Chance to Buy NAVER Webtoon and Financial at Par Value

Total Page:16

File Type:pdf, Size:1020Kb

Chance to Buy NAVER Webtoon and Financial at Par Value NAVER (035420 KS) Chance to buy NAVER Webtoon and Financial at par value Internet NAVER Webtoon takes US by storm; We present valuation of W5.7tr Company Report We believe the global growth story of NAVER Webtoon (wholly owned by NAVER) has September 17, 2019 just begun. The webtoon business, a “snack culture” platform created in Korea during the smartphone age, is spreading beyond Japan and Southeast Asia to the US and Europe. We expect NAVER Webtoon’s global growth to accelerate in 3Q19. According to app (Maintain) Buy market researcher Sensor Tower, NAVER Webtoon’s global transaction volume surged 175% YoY in August. By region, transaction volume was up 29% in Korea, 53% in Japan Target Price (12M, W) ▲ 230,000 (LINE Manga), 15,790% in the US, and 5,551% in other regions. In the US, monthly active user (MAU) growth is gathering momentum. NAVER Share Price (09/16/19, W) 154,500 Webtoon’s 2Q19 average revenue per paid user (ARPPU) was W3,681. For NAVER Webtoon, we present a target P/S of 7x, which is Netflix’s (NFLX US/CP: US$294.29) Expected Return 49% multiple during its global expansion phase. Growing e-commerce dominance and ad price increases point to 3Q19 OP (19F, Wbn) 723 earnings surprise Consensus OP (19F, Wbn) 759 NAVER’s dominance in the e-commerce market alongside Coupang is becoming more EPS Growth (19F, %) -50.8 evident. In 1H19, NAVER’s gross merchandise volume (GMV) grew an estimated 26%. In th Market EPS Growth (19F, %) -28.1 comparison, eBay Korea and 11 Street—key rivals in the C2C space—recorded P/E (19F, x) 79.8 negative growth of 1% and 9%, respectively. Market P/E (19F, x) 13.0 In the advertising segment, NAVER’s average price (ad revenue/total session length) KOSPI 2,062.22 was up 20% YoY in 2Q19. In the business platform segment (search engine and Market Cap (Wbn) 25,464 shopping search ads), average price was up 25% based on session length and up 24% Shares Outstanding (mn) 165 based on queries in 2Q19. Such trends suggest earnings will likely improve in 2H19. Free Float (%) 77.3 Furthermore, NAVER increased the prices of banner ads by 30% on average in July Foreign Ownership (%) 59.4 (based on the company’s “combined special display ad” offering), which points to Beta (12M) 0.58 additional earnings improvements. 52-Week Low 106,500 Raise TP to W230,000; NAVER Financial to be further added to our valuation 52-Week High 154,500 We raise our target price on NAVER from W181,000 to W230,000, as we incorporated (%) 1M 6M 12M NAVER Webtoon (W5.7tr, based on P/S of 7x 2020-21F average transaction volume) into Absolute 10.8 18.4 5.8 our valuation. We also plan to reflect NAVER Financial (which will be spun off on Relative 3.5 24.9 19.0 November 1st ), once we gain a clearer picture of the financial business. 110 NAVER KOSPI Our previous target price of W181,000, which is still higher than the current share 100 price, only reflected our valuation of the domestic business and the market value of 90 LINE. We believe the market has not yet priced in the values of NAVER Webtoon and 80 NAVER Financial, which are expected to go public in 2021 or later. In our view, buying NAVER right now is akin to buying NAVER Webtoon and NAVER Financial at par value. 