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South Sydney Herald December/January 2007
Peace VOLUME ONE NUMBER FIFTY-SIX DEC/JAN’08 CIRCULATION 22,000 ALEXANDRIA BEACONSFIELD CHIPPENDALE DARLINGTON ERSKINEVILLE KINGS CROSS NEWTOWN PADDINGTON REDFERN SURRY HILLS WATERLOO WOOLLOOMOOLOOfor ZETLAND christmas and the Thered Turnbull new year! sunBand Why I voted for cD GIVEaWaYs the Greens The Review PAGE 10 ElEction rEporTs pages 13-14 Housing Minister “No to Northern Territory intervention!” avoids questions SSH The NSW Housing Minister’s media adviser appears to have misinformed the SSH about a meeting between the Minister and property developers in Waterloo, amid residents’ concerns for the future of public housing in the area. On learning that Matt Brown, Minister for Housing, was to tour Waterloo with members of the Redfern Waterloo Chamber of Commerce, the SSH approached the Minister’s department for information. The Department denied plans for the meeting, only to then concede it would take place. A request for a photo of the Minister and his hosts was met with resistance. Arriving at Waterloo Green at a time confirmed by the RWCC, the SSH learned that, at the Minister’s behest, the meeting had taken place some two hours earlier. In a briefing paper leaked to the SSH the RWCC said it was concerned to “minimise the negative impact of the area” that has resulted from the Government’s location of a large number of “high needs people in Redfern Waterloo public housing”. The brief details a need to improve administration of estates in the area and for the RWCC to take an active role in redevelopment plans. Local residents -
Legislative Assembly
4538 LEGISLATIVE ASSEMBLY Wednesday 24 August 2011 __________ The Speaker (The Hon. Shelley Elizabeth Hancock) took the chair at 10.00 a.m. The Speaker read the Prayer and acknowledgement of country. RESIDENTIAL PARKS AMENDMENT (REGISTER) BILL 2011 Agreement in Principle Debate resumed from 11 August 2011. Ms CHERIE BURTON (Kogarah) [10.00 a.m.]: I also welcome to the Parliament students from Aberdeen Public School. The objects of the Residential Parks Amendment (Register) Bill 2011 are as follows: (a) to provide for the establishment of a register of residential parks, which is to contain certain information about residential parks, and (b) to require park owners or park managers to provide information about residential parks for entry in the register. The Opposition does not oppose this bill which will establish and maintain a register of all residential parks in New South Wales. Much was done by the former Government to ensure that the rights of caravan park residents were not ignored. I have spoken to a few residential groups who welcome this bill and who are positive about the establishment of a register. They believe it will give them more certainty as permanent residents of caravan parks. However, we need to establish, first, that the residents are not tourists; residential parks and caravans are home to many people in our community. A report prepared by the Legislative Council Standing Committee on Social Issues established three categories of people who live in caravan parks. The first category, usually retirees, is people who live there by choice because it is a way of life for them. -
THE FORTIAN 1992 Erika Tuktens Sally Buckingham Year 10 Year 11 Jennifer Alker Year 10
THE FORTIAN 1992 Erika Tuktens Sally Buckingham Year 10 Year 11 Jennifer Alker Year 10 Luke Hall Year 7 Lat. Viet•Chan 'Fran, Theodora Tserdanis Angela Giannakopool Madeleine Lyons, Katrina Stiles, Corin Throsby Year 11 Year 11 The Fortian Committee Committee Karina Acton Sarah Beak Louise Buckingham James Cottee J.V. Douglas Catherine Dung Maya Gazzard David Lesslie Holly Lyons Shunanda Wallace Ms Buckland Ms Davis Ms Page Mr Sorban Editor's Note As usual, there was a rush to finish the Fortian at the end of the year. There seemed a rush at this time for the contribution box too. Instead of the regular one poem per month, we received two poems and one story in a