and Blues. Centre, Sydney, Australia: Sydney Improvised Music Slater, P., Keller, A., Talia, J., Ball, E. (2009). Collaborations Association. Project. ABC Studios. ABC Studios, Sydney, Australia: Robertson, R., Slater, P., McMahon, M., Hewetson, A., Akriff, Australian Broadcast Corporation. A., Barker, S. (2012). The Bounty Suite. Baecastuff Mutiny Slater, P., McMahon, M., Barker, S., Swanton, L. (2009). Music. Wangaratta Performing Arts Centre Theatre, Quartet Piece No. 7. SIMA present The Phil Slater Quartet. The Wangaratta, Australia: Wangaratta Jazz Festival. Seymour Centre, Sydney, Australia: Sydney Improvised Music Slater, P., Il-dong, B., Dong Won, K., Barker, S., Dewhurst, C., Association. McMahon, M. (2012). The Creative Fire Suite. The 2012 Slater, P., Hauser, F. (2009). Spaces Duet #1. Synergy Contemporary Music Program at Campbelltown Arts Centre - Percussion: Still Lifes. Newington Chapel, Sydney, Australia: Daorum: A Weekend of Creative Fire. Campbelltown Arts Synergy. Centre, Campbelltown, NSW, Australia: Campbelltown City Council. 2008 Slater, P., McMahon, M., Barker, S., Dewhurst, C., Hirst, B., Slater, P., McMahon, M., Barker, S., Il-dong, B., Kim, D., Veltheim, E. (2012). The Third Sun Suite. Phil Slater: The Sun Dewhurst, C. (2008). Daorum, CD, Australia: Kimnara. Songbook. Wangaratta Performing Arts Centre Theatre, Wangaratta, Australia: Wangaratta Jazz Festival. Lacey, G., Theak, D., Magnusson, S., Slater, P., Edwardes, C., McMahon, M., Keller, A. (2008). 1. A Castle For All 2. Flying Trio M., Slater, P., Tinkler, S., Barker, S. (2012). Trio M with Horse 3. Oh Charming Harlequin 4. Beautiful Columbine 5. Phil Slater, Scott Tinkler, and Simon Barker. Wangaratta Jazz Hidden Amongst the Flowers 6. Peacock Song 7. Colourful Festival. Wangaratta Performing Arts Centre Theatre, Fancy Wangaratta, Australia: Wangaratta Jazz Festival. 8. Cassander the Strong 9. Pierrot the Clown 10. Hot Air 2010 Balloon 11. Cradled in the Peacock's Tail 12. Epilogue. HUSH Project. Eugene Goossens Hall, Sydney, Australia: ABC Evans, A., Slater,
Load more

Recommended publications
  • Seaborn Broughton & Walford Foundation Newsletter
    Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 25 1 23rd January 2017 Chairman’s Letter announced nearly $300,000 in grants. Last year’s Dear Friends recipients included the Griffin Theatre Company, Sport For Jove, the Seymour Centre, the Hayes On behalf of the Board, Staff and volunteers at the Theatre, Monkey Baa, Outhouse Theatre, Red Line at Seaborn, Broughton & Walford Foundation may I extend the Old Fitzroy, Critical Stages, Powerhouse Youth our very best wishes to you for the New Year. May 2017 Theatre, National Theatre of Parramatta, Sydney bring good health, much happiness and many fine Critics Awards, Currency House and the State Opera performances. of South Australia to assist in completing their four- Last year ended on a high note for the Foundation and year project to produce Australian composer George our loyal Friends. Following the relocation to our new Palmer’s opera Cloudstreet, a critically-acclaimed premises in Neutral Bay, we are now optimistic about world premiere based on Tim Winton’s novel. the exciting opportunities that are emerging as we work Warm congratulations also go to Francesca Savige to support the Australian performing arts in 2017. and Shaun Rennie who won this year’s Sandra Bates Director’s Awards, a prize offering mentoring and Since the last Newsletter, we have achieved a number of directing experience for emerging theatre directors milestones: the celebration of three decades of at the Ensemble Theatre in Kirribilli.
