Determining the Effectiveness of Network Broadcast Diversity Initiative Programs Leah P
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Federal Communications Commission Before the Federal
Federal Communications Commission Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Existing Shareholders of Clear Channel ) BTCCT-20061212AVR Communications, Inc. ) BTCH-20061212CCF, et al. (Transferors) ) BTCH-20061212BYE, et al. and ) BTCH-20061212BZT, et al. Shareholders of Thomas H. Lee ) BTC-20061212BXW, et al. Equity Fund VI, L.P., ) BTCTVL-20061212CDD Bain Capital (CC) IX, L.P., ) BTCH-20061212AET, et al. and BT Triple Crown Capital ) BTC-20061212BNM, et al. Holdings III, Inc. ) BTCH-20061212CDE, et al. (Transferees) ) BTCCT-20061212CEI, et al. ) BTCCT-20061212CEO For Consent to Transfers of Control of ) BTCH-20061212AVS, et al. ) BTCCT-20061212BFW, et al. Ackerley Broadcasting – Fresno, LLC ) BTC-20061212CEP, et al. Ackerley Broadcasting Operations, LLC; ) BTCH-20061212CFF, et al. AMFM Broadcasting Licenses, LLC; ) BTCH-20070619AKF AMFM Radio Licenses, LLC; ) AMFM Texas Licenses Limited Partnership; ) Bel Meade Broadcasting Company, Inc. ) Capstar TX Limited Partnership; ) CC Licenses, LLC; CCB Texas Licenses, L.P.; ) Central NY News, Inc.; Citicasters Co.; ) Citicasters Licenses, L.P.; Clear Channel ) Broadcasting Licenses, Inc.; ) Jacor Broadcasting Corporation; and Jacor ) Broadcasting of Colorado, Inc. ) ) and ) ) Existing Shareholders of Clear Channel ) BAL-20070619ABU, et al. Communications, Inc. (Assignors) ) BALH-20070619AKA, et al. and ) BALH-20070619AEY, et al. Aloha Station Trust, LLC, as Trustee ) BAL-20070619AHH, et al. (Assignee) ) BALH-20070619ACB, et al. ) BALH-20070619AIT, et al. For Consent to Assignment of Licenses of ) BALH-20070627ACN ) BALH-20070627ACO, et al. Jacor Broadcasting Corporation; ) BAL-20070906ADP CC Licenses, LLC; AMFM Radio ) BALH-20070906ADQ Licenses, LLC; Citicasters Licenses, LP; ) Capstar TX Limited Partnership; and ) Clear Channel Broadcasting Licenses, Inc. ) Federal Communications Commission ERRATUM Released: January 30, 2008 By the Media Bureau: On January 24, 2008, the Commission released a Memorandum Opinion and Order(MO&O),FCC 08-3, in the above-captioned proceeding. -
Photograph by Candace Dicarlo
60 MAY | JUNE 2013 THE PENNSYLVANIA GAZETTE PHOTOGRAPH BY CANDACE DICARLO Showtime CEO Matt Blank has used boundary-pushing programming, cutting-edge marketing, and smart management to build his cable network into a national powerhouse. By Susan Karlin SUBVERSIVE PRACTICALLY PRACTICALLY THE PENNSYLVANIA GAZETTE MAY | JUNE 2013 61 seems too … normal. “Matt runs the company in a very col- Showtime, Blank is involved with numer- This slim, understated, affa- legial way—he sets a tone among top man- ous media and non-profit organizations, Heble man speaking in tight, agers of cooperation, congeniality, and serving on the directing boards of the corporate phrases—monetizing the brand, loose boundaries that really works in a National Cable Television Association high-impact environments—this can’t be creative business,” says David Nevins, and The Cable Center, an industry edu- the guy whose whimsical vision has Showtime’s president of entertainment. cational arm. Then there are the frequent turned Weeds’ pot-dealing suburban “It helps create a sense of, ‘That’s a club trips to Los Angeles. mom, Dexter’s vigilante serial killer, and that I want to belong to.’ He stays focused “I’m an active person,” he adds. “I like Homeland’s bipolar CIA agent into TV on the big picture, maintaining the integ- a long day with a lot of different things heroes. Can it? rity of the brand and growing its exposure. going on. I think if I sat in a room and did Yet Matt Blank W’72, the CEO of Showtime, Matt is very savvy at this combination of one thing all day, I’d get frustrated.” has more in common with his network than programming and marketing that keeps his conventional appearance suggests. -
Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD by Steve Sternberg
