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Firehouse Five Plus Two Plays for Lovers Mp3, Flac, Wma
Firehouse Five Plus Two Plays For Lovers mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Plays For Lovers Country: Italy Released: 1956 Style: Dixieland MP3 version RAR size: 1396 mb FLAC version RAR size: 1101 mb WMA version RAR size: 1857 mb Rating: 4.6 Votes: 411 Other Formats: TTA FLAC AC3 ADX DMF VOC MP3 Tracklist Hide Credits My Cutie's Due At Two To Two A1 Written-By – Albert Von Tiltzer*, Irving Bibo, Leo Robin I Love My Baby A2 Written-By – Bud Green, Harry Warren Love Songs Of The Nile B1 Written-By – Arthur Freed, Nacio Herb Brown I Love You Truly B2 Written-By – Carrie Jacobs Bond* Credits Banjo – Dick Roberts Drums – Jim MacDonald* Piano – Frank Thomas Soprano Saxophone – George Probert Trombone – Ward Kimball Trumpet – Danny Alguire Tuba – Ed Penner* Notes Recorded September 23, December 19, 1955 January 11, 1956 Barcode and Other Identifiers Matrix / Runout: LKX - 161 Matrix / Runout: LKX - 162 Rights Society: BIEM Other versions Category Artist Title (Format) Label Category Country Year Good Time EP-1042, EP Firehouse Five Plays For EP-1042, EP Jazz, Good Germany Unknown 1042 Plus Two Lovers (7") 1042 Time Jazz Good Time EP-1044, EP Firehouse Five Plays For EP-1044, EP Jazz, Good Germany Unknown 1044 Plus Two Lovers (7") 1044 Time Jazz Firehouse Five Plays For Good Time EPG 1234 EPG 1234 Czechoslovakia 1957 Plus Two Lovers (7", EP) Jazz Related Music albums to Plays For Lovers by Firehouse Five Plus Two Firehouse Five Plus Two - Goes To A Fire Firehouse Five Plus Two - The Firehouse Five Story, Vol. -
Oral History Interview with Roy Superior, 2010 June 29-30
Oral history interview with Roy Superior, 2010 June 29-30 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Roy Superior on June 29 and 30, 2010. The interview took place in the artist's home and studio in Williamsburg, Massachusetts, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Mara Superior has reviewed the transcript. Her corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel with Roy Superior at the artist's home and studio in Williamsburg, Massachusetts, on June 29, 2010, for the Smithsonian's Archives of American Art, disc number one. Good afternoon. Shall we start at the beginning? Let's cover a little of the biographical background. ROY SUPERIOR: The early years before I was born? MS. RIEDEL: Yes, the early years before—your parents? MR. SUPERIOR: Well, the first thing I think that I ought to mention is where my name came from. MS. RIEDEL: Please do. MR. -
KARAOKE Buch 2019 Vers 2
Wenn ihr euer gesuchtes Lied nicht im Buch findet - bitte DJ fragen Weitere 10.000 Songs in Englisch und Deutsch auf Anfrage If you can’t find your favourite song in the book – please ask the DJ More then 10.000 Songs in English and German toon request 10cc Dreadlock Holiday 3 Doors Down Here Without You 3 Doors Down Kryptonite 4 Non Blondes What's Up 50 Cent Candy Shop 50 Cent In Da Club 5th Dimension Aquarius & Let The Sunshine A Ha Take On Me Abba Dancing Queen Abba Gimme Gimme Gimme Abba Knowing Me, Knowing You Abba Mama Mia Abba Waterloo ACDC Highway To Hell ACDC T.N.T ACDC Thunderstruck ACDC You Shook Me All Night Long Ace Of Base All That She Wants Adele Chasing Pavements Adele Hello Adele Make You Feel My Love Adele Rolling In The Deep Adele Skyfall Adele Someone Like You Adrian (Bombay) Ring Of Fire Adrian Dirty Angels Adrian My Big Boner Aerosmith Dream On Aerosmith I Don’t Want To Miss A Thing Afroman Because I Got High Air Supply All Out Of Love Al Wilson The Snake Alanis Morissette Ironic Alanis Morissette You Oughta Know Alannah Miles Black Velvet Alcazar Crying at The Discotheque Alex Clare Too Close Alexandra Burke Hallelujah Alice Cooper Poison Alice Cooper School’s Out Alicia Keys Empire State Of Mind (Part 2) Alicia Keys Fallin’ Alicia Keys If I Ain’t Got You Alien Ant Farm Smooth Criminal Alison Moyet That Old Devil Called Love Aloe Blacc I Need A Dollar Alphaville Big In Japan Ami