Thomas: No Dou Bts on War Field •J- the Race Between State Sen
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Keys MHS Girls in Humanitarian Circumstan by ALEXGIRELLI Managers, to Improve Delivery of Ces
MONDAY LOCAL NEWS INSIDE iianrhpHtpr ■Nike house purchase before board. ■Special Focus program off to good start. ■SNET moves more to Coventry exchange. What’s ■ Route 6 plan to be presented shortly. News Local/Regional Section, Page 7. Sept. 10,1990 Gulf at a glance (AP) Here, at a glance, are the Vbur Hometown Newspaper Voted 1990 New England Newspaper of the Year Newsstand Price: 35 Cents latest developments in the Per sian Gulf crisis: ■ President Bush said die iHanrliPstrr HrralJi Red Sox triumph Helsinki summit with Soviet President Mikhail S. Gorbachev resulted m a “loud and clear” condemnation of Iraq’s Saddam over Mariners Morrison set on Hussein. Bush played down Gorbachev s reluctance to go — along with the U.S. threat of see page 45 force if sanctions fail to force SPORTS Iraq to wiUidraw from Kuwait reorganizing and unwillingness to remove the remaining 150 Soviet military advisers from Iraq. government ■ Food shipments to Iraq and occupied Kuwait will be allowed keys MHS girls in humanitarian circumstan By ALEXGIRELLI managers, to improve delivery of ces. Bush and Gorbachev Manchester Herald services. agreed. They said the United He said the objectives of state Nations, whose Security Council Indians looking MANCHESTER —Bruce Mor voted Aug. 6 to embargo all Please see MORRISON, page 6. rison, the convention-endorsed trade with Iraq because it had in o Democratic candidate for governor, vaded Kuwait four days earlier, 33 TI to advance further says the state needs to reorder its would define the special cir 2 F priorities and he says he is the best Herald support cumstances. -
[email protected] R I V E T I N G
PARADE countdown... 13 WEEKS [email protected] R I V E T I N G . T I M E S T W O The Totten Totally new 08 Chevrolet Malibu The all-new 08 Cadillac CTS Wealth Advisory The car everyone 2008 Motor Trend Group is talking Car of the Year! about! David B. Totten Senior Vice President, Wealth Advisor 17310 Yonge Street, Suite 11 Newmarket, Ontario 905.830.4468 www.davidtotten.ca If you are already a client of BMO Nesbitt Burns, HIGHLAND CHEVROLET CADILLAC 15783 YONGE ST., AURORA please contact your Investment Advisor for more information. 905-727-9444 highlandgm.com Aurora’s oldest & largest automotive dealer Aurora’s Community Newspaper Vol. 8 No. 22 905-727-3300 auroran.com FREE Week of April 1, 2008 Aurora Town’s first CAO, on top Bud Rodger dies The name Bud Rodger will be from 1957 to 1967. Aurora saved more energy during unknown to many newcomers to With the growth of the munici- Earth Hour Saturday than three other Aurora but for older residents, he pality, it was decided to split the municipalities served by will be remembered as the Gentle position in 1967 and as Mr. PowerStream, Inc, the communica- Giant. Johnson preferred to remain as tions director said. He served the Town of Aurora treasurer, the position of clerk was Eric Fagan, Communications from 1967 to 1988 as clerk, clerk- advertised. Director for PowerStream, Inc., hydro administrator and chief adminis- K.B. (Bud) Rodger was hired as provider for the four towns, told The trative officer. clerk in October, 1967. -
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European Journal of Humour Research 5 (3) 108–111 www.europeanjournalofhumour.org Book review Quirk, S. (2015). Why Stand-Up Comedy Matters. How Comedians Manipulate and Influence. London and New York: Bloomsbury. 248 pages. As the title and introduction explain, Sophie Quirk’s monograph sets out to investigate the reasons and ways comedians manipulate and influence their audience. The term manipulation, however, should be considered apart from its often negative connotations and should be interpreted as the comedian’s attempt to skilfully communicate with their audience, elicit laughter, and, most importantly in this case, influence their beliefs, attitudes, and behaviour (see p. 2). With these premises, Quirk explores instances of stand-up comedy including some interaction between mainly well-known British comedians (e.g. Eddie Izzard, Stewart Lee, Josie Long) and their audience. She also interviews some of these performers so as to gain a first-hand understanding of the comedians’ performing experience. The book is divided into three main sections, which are well balanced in terms of structural organisation of the topic at hand. Part I comprises of two chapters in which Quirk explains how comedians manipulate and control their audience by, for instance, eliciting laughter at the right time. Drawing on Schopenhauer (1987), Freud (1957), and Douglas (1999), Quirk provides a sound overview of joking in relation to laughter, superiority, relief, incongruity, and challenge. She concludes that: Joking is always part of an ongoing negotiation through which current thought and practices are challenged and tested. Some challenges are gentle and leave their targets in tact [sic]; others are dangerous. -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a -