    [Show full text]
  • Sydney Opera House Annual Report 2012-2013
    _2012/13 Sydney Opera House Annual Report Celebrating 40 years in 2013 2012/13 Contents 3 Letter to Minister 3 Our History 3 Who We Are 4 Our Mission 5 Elements of Our Strategy 5 Our Values 6 Highlights 7 Awards 8 Chairman’ s Message 10 CEO ’s Message 12 Element 1: Our Stakeholders 14 Element 2: The Building 16 Element 3: Performing Arts 16 Presenting Companies 20 The Opera House Presents 24 Element 4: Visitor Experience 26 Element 5: Our Business Agility 27 Organisation Chart 28 Corporate Governance 30 Trust Members 34 People and Culture 38 Financial Overview 41 Financial Statements 74 Government Reporting 97 Donor Acknowledgement 101 Contact Information 102 Index Cover Image 103 Corporate Partners Sydney Opera House opened in 1973 and celebrates its 40th Anniversary in the 2013 year. 3 Our History Who We Are _1957 _2004 Sydney Opera House is a global icon, the most internationally recognised symbol of Australia and one of the great buildings Jørn Utzon wins Sydney Utzon Room opened – of the world. Opera House design first venue at Sydney competition. Opera House designed We are committed to continuing the legacy of Utzon’s creative by Jørn Utzon. genius by creating, producing and presenting the most acclaimed, imaginative and engaging performing arts experiences from Australia _1959 Recording Studio and around the world: onsite, offsite and online. Work begins on opened. Stage 1 – building the We are one of the world’s busiest performing arts centres, with seven primary performance venues in use nearly every day of the foundations. _2005 year. In 2012/13, 1,895 live performances were enjoyed by more than National Heritage 1.37 million people.
    [Show full text]
  • BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE
    LYRIC THEATRE, QPAC BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE THE STORY THAT INSPIRED THE WORLD TO DANCE Global Creature PRESENTS Baz Luhrmann’ STRICTLY BALLROOM THE MUSICAL DIRECTED BY BAZ LUHRMANN BASED ON THE MUCH LOVED AUSTRALIAN FILM BRISBANE SEASON CONFIRMED AT THE QUEENSLAND PERFORMING ARTS CENTRE FROM SEPTEMBER 2015 Global Creatures confi rmed today that Baz Luhrmann’s much-loved hit show STRICTLY BALLROOM THE MUSICAL will open in Brisbane at the Lyric Theatre, Queensland Performing Arts Centre (QPAC) in September 2015. STRICTLY BALLROOM THE MUSICAL had its Global Premiere on Saturday 12 April at the Sydney Lyric Theatre, The Star and is currently playing at Her Majesty’s Theatre, Melbourne. This new production is staged by the original creative team behind the classic 1992 fi lm, including director and co-writer Baz Luhrmann, set and costume designer Catherine Martin, choreographer John “Cha Cha” O’Connell and co-writer Craig Pearce. Playing the pivotal roles of ‘Scott Hastings’ and ‘Fran’ is Thomas Lacey and Phoebe Panaretos who lead an outstanding Australian cast of 43 including Bob Baines as Les Kendall, Drew Forsythe as Doug Hastings, Natalie Gamsu as Abuela, Robert Grubb as Barry Fife, Fernando Mira as Rico, Heather Mitchell as Shirley Hastings and Mark Owen-Taylor as JJ Silvers. STRICTLY BALLROOM THE MUSICAL features break-into-song numbers created from original classics from the fi lm, Love is in the Air, Perhaps Perhaps Perhaps, and Time After Time as well as some wonderful new songs by artists such as Eddie Perfect and Sia. STRICTLY BALLROOM THE MUSICAL is the inspiring story of a championship ballroom dancer who defi es all the rules to follow his heart.
