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Master P, Soldiers, Riders, And
Master P, Soldiers, Riders, And G's [Snoop] ha ha ha hagreeting niggas and niggetts the underground dog is back up in yall one more again for the cause breakin all off for my TRU tank dogs Mystikal, Sillk, and yo P (uuungh) lets keep this shit straight G and do this for all the ridas, soldias and gangstas ya heard me [Master P] We ridas, we ridas, we ridas [Snoop and Mystikal] Nigga lets slide to the side where them gangstas ride boom boom boom on yo bitch ass nigga then lets slide to the side where them soldias ride boom boom boom on yo bitch ass nigga yeah lets slide to the side where them ridas ride boom boom boom on yo bitch ass nigga lets slide to the side where them ridas ride boom boom boom on yo bitch ass nigga [Sillk] its yo 504 boys blastin one mo then we bust and here we go then hit the mothafuckin flow cause I be bringin the pain like two fifty ?? and I blow all couple killas, drug dealas lookin P stupid Mystikal and we be on these fake mothafuckin niggas like it was a corner back see much time I was lookin for yall niggas and um now we want it back we stayin strapped wit two two threes wit mothafuckin g's do everything from OZ's to keys blowin weed by da trees now all my south to west them niggas rowdy and all them niggas that north to da east them niggas get bout it (uuungh) [Snoop and Mystikal] nigga lets slide to the side where them ridas ride boom boom boom on yo bitch ass nigga nigga lets slide to the side where them soldias ride boom boom boom on yo bitch ass nigga nigga lets ride to the side where them ridas ride boom -
Various Punk O Rama 10 Mp3, Flac, Wma
Various Punk O Rama 10 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Punk O Rama 10 Country: US Released: 2005 Style: Hardcore, Punk, Hip Hop MP3 version RAR size: 1649 mb FLAC version RAR size: 1109 mb WMA version RAR size: 1690 mb Rating: 4.3 Votes: 546 Other Formats: DTS AIFF AUD APE AAC ADX XM Tracklist Hide Credits CD-01 –Motion City Soundtrack When "You're" Around 2:50 CD-02 –Matchbook Romance Lovers & Liars 3:19 Shoot Me In The Smile CD-03 –The Matches 3:30 Recorded By, Producer – Matt Radosevich CD-04 –From First To Last Failure By Designer Jeans 3:03 CD-05 –Sage Francis Sun Vs. Moon 3:18 News From The Front Engineer [Mixing Assistant] – Milton ChanEngineer CD-06 –Bad Religion 2:22 [Tracking Assistant] – Dick KaneshiroMixed By – Andy WallaceProducer – Andy Wallace, Bad Religion CD-07 –This Is Me Smiling Mixin' Up Adjectives 3:03 CD-08 –Youth Group Shadowland 3:36 From The Tops Of The Trees Mixed By [Assistant], Mastered By [Assistant] – Andy CD-09 –Scatter The Ashes HuntProducer, Recorded By, Mixed By, Mastered By 3:42 – Jacquire KingRecorded By [Assistant], Mixed By [Assistant] – Sang Park I Need Drugs CD-10 –Some Girls 1:02 Producer, Written-By – Some Girls Mince Meat CD-11 –Dangerdoom* Musician – Danger MouseVocals – MF DoomWritten- 2:35 By – B. Burton*, D. Dumile* Mission From God CD-12 –The Offspring 2:55 Mixed By – Joe BarresiRecorded By – Thom Wilson CD-13 –Converge Black Cloud 2:21 CD-14 –Hot Water Music Last Goodbyes 3:00 Anchors Aweigh (Live) CD-15 –The Bouncing Souls 2:09 Mixed By – Bob Stakele*, -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
20-0405-0612 PD E (Pdf)
CANADIAN BROADCAST STANDARDS COUNCIL PRAIRIE REGIONAL PANEL CJKR-FM re the song “Kill All the White Man” by NOFX (CBSC Decision 04/05-0612) Decided June 2, 2005 V. Cownden, D. Dobbie, V. Dubois, J. Fong, K. Johnston THE FACTS The song entitled “Kill All the White Man” by the punk band NOFX was broadcast on CJKR-FM (Power 97, Winnipeg) during its Punk-O-Rama program at approximately 11:15 pm on November 19, 2004. The first part of the song has a reggae beat, while the latter part has a more hard-rock/punk style. The lyrics to the song are as follows: Oh yeah, oh yeah Kill all the white man Oh yeah, oh yeah Kill all the white man The white man call himself civilized ’Cause he know how to take over The white man come to pillage my village Now he tell me I have to bend over Oh yeah, oh yeah Kill all the white man Oh, oh, oh, oh yeah, oh yeah Kill all the white man No I do not l like the white man up in me He rape all my people as he rape my country Everything I love and cherish, he try to take away We will be rid of him, soon come the day Oh yeah, oh yeah Kill all the white man 1 2 Oh, oh, oh, oh, oh yeah, oh yeah Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man On November 20, a listener complained to the Canadian Radio-television and Telecommunications Commission (CRTC), which forwarded the complaint to the CBSC in due course. -
