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Curriculum Vitae (Abridged) KENDALL LEWIS WALTON Curriculum Vitae (abridged) KENDALL LEWIS WALTON (Revised 13 December 2016) Department of Philosophy E-Mail: [email protected] 2215 Angell Hall WARNING: This email address con- 435 S. State St. tains TWO initials. Omitting the 'L' will University of Michigan send your message to another person. Ann Arbor, MI 48109 E-Mail: [email protected] Webpage: https://sites.lsa.umich.edu/kendallwalton/ EDUCATION University of California, Berkeley. B.A., 1961. Cornell University. Ph.D., 1967. DISSERTATION Conceptual Schemes: A Study of Linguistic Relativity and Related Philosophical Problems. PROFESSIONAL POSITIONS Lecturer, Assistant Professor, Associate Professor, Professor, University of Michi- gan, 1965 – 2012. Charles L. Stevenson Collegiate Professor of Philosophy, University of Michigan, 1999 - 2012. Professor, School of Art and Design, University of Michigan, 2005 - 2012. Professor Emeritus of Philosophy, University of Michigan, 2012-present. Cowling Distinguished Visiting Professor in Philosophy, Carleton College, spring quarter, 2012. Wm H. Bonsall Visiting Professor, Stanford University (spring quarters), 2015 - pre- sent. FELLOWSHIPS AND AWARDS (Selected) Princeton University, Carl Hempel Lecturer, 1991. American Academy of Arts and Sciences, Fellow, elected 1998. Romanell-Phi Beta Kappa Professor of Philosophy, 2001-2002. President, American Society for Aesthetics, 2003-2005. Honorary degree: Doctor of Letters, University of Nottingham (UK), conferred July 2005. Hägerström Lecturer, Uppsala, Sweden (2017). Curriculum Vitae, - KENDALL L. WALTON 2 SYMPOSIA AND WORKSHOPS ON MY WRITINGS Symposium, Listening with Imagination, on my writings on music. American Musico- logical Society, New York. Four speakers, with my responses. November 1995. “Workshop on the work of Kendall Walton,” Nottingham University (UK), July 2005. “Metaphysics, Mimesis, and Make-Believe: A Conference in Honour of Kendall Walton.” Leeds University, U.K. 21-23 June, 2007. Symposium: “Kendall Walton and the Aesthetics of Photography and Film.” University of Kent (Canterbury, U.K.), School of Drama, Film, & Visual Arts. November- December, 2007. “Miniconference Celebrating the Work of Kendall Walton,” Victoria University of Wel- lington (New Zealand), Philosophy Department, March, 2008. “Workshop on Kendall Walton’s work at the intersection of aesthetics and philosophy of mind.” University of Warwick, June, 2008. “Imagination and Make-Believe in Art and Philosophy” (“Kenfest”). University of Mich- igan, 5-6 October, 2012. PUBLISHED INTERVIEWS “Can Seeing Be an Art Really,” with Richard West (interviewed jointly with Patrick Maynard). Source: Photographic Review, Issue 53 (Winter 2007), pp 38-41. “Aesthetics and Theory Construction,” with Hans Maes (translated into Dutch by Hans Maes as “Esthetica en Theorievorming: Een Interview met Kendall Wal- ton.” Esthetica: Tijdschrift voor Kunst en Filosofie (Jaargang 2008). “Only a Game.” Interview with Chris Bateman, 2010. http://onlyagame.typepad.com/only_a_game/2010/06/walton-on- makebelieve.html Audio Interview on photography, with Nigel Warburton. Philosophy Bites. http://philosophybites.com/2012/12/kendall-walton-on-photography.html. Interview with Christophe Lemaitre. Published in Lemaitre, Le livre de go, 2nd part (Frans Masereel Centrum, 2015). PUBLICATIONS Books: Mimesis As Make-Believe: On the Foundations of the Representational Arts (Harvard University Press, 1990). 450 pages. Italian translation, Mimesi come Far Finta, translated by Marco Nani (Milano: Mimesis Edizioni, 2011). Chinese translation (Beijing: The Commercial Press, 2013). Korean translation (Bookorea, 2015). Curriculum Vitae KENDALL L. WALTON 3 Japanese translation, Hitoshi Tamura translator (University of Nagoya Press, 2016). Selections titled ”Fiction and Nonfiction” and “Fearing Fictionally” reprinted in Dom Lopes and Eileen John (editors), Philosophy of Literature: Contemporary and Classic Readings (Blackwell’s, 2004). French translation of § 5.2, in Lorenzo Menoud, Qu’est-ce que la Fiction (Paris: Librairie Philosophique J. VRIN, 2005). Translation and commentary by Lo- renzo Menoud. § 2.8 “Legends and Myths” reprinted in John Gibson, Wolfgang Huemer, Luca Pocci, A Sense of the World: Fiction, Narrative and Knowledge (Routledge, 2007). Selections reprinted in Alex Neill and Aaron Ridley, Arguing about Art, 3rd edi- tion (Routledge, 2007). Selections reprinted in Thomas E. Wartenberg, The Nature of Art: An Anthology, 2nd and 3rd editions (Wadsworth, 2007, 2012) Marvelous Images: On Values and the Arts (New York: Oxford University Press, 2008). In Other Shoes: Music, Metaphor, Empathy, Existence (New York: Oxford University Press, 2015). Articles: “Categories of Art,” The Philosophical Review 79 (July 