April • 1950 Vol. 8 • No. 4
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Firehouse Five Plus Two Plays for Lovers Mp3, Flac, Wma
Firehouse Five Plus Two Plays For Lovers mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Plays For Lovers Country: Italy Released: 1956 Style: Dixieland MP3 version RAR size: 1396 mb FLAC version RAR size: 1101 mb WMA version RAR size: 1857 mb Rating: 4.6 Votes: 411 Other Formats: TTA FLAC AC3 ADX DMF VOC MP3 Tracklist Hide Credits My Cutie's Due At Two To Two A1 Written-By – Albert Von Tiltzer*, Irving Bibo, Leo Robin I Love My Baby A2 Written-By – Bud Green, Harry Warren Love Songs Of The Nile B1 Written-By – Arthur Freed, Nacio Herb Brown I Love You Truly B2 Written-By – Carrie Jacobs Bond* Credits Banjo – Dick Roberts Drums – Jim MacDonald* Piano – Frank Thomas Soprano Saxophone – George Probert Trombone – Ward Kimball Trumpet – Danny Alguire Tuba – Ed Penner* Notes Recorded September 23, December 19, 1955 January 11, 1956 Barcode and Other Identifiers Matrix / Runout: LKX - 161 Matrix / Runout: LKX - 162 Rights Society: BIEM Other versions Category Artist Title (Format) Label Category Country Year Good Time EP-1042, EP Firehouse Five Plays For EP-1042, EP Jazz, Good Germany Unknown 1042 Plus Two Lovers (7") 1042 Time Jazz Good Time EP-1044, EP Firehouse Five Plays For EP-1044, EP Jazz, Good Germany Unknown 1044 Plus Two Lovers (7") 1044 Time Jazz Firehouse Five Plays For Good Time EPG 1234 EPG 1234 Czechoslovakia 1957 Plus Two Lovers (7", EP) Jazz Related Music albums to Plays For Lovers by Firehouse Five Plus Two Firehouse Five Plus Two - Goes To A Fire Firehouse Five Plus Two - The Firehouse Five Story, Vol. -
GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Oral History Interview with Roy Superior, 2010 June 29-30
Oral history interview with Roy Superior, 2010 June 29-30 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Roy Superior on June 29 and 30, 2010. The interview took place in the artist's home and studio in Williamsburg, Massachusetts, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Mara Superior has reviewed the transcript. Her corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel with Roy Superior at the artist's home and studio in Williamsburg, Massachusetts, on June 29, 2010, for the Smithsonian's Archives of American Art, disc number one. Good afternoon. Shall we start at the beginning? Let's cover a little of the biographical background. ROY SUPERIOR: The early years before I was born? MS. RIEDEL: Yes, the early years before—your parents? MR. SUPERIOR: Well, the first thing I think that I ought to mention is where my name came from. MS. RIEDEL: Please do. MR. -
Incongruous Surrealism Within Narrative Animated Film
University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2021 Incongruous Surrealism within Narrative Animated Film Daniel McCabe University of Central Florida Part of the Film and Media Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation McCabe, Daniel, "Incongruous Surrealism within Narrative Animated Film" (2021). Electronic Theses and Dissertations, 2020-. 529. https://stars.library.ucf.edu/etd2020/529 INCONGRUOUS SURREALISM WITHIN NARRATIVE ANIMATED FILM by DANIEL MCCABE B.A. University of Central Florida, 2018 B.S.B.A. University of Central Florida, 2018 A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Fine Arts in the School of Visual Arts and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2021 © Daniel Francis McCabe 2021 ii ABSTRACT A pop music video is a form of media containing incongruous surrealistic imagery with a narrative structure supplied by song lyrics. The lyrics’ presence allows filmmakers to digress from sequential imagery through introduction of nonlinear visual elements. I will analyze these surrealist film elements through several post-modern philosophies to better understand how this animated audio-visual synthesis resides in the larger world of art theory and its relationship to the popular music video. -
