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PRODUCTION GUIDE by Jamie Gaetz

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• tiN E MAG • PRODUCTION GUIDE by Jamie Gaetz Gibson d. alternating Patsy MacDonald, MI­ six weeks. Set in contemporary times, the story chael Wat~ Gordon Gill host Terry David Mulli­ FAVORITE PICTURES of a British family who move to northern Alberta gan. and the unusual friendship that develo ps be­ he following ~s a list of films in production (actually before cameras) (204) 942-6795 tween the British woman and a metis woman who works as barmaid in the local tavern. p. and In negotiation In Canada. Needless to say, the films which are CRIME WAVE William Johnston, Anne Wheeler d. Anne Tstill in the project stage are subject to changes. A third category,ln CINEVIDEO INC. Feature film in final stages of shooting. Prin­ Wheeler se. Sharon Aiis d.o.p. Vic Sarin art d. Pre·Production, will be used to indicate films which are in active pre-pro­ (514) 284-9354 cipal photography to be completed later this Richard Hudolin p. man. Grace Gilroy line p. Rob duction, having set a date for the beginning of principal photography and spring in Winnipeg . p./d./sc. John Pai sz. Iveson 1st a.d. Brad Turner 2nd a.d. Bill Mizell.p. being engaged in casting and crewing. Films are listed by the name of the HOLDUP Kenneth Welsh, Tantoo Martin, Susan Wool­ Feature film shooting entirely in Montreal in FILMLINE drige, Vera Martin, Tom Jackson, Doris Chilcott, company which initiated the project, or with which the project is popularly May and June with expected wrap mid-July. Christopher Barrington-Leigh, Dale Willier, associated . This is not necessarily the name of the production company. Official co-production between Cinevideo of INTERNATIONAL Janet Wrigh~ Terry Daniels, Paul Whitney, Where the two companies are different, the name of the production com­ Canada and Les Films Ariane and Ceritos Films (514) 288-5888 Veena Sood, Colin Vin~ Larry Musser, Larry pany, if known, is also given. In instances where a producer has asked us of France. Participation of Telefilm Canada Yachimec, Bryan Fustukian, Eric Kramer, Wen­ Budget : $8 min. exec. p./Fr. Alexandre Mnouch­ dell Smith. Meredith Rimmer, Wesley Semina­ not to list a project, or to withhold certain credits due to ongoing negotiations, kine exee. p./Can. Denis Herou x line p. Alain THE BLUE MAN vitch, Shannon Howse loc. mall Mike Gazley p. we have respected his request. The guide only lists productions or series Belmondo d. Alexandre Arcady se. Daniel Saint­ Feature story of asiral prOjection shooting in cil-ord. Pati Olson, Robyn Britton script sup. Hamon dialogue Francis Weber stunts advisor and around Montreal June. With New Century Penny Hynam. p. acct Ann Fitzgerald 1st a cam. whose duration will be one hour or over. Productions, LA, Global Television and Telefilm. Please telephone additions and up-dates information to: Remy Julienne co -d. 2nd unit Fran(:ois Ouimet Harvey Larocque stills Doug Curran asst art d. 1st a.d. Bernard Bolzinger 2nd ad. Pierre Plante Budget: $1 ,3 00 ,000 p. Pieter Kroonenburg exec. Brent Thomas head set dresser John Blackie a set Cinema Canada (416) 598-6829 or (514) 272-5354 cont Marie-Therese Lilensz tein p. man. Miche­ p. Nicolas Clermon~ David Patterson exee. dresser Sherillee Thomas set dresser Peter Mills line Garant loe. man. Michel Chauvin unit man. charge of prod. Buck Houghton d. George Mihalka props. master Shirley Inget assl props Rick Michel Guay p. see. Dominique Houle d.o.p. se. Robert Geoffrion~.o.p. Paul van Der Linden p. Molnar cost des. Wendy Partridge cost. assl FILM CREDIT ABBREVIATIONS man. Luc Campeau art d. John Meighen 1st a.d. d. director