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Traffic Traffic Mp3, Flac, Wma
Traffic Traffic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Traffic Country: UK Style: Folk Rock, Blues Rock, Psychedelic Rock, Prog Rock MP3 version RAR size: 1519 mb FLAC version RAR size: 1165 mb WMA version RAR size: 1184 mb Rating: 4.9 Votes: 519 Other Formats: AA RA AIFF TTA APE MP1 MIDI Tracklist Hide Credits You Can All Join In 1 3:35 Written-By – Dave Mason 2 Pearly Queen 4:18 Don't Be Sad 3 3:20 Written-By – Dave Mason Who Knows What Tomorrow May Bring 4 3:11 Written-By – Chris Wood , Jim Capaldi, Steve Winwood Feelin' Alright? 5 4:16 Written-By – Dave Mason Vagabond Virgin 6 5:21 Written-By – Dave Mason, Jim Capaldi 7 Forty Thousand Headmen 3:13 8 Cryin' To Be Heard 5:14 9 No Time To Live 5:19 10 Means To An End 2:35 You Can All Join In (Mono Single Mix) 11 3:43 Written-By – Dave Mason Feelin' Alright? (Mono Single Mix) 12 4:01 Written-By – Dave Mason 13 Withering Tree (Stereo Single Mix) 2:53 Companies, etc. Phonographic Copyright (p) – Universal Island Records Ltd. Copyright (c) – Universal Island Records Ltd. Credits Bass, Vocals, Guitar, Organ, Piano – Steve Winwood Drums – Jim Capaldi Drums, Bass, Saxophone [Soprano, Tenor] – Chris Wood Harmonica, Vocals, Guitar – Dave Mason Producer – Jimmy Miller Written-By – Jim Capaldi, Steve Winwood (tracks: 2, 6, 9, 10, 11) Notes First released October 1968 Barcode and Other Identifiers Barcode: 7 31454 28522 3 Matrix / Runout: 314 542 8522 01@ Matrix / Runout (in the mould): MADE IN USA Mastering SID Code: IFPI L006 Mould SID Code: IFPI 0365 Other versions Title -
Legendary Musician Dave Mason Plays at the Colonial
Press Contacts: Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org Christina Riley, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org For Immediate Release, please: Monday, September 16, 2013 Legendary Musician Dave Mason plays at the Colonial Pittsfield, MA– Rock and Roll Hall of Famer, Dave Mason and band will perform at the Colonial on Wednesday, October 9 at 7:30pm. Tickets to Dave Mason are $25-$45. Contact the Colonial Ticket Office at 111 South Street, Pittsfield by calling 413-997-4444. Tickets can also be bought online at www.berkshiretheatregroup.org. Ticket Offices are open Monday-Friday 10am-5pm, Saturdays 10am-2pm or on any performance day from 10am until curtain. All schedules and prices are subject to change. With a career spanning nearly 50 years, Dave Mason is an accomplished producer, performer and songwriter. A member of the Rock and Roll Hall of Fame for his work with the band Traffic, Mason has penned over 100 songs, including “Feelin’ Alright” and “We Just Disagree.” Throughout his career Mason has worked with some of the most influential bands and musicians in rock and roll. He performed on The Rolling Stones’ Beggar’s Banquet, George Harrison’s All Things Must Pass, Paul McCartney’s “Listen to What the Man Said” and Jimi Hendrix’s Electric Ladyland. Five highly successful albums for the CBS/Sony label followed, four of which received gold album certification in the US. His next album Let It Flow sold millions of copies and contained the major Mason classic "We Just Disagree.” In addition to performing to sold-out audiences and being a permanent staple in record collections and hearts of fans around the world, Mason’s unique guitar work can be heard on many landmark albums and songs. -
HITS of the WEEK SINGLES SLEEPERS ALBUMS HELEN REDDY, "SOMEWHERE in the NIGHT" GREG LAKE, "I BELIEVE in FATHER CHRISTMAS" "CHICAGO's GREATEST HITS." from the (Prod