DJ – Titres Incontournables
DJ – Titres incontournables Ce listing de titres constamment réactualisé , il vous ait destiné afin de surligner avec un code couleur ce que vous préférez afin de vous garantir une personnalisation totale de votre soirée . Si vous le souhaitez , il vaut mieux nous appeler pour vous envoyer sur votre mail la version la plus récente . Vous pouvez aussi rajouter des choses qui n’apparaissent pas et nous nous chargeons de trouver cela pour vous . Des que cette inventaire est achevé par vos soins , nous renvoyer par mail ce fichier adapté à vos souhaits 2018 bruno mars – finesse dj-snake-magenta-riddim-audio ed-sheeran-perfect-official-music-video liam-payne-rita-ora-for-you-fifty-shades-freed luis-fonsi-demi-lovato-echame-la-culpa ofenbach-vs-nick-waterhouse-katchi-official-video vitaa-un-peu-de-reve-en-duo-avec-claudio-capeo-clip-officiel 2017 amir-on-dirait april-ivy-be-ok arigato-massai-dont-let-go-feat-tessa-b- basic-tape-so-good-feat-danny-shah bastille-good-grief bastille-things-we-lost-in-the-fire bigflo-oli-demain-nouveau-son-alors-alors bormin-feat-chelsea-perkins-night-and-day burak-yeter-tuesday-ft-danelle-sandoval calum-scott-dancing-on-my-own-1-mic-1-take celine-dion-encore-un-soir charlie-puth-attention charlie-puth-we-dont-talk-anymore-feat-selena-gomez clean-bandit-rockabye-ft-sean-paul-anne-marie dj-khaled-im-the-one-ft-justin-bieber-quavo-chance-the-rapper-lil-wayne dj-snake-let-me-love-you-ft-justin-bieber enrique-iglesias-subeme-la-radio-remix-remixlyric-video-ft-cnco feder-feat-alex-aiono-lordly give-you-up-feat-klp-crayon -
Big Al's R&B, 1956-1959
The R & B Book S7 The greatest single event affecting the integration of rhythm and blues music Alone)," the top single of 195S, with crossovers "(YouVe Got! The Magic Touch" with the pop field occurred on November 2, 1355. On that date. Billboard (No. 4), "The Great Pretender" and "My Prayer" (both No. It. and "You'll Never magazine expanded its pop singles chart from thirty to a hundred positions, Never Know" b/w "It Isn't Bight" (No. 14). Their first album "The Platters" naming it "The Top 100." In a business that operates on hype and jive, a chart reached No. 7 on Billboard's album chart. position is "proof of a record's strength. Consequently, a chart appearance, by Frankie Lymon and the Teenagers, another of the year's consistent crossover itself, can be a promotional tool With Billboard's expansion to an extra seventy artists, tasted success on their first record "Why Do Fools Fall In Love" (No. 71, positions, seventy extra records each week were documented as "bonifide" hits, then followed with "I Want You To Be My Girl" (No. 17). "I Promise To and 8 & B issues helped fill up a lot of those extra spaces. Remember" (No. 57), and "ABCs Of Love" (No. 77). (Joy & Cee-BMI) Time: 2:14 NOT FOR S»U 45—K8592 If Um.*III WIlhORtnln A» Unl» SIM meant tea M. bibUnfmcl him a> a ronng Bnc«rtal««r to ant alonic la *n«l«y •t*r p«rjform«r. HI* » T«»r. Utcfo WIIII* Araraa ()•• 2m«B alnft-ng Th« WorM** S* AtUX prafautonaiiQ/ for on manr bit p«» throoghoQC ih« ib« SaiMt fonr Tun Faaturing coont^T and he •llhan«h 6. -
MARCH 20, 2006 ARTIST NAT KING COLE TITLE Stardust The
