CLAIRE Mckenna to LEAD SELECT SEXTET on FEBRUARY 21ST!

Total Page:16

File Type:pdf, Size:1020Kb

CLAIRE Mckenna to LEAD SELECT SEXTET on FEBRUARY 21ST! February 2016 Volume 41, Number 02 CLAIRE McKENNA TO LEAD SELECT SEXTET ON FEBRUARY 21ST! By George Swinford Claire has now become a confident and Please join us at the Ballard Elks experienced jazz clarinetist. En route to the at 1:00 PM on the 21st, to hear Claire present, Claire took advantage of our youth McKenna lead five other jazzers in an program by attending Camp Heebie-Jeebies. afternoon of our kind of music. She was first a student there and later a teacher’s assistant, leading the evening jam sessions. During those years, she also attended the Sacramento jazz camp. Many will WHERE: remember that, later on, Claire was a member Ballard Elks Lodge and co-leader of “Mighty Aphrodite,” an all- 6411 Seaview Ave. NW, Seattle woman jazz band featured at PSTJS concerts WHEN: and at numerous festivals. Claire now makes 1 p.m. - 4:30 p.m. February 21 her home in Oklahoma with her husband ADMISSION: Ryan Piersol, where she teaches music. $12 PSTJS members As leader on the 21st, Claire has chosen $15 non-members. Pay only at door. Ian McKenna’s daughter, Claire, has Dave Holo on cornet and Dave Loomis on FURTHER INFO: a PSTJS history, which started early. With trombone to complete the combo’s front line. Carol Rippey 425-776-5072. her parents, she attended our sessions at Solomon Douglas will provide piano and Or - website: www.pstjs.org. Plenty of the Mountaineers Club some years ago. vocals. He led his own group for us just last free parking; great view & dance floor, My wife and I first saw her there as a shy October. Jennifer Hodge will be the bassist snacks, coffee, and other beverages child, barely tall enough to purchase the and the ever-reliable Mike Daugherty will available. food tickets we were selling in those days. anchor the rhythm section, playing drums. Notes from the Prez It’s time again to begin the search for The one on one time spent with the faculty student to camp, or even if you’d enjoy being this summer’s Jazz Camp students. The dates is exceptional, and meeting new friends goes a student yourself, the website for the camp is for 2016 are July 24-30. Each time we sell along with that too. www.campheebiejeebies.us Check it out, lots raffle tickets at Jazz half of the proceeds go to Twelve is the age of the youngest student, of pictures, information and a registration page the Youth Scholarship Fund. Oftentimes the and in the past we have had several students to fill out and email to me. We’ll take care of winner of the 50/50 raffle will donate all or in their 70’s. The camp requires the student the rest. As in the past the adult students pay some of the winnings back to the fund. We do to have had at least one to two years on their their own way, which is $625.00 for the week, this to pay for each student’s room and board, instrument; we are not there to teach beginning Sunday through Saturday. meals, and most of all the amazing opportunity classes. Camp Heebie Jeebies is located on If you have questions, please email me, to gain new skills and knowledge of the Lake Crescent, just off highway 101, about 35 [email protected], I’ve been at camp student’s instrument but also music theory and miles west of Port Angeles. If you are interested each year since it moved to Washington 9 years a greater understanding of Traditional Jazz. in sending your middle school or high school age ago. Cheers,Judy Jazz Soundings February 2016 Page 2 Puget Sound Gigs for Local Bands Traditional Jazz Society BELLINGHAM TRADITIONAL JAZZ SOCIETY 19031 Ocean Avenue 1st Saturday, 2 - 5 pm VFW Hall 625 N. State St Edmonds, WA 98020-2344 Feb. 6 Bob Storms’ All-Stars 425-776-5072 www.pstjs.org March 5 Clamdigger Jazz Band UPCOMING EVENTS BOB SCHULZ FRISCO JAZZ BAND Elks Lodge, Ballard, 6411 Seaview Ave N.W., Seattle Feb 11-14 Fresno Festival. For more information February 21 Claire McKenna and Friends visit: http://www.fresnodixie.com March 20 Gerry Green’s Crescent City Shakers BOURBON STREET ALL STARS April 17 Ain’t No Heaven Seven May 15 holotradband 1st Tuesday, 5-9pm at McCloud’s Grillhouse 2901 Perry Ave, June 19 New Orleans Quintet Bremerton, WA 98310 Res: 360-373-3093 DAVE HOLO TRIO PRESIDENT Judy Levy [email protected] Salty’s on Alki 1936 Harbor Avenue. SW Seattle, WA 98126 206-937-1600 425-890-6605 VICE PRESIDENT Jack Temp 425-242-0683 Feb 5 5-8pm SECRETARY Cilla Trush [email protected] Feb 19 5-8pm 206-363-9174 GRAND DOMINION JAZZ BAND TREASURER Gloria Kristovich [email protected] Feb. 11-14 “Sounds of Mardi Gras” Fresno, CA www.fresnodixie.com 425-776-7816 BOARD OF DIRECTORS Feb. 26-28 “Seaside Jazz Festival” - Seaside, OR www.jazzseaside.com Keith Baker [email protected] Verna Eriks [email protected] 206-363-6171 GREATER OLYMPIA DIXIELAND JAZZ SOCIETY Joanne Hargrave [email protected] 206-550-4664 2nd Sundays 1-4:30pm Elks Lodge. 