70 60 9.18 1.19 5.19 9.19 Mirae Asset Daewoo Co., Ltd. [Internet] FY (Dec.) 12/16 12/17 12/18 12/19F 12/20F 12/21F Revenue (Wbn) 4,023 4,678 5,587 6,654 7,764 8,882 Chang-kwean Kim +822-3774-1614 OP (Wbn) 1,102 1,179 943 723 1,486 1,860 [email protected] OP margin (%) 27.4 25.2 16.9 10.9 19.1 20.9 NP (Wbn) 749 773 649 319 859 1,182 EPS (W) 4,546 4,689 3,937 1,935 5,213 7,171 ROE (%) 26.2 18.5 13.0 5.9 14.5 17.1 P/E (x) 34.1 37.1 31.0 79.8 29.6 21.5 P/B (x) 5.2 4.8 3.1 3.7 3.3 2.9 Dividend yield (%) 0.1 0.2 0.3 0.2 0.2 0.2 Note: All figures are based on consolidated K-IFRS; NP refers to net profit attributable to controlling interests Source: Company data, Mirae Asset Daewoo Research estimates Analysts who prepared this report are registered as research analysts in Korea but not in any other jurisdiction, including the U.S. PLEASE SEE ANALYST CERTIFICATIONS AND IMPORTANT DISCLOSURES & DISCLAIMERS IN APPENDIX 1 AT THE END OF REPORT. September 17, 2019 NAVER I. Webtoons Webtoon model presents more upside than Netflix in terms of ARPPU Webtoons, or digital comics, are a type of mobile content that originated in Korea. They are not simply an extension of paper comics to an online platform, but rather a whole new type of content business, conceived and developed in the mobile web ecosystem. We see strong upside for webtoons going forward. In Korea, webtoons already account for the second largest share of time spent on apps, after videos. Moreover, the business model is favorable compared to other content platforms; webtoons have only been partially monetized, with strong upside to ARPPU. In comparison, Netflix has monthly pricing plans, YouTube relies on advertising fees, and Spotify (SPOT US/CP: US$128.40) charges users for premium services only. NAVER Webtoon broke even at end-2018 domestically, and is expected to swing to profit globally by the end of this year. Table 1. NAVER Webtoon: Quarterly and annual earnings (Wbn, %) 1Q18 2Q18 3Q18 4Q18 1Q19 2Q19 3Q19F 4Q19F 1Q20F 2Q20F 3Q20F 4Q20F 2018 2019F 2020F 2021F 2022F Revenue 14 16 19 23 25 40 48 57 63 75 92 109 72 170 339 584 842 Content 9 11 12 15 17 32 40 48 54 66 82 98 46 137 300 540 795 Domestic 9 10 11 14 13 21 23 25 22 25 28 29 46 82 104 125 144 US 0 0 0 0 2 7 12 18 25 32 44 57 0 39 158 347 555 Other 0 0 0 0 2 4 5 6 7 9 10 12 0 17 38 69 96 Ad/IP/Other 5 6 8 8 8 8 8 8 9 10 10 11 26 32 39 43 48 * LINE Manga 14 18 25 27 31 32 34 35 38 40 42 42 85 131 162 185 204 Operating profit -10 -12 -12 -19 -15 -9 -6 -1 2 7 15 24 -54 -32 47 184 310 MAU (mn) 39.3 41.3 43.5 45.9 48.6 51.5 53.8 56.4 58.7 60.8 63.1 65.6 45.9 56.4 65.6 73.6 81.6 Monthly ARPPU (W) 3,346 3,349 3,393 2,717 2,308 3,681 4,087 4,348 4,219 4,709 5,316 5,788 2,147 3,269 4,567 5,833 6,528 YoY growth Content 89 191 233 220 218 106 105 104 198 119 80 47 Domestic 44 110 109 79 69 19 22 16 78 27 20 15 US 1150 357 267 217 305 120 60 Other 250 125 100 100 124 82 39 * LINE Manga 121 78 36 30 23 25 24 20 54 24 14 10 QoQ growth Content 22 9 25 13 88 25 20 13 22 24 20 Domestic 11 10 27 -7 62 