Rites of Passage Booklet 2018 Copy
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Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 25 1 23rd January 2017 Chairman’s Letter announced nearly $300,000 in grants. Last year’s Dear Friends recipients included the Griffin Theatre Company, Sport For Jove, the Seymour Centre, the Hayes On behalf of the Board, Staff and volunteers at the Theatre, Monkey Baa, Outhouse Theatre, Red Line at Seaborn, Broughton & Walford Foundation may I extend the Old Fitzroy, Critical Stages, Powerhouse Youth our very best wishes to you for the New Year. May 2017 Theatre, National Theatre of Parramatta, Sydney bring good health, much happiness and many fine Critics Awards, Currency House and the State Opera performances. of South Australia to assist in completing their four- Last year ended on a high note for the Foundation and year project to produce Australian composer George our loyal Friends. Following the relocation to our new Palmer’s opera Cloudstreet, a critically-acclaimed premises in Neutral Bay, we are now optimistic about world premiere based on Tim Winton’s novel. the exciting opportunities that are emerging as we work Warm congratulations also go to Francesca Savige to support the Australian performing arts in 2017. and Shaun Rennie who won this year’s Sandra Bates Director’s Awards, a prize offering mentoring and Since the last Newsletter, we have achieved a number of directing experience for emerging theatre directors milestones: the celebration of three decades of at the Ensemble Theatre in Kirribilli. -
Sydney Opera House Annual Report 2012-2013
_2012/13 Sydney Opera House Annual Report Celebrating 40 years in 2013 2012/13 Contents 3 Letter to Minister 3 Our History 3 Who We Are 4 Our Mission 5 Elements of Our Strategy 5 Our Values 6 Highlights 7 Awards 8 Chairman’ s Message 10 CEO ’s Message 12 Element 1: Our Stakeholders 14 Element 2: The Building 16 Element 3: Performing Arts 16 Presenting Companies 20 The Opera House Presents 24 Element 4: Visitor Experience 26 Element 5: Our Business Agility 27 Organisation Chart 28 Corporate Governance 30 Trust Members 34 People and Culture 38 Financial Overview 41 Financial Statements 74 Government Reporting 97 Donor Acknowledgement 101 Contact Information 102 Index Cover Image 103 Corporate Partners Sydney Opera House opened in 1973 and celebrates its 40th Anniversary in the 2013 year. 3 Our History Who We Are _1957 _2004 Sydney Opera House is a global icon, the most internationally recognised symbol of Australia and one of the great buildings Jørn Utzon wins Sydney Utzon Room opened – of the world. Opera House design first venue at Sydney competition. Opera House designed We are committed to continuing the legacy of Utzon’s creative by Jørn Utzon. genius by creating, producing and presenting the most acclaimed, imaginative and engaging performing arts experiences from Australia _1959 Recording Studio and around the world: onsite, offsite and online. Work begins on opened. Stage 1 – building the We are one of the world’s busiest performing arts centres, with seven primary performance venues in use nearly every day of the foundations. _2005 year. In 2012/13, 1,895 live performances were enjoyed by more than National Heritage 1.37 million people. -
Publications for Phillip Slater 2020 2019 2016 2015 2014 2013
Publications for Phillip Slater 2020 Tasmanian International Arts Festival & Big hART Inc. Barker, S., Slater, P. (2020). 1. Mirage Sustains 2. Ground to Armfield, N., Barker, S., Briggs, W., Buday, H., Cullen, M., Body Vertical Flow 3. Incline Obscures. On On Running 2: Dukes, A., Gilfedder, E., Koman, J., Masters, N., Moody, C., Mirage Sustains, All primary digital platforms, Sydney, Slater, P., et al (2015). King Lear. Roslyn Packer Theatre, Australia: MGM International Distribution. Walsh Bay, Sydney, Australia: Sydney Theatre Company. Slater, P., Barker, S. (2020). Liveworks Serenade (untitled for Nolan, P., Choi, K., Balodis, J., Kim, D., Tregloan, A., Slater, trumpet and drumkit). Carriageworks Liveworks Festival: P., Barker, S., Legs on the Wall., AsiaNow. (2015). Tale of Liveworks Serenade. Performance Space, Sydney, Australia: Samulnori. The Tale of Samulnori (World Premier Carriageworks. Performance). Seoul Street Arts Creation Centre, Seoul, Korea, Slater, P., Sheldon, J. (2020). Liveworks Serenade (untitled for Republic of (South): Seoul Street Arts Festival/Legs On The voice, trumpet and electronics). Carriageworks Liveworks Wall/AsiaNow. Festival: Liveworks Serenade. Performance Space, Sydney, Australia: Carriageworks. 2014 Slater, P., Keegan, M., McMahon, M., Hirst, B., Barker, S. Slater, P., Dean, R. (2014). 1. Weaving the Rugs for trumpet (2020). Phil Slater Quintet: 1. Music from The Dark Pattern (1) and algorithmic sound 2. Tribute to Kenny Wheeler. 2. Music from The Dark Pattern (2) [Portfolio]. The Earshift Australysis: Journeys and Constructions. Recital Hall East, Music Festival 2020. Old 505 Theatre, Sydney, Australia: Sydney Conservatorium of Music, Sydney, Australia: The New Earshift Music. Music Network. 2019 Slater, P., Barker, S. (2014). Henka (for Trumpet and Percussion). -
BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE
LYRIC THEATRE, QPAC BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE THE STORY THAT INSPIRED THE WORLD TO DANCE Global Creature PRESENTS Baz Luhrmann’ STRICTLY BALLROOM THE MUSICAL DIRECTED BY BAZ LUHRMANN BASED ON THE MUCH LOVED AUSTRALIAN FILM BRISBANE SEASON CONFIRMED AT THE QUEENSLAND PERFORMING ARTS CENTRE FROM SEPTEMBER 2015 Global Creatures confi rmed today that Baz Luhrmann’s much-loved hit show STRICTLY BALLROOM THE MUSICAL will open in Brisbane at the Lyric Theatre, Queensland Performing Arts Centre (QPAC) in September 2015. STRICTLY BALLROOM THE MUSICAL had its Global Premiere on Saturday 12 April at the Sydney Lyric Theatre, The Star and is currently playing at Her Majesty’s Theatre, Melbourne. This new production is staged by the original creative team behind the classic 1992 fi lm, including director and co-writer Baz Luhrmann, set and costume designer Catherine Martin, choreographer John “Cha Cha” O’Connell and co-writer Craig Pearce. Playing the pivotal roles of ‘Scott Hastings’ and ‘Fran’ is Thomas Lacey and Phoebe Panaretos who lead an outstanding Australian cast of 43 including Bob Baines as Les Kendall, Drew Forsythe as Doug Hastings, Natalie Gamsu as Abuela, Robert Grubb as Barry Fife, Fernando Mira as Rico, Heather Mitchell as Shirley Hastings and Mark Owen-Taylor as JJ Silvers. STRICTLY BALLROOM THE MUSICAL features break-into-song numbers created from original classics from the fi lm, Love is in the Air, Perhaps Perhaps Perhaps, and Time After Time as well as some wonderful new songs by artists such as Eddie Perfect and Sia. STRICTLY BALLROOM THE MUSICAL is the inspiring story of a championship ballroom dancer who defi es all the rules to follow his heart. -
Sydney in Winter Featuring Vivid Sydney 2014 Love Every Second
YOUR GUIDE TO SYDNEY IN WINTER FEATURING VIVID SYDNEY 2014 LOVE EVERY SECOND PLAN YOUR MAKE THE MOST GREAT SHORT TRIP TO VIVID OF SYDNEY THIS BREAKS TO SYDNEY 2014! WINTER REGIONAL NSW THE BEST OF SYDNEY AND NSW IN WINTER There’s a very special feeling in the air in Sydney during the Winter period. From April right through to August, the city comes alive day and night with a packed line-up of world-class events, including Vivid Sydney, awarded Australian Event of the Year for 2013. Start planning your very own Sydney in Winter experience right now. Whether you’re here for the school holidays with your kids, on a short break to enjoy the many Vivid Sydney events, or attending a sports match, musical or film festival, you’ll find Sydney in Winter has something for everyone. CONNECT WITH VIVID SYDNEY CONTENTS facebook.com/vividsydney The Best of Sydney & NSW in Winter 3 Plan Your Trip 19 twitter.com/vividsydney Vivid 2014 Highlights 4 Acknowledgements 20 VIVID SYDNEY 2014 IT'S ON IN NSW @vividsydney FOOD & WINE Vivid is now in its sixth year! It’s time to Sydney and NSW come alive in Winter Sydney’s dining scene is dynamic. #vividsydney Lighting the Sails 5 Sydney Operas & Musicals 21 - 23 start planning your very own Vivid Sydney with an action-packed calendar of Whether you’re travelling solo, with plus.google.com/+vividsydney Vivid Light Walk 6 - 7 Sydney Sports 24 - 25 experience so you don't miss out on the world-class festivals, operas, musicals friends or with family, you will find highlights. -
How Do You Value an Icon? the Sydney Opera House: Economic, Cultural and Digital Value
How do you value an icon? The Sydney Opera House: economic, cultural and digital value 2013 Contents Glossary i Executive summary 1 1 Introduction 3 1.1: Report structure 4 1.2: Sydney Opera House 4 1.3: The Sydney Opera House Trust 4 2 Economic contribution of the Sydney Opera House 5 2.1: Measuring the economic contribution 7 2.2: Direct economic contribution 9 2.3: Indirect economic contribution 9 2.4: Total economic contribution 10 2.5: Contribution to tourism 11 3 Audience and cultural value 19 3.1: Estimation approach 22 3.2: Consumer value and choice 23 3.3: Non-use value 27 3.4: Digital value 30 3.5: Total social asset value 32 4 Brand value 33 4.1: SOH in the 2013 BAV study 36 5 Digital footprint and future potential 41 5.1: From poised icon to living cultural experience 43 5.2: The social scene 46 5.3: The festival effect 48 5.4: The video vanguard 49 5.5: Mobile 51 References 53 Appendix A: Previous literature on contingent valuation of cultural assets 54 Appendix B: Questionnaire and results 55 Appendix C: Economic contribution studies 63 Appendix D: Economic contribution of SOH 66 Appendix E: Sydney tourism data 69 Appendix F : Estimating SOH’s contribution to tourism 72 Appendix G : The SOH's digital future 75 Limitation of our work 77 Charts Chart 1.0: Scope of the report 3 Chart 2.1: Proportion of visitors attending the SOH and precinct 15 Chart 2.2: Proportion of holiday visitors citing SOH as a factor or main factor in the decision to visit Sydney 16 Chart 3.1: Value versus cost – Stancombe respondents 23 Chart 3.2: SOH -