week ! Huge thanks to Ms Sarah Patterson, who did all our typing and typesetting, and Mr George Jaksic (Fortian 1966-71), who provided a lot of time and energy helping us to prepare the year book for publication and printing it so professionally. Sarah Beak Editor C 0 N T E N T S Principal's Report 1 The Year in Review 20 Athletics Carnival 46 Credits 2 Latin Report 24 Zone & Grade Sports 50 Deputy Principal's Report 3 Peer Support Group 25 Tennis Report 51 Speech Day 1992 4 Students Alive 25 Gala Day Sport Comp. 51 Year 12 - 1992 6 Tournament of Minds 25 Rugby Report 52 Eifuku Visit 7 Science Report 27 Volleyball Report 52 Clarice Kennedy 8 Mathematics Report 28 Staff & Students 1992 54 Fortians Union News 9 German Report 29 P & C Report 9 History Report 29 Debating 10 Social Science Report 29 Student Council 11 Music Report 30 Front & Back Covers: "Friends" Girls' Discussion Group 12 Computing Report 31 Addy Cobcroft Year 12 Personal Development Comp 14 English Report 31 Geography Camp Report 15 Industrial Arts Report 31 THE FORTIAN 1992 Vol. -
Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 25 1 23rd January 2017 Chairman’s Letter announced nearly $300,000 in grants. Last year’s Dear Friends recipients included the Griffin Theatre Company, Sport For Jove, the Seymour Centre, the Hayes On behalf of the Board, Staff and volunteers at the Theatre, Monkey Baa, Outhouse Theatre, Red Line at Seaborn, Broughton & Walford Foundation may I extend the Old Fitzroy, Critical Stages, Powerhouse Youth our very best wishes to you for the New Year. May 2017 Theatre, National Theatre of Parramatta, Sydney bring good health, much happiness and many fine Critics Awards, Currency House and the State Opera performances. of South Australia to assist in completing their four- Last year ended on a high note for the Foundation and year project to produce Australian composer George our loyal Friends. Following the relocation to our new Palmer’s opera Cloudstreet, a critically-acclaimed premises in Neutral Bay, we are now optimistic about world premiere based on Tim Winton’s novel. the exciting opportunities that are emerging as we work Warm congratulations also go to Francesca Savige to support the Australian performing arts in 2017. and Shaun Rennie who won this year’s Sandra Bates Director’s Awards, a prize offering mentoring and Since the last Newsletter, we have achieved a number of directing experience for emerging theatre directors milestones: the celebration of three decades of at the Ensemble Theatre in Kirribilli. -
Upgrades, Rebranding Designed to Further
CRANKING UP ‘THE AMP’ BY LISA WHITE UPGRADES, REBRANDING DESIGNED TO FURTHER HEIGHTEN PROFILE OF ST. AUGUSTINE AMPHITHEATRE AND PONTE VEDRA CONCERT HALL . Amphitheatre kicked o its main-stage concert season March 1 with a sold-out show by Alabama, guests at the Florida venue couldn’t help but notice the changes. The 4,000-seat facility had been expanded by 700 seats, and a new food truck area provided fresh local options beyond the traditional concession stands. “We sell out a lot of our shows quickly, so we knew the demand was Athere and the ability to bring in bigger acts,” said Gabe Pellicer, assistant director of the venue and the adjacent Ponte Vedra Concert Hall, about the new seats. “We knew we had a lot of momentum, so we went for it.” The changes coincide with a rebranding for what’s now being called The Amp St. Augustine, including new graphics and brand colors and a fresh tagline — “Big Acts, Small Venue” — that echoes Pellicer’s words. The rebranding eorts are among a continuing eort to create a nationally known venue in a small market. “We felt like we ran into a fork in the road,” Pellicer said. “Do we create more revenue, more shows or a better experience? We’re a government-run venue that doesn’t have to chase prots, so we decided to make it the best we possibly could.” Owned and operated by the cultural events division of St. Johns County, The Amp hosts over 40 concerts and multiple community events annually, including the Saturday Farmers Market, held year-round, and the Sing Out Loud Festival, Florida’s largest free live entertainment festival and benet, held every weekend in September. -