1818 Fourth Ave., Olympia John Heinz [email protected] 425-412-0590 Feb. 14 Columbia Classic Jazz Band Edmunde Lewin 360-297-6633 March 13 Uptown Lowdown Lite George Peterson [email protected] 425-453-5218 Apr. 10 Columbia Classic Jazz Band Carol Rippey [email protected] 425-776-5072 May 1 Hume Street George Swinford [email protected] 425-869-2780 June 12 Dukes of Swing MEMBERSHIP COORDINATOR PEARL DJANGO Carol Rippey [email protected] 425-776-5072 Feb. 5 8pm North City Bistro Reservations recommended. EDITOR 1520 NE 177th St; Shoreline, WA; 206-365-4447 Anita LaFranchi [email protected] 206-522-7691 Feb. 6 8pm Vashon Center for the Arts 19704 Vashon Hwy. SW; WEBMASTER Vashon Island, WA; (206) 463-5131 Feb. 20 7:30pm Tim Noah Thumbnail Theater 1211 4th Street; George Peterson [email protected] 425-453-5218 Snohomish, WA 98290; 360-568-9412 RAY SKJELBRED & THE YETI CHASERS Feb 20 5 - 7:30pm Royal Room (Seattle, WA) For more info visit: http://theroyalroomseattle.com JAZZ SOUNDINGS UPTOWN LOWDOWN JAZZ BAND Published monthly except July and August by the Feb 26-28 Seaside Dixieland Jazz Festival Puget Sound Traditional Jazz Society. Anita LaFranchi, Editor, [email protected] Ads must be submitted in a jpeg or PDF format Payment in advance to: Gloria Kristovich, P.O. Box 373, Edmonds, WA 98020-0373 Advertising Rates: Full page $100. 7 1/2” wide by 9 1/2 “ tall On Your Dial........ Half Page $60. 7 1/2” wide by 4 1/4 “ tall Saturday Quarter Page $40. 3 5/8 Wide by 4 1/4 “ tall 7 - 12 pm Swing Years and Beyond KUOW 94.9 FM Sunday Deadline is the 10th of the month for the next month’s issue 3 -6 pm Art of Jazz, Ken Wiley, KPLU 88.5 FM Jazz Soundings February 2016 Page 3 GOT LPS? DON’T RUSH TO DUMP HISTORY By Duncan Schiedt A few months ago, this writer had organizations found reasons to cut our Think about this: Is that music you the rather mournful job of finding a conversations short, I decided that, love available on CD (a great deal has home for some 2,500 - 3,000 – 78 rpm given the deadline, the only thing was never been made available that way, and records needing disposal because of the to pay someone to carry them from the may never be?) Is it a chore to work your need to clear a house for new occupancy, basement and to a truck or a dumpster. way through the numerous “tracks” just the collector having passed away almost So much for the deathless records of to get to the particular number you enjoy 20 years earlier. yesteryear. most? Do you find that the CD sound The discs, mostly 1930s and 1940s Along the way, though, I began to is in any way superior to a clean LP, or big-band jazz, with scattered blues consider how closely I have held my even a clean old shellac record played on and sweet items here and there, were rather sizeable 33 1/3 rpm LP collection, the proper equipment? in varying conditions, but many were despite the introduction and proliferation Some audiophiles claim that the pristine. of the compact disc. I look at these original sound produced by a steel needle Professional jazz record dealers were LPs as gems of an era through which I on a vintage phonograph is the way it was contacted, but the bulk of the collection, fortunately lived, and that they have not intended to be heard, but we shall not get plus a lack of valuable collector items, totally been supplanted as the optimum into that. Suffice it to say that discarding failed to pique their interest. Better luck way of listening to jazz, or any other vintage, playable LPs,. Just because you was had with a sizeable collection of type of music, for that matter. can’t find a turntable (which you might jazz LPs, which were still in some vogue My message is simple: Unless you have kept) is not necessarily the way to among jazz fans. are clearing out all traces of the music go. You may be throwing away some Back to the 78s, apparently of LPs, and relying on CDs or even cassettes unique piece of history. interest only to juke box collectors, and – Holy Mackerel! – One of the latest carnival side-shows, target shooters electronic doodads you stick in your ear **Reprinted from Jazz Notes, the newsletter and discographers, that eccentric breed for your jazz listening, given a thought of the Indianapolis Jazz Club.