10 9 -12 14 12 4 US 250 71 50 39 28 38 30 Other 100 25 20 17 29 11 20 * LINE Manga 29 39 8 15 3 6 3 9 5 5 0 Source: SensorTower, Mirae Asset Daewoo Research estimates Table 2. NAVER Webtoon: Percentage of monthly revenue by country 4/18 5/18 6/18 7/18 8/18 9/18 10/18 11/18 12/18 1/19 2/19 3/19 4/19 5/19 6/19 7/19 Domestic 99.4% 99.5% 99.5% 99.5% 99.6% 99.5% 99.4% 99.5% 95.3% 89.1% 87.9% 85.7% 83.2% 78.6% 73.4% 70.1% US 0.3% 0.2% 0.2% 0.2% 0.2% 0.2% 0.3% 0.3% 2.0% 4.9% 4.8% 6.7% 9.8% 13.5% 18.4% 20.5% Thailand 0.0% 0.0% 0.0% 0.0% 0.0% 0.0% 0.0% 0.0% 0.9% 2.4% 3.1% 3.1% 2.9% 3.1% 3.1% 3.4% Taiwan 0.0% 0.0% 0.0% 0.0% 0.0% 0.0% 0.0% 0.0% 0.8% 1.5% 2.0% 2.0% 1.8% 1.9% 1.5% 2.3% Indonesia 0.0% 0.0% 0.0% 0.0% 0.0% 0.0% 0.0% 0.0% 0.2% 0.4% 0.6% 0.7% 0.6% 0.6% 0.5% 0.6% Other 0.4% 0.2% 0.3% 0.3% 0.2% 0.3% 0.3% 0.3% 0.7% 1.7% 1.6% 1.7% 1.8% 2.4% 3.0% 3.1% Source: SensorTower, Mirae Asset Daewoo Research estimates Mirae Asset Daewoo Research 2 September 17, 2019 NAVER Figure 1. NAVER Webtoon: Quarterly revenue (Wbn) 70 Full-scale introduction of new pay-as-you-go model in 2H19 60 50 +150% YoY 40 Paid mode introduction 30 (US, etc.) Paid mode introduction 20 (Domestic) 10 0 1Q18 2Q18 3Q18 4Q18 1Q19 2Q19 3Q19(F) 4Q19F(F) Source: SensorTower, Mirae Asset Daewoo Research estimates Figure 2.
Recommended publications
  • Le Marché De La Bande Dessinée Numérique Et Les Ressources Mises À Ma Disposition M’Auront Éclairé Un Peu Plus Sur Le Sujet Et Ses Enjeux
    Diplôme national de master Domaine - sciences humaines et sociales Mention – sciences de l’information et des bibliothèques Parcours – publication numérique Septembre 2018 Septembre / Le marché de la Bande dessinée nativement numérique Mémoire de fin d’étude de fin Mémoire Sarah SCHWEIGHOFFER Sous la direction de Benoît Epron Maître de conférences – enssib Remerciements Je tiens tout d’abord à remercier Monsieur Benoît EPRON et Monsieur Antoine FAUCHIE, respectivement Maître de Conférences et Chef de projet Web indépendant, pour leurs précieux conseils quant à l’élaboration et l’orientation de ce mémoire. Je souhaite aussi exprimer ma gratitude envers Monsieur Pascal ROBERT, Professeur à l’Enssib, dont les cours sur la Bande dessinée - en première année de master - m’ont insufflé l’envie de découvrir davantage cet art. Sans votre passion dans votre enseignement, ce mémoire n’aurait certainement pas vu le jour. Merci à vous. Je souhaiterais ensuite remercier le dessinateur et réalisateur Victor Dulon – alias Vidu – pour m’avoir laissé utiliser sans hésitation son œuvre L’Immeuble pour illustrer mes propos sur le Turbomédia. Ce mémoire a gagné en couleurs grâce à vous. Ma reconnaissance va ensuite à Monsieur Denis ZWIRN, Président au sein de l’entreprise Numilog, passionné par la Corée du Sud, lecteur de manhwa et de webtoons : votre point de vue sur le marché de la bande dessinée numérique et les ressources mises à ma disposition m’auront éclairé un peu plus sur le sujet et ses enjeux. Enfin je tenais à remercier les personnes ayant contribué
    [Show full text]
  • Webtoons: the Next Frontier in Global Mobile Content