asst. d. assistant director s.c. script adapt. adaptation dial. dialogue ph./dop. Richard Ciupka focus puller Gilbert Duhalde asst Patty Unger make-up Jan Newman hair Donna cam. I. Glen McPherson asst can. 2. Bert Tougas Mike Williams unit man. Jeffrey Bessner I.p. photography sp. ph. efx. special photographic effects ed. editor sup. ed. supervising editor Bis sri mix. Garrell Clark boom Daryl Powell gaffer slilis Pierre Dury 2nd unit cam. Andy Chmura 1st Winston Rekert, Karen Black, Patty Talbot, John Duncan MacGreggor best boy Martin Wilde lamp sd. sound sd. sound editor sd. rec, sound recording p, des, production designer art, d, Novak, Lois Maxwell, Vlasta Vrana. Publicity ed. asst. cam. 2nd unit Denis Gingras 1st unit sd. Alain on. Rob Bittner genny op. AI Wightmore key grip art director set dec, set decorator m, music cost. costumes I,p, leading players exec, p. Sempe boom Thierry Hoffman 2nd unit sd. Yvon Kevin Tierne y/ David Novek Associates (514) Brian Kuchera best boy grip Nick Kuchera sp. elx. executive producer p, producer assoc, p. associate producer line p. line producer p. sup. Benoit art concept Jean -Louis Poveda asst. art 284-2113. John Thomas const coord. Bryan Cockroft head production supervisor p. man. production manager p.c. production company dist. distributor Tony Egry art d. Michel Dernuet art coord. Lise carp. Martin Shostak trans. coord. Jake Callihoo An asterisk (') following the film's title indicates financial participation by Telefilm Canada's Pharand set dee. Gilles Aird studio storekeeper IDEACOM INC. driver Eddie Washington, Joe Dodds p. asst Broadcast Program Development Fund . Cla ude Charbonneau scene painter Gilbert Mar­ Kathy Gilroy. cel supervisor sp. efx. Normand Aubin stunts (514) 274-6538 mechanic Dominique Julienne, Jean-Claude Bonnichon auto mechanic Fernand Boudrias cons­ PRENDRE LA ROUTE LORIMAR truction coord. Michael Waterman make-up Char­ Five lV-hour series on 16mm film about highway PRODUCTIONS ON LOCATION Iy Koubesserian, Jocelyne Bellemare hair Ri­ safet y, and car accidents throughout the wo rl d, chard Hansen cost. des Mic Chemical wa rd. shooting on location in Canada, the US., the (604) 294-2646 Paulette Breil, Blanche Daniele Boileau assl U.K, Sweden, Germany and France in co­ ward. Lu c Beland set dresser Mario Davignon production with the National Film Board for a THE BOY WHO COULD FLY THE ACCESS ATLANTIS FILMS LTD. gaffer Steve Danyluk key grip 1st unit Jacob Radio-Canada airdate in Spring '86 . Budget: Not a Canadian production. Shoot schedul ed for Vancouver May 15-Aug. 8. (416) 960-1503 Rolling key grip 2nd unit Yvo n Boudrias film ed. over $1 .5 million. Episodes 1,2, 3 have finished TELEVISION NETWORK Joelle Vaneffenter re 1st assl ed. Herve Kerlann shooting, episode 4 being shot in Europe, (403) 256-1100 CANLIT SERIES I.p. Jean- Paul Belmondo, Kim Cattr al l, Guy episode 5 to be shot in June '85. Se ries M & M FILM ESSO Marchand, Jean-Pierre Marielle, Te x Konig, completion Dec. 85. d. Paul Cowan, Michel THE MAGIC RING II Planned shoot for July 3- 11 in Toronto. p. Jean-Claude de Goros. Yvan Ponton, Jacques Poulette series hosl Pierre Nadeau exec. p. PRODUCTIONS The second cycle of 13 x 1/2 hour program s of Atlantis Susan A'Cou rt p. NFB Bill Wei ntraub d. Vi lleret, Guillaume Lem ay-Thivierge, Richard Jacques Nadeau. Jean-Guy Jacques p. George Pearson, NFB cam. Pau l Cowan. Fran,ois Beau­ (416) 968-9300 lnrichment for young children. Production begins Don McBrearty. Niquette, Marguerite Corriveau, Fran(:ois Oui­ In May and continues until August . On the met, Karen Racico, Michel Demers, Sylvie chemin ed. Judith Merritt, Monique Turcotte sd. Iheme of discovering things, the series follows