SHIPPING DATE: MARCH 20, 2006 ARTIST NAT KING COLE TITLE Stardust The Complete Capitol Recordings 1955-1959 LABEL Bear Family Records CATALOG # BCD 16342 PRICE-CODE KL EAN-CODE 4000127 163424 ISBN-CODE 3-89916-152-1 FORMAT 11-CD Box-Set (LP-size) with 208-page hardcover book GENRE Pop TRACKS 298 PLAYING TIME 809:24 SALES NOTES Nat King Cole (1919-1965) was the most popular male singer of his generation, and, along with Bing Crosby, Frank Sinatra and Elvis Presley, one of the four best known male vocalists of all time. Making Cole's story all the more remarkable, he began his career not as a pop singer but as one of the greatest of all jazz pianists. Yet by the time he had made the transition from jazz to pop, he had sold more records and racked up more hit singles than anyone in the immediate post-war era, even Frank Sinatra. He was also the first Afro-American pop music superstar - and still the greatest. Cole's baritone voice was sweet and pretty, and most of his greatest successes were with love songs. Still, he had the greatest time of any singer ever, and was equally well-versed in swinging rhythm numbers and blues. In his combination of tenderness and bluesy energy, Cole was a founding father of rhythm and blues and a major influence on the soul movement – as cited by Charles Brown, Ray Charles and many other later stars. Like Frank Sinatra, he collaborated closely with the greatest pop orchestrators of all time, particularly Gordon Jenkins, Billy May and in particular, Nelson Riddle. -
In This Issue... New Releases from CAPITOL the C O VER Music Views There Are Very Few People in July, 1955 Voi
In this issue... New Releases from CAPITOL THE C O VER Music Views There are very few people in July, 1955 Voi. XIII, No. 7 this country who have not come into contact with a TV set. There are even fewer who do not VIC ROWLAND .... Editor have access to a phonograph. Associate Editors: Merrilyn Hammond, Anyone who has a nodding ac Dorothy Lambert. quaintance with either of these appliances is sure to be fa miliar with either Jackie Gleason the comedian, Jackie Gleason GORDON R. FRASER . Publisher the musician, or both. This lat ter Jackie Gleason, the musi Published Monthly By cian, has recently succeeded in coming up with a brand new CAPITOL PUBLICATIONS, INC. sound in recorded music. It's Sunset and Vine, Hollywood 28, Calif. found in a new Capitol album, Printed in U.S.A. "Lonesome Echo." For the full story, see pages 3 to 5. Subscription $1.00 per year. A regular musical united nations is represented by lady and gentlemen pictured above. Left to right they are: Louis Serrano, music columnist for several South American magazines; Dean Martin, whose fame is international; Line Renaud, French chanteuse recently signed to Cap itol label; and Cauby Peixoto, Brazilian singer now on Columbia wax. 2 T ACKIE GLEASON has indeed provided mirth strument of lower pitch), four celli, a marim " and music to millions of people. Even in ba, four spanish-style guitars and a solo oboe. the few remaining areas where television has Gleason then selected sixteen standard tunes not as yet reached, such record albums as which he felt would lend themselves ideally "Music For Lovers Only" and other Gleason to the effect he had in mind. -
1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement. -
Newsletter. Issue 35 September 2004
Newsletter. Issue 35 September 2004 Inside The Newsletter Welcome to Issue 35 of the club newsletter. th Saturday 25 September 7:30pm Latest Australian Disney News Meeting Join us at this meeting as we look at the many aspects of the World of Disney from Animation, Theme Parks, and The Wonderful World of Disney now on Saturday collectibles. A special look at Disneyland and much more. evenings on Channel 7 at 7.30pm. Come and join us for this exciting meeting. Disney’s Home on the Range – the next Animated feature opens in cinemas on September 23rd. Location: St. Marks Anglican Church Hall. Disney’s The Three Musketeers – Starring Mickey, Cnr. Auburn Rd and Hume Hwy Yagoona. (Near Donald and Goofy is being released on DVD in this month. Bankstown.) Just 150m from the Yagoona Railway Station. Upcoming Club Events The Down Under Disneyana Newsletter is a publication of the Down Under Disneyana Club. th The newsletter is published quarterly and distributed Saturday 25 September 7.30pm to members. Contributions