    Media Webtoons: The next frontier in global mobile content Overweight (Maintain) Webtoons: No. 1 in Korea = No. 1 in the world Korea is the birthplace of webtoons. As a “snack-culture” format optimized to Industry Report smartphones, Korea’s webtoons have made significant progress over the years and September 20, 2019 now boast the strongest platform/content competitiveness in the world. As demand for mobile entert ainment continues to grow, webtoons are capturing the eyes and wallets of an increasing number of users, presenting a significant opportunity for Korean platform providers. Mirae Asset Daewoo Co., Ltd. Webtoons to take shape as a distinct market [Media ] Webtoons are more than just an online conversion of paper-based comic books. They Jeong -yeob Park represent a new form of content created by the mobile internet ecosystem. Not only is +822 -3774 -1652 the potential audience larger, but the time spent on webtoons tends to be longer than [email protected] time spent reading paper comics. In Kor ea, webtoons already account for the second largest share of time spent on apps, after videos. When assuming full monetization, the size of the webtoon market is on a completely different level than the traditional comic book market. Webtoons are also gai ning traction among younger people in the global market, similar to what we saw in Korea five to 10 years ago. With the help of marketing and a well-established user/writer base, webtoons look likely to take root as a new culture in overseas markets. Of note, LINE Webtoon has seen impressive user growth in the US , with 8mn monthly active users (MAU).
    [Show full text]
  • Informational Materials
    - t------------ - -- - !I ::·- .J_ -. ~ - ; Received by NSD/FARA Registration Unit 03/26/2018 9:51 :59 AM - ON KOREA 2018: ACADEMIC PAPER SERIES Volume 11 Received by NSD/F ARA Registration Unit 03/26/201.8 9:51 :59 AM Received by NSD/FARA Registration Unit 03/26/2018 9:5 I :59 AM - KEI EDITORIAL BOARD KEI Editors: Kyle Ferrier Contract Editor: Gimga Group Design: Gimga Group The Korea Economic Institute is registered under the Foreign Agents Registration Act as an agent of th_e Korea Institute for International Economic Policy, a public corporation · established by the Government of the Republic of Korea. This material is· filed with the D_epartment of Justice, where the required registration statement is available for public inspection. Registration does not indicate U.S. government approval of the contents of this do_cumerit. KEI is not engaged in the piactice bf law, does not render legal services, and is not a lobbying organization. The views expressed in this publication are those of the. authors. While this monograph is part of the overall program of the Korea Economic Institute endorsed by its Officers, Board of Directors, and Advisory Council, its c_ontents do not necessarily reflectthe views of individual members of the Board or of the Advisory Council. Copyright© 2018 Korea Economic.Institute of-America www,keia.org Printed in the United States of America. ISSN 1937-9196 Received by NSD/F ARA Registration :unit 03/26/2018 9:51 :59 AM Received by NSD/F ARA Registration Unit 03/26/2018 9:51:59 AM - CONTENTS KEI Board of Directors ....................................................