April 2021 #105 ________________________________________________________________________________________ _______ Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD By Steve Sternberg Last year’s upfront season was different from any I’ve been involved in during my 40 years in the business. Because of the COVID-19 pandemic, there were no live network presentations to the industry, and for the first time since I’ve been evaluating television programming, I did not watch any of the fall pilots before the shows aired. Many new and returning series experienced production delays, resulting in staggered premieres, shortened seasons, and unexpected cancellations. The big San Diego and New York comic-cons were canceled. There was virtually no pre-season buzz for new broadcast or cable series. Stuck at home with fewer new episodes of scripted series than ever to watch on ad-supported TV, people turned to streaming services in large numbers. Netflix, which had plenty of shows in the pipeline, surged in terms of both viewers and new subscribers. Disney+, boosted by season 2 of The Mandalorian and new Marvel series, WandaVision and Falcon and the Winter Soldier, was able to experience tremendous growth. A Sternberg Report Sponsored Message The Sternberg Report ©2021 ________________________________________________________________________________________ _______ Amazon Prime Video, and Hulu also managed to substantially grow their subscriber bases. Warner Bros. announcing it would release all of its movies in 2021 simultaneously in theaters and on HBO Max (led by Wonder Woman 1984 and Godzilla vs. Kong), helped add subscribers to that streaming platform as well – as did its successful original series, The Flight Attendant. CBS All Access, rebranded as Paramount+, also enjoyed growth. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
From Broadcast to Broadband: the Effects of Legal Digital Distribution
From Broadcast to Broadband: The Effects of Legal Digital Distribution on a TV Show’s Viewership by Steven D. Rosenberg An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2007 Professor Marti G. Subrahmanyam Professor Jarl G. Kallberg Faculty Adviser Thesis Advisor 1. Introduction ................................................................................................................... 3 2. Legal Digital Distribution............................................................................................. 6 2.1 iTunes ....................................................................................................................... 7 2.2 Streaming ................................................................................................................. 8 2.3 Current thoughts ...................................................................................................... 9 2.4 Financial importance ............................................................................................. 12 3. Data Collection ............................................................................................................ 13 3.1 Ratings data ............................................................................................................ 13 3.2 Repeat data ............................................................................................................ -
Criminal Minds: Haunted
“Haunted” Written by Erica Messer Directed by Jon Cassar © 2009 ABC Studios. All rights reserved. This material is the exclusive property of ABC Studios and is intended solely for the use of its personnel. Distribution to unauthorized persons or reproduction, in whole or in part, without the written consent of ABC Studios is strictly prohibited. PRODUCTION #502 Episode Ninety-Three Final Draft(PINK) July 29, 2009 Copyright © 2009 ABC Studios All Rights Reserved CRIMINAL MINDS “Haunted” Script Revision History DATE COLOR PAGES 7/25/2009 BLUE CAST, SET, 1-63 7/29/2009 PINK CAST, SET, 1-64 CRIMINAL MINDS “Haunted” CAST LIST ROSSI HOTCH PRENTISS MORGAN REID JENNIFER GARCIA DARRIN CALL YOUNG CALL PHARMACIST STOCK BOY * LOCAL REPORTER LIEUTENANT