Jochen Schropp Mappe Mai 2021
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The Big Brother House Is Watching You Ed Hollis, Edinburgh College of Art, Edinburgh, UK Andy Milligan, Duncan of Jordanstone College of Art & Design, UK
Big Brother House The Big Brother House is Watching You Ed Hollis, Edinburgh College of Art, Edinburgh, UK Andy Milligan, Duncan of Jordanstone College of Art & Design, UK Abstract: The transitory celebrities who compete in Big Brother occupy the arena of their competition agog and open mouthed, for while Big Brother is, apparently, about the contestants, the real star of the reality show is the House in which it takes place. The Big Brother House is a place of mirrors concealing hidden eyes, disembodied voices and multiple voyeurs. Rather than granted refuge in this house, its occupants are exposed in a crazy cottage where Orwell meets vaudeville; and prison cells or luxuriant dens appear overnight installed by mischievous pixies. The BB House is the antithesis of Bachelard’s vertically ordered Oneiric Axis of nightmarish cellar, formal, domestic ‘middle kingdom’, and the dream space of the attic. The Big Brother house is horizontally layered but fabricated, (to build and to lie). The Big Brother House is a model in extremis of what contemporary domestic interior has become. Like a Foucaulvian heterotopia it is an hermetic, apparently complete model of occupancy. Indeed there is no exterior to this house, which is both closed-off and opened-up through live digital streaming, RSS feeds, and text updates. As such the BB House reveals surrealist tendencies: the mirrors are evocative of Magritte; the windows are for the voyeur not external vista; the BB occupants and the TV viewers are passive idle loafers. In this respect, the Big Brother House reflects the spectacular model homes that have adorned expos from the Great to the Ideal Home exhibitions, from Peter and Alison Smithson’s House of the Future (1956) to Archigram’s 1990 Automated House (1967). -
Wir Packen an Jeden Tag BesondersҶ Einfach ALDI
KW 18 | Feiertag 2020 | MITTWEIDA, FRANKENBERG, FLÖHA, BURGSTÄDT, HAINICHEN www.wochenendspiegel.de NEUES ZUM ALDI PREIS: ENTDECKEN SIE VIELE ANGEBOTE IN UNSEREM MAGAZIN 81'$8)$/',ү125''( Wir packen an Jeden Tag besondersҶ einfach ALDI. Mehr Müll in Coronazeiten – Müllmänner sind zu jeder Zeit unterwegs und entsorgen Erstelle Dein eigenes Lichtkonzept Plameco Limbach Burgstädter Straße 17 Burgstädter Renette plameco.de 09212 Limbach-Oberfrohna ✆ 03722 83337 Burgstädt. Rund um den Apfel geht es am 2. Mai von 14.30 bis 16 Uhr unter Vorbehalt. Catrin Just erzählt die Geschichte des Hoffnungsbaums. Eine Tafel zur Sortenbeschreibung wird einge- weiht. Treffpunkt für alle Teilneh- mer ist der Garten Nr. 12, Apfel- lehrpfad auf der Peniger Straße in Burgstädt. om Mit Straßenzulassung* (*nur für Erwachsenenfahrzeuge, Fest fällt aus nicht für Kindermotorräder) Hartmannsdorf. Aufgrund der derzeit gültigen Verordnung zur Durchführung von Veranstal- tungen, muss der Gewerbever- ein Hartmannsdorf e.V. leider mitteilen, dass er das für den 20.06.2020 geplante Dorf- und Vereinsfest in Hartmannsdorf ab- sagen muss. pm Online-Erzählcafe Thomas Bauer von der Firma FEHR mit seinem Entsorgungsfahrzeug. Er transportiert eine Presse für Industrie- müll. Foto: Uwe Wolf Frankenberg. Auch das wird eine OELSCHLÄGER Ankauf von Unfall und Gebrauchtwagen Premiere – unser erstes Online- Von Uwe Wolf ben, die Müll fachgerecht ent- Sonderleerungen außerhalb der Erzählcafe des Sächsischen Land- Mittweida. Müll fällt immer an sorgen gehört auch die FEHR normalen Tourenpläne durch. Wir zahlen für frauenverbandes mit Sitz in Fran- und in Zeiten der Corona Kri- Umwelt Ost GmbH. In Mittweida Wir sind dabei auf die Meldun- bar. kenberg. se mehr als sonst. Viele sind zu betreibt die Firma einen großen gen der Kommunen angewiesen. -
Big Brother As Ritual Event