Sydney Opera House Annual Report 2012-2013
_2012/13 Sydney Opera House Annual Report Celebrating 40 years in 2013 2012/13 Contents 3 Letter to Minister 3 Our History 3 Who We Are 4 Our Mission 5 Elements of Our Strategy 5 Our Values 6 Highlights 7 Awards 8 Chairman’ s Message 10 CEO ’s Message 12 Element 1: Our Stakeholders 14 Element 2: The Building 16 Element 3: Performing Arts 16 Presenting Companies 20 The Opera House Presents 24 Element 4: Visitor Experience 26 Element 5: Our Business Agility 27 Organisation Chart 28 Corporate Governance 30 Trust Members 34 People and Culture 38 Financial Overview 41 Financial Statements 74 Government Reporting 97 Donor Acknowledgement 101 Contact Information 102 Index Cover Image 103 Corporate Partners Sydney Opera House opened in 1973 and celebrates its 40th Anniversary in the 2013 year. 3 Our History Who We Are _1957 _2004 Sydney Opera House is a global icon, the most internationally recognised symbol of Australia and one of the great buildings Jørn Utzon wins Sydney Utzon Room opened – of the world. Opera House design first venue at Sydney competition. Opera House designed We are committed to continuing the legacy of Utzon’s creative by Jørn Utzon. genius by creating, producing and presenting the most acclaimed, imaginative and engaging performing arts experiences from Australia _1959 Recording Studio and around the world: onsite, offsite and online. Work begins on opened. Stage 1 – building the We are one of the world’s busiest performing arts centres, with seven primary performance venues in use nearly every day of the foundations. _2005 year. In 2012/13, 1,895 live performances were enjoyed by more than National Heritage 1.37 million people. -
Elizabethan Trust ·· News 300Eng8 Sepg8mber'74 No 12 Contentr Editor: Margaret Leask
elizabethan trust ·· news 300enG8 sepG8mber'74 no 12 contentr Editor: Margaret Leask The Stuttgart Ballet 3 Interview - Stella Adler and Ron Burrows 4 Fringe Engl ish in Brisbane - Albert Hunt and Richard Fotheringham 6 Puppetry News - The Marionette Theatre of Australia 8 London Scene - Gordon Beattie 9 Theatre in Canberra, Then and Now - Anne Godfrey-Smith 10 Dance Footnotes - Leonard Linden 12 Three Rooms, Harbour View - the ITI at the A.E.T.T: 13 Australian National Playwrights Conference 13 The Poets of Pleasure at N.I.D.A. - Maxlffland 14 Lucette Aldous 16 Melbourne Scene - BarryBalmer 18 Books 19 Australian Elizabethan Theatre Trust Conference 19 The Facts about the Elizabethen Trust Orchestras - Ken Mackenzie·Forbes20 Music - The War Requiem Twelve Years Later 21 Committees' Diary 21 Elizabeth Sweeting talks about Theatre Administration 22 New Opera South Austral ia - Stuart Thompson 24 Stageworld 25 R~o~s W Showguide 27 lHE N~TIONAL 1N5TITUrE IIIIID OF [)R,Al\MTIC ART at the University of New South Wales forme Sydney, Australia offers: Three year full-time training courses NEW for the Professional Theatre in ACTING BLOOD TECHNICAL PRODUCTION Blood is urgently required by the Red Cross Blood Transfusion Service. Help DESIGN save a life - giving blood is simple and harmless. A few minutes of your time Ther~ is a one year post-graduate could mean a lifetime to somebody student director's course for people else. ENROL NOW! already experienced in professional, university or amateur theatre. Sydney - 153 Clarence Street. (telephone 290 2555); Enquiries should be addressed to: Melbourne - 114 Flinders Street. -
Publications for Phillip Slater 2020 2019 2016 2015 2014 2013