    [Show full text]
  • Media/Entertainment Rise of Webtoons Presents Opportunities in Content Providers
    Media/Entertainment Rise of webtoons presents opportunities in content providers The rise of webtoons Overweight (Maintain) Webtoons are emerging as a profitable new content format, just as video and music streaming services have in the past. In 2015, webtoons were successfull y monetized in Korea and Japan by NAVER (035420 KS/Buy/TP: W241,000/CP: W166,500) and Kakao Industry Report (035720 KS/Buy/TP: W243,000/CP: W158,000). In late 2018, webtoon user number s April 9, 2020 began to grow in the US and Southeast Asia, following global monetization. This year, NAVER Webtoon’s entry into Europe, combined with growing content consumption due to COVID-19 and the success of several webtoon-based dramas, has led to increasing opportunities for Korean webtoon companies. Based on Google Trends Mirae Asset Daewoo Co., Ltd. data, interest in webtoons is hitting all-time highs across major regions. [Media ] Korea is the global leader in webtoons; Market outlook appears bullish Jeong -yeob Park Korea is the birthplace of webtoons. Over the past two decades, Korea’s webtoon +822 -3774 -1652 industry has created sophisticated platforms and content, making it well-positioned for [email protected] growth in both price and volume. 1) Notably, the domestic webtoon industry adopted a partial monetization model, which is better suited to webtoons than monthly subscriptions and ads and has more upside potent ial in transaction volume. 2) The industry also has a well-established content ecosystem that centers on platforms. We believe average revenue per paying user (ARPPU), which is currently around W3,000, can rise to over W10,000 (similar to that of music and video streaming services) upon full monetization.
    [Show full text]
  • “Webtoon” for Teaching Extensive Reading in Digital Era
    International Academic Journal of Education & Literature ISSN Print : 2708-5112 | ISSN Online : 2708-5120 Frequency : Bi-Monthly Language : English Origin : Kenya Website : https://www.iarconsortium.org/journal-info/IAJEL Research Article “Webtoon” For Teaching Extensive Reading in Digital Era Article History Abstract: The power of internet resources had hipnotized the students to use it for everyday life in digital era. Today’s students would not be separated from using their mobile Received: 02.01.2021 phone everywhere and everytime. Most of them had excellent digital literacy, so the Revision: 14.01.2021 teaching learning process should be transformed by utilizing information technology. Using Accepted: 22.01.2021 internet based learning created meaningful and joyful learning atmosphere, because it was Published: 03.02.2021 suitable with the students’ need and relevance to real world. “Webtoon” defined as an animated cartoon or series of comic strips published online originated from Korea. It was Author Details used as the media for teaching Extensive Reading. This study aimed to demonstrate the Suhartatik, Yulita Pujiharti, Amanah Agustin and teaching of Extensive Reading through “Webtoon”for the students of English Education Loesita Department, Institute of Teacher Training and Education Budi Utomo Malang, Indonesia. Authors Affiliations The method of the study was descriptive research, focussed on the demonstration of using “Webtoon” in the teaching of Extesive Reading. The result showed that using “Webtoon” Institute of Teacher Training and Education was potentially beneficial in enhancing students’ independent learning especially for the Budi Utomo Malang Indonesia competence of reading. Corresponding Author* Suhartatik Keywords: “Webtoon”, Extensive Reading, Digital era. How to Cite the Article: Suhartatik, Yulita Pujiharti, Amanah Agustin INTRODUCTION and Loesita (2021); “Webtoon” For Transformations of technology have changed the paradigm of education in Teaching Extensive Reading in digital era.
    [Show full text]
  • Case of Kakao-Page 문화 콘텐츠 기업의 롱
    Journal of Convergence for Information Technology e-ISSN 2586-4440 Vol. 10. No. 11, pp. 117-130, 2020 DOI : https://doi.org/10.22156/CS4SMB.2020.10.11.117 A Study on the Strengths of Cultural Content Company in the Long-Tail Market: Case of Kakao-Page Jeong-Woo Seo1, Hyunjun Park2* 1Student, Business Administration, Incheon National University 2Associate Professor, Business Administration, Incheon National University 문화 콘텐츠 기업의 롱-테일 시장에서의 강점에 대한 연구: 카카오-페이지의 사례를 중심으로 서정우1, 박현준2* 1인천대학교 경영학부 학생, 2인천대학교 경영학부 부교수 Abstract This study observes the case of Kakao-Page, a webtoon and web novel company, revealing the relationship between long-tail strategy and corporate competence in the cultural content industry market. This study investigated the various expansion strategies of Kakao-Page and investigated the strength of the strategy through value, rare, inimitability, and organization the method of VRIO analysis. The biggest strength of Kakao-Page is its diverse range of products ranging from 66,000, and not only does it gain merit as a long-tail, but it also becomes the core of the vertical integration and various expansion strategy. The study points out that the ability to secure a wide range of products is essential for platform content companies seeking access to the market. Also, the need for follow-up research regarding content platforms and long-tail. Key Words : Long-tail, VRIO framework, Resource-based view, Content platform, Webtoon 요 약 본 연구는 웹툰 및 웹소설 기업인 카카오 페이지의 사례를 관찰하여, 문화 콘텐츠 산업 시장에서 롱-테일 전략과 기업의 역량과의 관계에 대해서 밝히고 있다.