Stewart Knock On Wood Amy MacDonald This Is The Life Amy Winehouse Back To Black Amy Winehouse Rehab Amy Winehouse Valerie Anastacia I’m Outta Love Anastasia Sick & Tired Andy Williams Can’t Take My Eyes Off Of You Animals, The The House Of The Rising Sun Aqua Barbie Girl Archies, The Sugar, Sugar Arctic Monkeys I Bet You Look Good On The Dance Floor Aretha Franklin Respect Arrows, The Hot Hot Hot Atomic Kitten Eternal Flame Atomic Kitten Whole Again Avicii & Aloe Blacc Wake Me Up Avril Lavigne Complicated Avril Lavigne Sk8er Boi Aztec Camera Somewhere In My Heart Gesuchtes Lied nicht im Buch - bitte DJ fragen B.J. -
Skapunkandotherjunk.Com - Movie Reviews
SkaPunkAndOtherJunk.com - Movie Reviews Bad Manners: Live in Concert (Don't Knock the Baldheads) Skate & Surf Fest Vol. 1 Starring: Bad Manners The Blues Brothers: 25th Directed By: Dave Meehan Anniversary Edition Studio: Music Video Distribution The English Beat: In Concert Buy on Amazon.com The Office: Season 1 (US) Because of Winn-Dixie Dance Hall Crashers: Live at MVD is releasing a lot of ska lately and I'm gitty as a schoolgirl. Well not a schoolgirl, maybe a the House of Blues L.A. schoolboy. This is Bad Manners first live DVD as far as I can tell and it's just as good as the English Beat DVD! I was supposed to see Bad Manners live once, at the New England Ska Fest in X-Files Mythology: Black Oil 98 but they never showed up..So I was kind of pissed but Hepcat took their place. Hepcat is great Undeclared: The Complete 'n all, but they aren't Bad Manners and I've seen Hepcat a few times already. Too bad they aren't Series around anymore Futurama: Monster Robot Maniac Fun Collection 21 Jump Street: The Complete Third Season © Music Video Distribution and could come out with a live DVD. I'm not sure if Bad Manners have played over here since they attempted to in '98. Buster's weight, I believe, has been an issue so it's hard for him to travel. Maybe he's concerned he'll take down the plane hahaha. Joking joking, I love ya Buster! The concert was filmed at The Fat Surfer in Grays, Essex and the footage looks nice. -
Incongruous Surrealism Within Narrative Animated Film
University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2021 Incongruous Surrealism within Narrative Animated Film Daniel McCabe University of Central Florida Part of the Film and Media Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation McCabe, Daniel, "Incongruous Surrealism within Narrative Animated Film" (2021). Electronic Theses and Dissertations, 2020-. 529. https://stars.library.ucf.edu/etd2020/529 INCONGRUOUS SURREALISM WITHIN NARRATIVE ANIMATED FILM by DANIEL MCCABE B.A. University of Central Florida, 2018 B.S.B.A. University of Central Florida, 2018 A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Fine Arts in the School of Visual Arts and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2021 © Daniel Francis McCabe 2021 ii ABSTRACT A pop music video is a form of media containing incongruous surrealistic imagery with a narrative structure supplied by song lyrics. The lyrics’ presence allows filmmakers to digress from sequential imagery through introduction of nonlinear visual elements. I will analyze these surrealist film elements through several post-modern philosophies to better understand how this animated audio-visual synthesis resides in the larger world of art theory and its relationship to the popular music video. -
DJ – Titres Incontournables