    [Show full text]
  • Sydney in Winter Featuring Vivid Sydney 2014 Love Every Second
    YOUR GUIDE TO SYDNEY IN WINTER FEATURING VIVID SYDNEY 2014 LOVE EVERY SECOND PLAN YOUR MAKE THE MOST GREAT SHORT TRIP TO VIVID OF SYDNEY THIS BREAKS TO SYDNEY 2014! WINTER REGIONAL NSW THE BEST OF SYDNEY AND NSW IN WINTER There’s a very special feeling in the air in Sydney during the Winter period. From April right through to August, the city comes alive day and night with a packed line-up of world-class events, including Vivid Sydney, awarded Australian Event of the Year for 2013. Start planning your very own Sydney in Winter experience right now. Whether you’re here for the school holidays with your kids, on a short break to enjoy the many Vivid Sydney events, or attending a sports match, musical or film festival, you’ll find Sydney in Winter has something for everyone. CONNECT WITH VIVID SYDNEY CONTENTS facebook.com/vividsydney The Best of Sydney & NSW in Winter 3 Plan Your Trip 19 twitter.com/vividsydney Vivid 2014 Highlights 4 Acknowledgements 20 VIVID SYDNEY 2014 IT'S ON IN NSW @vividsydney FOOD & WINE Vivid is now in its sixth year! It’s time to Sydney and NSW come alive in Winter Sydney’s dining scene is dynamic. #vividsydney Lighting the Sails 5 Sydney Operas & Musicals 21 - 23 start planning your very own Vivid Sydney with an action-packed calendar of Whether you’re travelling solo, with plus.google.com/+vividsydney Vivid Light Walk 6 - 7 Sydney Sports 24 - 25 experience so you don't miss out on the world-class festivals, operas, musicals friends or with family, you will find highlights.
    [Show full text]
  • How Do You Value an Icon? the Sydney Opera House: Economic, Cultural and Digital Value
    How do you value an icon? The Sydney Opera House: economic, cultural and digital value 2013 Contents Glossary i Executive summary 1 1 Introduction 3 1.1: Report structure 4 1.2: Sydney Opera House 4 1.3: The Sydney Opera House Trust 4 2 Economic contribution of the Sydney Opera House 5 2.1: Measuring the economic contribution 7 2.2: Direct economic contribution 9 2.3: Indirect economic contribution 9 2.4: Total economic contribution 10 2.5: Contribution to tourism 11 3 Audience and cultural value 19 3.1: Estimation approach 22 3.2: Consumer value and choice 23 3.3: Non-use value 27 3.4: Digital value 30 3.5: Total social asset value 32 4 Brand value 33 4.1: SOH in the 2013 BAV study 36 5 Digital footprint and future potential 41 5.1: From poised icon to living cultural experience 43 5.2: The social scene 46 5.3: The festival effect 48 5.4: The video vanguard 49 5.5: Mobile 51 References 53 Appendix A: Previous literature on contingent valuation of cultural assets 54 Appendix B: Questionnaire and results 55 Appendix C: Economic contribution studies 63 Appendix D: Economic contribution of SOH 66 Appendix E: Sydney tourism data 69 Appendix F : Estimating SOH’s contribution to tourism 72 Appendix G : The SOH's digital future 75 Limitation of our work 77 Charts Chart 1.0: Scope of the report 3 Chart 2.1: Proportion of visitors attending the SOH and precinct 15 Chart 2.2: Proportion of holiday visitors citing SOH as a factor or main factor in the decision to visit Sydney 16 Chart 3.1: Value versus cost – Stancombe respondents 23 Chart 3.2: SOH
    [Show full text]
  • Cinema ( P170 ) Australian Chamber Orchestra ( P171 )