I Z911,1 A N ti3.1.S3H30EI 9I d V IS111Vci IS 011,1 b3H111rM 3131/H11,11 Ott1713-1 9L -CI d HITS OF THE WEEK SINGLES SLEEPERS ALBUMS HELEN REDDY, "SOMEWHERE IN THE NIGHT" GREG LAKE, "I BELIEVE IN FATHER CHRISTMAS" "CHICAGO'S GREATEST HITS." From the (prod. by Joe Wissert) (Aimo, BMI; (prod.by G.Lake & P. Sinfield) onset, with classics "Beginnings" and Irving, ASCAP). Helen offers a mov- (Manticore Music Ltd.).Thisis not "Does Anybody Really Know What Time ing vocal performance of the Jim your run of the mill Xmas song, butIt Is?" and onward to gems "Make Me Kerr-WillJenningssong, which a thoughtful plea in which Lake re-Smile," "Just You 'N' Me" and "Wish- combined withthisexquisite Nick marks, "The Christmas we get weing You Were Here," the coupling of DeCaro arrangement, makes for one deserve." Co -written with the ELPbig band smoothness and potent har- cf her finest musical moments. An man's old King Crimson cohort, themonies has been undisputably hit pro- excellent followto "No Way To ballad develops into a full wall ofvoking. Now allare joined for one Treat A Lady." Capitol P 4192. sound production. Atlantic 3305. happy holiday set. Col PC 33900 (6.98). JEFFERSON STARSHIP, "PLAY ON LOVE" (prod. JOHN FOGERTY, "ALMOST SATURDAY NIGHT" THE O'JAYS, "FAMILY REUNION." by Jefferson Starship & Larry Cox) (prod. by John Fogerty) (Greasy King,Thematically programmed to warm the (Ronin/Alien, BMI). The release of ASCAP). John tops his last one mancockles of the collective family hedrt, the"RedOctopus" 1p andthe band outing with a spirited Satur-these Philadelphia vocal masters pro- group's -Miracles'single rekindled day night feeling. -
The Story So Far
1. How Long (Ace) 2. Tempted (Squeeze) 3. Silent Running (Live) 4. When You Walk In The Room (Live) 5. The Living Years (2006 Version) 6. I Live On A Battlefield (with the Royal Philharmonic Orchestra) 7. Dedicated (2006 Version) 8. Over My Shoulder (Live from Abbey Road) 9. Love Will Keep Us Alive (Full Version) - Featuring Timothy B Schmit of the Eagles 10. Eyes Of Blue 11. Beautiful World 12. Satisfy My Soul 13. Groovin’ 14. Any Day Now 15. Where Did I Go Wrong? 16. It Ain’t Over 17. What A Wonderful World (with the SWR Big Band) PCARiT14. This Compilation P2014 Carrack-UK. g2014 Carrack-UK Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Paul Carrack-The Story So Far... In my own words 1. How Long Taken from the album Blue Views. Originally released by Ace in 1974 In 1973 I was sharing a one-room bedsit in Camden with my girlfriend (now my wife) Kathy. The band I’d been with for the last 5 years since leaving home and going on the road had finally returned from Germany broke after having our equipment stolen. I reluctantly got a job cleaning cars at Henley’s Cars for the princely sum of 42 pence an hour. When the initial novelty of doing ‘real work’ with overalls and everything, wore off (after about a week) I was thoroughly miserable, apart from the fact that Kathy and I were madly in love. At some point I got a call from Tex Comer, the bass player in the aforementioned band. -
Drummers You Should Know About
Use Google, Drummerworld, Wikipedia, Youtube, and Spotify to research Drummers You Should Know About Buddy Rich Airto Moreira Michael Shrieve Steve Gadd Alex Acuna John “Jabo” Starks Max Roach Ray Cooper Clyde Stubblefield Billy Cobham Elvin Jones Butch Trucks Joe Morello Luis Conte Bill Ward Art Blakey Horacio Hernandez Max Weinberg Jimmy Cobb Giovanni Hidalgo Alan White Gene Krupa Zakir Hussain Bill Bruford Tony Williams Tito Puente Dave Abbruzzese Philly Joe Jones Jim Chapin Kenny Aronoff Papa Jo Jones Dom Famularo Dennis Chambers Chick Webb Freddie Gruber Jon Fishman Louie Bellson Terry Bozzio Steve Jordan Jack DeJohnette Akiro Jimbo Abe Laboriel, Jr. Peter Erskine John Bonham Chris Layton Billy Hart Mitch Mitchell JoJo Mayer Roy Haynes Keith Moon Rod Morgenstein Mel Lewis Jeff Porcaro Jamie Oldaker Shelly Manne Earl Palmer Chad Smith Al Foster Ron Tutt Aaron Spears Alphonse Mouzon Ginger Baker Chester Thompson Ben Riley Phil Collins Carter Beauford Steve Smith Stewart Copeland