1970), pp. 334-367. Reprintings: (a) W. E. Kennick, Art and Philosophy, 2nd edition (St. Martin's Press, 1979); (b) J. Margolis, Philosophy Looks at the Arts, 2nd and 3rd editions (Temple University Press, 1978, 1986); (c) George Dickie, Richard Sclafani, and Ronald Robin, Aesthetics: A Critical Anthology, 2nd edition (St. Martin’s Press, 1989); (d) Finnish translation in Lammenranta—Haapala: Taidé ja tiede (Helsinki: Gaudeamus Ltd.); (e) Swedish translation in Jeanette Emt and Göran Her- merén, Konst och Filosofi; (f) French translation in Poetique (No. 86, April 1991); (g) Philip Alperson, The Philosophy of the Visual Arts (Oxford University Press, 1992); (h) French translation reprinted in Esthétique et Poétique, edited by Gér- ard Genette (Editions du Seuil, 1992); (i) John Bender and Gene Blocker, Con- temporary Philosophy of Art: Readings in Analytic Aesthetics (Prentice Hall, 1993); (j) Alex Neill and Aaron Ridley, Philosophy of Art: Readings Ancient and Modern (McGraw-Hill, 1995); (k) David Goldblatt and Lee B. Brown, Aesthetics: A Read- er in Philosophy of the Arts: (Prentice Hall, 1997, 2nd edition 2005, 3rd edition 2010), 4th edition (2017); (l) Steven M. Cahn, Philosophy for the 21st Century: A Compre- hensive Reader (Oxford University Press, 2003); (m) Peter Lamarque and Stein Haugom Olsen, Aesthetics and the Philosophy of Art: The Analytic Tradition (Blackwell’s, 2003); (n) Giovanni Matteuci (editor), Estetica Analitica (McGraw Hill, forthcoming); (o) Stephen Cahn and Aaron Meskin, Aesthetics: A Compre- hensive Anthology (Blackwell’s, 2007). Curriculum Vitae KENDALL L. WALTON 4 “Languages of Art: An Emendation,” Philosophical Studies (October-December 1971), pp. 82-85. “Pictures and Make-Believe,” The Philosophical Review (July 1973), pp. 283-319. Reprinted in W. E. Kennick, Art and Philosophy, 2nd edition (St. Martin's Press, 1979). “Linguistic Relativity,” in Conceptual Change, ed. by Glenn Pearce and P. Maynard (Reidel, 1973), pp. 1-30. “Are Representations Symbols?,” The Monist 58 (April 1974), pp. 236-254. Reprinted in Peter Lamarque and Stein Haugom Olsen, Aesthetics and the Phi- losophy of Art: The Analytic Tradition (Blackwell’s, 2003). “Points of View in Narrative and Depictive Representation,” Nous 10 (March 1976), pp. 49-61. “The Presentation and Portrayal of Sound Patterns,” In Theory Only (Febru- ary/March 1977), pp. 3-16. “Fearing Fictions,” The Journal of Philosophy 75 (January 1978), pp. 5-27. Reprintings: (a) The Philosopher's Annual, edited by D. Boyer, P. Grim, and J. T. Sanders (Rowand and Littlefield, 1979); (b) Philosophy of Literature: A Book of Readings, edited by David Davies and Carl Matheson (Broadview Press, 2001); (c) Peter Lamarque and Stein Haughom Olsen, Aesthetics and the Philosophy of Art: The Analytic Tradition (Blackwell’s, 2003). (d) Portugese translation in Te- oria Contemporanea do Cinema, Vol. 1, edited by Fernãao Pessoa Ramos (São Paulo: Editora Senac, 2005); (e) German translation in Fiktion, Wahrheit, Wirk- lichkeit, edited by Maria Reicher (Mentis, 2006); (f) Philosophy of Film: an Anthol- ogy, edited by Noel Carroll and Jinhee Choi (Blackwell’s, 2005); (g) Aesthetics, edited by Steven Cahn and Aaron Meskin (Blackwells, 2007); (h) Exploring Phi- losophy: An Introductory Anthology, 4th and 5th editions, edited by Steven Cahn (Oxford, 2012, 2014); (i) Serbian translation, in The Paradox of Fiction, Aleksan- dra Kostic, editor (Beograd: Fedon, forthcoming); (j) Czech translation forth- coming in Social Sciences and Audiovision (AMU Press, 2014?); (k) Japanese translation in anthology edited by Kiyokazu Nishimura, trans. by Norihide Mori (forthcoming); (l) German translation, “Furcht vor Fictionen,” in Maria E. Reicher (Hg.): Fiktion, Wahrheit, Wirklichkeit. Philosophische Grundlagen der Literaturtheorie. Paderborn 2007, S. 94–119. “How Remote Are Fictional Worlds From the Real World?,” The Journal of Aesthetics and Art Criticism 37 (Fall 1978), pp. 11-23. Partially reprinted in Peter A. French and Curtis Brown, Puzzles, Paradoxes, and Problems: A Reader for Introductory Philosophy (St. Martin’s Press, 1987). Czech Translation in Aluze: revue pro literaturu, filozofii a jiné, 2005. “Style and the Products and Processes of Art,” in The Concept of Style, ed. by Berel Lang (University of Pennsylvania Press, 1979), pp. 45-66. Second edition (Cor- nell University Press, 1987), pp. 72-103. Curriculum Vitae KENDALL L. WALTON 5 “Appreciating Fiction: Suspending Disbelief or Pretending Belief?,” Dispositio (Invierno Primavera), 1980, pp. 1-18. Italian translation in Asmodeo/Asmodèe. French translation as “Comment on ap- précie la fiction” in Agone: Litterature, Critique & Philosophie, numéro 14 (1995); volume titled, "Quand y a-t-il fiction?". “Fiction, Fiction-Making, and Styles of Fictionality,”
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