CORE Metadata, citation and similar papers at core.ac.uk Provided by LSE Research Online Nick Couldry Playing for celebrity: Big Brother as ritual event Article (Accepted version) (Refereed) Original citation: Couldry, Nick (2002) Playing for celebrity: Big Brother as ritual event. Television & new media, 3 (3), pp. 283-293. DOI: 10.1177/152747640200300304 © 2002 SAGE Publications Ltd This version available at: http://eprints.lse.ac.uk/17652/ Available in LSE Research Online: September 2013 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. PLAYING FOR CELEBRITY: BIG BROTHER AS RITUAL EVENT NICK COULDRY Although Big Brother in the UK is now two series old, with a third series planned for 2002, there is a special reason for concentrating, as I do here, on the first Big Brother series broadcast in the UK by Channel Four (July-September, 2000, hereafter ‘BBUK1’). -
Adjudication of Ofcom Content Sanctions Committee
Ofcom Content Sanctions Committee Consideration of sanction against Channel Four Television Corporation in respect of its service Channel 4. 1 For Breaches of the Ofcom Broadcasting Code: • Rule 2.3 – Broadcasters must when applying generally accepted standards ensure that material which may cause offence is justified by the context; and • Rule 1.3 – Children must also be protected by appropriate scheduling from unsuitable material. On 15, 17, 18, 19 January 2007 Decision To direct Channel Four (and S4C) to broadcast a statement of Ofcom’s findings in a form determined by Ofcom immediately before the start of the broadcast of the first programme of the eighth series of Big Brother on Channel 4; immediately before the start of the broadcast of the first re- versioned programme of the eighth series of Big Brother on Channel 4; and immediately before the start of the broadcast of the programme in which the first eviction from the eighth series of Big Brother occurs on Channel 4. 1 This sanction also applies to Sianel Pedwar Cymru (“S4C”) which transmits Channel 4’s (Celebrity) Big Brother series on its service. 1 Contents Section Page 1 Summary 3 2 Background 6 3 Legal Framework 8 4 Issues raised with Channel Four and Channel Four’s Response 12 5 Ofcom’s Adjudication: Introduction 36 6 Not In Breach 42 7 Resolved 55 8 In Breach 57 9 Sanctions Decision 66 2 1 Summary 1.1 On the basis detailed in the Decision, under powers delegated from the Ofcom Board to Ofcom’s Content Sanctions Committee (“the Committee”), the Committee has decided to impose a statutory sanction on Channel Four (and S4C) in light of the serious nature of the failure by Channel Four to ensure compliance with Ofcom’s Broadcasting Code. -
Bezeichnungen Für Bekannte Personen Als Komponenten Deutscher Und Polnischer Eigennamen
STUDIA GERMANICA GEDANENSIA Gdańsk 2017, Nr. 37 Marcelina Kałasznik Universität Wrocław, Philologische Fakultät Bezeichnungen für bekannte Personen als Komponenten deutscher und polnischer Eigennamen Designations of known people in the function of proper name components in German and Polish. – Per- sonal designations form an important and open set of linguistic means by which people are called and char- acterized. At the heart of this article is a fragment of the inventory of personal identifications in German and Polish, namely names of famous people. The purpose of the article is to indicate the occurrence of names of known people in selected classes of proper names in Polish and German and to discuss the func- tion of their occurrences in particular onyms. Keywords: personal designations, designations of known people, proper names Bezeichnungen für bekannte Personen als Komponenten deutscher und polnischer Eigenna- men. – Personenbezeichnungen bilden einen wesentlichen und offenen Abschnitt des Wortschatzes. Mit Personenbezeichnungen wird der Mensch benannt und charakterisiert. Im Mittelpunkt des Beitrags steht das Inventar der Bezeichnungen für bekannte Personen im Deutschen und im Polnischen. Das Ziel der Studie besteht darin, auf das Vorhandensein der Bezeichnungen für bekannte Personen in bestimmten Klassen von Eigennamen in der deutschen und polnischen Sprache zu verweisen sowie ihre Funktionen in ausgewählten Typen von Onymen zu besprechen. Schlüßelwörter: Personenbezeichnungen, Bezeichnungen für bekannte Personen, Eigennamen. Określenia osób znanych w funkcji komponentów nazw własnych w języku niemieckim i polskim. – Określenia osobowe tworzą istotny i otwarty zbiór środków językowych, przy pomocy których nazywany i charakteryzowany jest człowiek. W centrum zainteresowania niniejszego artykułu znajduje się fragment inwentarza określeń osobowych w języku niemieckim i polskim, mianowicie określenia osób znanych. -