    [Show full text]
  • A Visual Semiotic Analysis on Webtoon Ghost Teller a Thesis by Desy Maya Sary Reg. No.180721004 Department of English Faculty Of
    A VISUAL SEMIOTIC ANALYSIS ON WEBTOON GHOST TELLER A THESIS BY DESY MAYA SARY REG. NO.180721004 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2021 UNIVERSITAS SUMATERA UTARA iii UNIVERSITAS SUMATERA UTARA iv UNIVERSITAS SUMATERA UTARA iv UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I, DESY MAYA SARY, DECLARE THAT I AM THE SOLE AUTHOR OF THIS THESIS EXCEPT WHERE THE REFERENCE IS MADE IN THE TEXT OF THIS THESIS, THIS THESIS CONTAINS NO MATERIAL PUBLISHED ELSEWHERE OR EXTRACTED IN WHOLE OR IN PART FROM A THESIS BY WHICH I HAVE QUALIFIED FOR AN AWARDED OR ANOTHER DEGREE. NO OTHER PERSON’S WORK HAS BEEN USED WITHOUT DUE ACKNOWLEDGEMENTS IN THE MAIN TEXT OF THIS THESIS. THIS THESIS HAS NOT BEEN SUBMITTED FOR THE AWARD OF ANOTHER DEGREE IN ANY TERITIARY EDUCATION. Signed : Date : January, 2021 iv UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION NAME : DESY MAYA SARY TITLE OF THESIS : A VISUAL SEMIOTICS ANALYSIS ON WEBTOON GHOST TELLER QUALIFICATION : S1/SARJANA SASTRA DEPARTMENT : ENGLISH I AM WILLING THAT MY THESIS SHOULD BE AVAILABLE FOR REPRODUCTION AT DISCREATION OF THE LIBRARIAN OF DEPARTMENT OF ENGLISH, FACULTY OF CULTURAL STUDIES, UNIVERSITY OF SUMATERA UTARA ON THE UNDERSTANDING THAT USERS ARE MADE AWARE OF THEIR OBLIGATION UNDER THE LAW OF THE REPUBLIC OF INDONESIA. Signed : Date : January, 2021 iv UNIVERSITAS SUMATERA UTARA ABSTRACT Webtoon is one of the mediums in delivering thoughts, point of view and life values with others; one of them is the Ghost Teller webtoon. By using visual semiotics analysis, this research aimed to identify the sign found in the Ghost Teller webtoon and how it is interpreted.