Publications for Phillip Slater 2020 Tasmanian International Arts Festival & Big hART Inc. Barker, S., Slater, P. (2020). 1. Mirage Sustains 2. Ground to Armfield, N., Barker, S., Briggs, W., Buday, H., Cullen, M., Body Vertical Flow 3. Incline Obscures. On On Running 2: Dukes, A., Gilfedder, E., Koman, J., Masters, N., Moody, C., Mirage Sustains, All primary digital platforms, Sydney, Slater, P., et al (2015). King Lear. Roslyn Packer Theatre, Australia: MGM International Distribution. Walsh Bay, Sydney, Australia: Sydney Theatre Company. Slater, P., Barker, S. (2020). Liveworks Serenade (untitled for Nolan, P., Choi, K., Balodis, J., Kim, D., Tregloan, A., Slater, trumpet and drumkit). Carriageworks Liveworks Festival: P., Barker, S., Legs on the Wall., AsiaNow. (2015). Tale of Liveworks Serenade. Performance Space, Sydney, Australia: Samulnori. The Tale of Samulnori (World Premier Carriageworks. Performance). Seoul Street Arts Creation Centre, Seoul, Korea, Slater, P., Sheldon, J. (2020). Liveworks Serenade (untitled for Republic of (South): Seoul Street Arts Festival/Legs On The voice, trumpet and electronics). Carriageworks Liveworks Wall/AsiaNow. Festival: Liveworks Serenade. Performance Space, Sydney, Australia: Carriageworks. 2014 Slater, P., Keegan, M., McMahon, M., Hirst, B., Barker, S. Slater, P., Dean, R. (2014). 1. Weaving the Rugs for trumpet (2020). Phil Slater Quintet: 1. Music from The Dark Pattern (1) and algorithmic sound 2. Tribute to Kenny Wheeler. 2. Music from The Dark Pattern (2) [Portfolio]. The Earshift Australysis: Journeys and Constructions. Recital Hall East, Music Festival 2020. Old 505 Theatre, Sydney, Australia: Sydney Conservatorium of Music, Sydney, Australia: The New Earshift Music. Music Network. 2019 Slater, P., Barker, S. (2014). Henka (for Trumpet and Percussion). -
Entertainment Posters, Part 1 Rock Concerts, Film, Theatre & Performance
Entertainment Posters, Part 1 Rock concerts, film, theatre & performance Collectors’ List No. 190, 2017 Online catalogue Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW p: (02) 9663 4848 e: [email protected] w: joseflebovicgallery.com 1.| |For The Term Of His Natural Life,| JOSEF LEBOVIC GALLERY 1927.| Colour linocut with letter press, 101.7 x Celebrating 40 Years • Established 1977 76.5cm. Repaired minor creases and stains Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) to margins, old folds. Linen-backed.| $1,650| Text includes “All the wealth of a nation! It cost Address: 103a Anzac Parade, Kensington (Sydney), NSW over £60,000 to produce in Australia for the world! Postal: PO Box 93, Kensington NSW 2033, Australia Australia’s peerless scenery was combed to show Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 the world the nation’s natural beauty spots, the company travelling more than 2,000 miles to various Email: [email protected] • Website: joseflebovicgallery.com locations, including picturesque Tasmania. Produced Open: Monday to Saturday from 1 to 6pm by chance or by appointment by the famous international director, Norman Dawn, for Australasian Films Ltd, it is adapted from Marcus Clarke’s world-famous book, of which millions of copies have been sold. “It is the first gigantic effort to place Australia on COLLECTORS’ LIST No. 190, 2017 the movie map. Rich in earnest human appeal this Union-Master-World-Production presents something spectacular, dramatic and historical that will live for all time. Marcus Clarke’s immortal story, produced by Norman Dawn for Australasian Films Ltd. -
BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE
LYRIC THEATRE, QPAC BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE THE STORY THAT INSPIRED THE WORLD TO DANCE Global Creature PRESENTS Baz Luhrmann’ STRICTLY BALLROOM THE MUSICAL DIRECTED BY BAZ LUHRMANN BASED ON THE MUCH LOVED AUSTRALIAN FILM BRISBANE SEASON CONFIRMED AT THE QUEENSLAND PERFORMING ARTS CENTRE FROM SEPTEMBER 2015 Global Creatures confi rmed today that Baz Luhrmann’s much-loved hit show STRICTLY BALLROOM THE MUSICAL will open in Brisbane at the Lyric Theatre, Queensland Performing Arts Centre (QPAC) in September 2015. STRICTLY BALLROOM THE MUSICAL had its Global Premiere on Saturday 12 April at the Sydney Lyric Theatre, The Star and is currently playing at Her Majesty’s Theatre, Melbourne. This new production is staged by the original creative team behind the classic 1992 fi lm, including director and co-writer Baz