Big Brother Nigeria Returns for Third Edition
It’s BACK!!! Big Brother Nigeria returns for third edition November 2017 MultiChoice Nigeria has announced the return of Africa’s biggest reality television show, Big Brother Nigeria, for a third edition proudly sponsored by Payporte, Nigeria’s leading online store. The return of Big Brother Nigeria follows the critical success of the second edition which saw aspiring hip-hop artiste Efe Ejeba winning the coveted N25 million prize money and SUV after almost three months of drama, intrigue, betrayal and entertainment in the Big Brother house. Speaking on Big Brother Nigeria’s return, the Regional Director, M-Net West Africa, Wangi Mba-Uzoukwu said: “Around the globe, the Big Brother format remains one of the most popular genres of entertainment and this is also the case in Nigeria. The edition of Big Brother Nigeria was one of the most successful reality shows not just in Nigeria, but around the continent with a record number of votes and many of the housemates going on to pursue careers in entertainment. We are delighted to have the show return for a third edition and cannot wait for our audiences to once again tune in to experience all of the exciting entertainment that the show is sure to provide. Speaking further on the show’s return, the Managing Director, MultiChoice Nigeria, Mr. John Ugbe said: “At MultiChoice we take pride in providing the best entertainment available to viewers not just in Nigeria, but across Africa. The last Big Brother Nigeria was a tremendous success and prompted multiple queries about the show’s return. -
Playing for Celebrity: Big Brother As Ritual Event
Nick Couldry Playing for celebrity: Big Brother as ritual event Article (Accepted version) (Refereed) Original citation: Couldry, Nick (2002) Playing for celebrity: Big Brother as ritual event. Television & new media, 3 (3), pp. 283-293. DOI: 10.1177/152747640200300304 © 2002 SAGE Publications Ltd This version available at: http://eprints.lse.ac.uk/17652/ Available in LSE Research Online: September 2013 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. PLAYING FOR CELEBRITY: BIG BROTHER AS RITUAL EVENT NICK COULDRY Although Big Brother in the UK is now two series old, with a third series planned for 2002, there is a special reason for concentrating, as I do here, on the first Big Brother series broadcast in the UK by Channel Four (July-September, 2000, hereafter ‘BBUK1’). I want to think about Big Brother not as production or text, but as event stretched across multiple sites, an ‘instant condensation’ (Maffesoli, 1993: xv) of participation which was also an insistent representation of participation, in short, a media event. -
The Nigerian State and the Problematic of Nigeria's Big Brother Role in Nigeria's Foreign Intervention Missions