Recommended publications
  • Firehouse Five Plus Two Plays for Lovers Mp3, Flac, Wma
    Firehouse Five Plus Two Plays For Lovers mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Plays For Lovers Country: Italy Released: 1956 Style: Dixieland MP3 version RAR size: 1396 mb FLAC version RAR size: 1101 mb WMA version RAR size: 1857 mb Rating: 4.6 Votes: 411 Other Formats: TTA FLAC AC3 ADX DMF VOC MP3 Tracklist Hide Credits My Cutie's Due At Two To Two A1 Written-By – Albert Von Tiltzer*, Irving Bibo, Leo Robin I Love My Baby A2 Written-By – Bud Green, Harry Warren Love Songs Of The Nile B1 Written-By – Arthur Freed, Nacio Herb Brown I Love You Truly B2 Written-By – Carrie Jacobs Bond* Credits Banjo – Dick Roberts Drums – Jim MacDonald* Piano – Frank Thomas Soprano Saxophone – George Probert Trombone – Ward Kimball Trumpet – Danny Alguire Tuba – Ed Penner* Notes Recorded September 23, December 19, 1955 January 11, 1956 Barcode and Other Identifiers Matrix / Runout: LKX - 161 Matrix / Runout: LKX - 162 Rights Society: BIEM Other versions Category Artist Title (Format) Label Category Country Year Good Time EP-1042, EP Firehouse Five Plays For EP-1042, EP Jazz, Good Germany Unknown 1042 Plus Two Lovers (7") 1042 Time Jazz Good Time EP-1044, EP Firehouse Five Plays For EP-1044, EP Jazz, Good Germany Unknown 1044 Plus Two Lovers (7") 1044 Time Jazz Firehouse Five Plays For Good Time EPG 1234 EPG 1234 Czechoslovakia 1957 Plus Two Lovers (7", EP) Jazz Related Music albums to Plays For Lovers by Firehouse Five Plus Two Firehouse Five Plus Two - Goes To A Fire Firehouse Five Plus Two - The Firehouse Five Story, Vol.
    [Show full text]
  • Oral History Interview with Roy Superior, 2010 June 29-30
    Oral history interview with Roy Superior, 2010 June 29-30 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Roy Superior on June 29 and 30, 2010. The interview took place in the artist's home and studio in Williamsburg, Massachusetts, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Mara Superior has reviewed the transcript. Her corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel with Roy Superior at the artist's home and studio in Williamsburg, Massachusetts, on June 29, 2010, for the Smithsonian's Archives of American Art, disc number one. Good afternoon. Shall we start at the beginning? Let's cover a little of the biographical background. ROY SUPERIOR: The early years before I was born? MS. RIEDEL: Yes, the early years before—your parents? MR. SUPERIOR: Well, the first thing I think that I ought to mention is where my name came from. MS. RIEDEL: Please do. MR.