Mike Clark Bill Stewart David Garibaldi Vinnie Colaiuta Johnny Vidacovich Dave Grohl Virgil Donati Jeff “Tain” Watts Mickey Hart Steve Ferrone Dave Weckl Roger Hawkins Gavin Harrison Lenny White Richie Hayward Rodney Holmes Hal Blaine Levon Helm Glenn Kotche Gary Chester Joey Kramer Jerry Marotta Russ Kunkel Nick Mason Billy Martin Bernard Purdie Zigaboo Modeliste Harvey Mason John “J.R.” Robinson Neil Peart Stanton Moore Jim Keltner Simon Phillips Stevie Wonder Al Jackson, Jr. Ringo Starr Pat Mastelotto Matt Chamberlain Phil Rudd Leon “Ngudu” Chancler Jimmy Chamberlain Danny Seraphine Gregg Errico Jim Capaldi Brian Blade Tim “Herb” Alexander Jim Gordon Clive Bunker Danny Carey Carlton Barrett Will Calhoun Kenny Clarke Cindy Blackman Josh Freese Baby Dodds Cozy Powell Antonio Sanchez Charlie Watts Benny Benjamin Jeff Sipe Adam Deitch . -
By John Milward
By John Milward ... HE WORD TRAFFIC IS FREQUENTLY FOLLOWED BY JAM. FOR shedding with Winwood were guitarist Dave Mason, the British rock band Traffic, the musical jam ses drummer Jim Capaldi and the horn-blowing Chris Woovd. sion began in the spring of 1967 at a country cot The resulting album, Mr. Fantasy, fit right into a year that tage in Berkshire, England. As the quartet wrote saw the release of Sgt. Pepper and the rise of San Francisco and rehearsed, member Steve Winwood’s soulful psychedelic bands Jefferson Airplane and Grateful Dead. voice and wailing organ could be heard on the ra And the song “Dear Mr. Fantasy” was a monster jam of key dio via “Gimme Some Lovin’ ” and “I’m a Man,” monster hits boards and guitars that could go on pretty much forever. from his previous band, the Spencer Davis Group. Now wood- In 1994, two decades after the original band broke up, Winwood and Capaldi re-formed Traf- Above: Jim Capaldi, fic and toured with the king of the jam Dave Mason, Chris bands, the Grateful Dead, who played Wood and Steve “Dear Mr. Fantasy” when Traffic did Winwood (from le ft) not. In 2002, Winwood attended the annual gathering of jam bands, the Bonnaroo Music Festival, and sat in with Widespread Panic and the String Cheese Inci dent, making his “long strange trip” slightly more typical than that of his buddies, the Dead. His journey was that of a gifted singer and musician. By expanding rock’s instrumental palette, Traffic broke new ground in popular music. -
ARSC Journal
Current Bibliography March -- October 1984 Compiled by Tim Brooks Much important and interesting research on recording history and artists appears in small, often unfamiliar publications. The purpose of "Current Bibliography" is to help the reader find these articles and to keep abreast of the latest research in his or her own field of interest. I hope readers will subscribe to or write to these publica tions, when they see something of interest. One of our association's major goals is to encourage research and better communication among researchers, and this can only be accomplished through our members' involvement. If you do write to one of these journals or authors, please mention ARSC and "Current Bibliography." To be included here an article must be in English, reasonably original, and deal with recording history--as opposed to musi cological, sociological, or current collecting subjects (such as LP reviews, record prices, latest artists, etc.). "Current Bibliography" supplements the less frequent Bibliography £i. Discographies in that many articles of a non-discographical nature are included here (biographies, narrative histories, repair and preservation techniques, etc.). In addition, most of the issues listed here should still be available from the publishers at the addresses indicated below. "W/D" indicates that the article did include a discography, although it may often be no more than a simple list of releases by catalog number. Issues covered are those received between March and October 1984. Publications Listed: American Music, University of Illinois Press, Box 5081, Station A, Champaign, IL 61820 Antique Phonograph Monthly, 502 East 17th St., Brooklyn, NY 11226 Footnote, 66 High St., Melbourn, Royston, Hertfordshire, SGS 6AJ England Goldmine, 700 East State St., Iola, WI 54990 Gunn Report, Bramble Hall Lane, Daws Heath, Hadleigh, Essex SS7 2XG England 33 Hillandale News, c/o Christopher Proudfoot, The Old Rectory, Fawkham, Dartford, Kent, DA3 8LX, England Hobbies, 1006 S. -