    [Show full text]
  • Scrolling, Swiping, Selling: Understanding Webtoons and the Data-Driven Participatory Culture Around Comics
    . Volume 17, Issue 2 November 2020 Scrolling, swiping, selling: Understanding Webtoons and the data-driven participatory culture around comics Nicolle Lamerichs, HU University of Applied Sciences Utrecht, The Netherlands Abstract: Comics cannot be isolated from their active audiences. Scholars have investigated the fans who attend San Diego Comic Con (Scott 2011), who draw their own manga (Lamerichs 2014), and who socialize at comic stores (Woo 2011). Despite this deep entwinement of comics with their audiences, comic studies and fan studies have developed as two different disciplines, which could work together more closely. Whereas comic studies often tend to center on the medium comics, fan scholars commonly investigate how audiences respond to a particular source-text, and remix or rewrite the story. In this article, I argue that comic books and their fandom is in a shift towards different platforms, business models and technologies. The platform economy is drastically changing the relationship between fans and creators. Through a case-study of the platform Webtoon, I demonstrate how contemporary comics and their interfaces are changing from texts to systems and business models. I argue that this changes the nature of the participatory culture around digital comics and their fandom from a bottom-up subculture to a data-driven economy. Keywords: Fan studies, fandom, webtoons, web comics, platform economy, comic studies Introduction Contemporary comic book fandom is rapidly developing. One reason is that the narratives and characters of comic books are increasingly rewritten for television, games and film. The conclusion of the first phase of the Marvel Cinematic Universe, Avengers: Endgame (2019), grossed nearly $2.8 billion worldwide, and became the highest-grossing film of all time (Whitten 2019).
    [Show full text]
  • PENGARUH MEDIA SOSIAL LINE WEBTOON TERHADAP MINAT MEMBACA KOMIK PADA MAHASISWA UNIVERSITAS RIAU Oleh : Destya Maya Putri Pembimbing : Evawani Elysa Lubis, M.Si
    PENGARUH MEDIA SOSIAL LINE WEBTOON TERHADAP MINAT MEMBACA KOMIK PADA MAHASISWA UNIVERSITAS RIAU Oleh : Destya Maya Putri Pembimbing : Evawani Elysa Lubis, M.Si Jurusan Ilmu Komunikasi Fakultas Ilmu Sosial dan Ilmu Politik Universitas Riau, Pekanbaru Kampus Bina Widya Jl. HR. Soebrantas Km. 12,5 Simpang Baru, Pekanbaru Telp/fax. 0761-63272 The development of social media today accommodate a variety of works. Ideas in the form of photos, videos and writings and even potrait and comics including the types of works that can be found on various social media. Social media both content and characteristics of social media is quite diverse, most social media is a place to socialize, share opinions and chatting through chat but social media a little different is LINE Webtoon. LINE Webtoon is a digital comic reading app that is part of LINE's social media products. Comics on social media LINE Webtoon can be accessed for free and have many different genres and titles. The webtoon user segmentation is quite extensive, ranging from 14 years old to adults including among students. Researchers want to know the influence of social media LINE Webtoon to interest in reading comic students of Riau University. LINE Webtoon social researcher used by students of Riau University and students to respond in the form of interest in reading comics. The purpose of this study to determine the influence of social media LINE Webtoon to interest in reading comic students of Riau University. The method used is the method of quantitative explanation research, data collection techniques in this study using questionnaires. The number of samples in this study were 96 respondents.
    [Show full text]
  • I-Pop Journal
    RESEARCH ARTICLE p-ISSN: 2087-8850 e-ISSN: 2622-6405 Journal Communication Spectrum: Participatory Fandom of Army BTS Capturing New Perspectives in Communication Indonesia in the Digital Comic on Webton Apps Irwansyah1* and Annisa Fitriana Lestari2 Vol. 10(1) pp. 46-57, (2020) DOI: 10.36782/jcs.v9i1.1872 . ABSTRACT The development of technology, communication and information facilitates cultural exchange in individuals and groups. One form of the phenomenon of cultural exchange is K-Pop. K-Pop has given rise to presence of idol, fans and fandom. Uses and gratification theory shows that individuals actively use the media to fulfill their goals as fans with a form of participatory fandom. In economy context, idols are used as a media consumer attraction. Idol cooperation with a media, attracted fans to participate with the media. With the presence of digital media, fans do online participatory fandom activities, such as digital comics. The features of digital comics are used by fans as a medium for participatory fandom. By making fans of BTS (ARMY BTS Indonesia) in LINE Webtoon, this research was conducted to look at patterns of fan participation with different categories in utilizing digital comic applications as fandom media. Research used constructivism paradigm through a qualitative digital ethnographic approach. Semi-structured interviews were carried out on five informants who were ARMY BTS Indonesia as readers of "Save Me" webtoon and digital observations in LINE Webtoon. The results show that there are two characteristics of fans, namely temporary fan and devoted fan. Other results show that devoted fans take advantage of the features in LINE Webtoon more optimally as a form of dedication to their idols, while temporary fans have other phenomena besides idols to do participatory fandom activities.