    [Show full text]
  • Incongruous Surrealism Within Narrative Animated Film
    University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2021 Incongruous Surrealism within Narrative Animated Film Daniel McCabe University of Central Florida Part of the Film and Media Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation McCabe, Daniel, "Incongruous Surrealism within Narrative Animated Film" (2021). Electronic Theses and Dissertations, 2020-. 529. https://stars.library.ucf.edu/etd2020/529 INCONGRUOUS SURREALISM WITHIN NARRATIVE ANIMATED FILM by DANIEL MCCABE B.A. University of Central Florida, 2018 B.S.B.A. University of Central Florida, 2018 A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Fine Arts in the School of Visual Arts and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2021 © Daniel Francis McCabe 2021 ii ABSTRACT A pop music video is a form of media containing incongruous surrealistic imagery with a narrative structure supplied by song lyrics. The lyrics’ presence allows filmmakers to digress from sequential imagery through introduction of nonlinear visual elements. I will analyze these surrealist film elements through several post-modern philosophies to better understand how this animated audio-visual synthesis resides in the larger world of art theory and its relationship to the popular music video.
    [Show full text]
  • DJ – Titres Incontournables
    DJ – Titres incontournables Ce listing de titres constamment réactualisé , il vous ait destiné afin de surligner avec un code couleur ce que vous préférez afin de vous garantir une personnalisation totale de votre soirée . Si vous le souhaitez , il vaut mieux nous appeler pour vous envoyer sur votre mail la version la plus récente . Vous pouvez aussi rajouter des choses qui n’apparaissent pas et nous nous chargeons de trouver cela pour vous . Des que cette inventaire est achevé par vos soins , nous renvoyer par mail ce fichier adapté à vos souhaits 2018 bruno mars – finesse dj-snake-magenta-riddim-audio ed-sheeran-perfect-official-music-video liam-payne-rita-ora-for-you-fifty-shades-freed luis-fonsi-demi-lovato-echame-la-culpa ofenbach-vs-nick-waterhouse-katchi-official-video vitaa-un-peu-de-reve-en-duo-avec-claudio-capeo-clip-officiel 2017 amir-on-dirait april-ivy-be-ok arigato-massai-dont-let-go-feat-tessa-b- basic-tape-so-good-feat-danny-shah bastille-good-grief bastille-things-we-lost-in-the-fire bigflo-oli-demain-nouveau-son-alors-alors bormin-feat-chelsea-perkins-night-and-day burak-yeter-tuesday-ft-danelle-sandoval calum-scott-dancing-on-my-own-1-mic-1-take celine-dion-encore-un-soir charlie-puth-attention charlie-puth-we-dont-talk-anymore-feat-selena-gomez clean-bandit-rockabye-ft-sean-paul-anne-marie dj-khaled-im-the-one-ft-justin-bieber-quavo-chance-the-rapper-lil-wayne dj-snake-let-me-love-you-ft-justin-bieber enrique-iglesias-subeme-la-radio-remix-remixlyric-video-ft-cnco feder-feat-alex-aiono-lordly give-you-up-feat-klp-crayon
    [Show full text]
  • 1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
    GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement.
    [Show full text]
  • Newsletter. Issue 35 September 2004
    Newsletter. Issue 35 September 2004 Inside The Newsletter Welcome to Issue 35 of the club newsletter. th Saturday 25 September 7:30pm Latest Australian Disney News Meeting Join us at this meeting as we look at the many aspects of the World of Disney from Animation, Theme Parks, and The Wonderful World of Disney now on Saturday collectibles. A special look at Disneyland and much more. evenings on Channel 7 at 7.30pm. Come and join us for this exciting meeting. Disney’s Home on the Range – the next Animated feature opens in cinemas on September 23rd. Location: St. Marks Anglican Church Hall. Disney’s The Three Musketeers – Starring Mickey, Cnr. Auburn Rd and Hume Hwy Yagoona. (Near Donald and Goofy is being released on DVD in this month. Bankstown.) Just 150m from the Yagoona Railway Station. Upcoming Club Events The Down Under Disneyana Newsletter is a publication of the Down Under Disneyana Club. th The newsletter is published quarterly and distributed Saturday 25 September 7.30pm to members. Contributions to our newsletter are Join us at this meeting as we look at the wonderful worlds welcome. of Disney. Bring your favourite Disney memory to share. The club address is: Down Under Disneyana Club. PO Box 502 St Marks Anglican Church hall Regents Park, NSW 2143. Cnr Auburn Rd and Hume Hwy Yagoona only 1km along Australia. Auburn Rd from our old meeting location. Down Under Disneyana Club is the Australian Chapter of the National Fantasy Fan Club of the USA, In this newsletter read about the upcoming 50th birthday of and our club is not associated with The Walt Disney Disneyland celebrations.