United States Court of Appeals
RECOMMENDED FOR FULL-TEXT PUBLICATION Pursuant to Sixth Circuit I.O.P. 32.1(b) File Name: 19a0243p.06 UNITED STATES COURT OF APPEALS FOR THE SIXTH CIRCUIT WILLIA DEAN PARKER; ROSE BANKS, ┐ Plaintiffs-Appellants, │ │ > No. 18-5305 v. │ │ │ MERVYN WINWOOD; STEVE WINWOOD; KOBALT │ MUSIC PUBLISHING, │ Defendants-Appellees. │ ┘ Appeal from the United States District Court for the Middle District of Tennessee at Nashville. No. 3:16-cv-00684—Jon Phipps McCalla, District Judge. Argued: October 18, 2018 Decided and Filed: September 17, 2019 Before: GRIFFIN and DONALD, Circuit Judges; BERTELSMAN, District Judge.* _________________ COUNSEL ARGUED: Taylor A. Cates, BURCH, PORTER & JOHNSON, PLLC, Memphis, Tennessee, for Appellants. Jay S. Bowen, SHACKELFORD BOWEN MCKINLEY NORTON, LLP, Nashville, Tennessee, for Appellees. ON BRIEF: Taylor A. Cates, Lani D. Lester, BURCH, PORTER & JOHNSON, PLLC, Memphis, Tennessee, for Appellants. Jay S. Bowen, Lauren Kilgore, Rebekah L. Shulman, SHACKELFORD BOWEN MCKINLEY NORTON, LLP, Nashville, Tennessee, for Appellees. GRIFFIN, J., delivered the opinion of the court in which BERTELSMAN, D.J., joined. DONALD, J. (pp. 13–21), delivered a separate dissenting opinion. *The Honorable William O. Bertelsman, United States District Judge for the Eastern District of Kentucky, sitting by designation. No. 18-5305 Parker, et al. v. Winwood, et al. Page 2 _________________ OPINION _________________ GRIFFIN, Circuit Judge. Plaintiffs Willia Dean Parker and Rose Banks sued defendants Mervyn Winwood, Steve Winwood, and Kobalt Music Publishing for copyright infringement. The district court found that plaintiffs failed to submit admissible evidence showing that Steve copied plaintiffs’ protected work—one element of an infringement claim—so it granted judgment in his and Kobalt’s favor. -
List of Shows Master Collection
Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\ -
Introuvables-That Cold Day in the Park-CP
THAT COLD DAY IN THE PARK Réalisé par Robert Altman (1969) Avec Sandy Dennis, Michael Burns, Susanne Benton, John Garfield Jr, Luana Anders À Vancouver, par une journée pluvieuse, Frances, une bourgeoise trentenaire et renfermée aperçoit dans un parc, à travers sa fenêtre, un homme solitaire. Elle recueille et abrite cet invité inattendu, apparemment muet. Un jeu de secret et de manipulation s’installe entre eux… TOTALEMENT INÉDIT EN FRANCE, L’UN DES PREMIERS FILMS DE ROBERT ALTMAN Formé à la télévision, Robert Altman , cinéaste-phare des années 1970-1990 ( Nashville , Le Privé , Short Cuts , The Player ), signe ici son second long métrage. Le film s’inspire d’un roman de Richard Miles , ancien enfant-star ( Le Poney rouge ) devenu romancier. D’un livre à la narration curieuse, situé en France, Altman tire un thriller érotique, entre portrait féminin et film à l’européenne. On y retrouve l’actrice Sandy Dennis , habituée, à l’époque, des univers névrotiques ou débridés ( Qui a peur de Virginia Woolf ? , Le Renard ). Le rôle masculin du jeune homme - dont on ne connaîtra pas le nom - est tenu par Michael Burns , autre enfant-star. Attiré par le sujet, le jeune Jack Nicholson insista pour obtenir le rôle : en vain, Altman le trouvait trop âgé. Quant à Luana Anders , qui tient le rôle de la prostituée que Frances “offre” à son prisonnier, elle venait de s’illustrer dans l’horreur et le psychédélique avec Francis Ford Coppola (Dementia 13, disponible dans la collection Vintage Classics) et Roger Corman (The Trip ). Inédit en France, enfin disponible, That Cold Day in the Park est une pièce unique et étonnante de la filmographie de Robert Altman . -