Luhrmann, set and costume designer Catherine Martin, choreographer John “Cha Cha” O’Connell and co-writer Craig Pearce. Playing the pivotal roles of ‘Scott Hastings’ and ‘Fran’ is Thomas Lacey and Phoebe Panaretos who lead an outstanding Australian cast of 43 including Bob Baines as Les Kendall, Drew Forsythe as Doug Hastings, Natalie Gamsu as Abuela, Robert Grubb as Barry Fife, Fernando Mira as Rico, Heather Mitchell as Shirley Hastings and Mark Owen-Taylor as JJ Silvers. STRICTLY BALLROOM THE MUSICAL features break-into-song numbers created from original classics from the fi lm, Love is in the Air, Perhaps Perhaps Perhaps, and Time After Time as well as some wonderful new songs by artists such as Eddie Perfect and Sia. STRICTLY BALLROOM THE MUSICAL is the inspiring story of a championship ballroom dancer who defi es all the rules to follow his heart. -
Sydney in Winter Featuring Vivid Sydney 2014 Love Every Second
YOUR GUIDE TO SYDNEY IN WINTER FEATURING VIVID SYDNEY 2014 LOVE EVERY SECOND PLAN YOUR MAKE THE MOST GREAT SHORT TRIP TO VIVID OF SYDNEY THIS BREAKS TO SYDNEY 2014! WINTER REGIONAL NSW THE BEST OF SYDNEY AND NSW IN WINTER There’s a very special feeling in the air in Sydney during the Winter period. From April right through to August, the city comes alive day and night with a packed line-up of world-class events, including Vivid Sydney, awarded Australian Event of the Year for 2013. Start planning your very own Sydney in Winter experience right now. Whether you’re here for the school holidays with your kids, on a short break to enjoy the many Vivid Sydney events, or attending a sports match, musical or film festival, you’ll find Sydney in Winter has something for everyone. CONNECT WITH VIVID SYDNEY CONTENTS facebook.com/vividsydney The Best of Sydney & NSW in Winter 3 Plan Your Trip 19 twitter.com/vividsydney Vivid 2014 Highlights 4 Acknowledgements 20 VIVID SYDNEY 2014 IT'S ON IN NSW @vividsydney FOOD & WINE Vivid is now in its sixth year! It’s time to Sydney and NSW come alive in Winter Sydney’s dining scene is dynamic. #vividsydney Lighting the Sails 5 Sydney Operas & Musicals 21 - 23 start planning your very own Vivid Sydney with an action-packed calendar of Whether you’re travelling solo, with plus.google.com/+vividsydney Vivid Light Walk 6 - 7 Sydney Sports 24 - 25 experience so you don't miss out on the world-class festivals, operas, musicals friends or with family, you will find highlights. -
The History of Moore Park, Sydney
The history of Moore Park, Sydney John W. Ross Cover photographs: Clockwise from top: Sunday cricket and Rotunda Moore Park Zoological Gardens (image from Sydney Living Museums) Kippax Lake Sydney Morning Herald, 30 August, 1869 Contents Foreword ................................................................................................................................................. 1 Timeline................................................................................................................................................... 3 Sydney Common ..................................................................................................................................... 5 Busby’s Bore ............................................................................................................................................ 7 Moore Park General Cemetery ............................................................................................................. 11 Victoria Barracks ................................................................................................................................... 13 Randwick and Moore Park Toll Houses ................................................................................................ 17 Paddington Rifle Range ......................................................................................................................... 21 Sydney Cricket Ground ........................................................................................................................