THE LEGS OF THE LAME John Martin, Raymond Marcoux based on an idea VID KIDS Bourque, Robert Duparc, Michel Daigle Sophie Thirte en 1/2 hour series of videos for children. Ihe concept of facilitating learning through Planned shoot for July 16-23 in Toronto. p" by Jacques Nadeau. Stanke. puc./Fr. Jerome Brierre pub./Can. Pi erre Shooting July 8 for eight weeks in Toronto. lxperience and increasing motivation for children Atlantis Michael MacMillan p. NFB Bill Wein, Brousseau. to learn on their own. p./dev. Margaret Meade d. traub d. Paul Shapi ro. Post-prod at CJO H/Carlton Studios in Ottawa, Gene Packwood SC. Michelle Stirling, Bill Pas­ Ultimatte studios and on-line editing. To air on nak, Gordon Pengilly, Fred Stenson story ed. CHICLET GOMEZ DANGER BAY CBC in October. Co-production with Avenue lV Fred Stenson. Pl anned shool for July 3D-August 7 in Toronto. ITC PRODUCTIONS INC. exec. p. John Muller, Tom Reynolds d. John p. Allantis Michael MacMillan p. NFB Bill Wein­ PRODUCTIONS INC. (604) 688-0461 Muller, Chris Terry line p. Henia Muller sup. st ory HARRIET'S MAGIC HATS traub d. Paul Shapiro. Head office (416) 535-7555 ed. Janis Nostbakken p. man. Nancy Harvey, An educational series for young children intro­ THE STORY OF LINN YANN Diane Lomas Bob Schneiders video concepts Bob ducing them to different occupations in the RED SHOES DANGER BAY Feature film shooting in Vancouver from mid­ Schneider, Hallery Dworet guests include Kim & Planned shoot July 3-11 in Winnipeg p. Allantis community to broaden their understanding of it. New cycle of 22 episodes begins shooting in July through August p. Bob Goodwin se. Chris­ Jerry Brode y, Rosen Schantz, Canadian Aces Seaton McLean p. NFB Bill Weintraub d. Alan Follows the experiences of a young girl , Ashley Vancouver May 21 . In association with CBC, topher Knopf. David Simons p. man. Fitch Cady. and many more. who tries on different magiC hats. 13 x 15 Kroeker. The Disney Channel, and Telefilm Canada. Approximate budget of $7 .5-$8 min. exec. p. minute episodes, to air September. p./dev. Leslie THE BEACHCOMBERS NELVANA Johnson d. David Flux sc. Bob Swift-Hill I.p. Paul Saltzman exec.
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  • Pre Game Speech the Players

    Pre Game Speech the Players

    Guilty Pleasures "Ever seen a flock of ducks flying her ormation? Pretty awesome the way they all stick togethe in proud to be a duck. And I'd be proud to fly with an y', c 3u. So how about it? Who's a duck?" Emilio vez rallies the flock in Disney's THE MIGHTY DUCKS "I've got a serious disagreement ith CBC programming, and there's going to be a revolution unl , something changes." Brian (Spinner) Spencer's gun-wit ng Dad in Atom Egoyan's OSS MISCONDUCT Pre game Speech enties written by former NHLer Erik Nesterenko, seems to have disappeared. Same with Eddie Shack's Nightmare, a 1966 Needing to pad out a hockey gift book I was doing for short shot for the old CBC arts program Umbrella. But that, Penguin Books (More Slapshots), I thought wouldn't it be as they say, is another story. Let us now compare mythologies. interesting, or at the very least, fun, to compare Canadian and American hockey movies? I reviewed 18 movies — nine American, nine Canadian. Before talking about the films The Players themselves, I should say that the most obvious difference between Canadian and American hockey movies is that the The Cutting Edge (U.S., 1 992) latter are easy to find. Mighty Ducks I saw on a plane; Washed-up hockey player (D.B. Sweeney) and spoiled rich Youngblood and Slap Shot were on TV when I was writing. girl (Moira Kelly) go for the figure-skating gold. Duo knock Most of the others were available at the corner video store.