Stand-Up Comedy and Open Mike Nights
____________________________________________________________________ STAND-UP COMEDY AND OPEN MIKE NIGHTS By Steve North, the Comedy Coach _____________________________________________________________________ If you’re trying to get going in standup comedy, open mike nights can be the only early option. Navigating them and doing what works can be tricky, depressing, or sometimes exhilarating and a learning experience. But let’s start with a truth here. Stand up comedy is about the only skill that people jump up on stage to “give it a try” or to “learn.” If you were learning to play the piano, would you go to bars, jump up in front of audiences and start banging on the piano in front of them? Probably not. So first thing, get yourself trained somehow. Not all classes are good, and many teachers don’t know how to teach too well, but you’re still better off learning in a safer environment. Unfortunately, doing an open mike night can be like test driving a racing car on a rutted cracked unmarked race track – many techniques that work in an open mike night would bomb in a real comedy club environment. That said, many will go to open mikes anyway, so here are the goods, bads, and some tips: BAD. So many open mikers use blue words and material so often that the audience becomes de- sensitized, and it makes material that would normally work fine just seem like a boy- scout in a sex club. Women’s material seems to revolve around their vaginas and periods, and it’s hard to find an open miker male who doesn’t use his dick in almost every piece of comedy material. -
YANKEE SWAP Manrhrbtfr
M — MANCHESTER HERALD, Thursday, Jan. 30. 1986 SPORTS FOCUS U.S./WORLD CLASSIFIED AD VER TISIN G 643-2711 No. 1 Tar Heels Former students gij Experts examine Alii ICARS/TRUCKS upset by Virginia will salute White shuttie’s fuseiage I HOUSEHOLD ICARS/TRUCKS CARS/TRUCKS r n APARTMENTS 0 STORE AND IFOR SALE FOR SALE Rentals | « J |FOR RENT IOFFICE SPACE eOODS PETS FOR 8 A U _ ... page 9 ... page 13 ... page 19 72 Chevy Novo — 9,000 1984 Jeep Wagoneer — 4 Office Space — Excellent Used Refrigerators, Free to good home only. 3 3 Bedroom Duplex, Imme miles on rebuilt engine, wheel drive, all avollable ROOMS location with ample park Washers, Ranges — Males, 1 orange fleer, 2 diate occupancy, no utili automatic, 8 cylinder. factory options, auto- ing. 600, 400 & 300 sq. ft. clean, guaranteed, parts blacks, 1 medium length FOR RENT ties, parking, bus line, $950. 742-5824. 74 Ford Brougham L T D , motlc, air conditioning, S5S0/monthly. Security, office suites are now and service. Low prices. hair, daughter allergic. midnight blue, buy direct B.D. Pearl 8, Son, 649 647-7432. _________ Top of the line In top Gcntltmen Only. Cantral references. 649-3067. available. 649-2891. form original owner. 646- M ain Street, 643-2171. 79 Pinto tx c . cond., $1,695; condition. No ro if. .No location, kitchtn privl- 80 Cadillac El Dorado problems. 647-0881 even 6388 a fter 6pm. Manchester — Available East Center Street — Itflos. parking available. MUSICAL loaded, $7,495; 82 Cam aro ings or weekends. Ground floor, great vis Like New 14 cu. -
Tearing up the Rules
Jewish RENAISSANCE A FRESH PERSPECTIVE ON JEWISH CULTURE SPONSORED BY DANGOOR EDUCATION JULY 2018 £7.25 TEARING UP THE RULES VIENNA’S CULTURE REVOLUTION IS THERE LIFE AFTER ROTH? AMOS OZ MOROCCO MEETS VENEZUELA The future of Jewish fiction Peace is still possible The restaurant that’s defying the crisis JR Pass on your love of Jewish culture for future generations Make a legacy to Jewish Renaissance ADD A LEGACY TO JR TO YOUR WILL WITH THIS SIMPLE FORM WWW.JEWISHRENAISSANCE.ORG.UK/CODICIL GO TO: WWW.JEWISHRENAISSANCE.ORG.UK/DONATIONS FOR INFORMATION ON ALL WAYS TO SUPPORT JR CHARITY NUMBER 1152871 JULY 2018 CONTENTS WWW.JEWISHRENAISSANCE.ORG.UK JR YOUR SAY… Reader’s rants, raves 4 and views on the April issue of JR. WHAT’S NEW We announce the 6 winner of JR’s new