KEVIN MITCHELL DR. CHARLES CIPOLLA PATIENT YOUNG TOMMY WOMAN THOMAS (TOMMY) ANDERSON BILL JARVIS YOUNG BILL JARVIS FEATURED EXTRAS BANK GUARD CRIMINAL MINDS “Haunted” SET LIST INTERIORS EXTERIORS BAU JET BAU JET – DAY (STOCK) * BAU Runway High Tech Room Rossi’s Office COUNTRY ROAD - DAY PHARMACY LOUISVILLE STREET – DAY Counter Alley Aisles JARVIS HOUSE - DAY HOTCH’S APARTMENT KENTUCKY – DAY (STOCK) LOUISVILLE METRO P.D. MACHINE SHOP – DAY * CIPOLLA’S OFFICE LOUISVILLE METRO P.D. – DAY CIPOLLA’S OFFICE – DAY STREET – DAY DARRIN CALL’S APARTMENT CURBSIDE – DAY TOMMY ANDERSON’S HOUSE STERNER ORPHANAGE – DAY JARVIS HOUSE HITCHENS AVENUE - DAY MOVING SHOTS BAU SUV – Hotch & Morgan MINIVAN – Call & Ryan CRIMINAL MINDS “Haunted” TIME SPAN This episode takes place over 1 day. Teaser: Day 1 Act One: Day 1 Act Two: Day 1 Act Three: Day 1 Act Four: Day 1, Night 1 CRIMINAL MINDS "Haunted" PINK 7/29/09 1. -
Media Ownership Rules
05-Sadler.qxd 2/3/2005 12:47 PM Page 101 5 MEDIA OWNERSHIP RULES It is the purpose of this Act, among other things, to maintain control of the United States over all the channels of interstate and foreign radio transmission, and to provide for the use of such channels, but not the ownership thereof, by persons for limited periods of time, under licenses granted by Federal author- ity, and no such license shall be construed to create any right, beyond the terms, conditions, and periods of the license. —Section 301, Communications Act of 1934 he Communications Act of 1934 reestablished the point that the public airwaves were “scarce.” They were considered a limited and precious resource and T therefore would be subject to government rules and regulations. As the Supreme Court would state in 1943,“The radio spectrum simply is not large enough to accommodate everybody. There is a fixed natural limitation upon the number of stations that can operate without interfering with one another.”1 In reality, the airwaves are infinite, but the govern- ment has made a limited number of positions available for use. In the 1930s, the broadcast industry grew steadily, and the FCC had to grapple with the issue of broadcast station ownership. The FCC felt that a diversity of viewpoints on the airwaves served the public interest and was best achieved through diversity in station ownership. Therefore, to prevent individuals or companies from controlling too many broadcast stations in one area or across the country, the FCC eventually instituted ownership rules. These rules limit how many broadcast stations a person can own in a single market or nationwide. -
Kayla Nadel-Lamotta [email protected] | 914-263-6211 240 Sackett Street, Apt 4 Brooklyn NY 11231
Kayla Nadel-LaMotta [email protected] | 914-263-6211 240 Sackett Street, Apt 4 Brooklyn NY 11231 Experience: Freelance Production work - April 2017 - Present The Jena Friedman Show - interview show/pilot for Adult Swim - currently an AP working on several segments. CNN + Roads and Kingdoms - research + coordinating logistics and travel for small crew on tour of numerous Asian cities for Bourdain’s ‘Explore Parts Unknown’. First Look Media (Spotlight, The Intercept) - untitled Franchesca Ramsey pilot (starring F.R. + Michelle Buteau) Above Average Productions - 2012-2017 PRODUCER, Jan. 2016 - March 2017 Lead producer on a variety of projects including a number of original comedy series (“The Cream Brothers” created by John Lutz (Late Night) + Tim Robinson (SNL), “Flatbush Zombies Solve a Mind Crime”), two PSA’s for The White House + Civic Nation (“Heads Up America”, to raise awareness for a free comm. college program, and “It’s On Us” to aid in prevention of sexual assaults, both launched by President Barack Obama), original topical video that aired on Elizabeth Banks’s WhoHaHa.com, taped live stand up shows including Sasheer Zamata’s (SNL) monthly show, Party Time! and comedy shows at SXSW, TV Partner series (several in development for IFC’s Comedy Crib), Katie Rich Interview Series (SNL. 1st guest: Leslie Jones). Worked with all creators to develop, prep and produce all shows through post. Includes all manner of creative + physical producing. PRODUCTION COORDINATOR, 2014-2016 Supported all producers on all projects as sole coordinator, any & all tasks related to prep, production and post. Including original comedy one-offs and series ("Hudson Valley Ballers" with Paula Pell, "Storytime" dir. -