DJ – Titres incontournables Ce listing de titres constamment réactualisé , il vous ait destiné afin de surligner avec un code couleur ce que vous préférez afin de vous garantir une personnalisation totale de votre soirée . Si vous le souhaitez , il vaut mieux nous appeler pour vous envoyer sur votre mail la version la plus récente . Vous pouvez aussi rajouter des choses qui n’apparaissent pas et nous nous chargeons de trouver cela pour vous . Des que cette inventaire est achevé par vos soins , nous renvoyer par mail ce fichier adapté à vos souhaits 2018 bruno mars – finesse dj-snake-magenta-riddim-audio ed-sheeran-perfect-official-music-video liam-payne-rita-ora-for-you-fifty-shades-freed luis-fonsi-demi-lovato-echame-la-culpa ofenbach-vs-nick-waterhouse-katchi-official-video vitaa-un-peu-de-reve-en-duo-avec-claudio-capeo-clip-officiel 2017 amir-on-dirait april-ivy-be-ok arigato-massai-dont-let-go-feat-tessa-b- basic-tape-so-good-feat-danny-shah bastille-good-grief bastille-things-we-lost-in-the-fire bigflo-oli-demain-nouveau-son-alors-alors bormin-feat-chelsea-perkins-night-and-day burak-yeter-tuesday-ft-danelle-sandoval calum-scott-dancing-on-my-own-1-mic-1-take celine-dion-encore-un-soir charlie-puth-attention charlie-puth-we-dont-talk-anymore-feat-selena-gomez clean-bandit-rockabye-ft-sean-paul-anne-marie dj-khaled-im-the-one-ft-justin-bieber-quavo-chance-the-rapper-lil-wayne dj-snake-let-me-love-you-ft-justin-bieber enrique-iglesias-subeme-la-radio-remix-remixlyric-video-ft-cnco feder-feat-alex-aiono-lordly give-you-up-feat-klp-crayon -
1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement. -
Newsletter. Issue 35 September 2004
Newsletter. Issue 35 September 2004 Inside The Newsletter Welcome to Issue 35 of the club newsletter. th Saturday 25 September 7:30pm Latest Australian Disney News Meeting Join us at this meeting as we look at the many aspects of the World of Disney from Animation, Theme Parks, and The Wonderful World of Disney now on Saturday collectibles. A special look at Disneyland and much more. evenings on Channel 7 at 7.30pm. Come and join us for this exciting meeting. Disney’s Home on the Range – the next Animated feature opens in cinemas on September 23rd. Location: St. Marks Anglican Church Hall. Disney’s The Three Musketeers – Starring Mickey, Cnr. Auburn Rd and Hume Hwy Yagoona. (Near Donald and Goofy is being released on DVD in this month. Bankstown.) Just 150m from the Yagoona Railway Station. Upcoming Club Events The Down Under Disneyana Newsletter is a publication of the Down Under Disneyana Club. th The newsletter is published quarterly and distributed Saturday 25 September 7.30pm to members. Contributions to our newsletter are Join us at this meeting as we look at the wonderful worlds welcome. of Disney. Bring your favourite Disney memory to share. The club address is: Down Under Disneyana Club. PO Box 502 St Marks Anglican Church hall Regents Park, NSW 2143. Cnr Auburn Rd and Hume Hwy Yagoona only 1km along Australia. Auburn Rd from our old meeting location. Down Under Disneyana Club is the Australian Chapter of the National Fantasy Fan Club of the USA, In this newsletter read about the upcoming 50th birthday of and our club is not associated with The Walt Disney Disneyland celebrations. -
April • 1950 Vol. 8 • No. 4
APRIL • 1950 VOL. 8 • NO. 4 Paul Weston 95 «s^gï* CAPITOL NEU CAPITOL NEWS PAGE 3 news DAVE DEXTER'S Published Monthly by Nichols Signs Mayo, Cagney, CAPITOL PUBLICATIONS, INC. Sunset and Vine, Hollywood 28, Calif. Printed in U. S. A. ©W SURFACE NOISE ’ New Contract MacRae To Be EDITED BY DAVE DEXTER, JR. For Records In New Film Rambling On a Battered Underwood Loring (Red) Nichols G ordon MacRae starts In This Issue Despite those erudite statements an Page 5, Cholly Barnet is and his Famous Pennies, work next month in what Stan Kenton's Views of abandoning his six-weeks-old small combo and reorganizing o one of the oldest and most m ay be his biggest film Classical Music.................Page 11 20-piece band. He's in New York, and will tee off in the east, A 1950 Portrait of popular name bands in assignment. And Ben Goodman, his lessons with Reginald Kell ended, Louis Armstrong ...............Page 7 the world, have been is ready to shuttle over to Europe again in late April. He and his With James Cagney Dixieland Revival in signed to record exclu High G ear................. Page 14 Selmer stick will appear in several countries which w ere skipped and V irginia M ayo as his sively for Capitol. Picture Pages.................... 8 and 9 in 1949. Freddy Martin starts a new TV show in Hollywood co-stars,.MacRae will play STILL BLO W ING th a t w a ilin g Nichols, now playing every an important role in "The West this month with KTTV paying him $1,500 a shot, sponsored or cornet to the four winds, Red night at Sardi's Monkey Room on Point Story," which Warner Broth Nichols is featured with his Pen not. -