    © Lonely Planet Publications THE ARTS Sydney Theatre Company ( p172 ) Opera Australia ( p172 ) Bangarra Dance Theatre ( p171 ) Moonlight Cinema ( p170 ) Australian Chamber Orchestra ( p171 ) 166 local band, concerts at the Gaelic are a cosy SYDNEY CONSERVATORIUM lonelyplanet.com affair bridging the gap between the pub OF MUSIC Map p54 THE ARTS scene and the larger theatres. %9351 1222; www.music.usyd.edu.au; Macquarie St, City; tickets free-$28; dCircular Quay HORDERN PAVILION Map pp84–5 This historic music venue ( p59 ) showcases the It’s too easy to categorise Sydney as shallow and silly, when it actually has a thriving and sophis- %9921 5333; www.hordernpavilion.com.au; talents of its students and their teachers. ticated arts scene. It’s not a complete accident that its main icon is an opera house, after all. 1 Driver Ave, Moore Park; tickets $54-72; g339 Choral, jazz, operatic and chamber concerts Probably the most exciting genre to explore during your stay is the theatre, which has given Holding over 4000 people, the historic are held from March to September, along birth to many major international stars. One of these is Oscar-winner Cate Blanchett, whose Hordern (1924) hosts plenty of big-name with free lunch-time recitals on Wednes- early career included stints with the Griffin ( p172 ) and Sydney ( p172 ) theatre companies. She’s rock gigs and, along with neighbouring ven- days at 1.10pm. now returned to pay her dues, taking on a three-year contract (started in 2008) as co-artistic ues, the spectacular Sydney Gay & Lesbian director of Sydney Theatre Company, along with her husband, playwright Andrew Upton.
    [Show full text]
  • The Pirates of Penzance - Return Sydney Season
    DEC/ JAN, 1985/ 6 Vol 9 No 11 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust The Pirates Of Penzance - Return Sydney Season THE PIRATES OF PENZANCE by ollowing an Australia-wide tour the to the irreverent send-up as originally en­ Gilbert and Sullivan FVictoria State Opera/ Australian Eliza­ visaged by Gilbert and Sullivan who were Reproduced by Craig Schaefer after the bethan Theatre Trust co-production of the Monty Python of their day. In addi­ New York Shakespeare Festival produc­ THE PIRATES OF PENZANCE returns tion, the music, while faithful to the tion to Sydney in January and will play in the original tunes, is presented in a modern Cast: Jon English, Simon Gallaher, June Lyric Theatre, Entertainment Centre. This style, complete with synthesisers. " Bronhill, Dennis Olsen, Rosemary Boyle venue will give the scope to present the Jon English, Simon Gallaher and June and Tim Tyler production on a much larger scale than Bronhill will return with the production. Lyric Theatre, Entertainment Centre was possible within the limited staging They will be joined by Dennis Olsen as the facilities of the Regent Theatre. Major General, Tim Tyler as the Police "It was such a joyous romp it won cheers Sergeant and Rosemary Boyle as Mabel. The Australian production of THE Prime seats have been held for and a thunderous standing ovation . PIRATES OF PENZANCE is based on bursts with outrageous fun, often pure Members for the matinee and evening per­ the New York Shakespeare Festival's pro­ formances on Saturday, January 4 and the slapstick but done with such speed and duction which was first performed in Cen­ vigor that audience laughter is almost non­ Monday and Tuesday evening perfor­ tral Park four years ago with Kevin Kline mances on January 6 and 7.