International Journal of Innovative Research in Education, Technology & Social Strategies p-ISSN: 2465-7298 | e-ISSN: 2467-8163 IJIRETSS Volume 6, Number 1 March, 2019 The Nigerian State and the Problematic of Nigeria's Big Brother Role in Nigeria's Foreign Intervention Missions Ugwu, Dave Ude Institute of Public Policy and Administration, IPPA University of Calabar – Nigeria A b s t r a c t igeria's foreign or external intervention policy is an important aspect of Nigerian's external relations whose primary focus is on the African Ncontinent. Within Nigeria's foreign intervention outreach, Nigeria relates as a Regional Power within the West African Sub-Region and as a Big Brother Nation and as a 'Giant of Africa' within the African continent. The reasons for this pride of place are arguably fascinating. Although Nigeria also has several external relations with the rest of the world, its role as a Big Brother Nation in Africa consist in an attachment to ensuring several fundamental objectives, chief among them of which are those of the following, namely, the political independence of African states from colonialism, the unity and mutual coexistence of African states, the political stability of the continent and the socio-economic and political progress of Africa. Achievement of these external objectives and missions has historically been an uphill task, and in consequences, some of the challenges or problematic of Big Brother Nigeria in leading the rest of Africa towards these objectives have been those of the following: the problematic of intelligence, strategic inefficiency, corruption, political and economic instability, and the dwindling image of the country in the global community. -
TV-Formate Richtung Geprägt
Erschienen in: Thomas Hecken und Marcus Kleiner (Hg.): Handbuch Popkultur. Stuttgart: Metzler, 2017. - S. 159–163. D Fernsehen 29 TV-Formate richtung geprägt. Hierin unterscheidet sich das For- mat vom übergeordneten Begriff des >Genres< (vgl. Der >Format<-Begriff rangiert als Typus zwischen Hickethier 2010,152 f.). >Sendung< (singuläres Produkt) und >Genre< (überge- Ein Fernsehformat ist durch fixe optische und ordneter Typus). Ein Genre ist durch etablierte For- akustische Gestaltungsmerkmale (z. B. Logo, Titelme- men des Erzählens und der fernsehästhetischen Dar- lodie) und durch eine unveränderte Dramaturgie be- stellung gekennzeichnet. In Bezug auf gesellschaftli- ziehungsweise einen konstanten Sendungsablauf ge- che Erwartungen stellt ein Fernsehgenre eine Form kennzeichnet. Die gleichbleibenden ästhetischen der kulturellen Praxis dar, durch die eine Orientierung Merkmale und Strukturen dienen als Grundlage der zwischen Programmausrichtung, Sendungsinhalt und jeweiligen Episoden oder Shows (vgl. Mikos 2015, Zuschauererwartung geboten wird. Fernsehgenres 255 ff.). Zusätzlich haben Formate oftmals einen fest werden im deutschsprachigen Raum zunächst nach vorgesehenen Sendeplatz im Fernsehprogramm (z. B. Informationssendung, Unterhaltungssendung oder Samstag-Abend-Show, Vorabend-Serie) (vgl. Lünen- fiktionaler Sendung unterschieden (vgl. Faulstich borg 2013, 94). 2008, 33 ff.). Aufgrund der nationalen Adaptionen kommt Fern- Für das Fernsehen spielt der Formatbegriff eine be- sehformaten in der non-fiktionalen Unterhaltung deutsame Rolle, weil er auf die ökonomische Dimensi- (z. B. Reality-Shows) eine größere Bedeutung als in der on des Fernsehmarkts verweist. Der Formatbegriff fiktionalen Unterhaltung (z. B. Serien) zu. Vor allem gründet in der Optimierung der (internationalen) die Subgenres der Spielshow, der Quizshow und des Vermarktung von Unterhaltungssendungen und in Reality-TV bringen populäre und international erfolg- der Ausrichtung des Fernsehens auf Einschaltquoten. -
In the High Court of Judicature at Bombay Ordinary Original Civil Jurisdiction in Its Commercial Division
904.10.comipl.147.2020.doc dik IN THE HIGH COURT OF JUDICATURE AT BOMBAY ORDINARY ORIGINAL CIVIL JURISDICTION IN ITS COMMERCIAL DIVISION INTERIM APPLICATION NO.1 OF 2020 AND LEAVE PETITION NO.56 OF 2020 IN COMMERCIAL IP SUIT (L) NO.147 OF 2020 Endemol Shine Nederland Producties B.V. & Ors....Applicants(Org. Plaintiffs) In the matter between: Endemol Shine Nederland Producties B.V. & Ors. …Plaintiffs Versus Andaman Xtasea Events Private Limited & Ors. …Defendants ---------------- Mr.Hiren Kamod, Advocate along with Mr.Vaibhav Keni, Ms. Doyel Sengupta Mattoo and Ms. Neha Iyer, Advocates i/b Legasis Partners, for the Applicants/Plaintiffs Mr. Lalit Sharma, representative of the Plaintiffs’ None for the Defendants ..... CORAM : B. P. COLABAWALLA, J. 21 FEBRUARY, 2020. P.C. : 1. Mr. Kamod, learned Advocate for the Plaintiffs submits that the papers and proceedings in the present matter have been duly served upon Defendant Nos.1 to 3 on 10th February, 2020 and Defendant No.4 on 8th February, 2020. An affdavit of service dated Pg 1 of 18 ::: Uploaded on - 24/02/2020 ::: Downloaded on - 24/02/2020 14:30:48 ::: 904.10.comipl.147.2020.doc 14th February, 2020 evidencing service of documents upon the Defendants was tendered before this Court on 14th February, 2020 and the same was taken on record. As per the order passed on 14th February, 2020, the Plaintiffs have given one more notice of this application to the Defendants vide emails dated 18th February, 2020. A copy of the said order dated 14th February, 2020 is also served upon the Defendants through email. -
Sandra Rieger
Sandra Rieger together casting UG Katja Steininger Phone: +49 89 520 32905 Email: [email protected] Website: www.together-casting.de © ️ Ronald Hansch Information Acting age 20 - 29 years Nationality German Year of birth 1993 (28 years) Languages German: native-language Height (cm) 179 English: fluent Eye color green brown Dialects Bairisch Hair color Brown Swabian Hair length Medium Berlin German Place of residence München Münchnerisch Housing options Berlin, Hamburg, Rusyn Leipzig, New York City, Accents Russian: only when required Stuttgart American: only when required Instruments Guitar: basic Keyboard/Synthesizer: basic Sport Rockclimbing, Bouldering, Soccer, Inline skating, Canoe/Kayak, Kickboxing, Climb, Longboard, Ice skating, Swim, Alpine skiing, Surfing Dance Salsa: basic Ballet: basic Hip hop: medium Standard: medium Freestyle dance: medium Jazz Dance: medium Street Dance: medium Modern Dance: medium Expressionist dance: medium Contemporary dance: basic Latin American dances: medium Profession Actor Singing Rock/Pop: basic Soul/RnB: basic Pitch Mezzo-soprano Other licenses Fitness trainer B license Vita Sandra Rieger by www.castupload.com — As of: 2021-09-18 Page 1 of 4 Professional background Die Schauspielfabrik Berlin - Intensiv Schauspielkurs Other Education & Training 2021 Gesehen & Werden Coaching in Film 2019 –… Zinner Studio Vollzeit Schauspielunterricht und Training + Kamera Workshop 2021 Gabrielle Odinis Schauspiel Coaching 2016 –… Junges Resi Unterricht in Tanz, Gesang und Schauspiel 2017 –… Junges Resi -
Announcement
Announcement 100 articles, 2016-09-17 00:00 1 Fußball - Köln besingt 3:0 gegen Freiburg Köln (dpa) - Nach einer rauschenden Fußball-Nacht ist der 1. FC Köln erstmals seit mehr als 20 Jahren wieder die Nummer 1 in der (4.39/5) Bundesliga. Die Mannschaft von 2016-09-16 22:42 4KB www.t-online.de 2 EU-Gipfel in der Slowakei: Der Geist von Bratislava scheint zu wirken In der slowakischen Hauptstadt Bratislava trafen sich die EU- (3.21/5) Regierungschefs, um über den künftigen Kurs der Union zu beraten. Im Zentrum der Debatten standen der Brexit und die Flüchtlingskrise. 2016-09-16 21:38 5KB www.rp-online.de 3 Nach Zusammenstößen in Bautzen: Linke greift Polizei an Mit Blick auf die jüngsten gewaltsamen Zusammenstöße zwischen (3.12/5) Rechtsextremen und jungen Flüchtlingen in Bautzen hat die sächsische Linke die Polizei scharf 2016-09-16 21:19 1KB www.t- online.de 4 Mecklenburg-Vorpommern: SPD beschließt Koalitionsverhandlungen mit CDU Die SPD im Nordosten setzt auf Kontinuität und kündigt (2.04/5) Koalitionsverhandlungen mit den Christdemokraten an. Die Linke geht damit in die Opposition. 2016-09-16 20:26 3KB www.zeit.de 5 EU-Gipfel: Merkel begrüßt "flexible Solidarität" Nach dem Brexit-Schock versucht die EU einen Neustart. Die (1.11/5) Vertreter osteuropäischer Staaten machen aber deutlich, dass sie in der Flüchtlingskrise nicht einlenken wollen. 2016-09-16 21:26 3KB www.sueddeutsche.de 6 Finale im Promi-Haus: Mario Basler landet auf Platz 3 Finale bei Promi Big Brother 2016: Am Freitagabend entschieden (1.02/5) die Zuschauer, wer die zweiwöchige Container-Show gewinnt.