to our newsletter are Join us at this meeting as we look at the wonderful worlds welcome. of Disney. Bring your favourite Disney memory to share. The club address is: Down Under Disneyana Club. PO Box 502 St Marks Anglican Church hall Regents Park, NSW 2143. Cnr Auburn Rd and Hume Hwy Yagoona only 1km along Australia. Auburn Rd from our old meeting location. Down Under Disneyana Club is the Australian Chapter of the National Fantasy Fan Club of the USA, In this newsletter read about the upcoming 50th birthday of and our club is not associated with The Walt Disney Disneyland celebrations. -
Summer 2015 the WESTERN WAY CONTENTS FEATURES Cowboys in Chicago 26 19 8 Don Cusic Johnny Western 16 B
The Official Publication of the Western Music Association Pure Cowboy – COWBOYS In the Studio and IN CHICAGO Out on the Range BY DON CUSIC PAGE 8 PAGE 26 Johnny Western Receives Noted Honor PAGE 16 Founder Bill Wiley Officers From The President... Steve Taylor, President Rick Huff, Executive V.P. Robert Fee, Howdy all: V.P. General Counsel Diane Tribitt, Treasurer Belinda Gail, Secretary I have an addition to add to my letter in the last issue. Executive Director “AMBASSADORS!”You can request additional compli- Marsha Short mentary copies of the Western Way from Marsha Short , Board of Directors John Bergstrom WMA Executive Director. Do you go places that have a Joe Brown Richard Dollarhide waiting room and find outdated reading material? With Robert Fee Juni Fisher permission, place some copies of the WW in places Belinda Gail Jerry Hall Steve Taylor where people sit, wait and look for something new Rick Huff WMA President Robert Lorbeer and refreshing to read. It is a very subtle way to boost Marvin O’Dell Theresa O’Dell membership and get the word out about the WMA. Michael Roehm We are all about the membership and the networking that goes into it to support David Rychener Steve Taylor the music and poetry of the American West. The office has been busy sending out Diane Tribitt additional issues of the WW and we have seen new members added to our ranks Board of Advisors Rex Allen, Jr., Chairman from all of us being “ AMBASSADORS.” Keep up the good work. Hal Spencer, Co-Chairman Cheryl Rogers Barnett Do not forget our Web site www.westernmusic.org. -
Double on Bass
East Takes To DOWH BtAT Western Music By BILL MORGAN Oklahoma City —Growing inter Ex-Governor Jimmy Davis in town for Decca session . est in live appearances of western Jean Shepard and Ferlin Huskey also cut for Captitol . bandb. especially those which fea George Morgan did a session for Columbia just before de I had ture pop a* well as western type Brill Bui music, was seen in a five-day parting for Hollywood for three weeks. Morgan is transcrib but my trip recently completed by Hank ing his Robin Hood show and doing’’1’?— “ — - — Mish-Mus SMALL TALK Thompson. Tour opened in Wash personal appearance b double soandtrack ia Panamarrv- and Act I, Act II, and Act III. Thi* ington, D.C., where more than 10, Bill Monroe did a Columbia Where ya 000 paid admissions were chalked is the first time this has been dons Canada’s report of 20 percent increase in C&W record sales -*MSion, as did Jimmy Dickens. in the country music field. Snow’s “Gettin up in Constitution Hall. Total at Monroe cut Changing Partners, I said, “ is plowin’ up more good pasture that will seed even better also bringing out an all-guitar tendance for the five days passed count' instrumental album called Coun Holiday.” boxoffice there. The upswing in all parts of the U.S. was the 25,000 mark. with the Carlisles first solo cut try Pickin’ (no singing). “Billie I lighted by one Chicago BMIer as' Thompson, who has made recent and release, Hello to the Blues is Joyce Moore, relatively os« artist, I being du« to the new country appearances on the Kate Smith showing up well all over .