    [Show full text]
  • April • 1950 Vol. 8 • No. 4
    APRIL • 1950 VOL. 8 • NO. 4 Paul Weston 95 «s^gï* CAPITOL NEU CAPITOL NEWS PAGE 3 news DAVE DEXTER'S Published Monthly by Nichols Signs Mayo, Cagney, CAPITOL PUBLICATIONS, INC. Sunset and Vine, Hollywood 28, Calif. Printed in U. S. A. ©W SURFACE NOISE ’ New Contract MacRae To Be EDITED BY DAVE DEXTER, JR. For Records In New Film Rambling On a Battered Underwood Loring (Red) Nichols G ordon MacRae starts In This Issue Despite those erudite statements an Page 5, Cholly Barnet is and his Famous Pennies, work next month in what Stan Kenton's Views of abandoning his six-weeks-old small combo and reorganizing o one of the oldest and most m ay be his biggest film Classical Music.................Page 11 20-piece band. He's in New York, and will tee off in the east, A 1950 Portrait of popular name bands in assignment. And Ben Goodman, his lessons with Reginald Kell ended, Louis Armstrong ...............Page 7 the world, have been is ready to shuttle over to Europe again in late April. He and his With James Cagney Dixieland Revival in signed to record exclu­ High G ear................. Page 14 Selmer stick will appear in several countries which w ere skipped and V irginia M ayo as his sively for Capitol. Picture Pages.................... 8 and 9 in 1949. Freddy Martin starts a new TV show in Hollywood co-stars,.MacRae will play STILL BLO W ING th a t w a ilin g Nichols, now playing every an important role in "The West this month with KTTV paying him $1,500 a shot, sponsored or cornet to the four winds, Red night at Sardi's Monkey Room on Point Story," which Warner Broth­ Nichols is featured with his Pen­ not.
    [Show full text]
  • LP Inventory
    Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie
    [Show full text]
  • Music Traditional Jazz Educators Network Resources
    A Traditional Jazz Style Guide by Dave Robinson Foreword For the past 25 years I have been collecting, performing, arranging, teaching, broadcasting and writing about my first musical love, TRADITIONAL JAZZ (aka dixieland, classic jazz, vintage jazz, New Orleans jazz, etc.). This music is frequently misunderstood, and even knowledgeable fans, collectors and musicians disagree on terminology and stylistic divisions. This document presents my view of the most logical stylistic categories of traditional jazz. It is presented as informed opinion, not dogma, and your commentary is welcome. It is hoped that jazz educators will find this guide useful, and that directors of youth ensembles specializing in traditional jazz will make an effort to instill in their bandmembers an understanding of and proficiency in the full spectrum of "flavors" available to them. Towards a Definition of Traditional Jazz Before dividing this pie into logical pieces, we should describe the pie itself. What is "traditional jazz"? What are the common denominators that define it? In my view, "traditional jazz" in the proper sense of the term is jazz which exhibits all or most of the following characteristics: 1) Wind instruments playing polyphonically 2) Easily discernible chord patterns 3) 2/4 or 4/4 meter 4) Instrumentation approximating the following: "FRONT LINE" (HORNS): 1. Trumpet or cornet 2. Clarinet or soprano sax 3. Trombone 4. Tenor, alto or bary sax (sometimes) --or a subset of these RHYTHM SECTION: 1. Piano 2. Banjo or guitar 3. Tuba, string bass or bass sax 4. Drums or washboard --or a subset of these 5) Pre-bop harmonies and phrasing (the earlier the musical vocabulary employed, the greater the compliance to this part of our definition) The single most distinguishing characteristic of traditional jazz is the first element above--the wind instruments playing polyphonically (a New Orleans tradition).