    [Show full text]
  • Impact of Diversifying Media Content on Country's Economic Potential: Case Study of South Korea Authorship Introduction
    IMPACT OF DIVERSIFYING MEDIA CONTENT ON COUNTRY'S ECONOMIC POTENTIAL: CASE STUDY OF SOUTH KOREA AUTHORSHIP INTRODUCTION Alina Vitalievna Fadeeva The relevance of this study is determined by Saint-Petersburg State University, St. Petersburg, Russia. the fact that the products of media production ORCID: https://orcid.org/0000-0003-4219-888X in the Republic of Korea are rapidly gaining E-mail: [email protected] popularity all over the world. This Daria Anatolevna Puiu phenomenon should be considered within the Saint-Petersburg State University, St. Petersburg, Russia. framework of the "soft power" concept, as a special semiotic system influencing the ORCID: https://orcid.org/0000-0003-1915-9647 E-mail: [email protected] formation of the consumer culture of a modern Pavel Yurievich Gurushkin person. In particular, such a musical trend as K- pop is the most in-demand and dynamically Saint-Petersburg State University, St. Petersburg, Russia. developing segment of the modern ORCID: https://orcid.org/0000-0001-6980-0573 entertainment industry. The central place in E-mail: [email protected] this process is held by the mass media as the Sergey Borisovich Nikonov main instrument of promotion. It should be Saint-Petersburg State University, St. Petersburg, Russia. noted that with the development of IT technologies, the popularity of Korean media ORCID: https://orcid.org/0000-0002-8340-1541 E-mail: [email protected] products is only increasing. The largest conglomerates, cosmetic industries and Iuliia Valerievna Puiu production centers use the latest technologies Herzen State Pedagogical University of Russia, St. Petersburg, (social networks and mobile applications), Russia. modernizing their approach to shaping the ORCID: https://orcid.org/0000-0002-7216-8924 E-mail: [email protected] image of South Korean brands in the area.
    [Show full text]
  • Chapter I Introduction
    CHAPTER I INTRODUCTION I.1 Background of the Problem Humans are social creatures. Different from any beings on earth, humans need to interact and communicate to one another with language to satisfy and fulfill every aspect of their needs in their lives. According to George Herbert Mead (1934), humans gain their personal identities by interacting with the other humans. Daniel Goleman in the book of Social Intelligence (2007) says that humans are “wired to connect” (p. 4). Interacting and communicating with other humans have been scientifically proven in helping mental and psychological development. With interacting and communicating, there is interpersonal communication. According to Devito, interpersonal communication is the type of communication that occurs between two individuals (p. 26) verbally or non-verbally. Individuals that involve in interpersonal communication are interdependent, meaning that a person has an impact on the other person. Humans need social support. That is why there are relationships that’s been established. Relationships are the result of constant interacting within individuals. There are different types of relationships based on what role that we want to play. Friendship is one of them. Since humans are social, they are not meant to be alone. There is a research that people today have been more individualistic. Living in the modern era sometimes brings out good improvement in any aspects of our lives. While individualism brings out good qualities like being creative and competent for oneself. The need of friendship is crucial, especially for teenagers who are still growing. It has been scientifically proven that having solid friendships in human life will promote brain health, as well as to relieve stress, especially when humans are living in the fast-paced world, with the presence of the new online communication technology.
    [Show full text]