Tattler 6/16PM
Volume XXXII • Number 24 • June 16, 2006 Conclave Learning Conference 2006: Future Tense. Marriott City Center/ Minneapolis. Rev. Al Sharpton, Gloria Steinem, Glenn Beck, & Terryl THE Brown Clemons. 14 Format Symposia. Over 40 sessions. $499 until July 1st, when the $599 walk-up rate will apply! To register for the 2006 Learning AIN TREET Conference or for questions on any Conclave program, call 952-927-4487 M S or visit www.theconclave.com. Communicator Network Clear Channel/Des Moines has launched AAA KPTL -“The Capital” - formerly occupying the frequency owned by Adult Hits KDRB. (KDRB shifted T AA TT TT LL EE R to “100.3 The Bus” a few weeks ago when KMXD flipped from AC.) The T R Bus continued broadcasting on its old frequency until the format was Publisher: Tom Kay Editor • Jess Treft launched under the guidance of CC National Triple A Format Brand Manager Cartoons Pilfered by Lenny Bronstein (and KTCZ/Minneapolis PD) Lauren Macleash. CC VP/Market Mgr. Joel McCrea said, “The incredible success of KDRB ‘The Bus’ prompted us to 1986-Main1986 Main Street’s 20th Anniversary-2006Anniversary 2006 move that station to a much stronger signal at 100.3FM. That created an opportunity to create something new for the market on the 106.3 frequency.” Syndicated talk show host Ed Schultz claims that “Republicans and He added, “People who liked KFMG, and before that KDMG, would like Conservatives” are conspiring to get him taken off Clear Channel Talk this station.”(KPTL is in the process of hiring at least three on-air WCKY-A/Cincinnati. -
Accounting Alterations Attorneys Bars Bathhouse Body Rubs Book Stores
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Detroit Historical Society Volunteers Take Charge of “Giving Back”
1 SPRING 2017 Detroit Historical Society Volunteers Take Charge of “Giving Back” Have you ever experienced one of our Behind the Scenes or Historic Houses of Worship tours? Recently attended a guided tour of our museums’ galleries or participated in one of our family-friendly programs? If so, then you have most likely encountered the warmth and welcome of our dedicated Society volunteers. With almost 200 active participants, our volunteer core is stronger than ever! Society volunteers donate their time in roles ranging from docents, letterpress and public programs volunteers to positions with auxiliary groups such as the Black Historic Sites Committee and Glancy Trains – and more! In the last year, our volunteer program has introduced nine new volunteer roles, including retail, photography and graphic design opportunities. Society volunteers receive comprehensive training in their role, strong staff support and communication and an ongoing variety of volunteer opportunities. They gain first-hand knowledge of museum operations and receive exciting benefits and opportunities to further strengthen their love for Detroit! The Detroit Historical Society takes great pride in celebrating the continued dedication of our volunteers by actively participating in National Volunteer Week, sponsored by Points of Light. The Society, along with 25 organizations in the Southeast Michigan region, will honor our volunteers by hosting a variety of lectures and events during Above, from top: Detroit Historical this year’s week-long celebration, from Saturday, April 22 to Sunday, April 30. During Society volunteers pose with staff; this time, all volunteers – with their volunteer badge or letter from their host volunteer docent Todd Jackson leads a organization – will also receive (limited) free parking, discounts in our museum stores school tour; and visitors enjoy a tour of and light refreshments at our welcome table, located outside of the Detroit Historical The Streets of Old Detroit.