arts award; Mike Witcombe asks: is there life after Roth? FEATURE Amos Oz on Israel at 10 70, the future of peace, and Trump’s controversial embassy move. FEATURE An art installation in 12 French Alsace is breathing new life into an old synagogue. NATALIA BRAND NATALIA © PASSPORT Vienna: The writers, 14 artists, musicians and thinkers who shaped modernism. Plus: we speak to the contemporary arts activists working in Vienna today. MUSIC Composer Na’ama Zisser tells Danielle Goldstein about her 30 CONTENTS opera, Mamzer Bastard. ART A new show explores the 1938 32 exhibition that brought the art the Nazis had banned to London. FILM Masha Shpolberg meets 14 34 the director of a 1968 film, which followed a group of Polish exiles as they found haven on a boat in Copenhagen. -
Laughing out Loud: Taking a Stand on Standup for the ESL Student Kathy Zimbaldi Westside High School INTRODUCTION I Am a Seconda
Laughing Out Loud: Taking a Stand on Standup for the ESL Student Kathy Zimbaldi Westside High School INTRODUCTION I am a secondary ESL teacher at Westside High School in HISD. I teach 10th, 11th, and 12th grade classes of Advanced and Transitional students, and my class populations are extremely diverse both culturally and linguistically. While many students are native Spanish speakers, most are from South America rather than Mexico. And while some of my Asian students are Chinese or Vietnamese, others are from Thailand, Bangladesh, or India. The native Arab speakers are from Iran, Lebanon, and Palestine, while the African ESL students are from Angola, Cameroon, or Nigeria. Unlike my previous ESL teaching experiences with 100% Mexican populations, my Westside High classroom is a mini-United Nations! While my own learning curve is steep as I seek to meet the needs of this very diverse group, I still try hard to maintain an atmosphere that keeps the affective filter low as my students struggle to learn in a second language. My goal is to promote a stress-free zone that encourages risk- taking; if we are to make steady progress toward language proficiency, then students must be comfortable manipulating that language. I choose to teach with a generous level of flexibility in the ESL curriculum, and I am fortunate to have the full support of my principal in this regard. Like Robin Williams’ students in Good Morning Vietnam or Bill Murray’s in Stripes, my students seem to appreciate any efforts I make to engage and entertain them as we tackle the more daunting lessons in English language learning. -
2016 Sydney Fringe Comedy Program
Sydney’s Best Value Comedy Show 10 COMEDIANS FOR $10 2016 PROGRAM A DIFFERENT LINE-UP OF COMEDIANS EVERY SHOW! ‘10 Comedians for $10’ Shows at 2016 Sydney Fringe Our 2016 Fringe Comedy Shows are at The Bat & Ball Hotel, 495 Cleveland St, Redfern. Click here to get tickets for our Sydney Fringe Comedy Shows. Click on a comedian’s name to view his/her profile. Click on links in right column to see other Fringe shows these comedians are performing. Sally Kimpton Sally Kimpton delights with stand-up that’s clever, edgy and hilarious! Sally has performed at the Melbourne International Comedy Festival in ‘Extreme Blonde’, followed by her one woman show ‘Sally Kimpton - MyStar’ at the Sydney Comedy Festival. She has appeared on and written material for national radio programmes, including on Triple J and Triple M. Sally’s TV appearances include The Comedy Channel’s ‘Headliners’ and ‘Stand-up Australia’. She was a quarter finalist in NBC’s ‘Last Comic Standing’ filmed at the Miami Improv in 2008. She has also been spotted on Network TEN’s ‘Thursday Night Live’ and Channel 7’s ‘Today Tonight’ (don’t ask!) In June 2012 Sally was invited to perform with Rove McManus and Wil Anderson in an Aussie comedy showcase in Los Angeles. Sally specialises as a Master of Ceremonies, Acts in Television and Film Productions and is finalising details for her first comedy book. A popular Headliner and a skilled MC, She has been making them laugh at fine, and not so fine comedy venues nationally and internationally for over 15 years! Website: sallykimpton.com Facebook: fb.com/The.Sally.Kimpton Youtube: youtube.com/sallykimpton 3 CJ Delling CJ is a comedian, cartoonist, podcaster and maker of stuff for the easily amused. -
Comedian Are Entertainers Who Make People Laugh by Using Variety Of