    [Show full text]
  • Walt Disney Productions Sunday, April 9, 1978
    • ·I - ~ • • \ t .' .I • A Tribute to Walt Disney Productions Sunday, April 9, 1978 · Delta Kappa·Aipha's - ~ 39th. Annual Awards Banquet Delta Kappa Alpha National H onorary Cin~ma Fraternity Di<11ision of Cintma UNIV ERSITY oF SouTHERN CALIFORNIA SCHOOL OF PERFORMING ARTS UNIVERSI1Y PARK March 31, 1978 Los ANG!LES, CALIFORNIA 90007 DKA Honoraries folie A..odrewa J'red Astaire Greetings: Lucille Ball !..uc:ieo Ballard AnoeButer On behalf of the Alpha Chapter of Delta Kappa Alpha, Richard Brooks tvrwt~~·~,e the National Honorary Cinema Fraternity, I wish to Staole1 CA>nn extend my warmest welcome to you on the occasion ?.":~.;.."::11 of our thirty-ninth Annual Awards Banqu7t. Delmer Daves ~eb~~eo Allan Dwao The fraternity was established in 1937 and is Blue Edwardo Rudr Fehr dedicated to the furthering of the film arts and to s,lviA Fil>e jobo Flof1 the promotion of better rela~ions between the Glena Ford Ckne Fowler academic and practicing members of the industry, Marjorie Fowler both theatrical and non-thea·trical. Our Greek ~~.<:l.::re Lre Gai"'DtS letters symbolize the Dramatic, Kinematic and GreerGanoo lobo Green Aesthetic aspects of film. Coorad Hall Henry Hathaway Howard Ha"b Edith Head Of our yearly activities, the Banquet is one of A II red Hitchcod< Wilton Holm the most gratifying. It gives us the opportunity Ro. Huorer to recognize the truly talented people in the in­ I:!::O'::Jc!iton dustry, people who direct its future. ~~~~{;•es Sc:anlg Kiamer l.;~I'V1~1 This year we feel that the honorees are most Sol Lnter Rouben Mamoul iao worthy of such distinction for their tremendous Walter ~htthau Steve Mc:Queto contribution to the art of animation.
    [Show full text]
  • Celebrations-Issue-31-DV75620.Pdf
    Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. On the Cover: “5 Years of Disney Magic” Photos © Tim Devine and Disney Issue 31 Five Years of Magic at Walt Disney World 42 Contents Calendar of Events .............................................................6 Disney News & Updates................................................. 8 MOUSE VIEWS ..........................................................13 Guide to the Magic by Tim Foster............................................................................14 “Ghost” Writers: Hidden Mickeys by Steve Barrett ......................................................................16 The Story of the 52 Photography Tips & Tricks by Tim Devine ..........................................................................18 Haunted Mansion Disney Legends by Jamie Hecker ....................................................................22 Disney Cuisine by Allison Jones ......................................................................24 Disney Secrets by Jamie Hecker
    [Show full text]
  • LONG-PLAYING Murs “And Then I Feel His Lips— with His Hands on My Hips”) That Were Not in Her Mind at All
    DOWN LOS ANGELES NEWS Chicago, Mareh 24, 1950 Uii.lt Floyd, with eight-pis*s ork, wm announced te follow Alvina Ray at Roose­ THE HOLLYWOOD BEAT velt hotel Feb. 28. Ckay Rayas Latin swias- sters held over. Los Angeles Nel Cale quartet wm set for one-week return date at Oasis Mareh 8. By plsns to New York for three-week run at Para­ Band Briefs mount startin* Mareh 15. Says LA. Deejays Unfair BUI Covey, tenor. hM C-L-C elub jump­ B«*w Spiker beck on bandstand at ing with his Jubilee five. Hm Babs Bow. Moeambo with ork comprised largely of nu, trombone; Budd Haish, bass: Jock former Freddy Martin men. Clyde ■ogam, Peoplsa, piano, and Shirley Weed in vocal sax ; Havard Kiu*. trumpet : Arna Olson, spot. bass, and Joo Dale, drama. Latinaires con­ To Love Drunk' Warbler tinue to share assignment. L. A. KEYSPOTS Freddy Hereto returns to Palladium fol­ Araguu' Harry Owens By HAL HOLLY lowing Claud« TborwhlU for a four-week Beverly Hills hotel Phil Ohmeu stand starting April 11. Loe Brawn in for Biltmore bowl——Paul Neighbors Hollywood—High on our »mall liai of accredited publicity four weeks starting May 7. Ciro's—Oisk Stabile, Tiro Robbias pluggers here, those with whom we maintain diplomatic rela­ Bed Niebel, waa announced to eloee long Club 47—Doe Reade ran at Hangover club with move to Sardi’s Coeoanat Grove——Jen Gerber tions because they really work hard, show some imagination, (no longer the Monkey room) March 1. Delmar elub—Jimmie Grier Nichola personnel unchanged: Rosy Me- Hangover, elub"*'Irvin Verrat and do not pester us with claptrap, is a young fellow named Harsua.
    [Show full text]