    [Show full text]
  • Rites of Passage Booklet 2018 Copy
    Oxley College Year 9 Rites of Passage, 2018 Welcome! During the last three weeks of Term 2, Oxley College Year 9 students will complete a residential programme in Sydney where they will learn in museums, galleries, universities, theatres and the historically rich urban environment of Sydney’s CBD. The Rites of Passage Sydney programme has been designed around psychologist Michael Carr-Greg’s identified needs for 14 and 15 year olds: emancipation from parents; strong, healthy friendships, vocational direction; and a strong sense of personal identity. We have developed a cross-curriculum academic programme around the theme “Identity - Telling Your Story”. It includes tours, workshops and lectures at Macquarie University, University of Technology Sydney, Macquarie University, Art Gallery of NSW, ABC Studios, Foreshore Authority, The Sydney Jewish Museum, Museum of Human Disease, the Sydney Conservatorium of Music, Museum of Contemporary Art, Australian Film and Television School, Australian Centre for Field Robotics and Cockatoo Island. The purpose of this innovative programme is to expose students to ideas, people and phenomena that could never be accessed in a conventional classroom. We want to ignite students’ passion for what the future holds and the learning journey they are on. The Rites of Passage programme for Year 9 marks a significant transition toward life as a senior student. After the exhilaration of starting High School and before the challenge of the Higher School Certificate, the Rites of Passage programme provides an unforgettable, transitional moment in the lives of Oxley students. Regards, Michael Parker Headmaster Oxley College hrough the Rites of Passage programme we hope you will make a transition toward the maturity and wisdom of adulthood.
    [Show full text]
  • Sydney Theatre Report 2015
    SYDNEY THEATRE REPORT 2015 Steven Hopley [email protected] Released January 2016 TABLE OF CONTENTS INTRODUCTION 3 Transparency ........................................ 4 Geographical area ........................................ 4 Profile terms ........................................ 5 THEATRE PROFILES 8 New theatres ........................................ 69 Other notables venues ........................................ 71 SUMMARY 73 Use ........................................ 74 Government area ........................................ 75 Status ........................................ 76 Size ........................................ 77 Hire rates ........................................ 77 Access & red tape ........................................ 79 Recommendations ........................................ 81 2 INTRODUCTION There very nearly wasn't a Globe Theatre and, if this had been the case, most of the plays of William Shakespeare would now be lost. When the owner of the land on which their playhouse, The Theatre, was located tried to seize ownership of the building, Shakespeare's theatre company, the Lord Chamberlain's Men, was forced to take the drastic action of dismantling their building in the dead of night and reassembling it outside the boundaries of the city council area. They had already lost their second venue, Blackfriars, because wealthy local residents complained about the noise and traffic it would create; so if they had lost the building materials from the structure of The Theatre as well, the result would almost certainly have spelt the end of the company for which Shakespeare wrote most of his greatest works. And without the renown of his later works, even some of his earlier ones might have slipped into obscurity and been lost to us, like so many other plays from the period. The closure of two performance spaces in the Tap Gallery at Darlinghurst recently was a disaster for the independent theatre sector, but this is the mere tip of the iceberg.
    [Show full text]
  • Jennifer Irwin Apdg