Traffic's 'John Barleycorn' LP Still a Rock Classic
The Daily Collegian Wednesday, December 15, 1976 'John Barleycorn' LP still a rock classic Traffic's • • • • .f .. ••• • n • . ',.;.. .S 'PP° th,..1 0 . Winwood. • • ), . e a between Wood and by On "Stranger to I t al ►I I 4 , .. • 1 t •,, .• By GEORGE OSGOOD with mild jam cuts wt. U' .1 ••• ► . • •• • •• 11, • 4. .. ri r r . •, • .•• , w ' • •• , • y "Every Mother's Son," . Capaldi midwaythrough. Himself" and • . Collegian Staff Writer ~.., t EITMEE through ......,:, ;:.: 3 ,i ,14 what may be the Winwood, overdubbing, plays , "Glad" spirals into , .. ~ 4/ • a ... .... , ( t'ditor's note: This is the first'in series . : 4;, •l•• . r ft• of• f • -•• •• drums) ' '••• song on an album of great ones. all instruments (except and MEE= • .' • • best • 0 . • N . 5 r of .. E "• occasionally of reviews appearing ' 111 •••.. • •••• .„„,.... ~ 11 , , 1?1•10: .0 • 11 •r a . a as songs are .• ,••' begins with stun- provides vocals well. Both . 1• •.....d "Freedom . ~ 4 ~ out- Rider" 110. , .- • ~,,, •,.e, "classic" record albums those 1 .§!..„ . , , , • ' , ' • 4 ,°•• • , the former is slightly 4. .... ~ ir sax cer- .• i ning electric piece by Wood, good but better ' -. —:,.. .o• ' remain viable . ... standing records that • • IS •• woodwind than the latter, a on which the • 5; and through changing tainly the finest rock player cut in- "; ' . through time ; • . .:' ::• 17 ." L don't quite mesh as they • . moves on the where 1 • to flute, struments r• -ever. Wood - • *musical trends. • L'• I=l • In January, 1969, after two successful he is no less, outstanding and Winwood, should. - • -- . _• No• 01. • •.1,• piano organ, song a .44 1131. moving between and title is traditional English • split up and its four The • , • . -
Coco Passes Proposals
Pass-Fail - No Cuts -New Grad ing Po licy CoCo Passes Proposals The CoCo committee took Grades of Pass will be course on his second attempt a degree and he must report attempt is successful, action on three Studen t recorded on the Student's (successfully meaning either to the Dean or Assistant whether in the same elective Senate Proposals this week in permanen t r ecord card. A, B, C, or D) the second Dean of the college for any or one chosen in its place, a meeting held on Monday. Pass/Fail will not be entered grade will appear on the guidance and counseling the second grade will also The committee, with into the cumulative average, studen t's record and will be deemed necessary by the appear on his record and be Profe ssor William Sweeney as but Pass wil be credited also included when arriving Scholastic Standing included when arriving at his Chairman, will now submit toward graduation. at his cumulative average. Committee. cumulative average. the proposals to the entire ATTENDANCE If the student's seeond If the course is an elective, If the student fails the two faculty for approval. If they REQUIREMENTS attempt also fails he must go the d udent has the option of consecutive electives, he approve, the proposals wiIJ There w ill be no before the "Scholastic repeating the same course or must go before the Scholast.ic go to' Dr. Manion for final attendance requirements for Standing Committee" for a choosing another elective in Standing Committee for approval. any student whose judgement as to whether or its place that will also fill his judgement on his eligibihty The proposals are as classificahon is more t hat 1 not he may repeat the course elective requirements.