Comedian are entertainers who make people laugh by using variety of techniques to amuse the audience, such as telling jokes, singing humorous songs, doing impersonations and wearing funny costumes. Comedian performs in nightclubs, comedy clubs, theatres, television shows, films, and business functions. Comedians are performers responsible for entertaining people by making them laugh. Comedians have their own specific style, and may use various techniques like puppetry, ventriloquism, and music, to amuse audiences. Comedy is a form of art, and there are different types of comedy routines. When a performer uses a prop to make his/ her viewers laugh, it is known as a prop comedy. On the other hand, in stand-up comedy, the comedian is required to address the audience directly. Stand-up comedy is usually a one-man show where audience feedback plays a decisive role. Character comedy makes use of imaginary characters, while slapstick comedy pertains to the physical antics of the performer. Improvisational comedy can be the right pick for those with superb comic timing as these performances are mostly impromptu. Observational comedy refers to acts where mundane trivialities are exaggerated to make people laugh. Performers can concentrate their comic act on the aspect of word play. One can also choose to perform situational comedy which is now a popular genre on television. Television comedy mostly uses the “cringe” type of humor, where inappropriate actions and words are the source of laughter. Comedians are primarily responsible for writing comic material for their own performances, or for the web, radio, and print media. They need to rehearse their acts and be able to tailor them in accordance with the audiences’ preferences. -
Senior Class U Veils Its Gift Howard Finis Es Erm As Senate P Esident
Inquiring Photographer Sports: What i your opinion on !:he A Tribute to the Dunk cbange in the Pre idency at Bryant? THURSDAY. APRIL 6. 1989 BRYANT COLLEGE BOX 7 SMITHFIELD. R.I. 02917 VOLUME 57 NUMBER 9 Senior Class Howard Finis es erm as U veils Senate P esident freshmen, hould gel involved. Many ofmy fricn<lo;hip Its Gift Marie Plihdk wcre g'<lincd ei!her with the enatc or because of the Archway Staff Writer senate. People know you a lilLIe beller, they see your Michael contrasting name, they see your picture omcwhere and they say E.Mahrlig shapes in Yesterday, the new Student Senate look theh seats 'aren't you a senal r?' Frc hman year, I automatically Archway the center. at the Senate meeting. Mike Roward , senaLOr since his kncw fi v other freshmen, and 1 became good fflends StaffWritu The freshman year, an Senal President or the past two with them,l also gOllO know S phomorcs. Juniors, and artwork is years has given over Lo Harry Franks, asophomore with Seniors, I had a whole new awarcnes very quickly On b e i n g a promising future. Last week, I interviewed Mike about what goes on at BryanL Wcdnc day, <XIIlITIim"m Howard about his past, present and plans for the future. Q: Who has had the biggest innuence on your arcer March 22, in by Bryant Q: Why did Y u decide LO go inLO SUldcnl Senate as in Senate? Lhe North College s opposed to the other organizations on campus? A: I have lO say the two presidents before me, for Dining Room own D r. -
“Where the Mix Is Perfect”: Voices
“WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE by Carleton S. Gholz B.A., Macalester College, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Carleton S. Gholz It was defended on April 11, 2011 and approved by Professor Brent Malin, Department of Communication Professor Andrew Weintraub, Department of Music Professor William Fusfield, Department of Communication Professor Shanara Reid-Brinkley, Department of Communication Dissertation Advisor: Professor Ronald J. Zboray, Department of Communication ii Copyright © by Carleton S. Gholz 2011 iii “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE Carleton S. Gholz, PhD University of Pittsburgh, 2011 In recent years, the city of Detroit’s economic struggles, including its cultural expressions, have become focal points for discussing the health of the American dream. However, this discussion has rarely strayed from the use of hackneyed factory metaphors, worn-out success-and-failure stories, and an ever-narrowing cast of characters. The result is that the common sense understanding of Detroit’s musical and cultural legacy tends to end in 1972 with the departure of Motown Records from the city to Los Angeles, if not even earlier in the aftermath of the riot / uprising of 1967. In “‘Where The Mix Is Perfect’: Voices From The Post-Motown Soundscape,” I provide an oral history of Detroit’s post-Motown aural history and in the process make available a new urban imaginary for judging the city’s wellbeing.