    JENNIFER IRWIN APDG Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. Her work includes over 85 ballets as well as some of the largest scale spectacular productions ever staged in Australia including the Opening and Closing Ceremonies for the Sydney 2000 Olympic Games and the Official Ceremony marking the Centenary of Australian Federation 2001. In 2004, Jennifer designed the costumes for the International Box office sensation ‘Dirty Dancing’ the musical, still playing to packed audiences…breaking all pre box office sales of any show ever staged in the history of London’s West End. Her work has been stage live in over 60 countries, over 350 cities, venues including the Lincoln Centre NYC, City Centre NYC, Brooklyn Academy of Music NYC, The Kennedy Centre Washington, The Royal Opera House, Covent Garden London, Command performances at the Royal Palace Madrid and many at the Sydney Opera House. WEB LINKS TO COSTUME DESIGN IMAGES IF WORK DANCE https://plus.google.com/photos/106455240802866785053/albums/6162988251887439697 THEATRE https://plus.google.com/photos/106455240802866785053/albums/5891720573007576385 OPERA https://plus.google.com/photos/106455240802866785053/albums/5891714730933258001 OLYMPICS https://plus.google.com/photos/106455240802866785053/albums/5891716308858485489 Most Recent commissions & nominations 2019 WEST SIDE STORY Opera Australia 2019 MADAME BUTTERFLY Opera Australia 2018 MERRY WIDOW Opera Queensland 2018 MERRY WIDOW
    [Show full text]
  • Software for the Agile Business
    Software for the Agile Business. A star is born: Sydney Theatre Company debuts its online ordering system “We wanted to offer our subscribers a better way to do business with us. I don’t think Company Profile anyone at the Theatre was The Sydney Theatre Company is a major force in live Australian drama, under the illusion that we with a reputation for presenting acclaimed performances from would suddenly increase our Australian and international playwrights. Generally regarded as one of the leading theatre companies in the city, the Sydney Theatre overall subscriber base – that Company was formed in late 1978 and opened its first production on 1 wasn’t the point of the January, 1980. exercise. We were more concerned that we had this Operating out of The Wharf Theatre, on Sydney’s harbour, and the loyal base of people who Drama Theatre and the Playhouse of the Sydney Opera House, the wanted to subscribe to our Theatre also tours productions across Australia and internationally. shows and we simply had to There are currently plans underway to move the Company into a new offer them a better way to do theatre by 2003. it.” Pip Sprott, The Theatre is assisted annually by grants from the Federal Marketing Manager, Sydney Theatre Company Government through the Australia Council and the New South Wales Government through the Ministry for the Arts. STC is also supported by Organisation various sponsorship and donations from the corporate sector and Sydney Theatre Company private individuals. However, around 80 percent of the Theatre’s funds are raised through ticket sales, and,in particular, through its loyal Web Site subscriber base.
    [Show full text]
  • Privilege Booking Service
    TRUST NEWS APRIL• MAY 1995 VOLUME 95 - 2 PO Box R380 ROYAL ExcHA GE NSW 2000 T EL 231-0699/3136 'iWfif.fa@ PRIVILEGE BOOKING FOR ONLY $50 SERVICE ANN UAL MEMBERSHIP NOT ONLY DO YOU RECEIVE TELEPHONE C AROL M ARTIN FOR HER USUAL EXPERT AND PERS ONAL A BI -MONTHLY TRUST NEWS SERVICE ON THE T RUST'S UMBER (02) 23 1 0699 BUT GREAT SAVINGS ON TP Trust Price TI CKETS TOO GP G eneral Public Price Show Trust Total Member's Savings $3.00 Handling Fee per ticket (Pensioner and Student tickets). Discount (2 tkts) $3.00 For all other tickets $35.00 and under. $ $ $4.00 For all other tickets over $35.00 Rigoletto 27 .00 54.00 $1.00 Postage and Mailing (plus $2.20 Ticketek fee if applicable). Dead White Males 6.00 12.00 SEE INSIDE FOR FORTHCOMING PRODUCTIONS Wes t Sid e Story 9.00 18.00 Ca rm en 27.00 54.00 Walt Disney's World on Ice presents: Midsumm er Night 's Drea m 6.00 12.00 BEAUTY & THE BEAST Pericles 11.20 22 .40 Sydney Entertainment Centre, Ha ymarket, Sydn ey Showboa t Dinner Anoth er great ice show for the whole family to enjoy, taken from the Cruise 18.00 36.00 magic fi lm of the same name. Cin emas: Hoyts 2.50 5.00 Playing f rom June 29th to J uly 9th. Vill age 2.50 5.00 E ves: 7.30pm (June 29th, 30th, July 1st & 8th) Greater ni on 2.50 --5.ill! Mats: 10.30am (July 5th, 6th) IDW 12.30pm (June 29th, 30th)uly 1st, 2nd 8th & 9th) Why pay the f ull price for theatre and 2.00pm (July 4th, 5th 6th & 7th) cinema tickets.
    [Show full text]