LP Inventory
Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie -
Music Traditional Jazz Educators Network Resources
A Traditional Jazz Style Guide by Dave Robinson Foreword For the past 25 years I have been collecting, performing, arranging, teaching, broadcasting and writing about my first musical love, TRADITIONAL JAZZ (aka dixieland, classic jazz, vintage jazz, New Orleans jazz, etc.). This music is frequently misunderstood, and even knowledgeable fans, collectors and musicians disagree on terminology and stylistic divisions. This document presents my view of the most logical stylistic categories of traditional jazz. It is presented as informed opinion, not dogma, and your commentary is welcome. It is hoped that jazz educators will find this guide useful, and that directors of youth ensembles specializing in traditional jazz will make an effort to instill in their bandmembers an understanding of and proficiency in the full spectrum of "flavors" available to them. Towards a Definition of Traditional Jazz Before dividing this pie into logical pieces, we should describe the pie itself. What is "traditional jazz"? What are the common denominators that define it? In my view, "traditional jazz" in the proper sense of the term is jazz which exhibits all or most of the following characteristics: 1) Wind instruments playing polyphonically 2) Easily discernible chord patterns 3) 2/4 or 4/4 meter 4) Instrumentation approximating the following: "FRONT LINE" (HORNS): 1. Trumpet or cornet 2. Clarinet or soprano sax 3. Trombone 4. Tenor, alto or bary sax (sometimes) --or a subset of these RHYTHM SECTION: 1. Piano 2. Banjo or guitar 3. Tuba, string bass or bass sax 4. Drums or washboard --or a subset of these 5) Pre-bop harmonies and phrasing (the earlier the musical vocabulary employed, the greater the compliance to this part of our definition) The single most distinguishing characteristic of traditional jazz is the first element above--the wind instruments playing polyphonically (a New Orleans tradition). -
Walt Disney Productions Sunday, April 9, 1978
• ·I - ~ • • \ t .' .I • A Tribute to Walt Disney Productions Sunday, April 9, 1978 · Delta Kappa·Aipha's - ~ 39th. Annual Awards Banquet Delta Kappa Alpha National H onorary Cin~ma Fraternity Di<11ision of Cintma UNIV ERSITY oF SouTHERN CALIFORNIA SCHOOL OF PERFORMING ARTS UNIVERSI1Y PARK March 31, 1978 Los ANG!LES, CALIFORNIA 90007 DKA Honoraries folie A..odrewa J'red Astaire Greetings: Lucille Ball !..uc:ieo Ballard AnoeButer On behalf of the Alpha Chapter of Delta Kappa Alpha, Richard Brooks tvrwt~~·~,e the National Honorary Cinema Fraternity, I wish to Staole1 CA>nn extend my warmest welcome to you on the occasion ?.":~.;.."::11 of our thirty-ninth Annual Awards Banqu7t. Delmer Daves ~eb~~eo Allan Dwao The fraternity was established in 1937 and is Blue Edwardo Rudr Fehr dedicated to the furthering of the film arts and to s,lviA Fil>e jobo Flof1 the promotion of better rela~ions between the Glena Ford Ckne Fowler academic and practicing members of the industry, Marjorie Fowler both theatrical and non-thea·trical. Our Greek ~~.<:l.::re Lre Gai"'DtS letters symbolize the Dramatic, Kinematic and GreerGanoo lobo Green Aesthetic aspects of film. Coorad Hall Henry Hathaway Howard Ha"b Edith Head Of our yearly activities, the Banquet is one of A II red Hitchcod< Wilton Holm the most gratifying. It gives us the opportunity Ro. Huorer to recognize the truly talented people in the in I:!::O'::Jc!iton dustry, people who direct its future. ~~~~{;•es Sc:anlg Kiamer l.;~I'V1~1 This year we feel that the honorees are most Sol Lnter Rouben Mamoul iao worthy of such distinction for their tremendous Walter ~htthau Steve Mc:Queto contribution to the art of animation.