VOG Holidayprogram2010.Pdf
LARRY BOMBACK – ARTISTIC DIRECTOR | PHIL WILCOX – PRESIDENT ERIC ENGLEHARDT, VP PERFORMANCE TENOR LEAD BARITONE BASS Larry Bomback Doug Brown Pat Autilio Kyle Althof Ariel Estrada John Cape Brian Lindvall Scott Colman Chris Granger Max Demers Ardon Schorr Bryce Cooney Sam Ruiz David Hason Matt Saucier Andrew Cortesi Evan Shyer Lee Markham Braden Lynk Bob Murphy Josh Elrich James Nickerson Eric Englehardt Dave Roush Steve Skolnick Dan Scott Jeremy Weissman William Hartley Phil Wilcox Welcome to “Under the Mistletoe,” Voices of Gotham’s 3rd annual Holiday Concert! It has been a banner year for the Voices. In May, we won our first ever Mid-Atlantic District Division Championship, and in July, performed as the official mic testing chorus at the International Convention of the Barbershop Harmony Society in Philadelphia. In the past month, we have had the honor of performing the Star Spangled Banner at Madison Square Garden, and enjoyed our first performance as featured guests on the Hickory Tree Chorus’ show “Happy Together.” This month, the Voices were selected by Brookfield Properties to sing holiday carols in buildings across Manhattan, including the World Financial Center and the Rockefeller Center Cafe (at which VoG provided entertainment for ING Direct Bank’s holiday party). We have had a wonderful year full of growth and music, and are glad that you, our family, friends and fans are here to celebrate the season with a cappella, barbershop, jazz, pop and traditional holiday tunes. We are especially joyful to welcome our special guests -
NOFX: Popular Punks Sellout
MAnCH 7,2001 • THE ORION C!& ((Well you're all a bunch o/posers because this is OU1'fitst time playing in Chico. JJ - FAT MIKE, NOFX ;., NOFX: Popular punks sellout sho ~The BrickWorks hosts hugely It was that kind of sarcasm that remained "Straight Edgc" and their reggac tunc "Eat the drummer Cecil Lossy. constant throughout the night us the band interacted Meek," He also blew his trumpet on a few songs. The band preceding NOFX showed that getting popular NOFX, which sold out with the crowd after each and every song. Guitarist Eric Melvin sported his usual nappy plastcred seemed to be the theme of the night. "I think I'm having a good ·time here in Chico," dreadlocks and cven traded his guitar for an ·~Hi. We're thc Mad Caddies, and we're drunk," the show a month in advance said Fat Mike. "I'm having a lot more fun tonight accordion on their closing song. Melvin continued s:tid singer Chuck (the b:tnd members don't go by because I'm drunk." to stand on the stngc and squeeze the accordion their last namcs). MATT BROWN NOFX's show had something to offer for all after thc rest of the band hnd exited. Thc Mad Caddies can be described as :tn S~',O'l' WI<ll'lll< typcs of fnns, as they plnyed songs Eric Ghent's galloping dnnnbeals bat insane circus gone punk. A seven-piece frolll th·at ranged from their oldest ulbum to tered The Brick Works' sOllnd system. Sanla Barbara, the ska band forccd The Briek . -
A New Annual Festival Celebrating the History and Heritage of Greenwich Village
A New Annual Festival Celebrating the History and Heritage of Greenwich Village OPENING RECEPTION IN THE VILLAGE TRIP LOUNGE An exhibition of work by celebrated music photographer David Gahr and rare Greenwich Village memorabilia from the collection of archivist Mitch Blank Music by David Amram, The Village Trip Artist-in-Residence Washington Square Hotel, Thursday September 27, at 6.30pm David Gahr (1922-2008) was destined for a career as an economics journalist but he got lost in music, opting to remain in New York City, at Sam Goody’s celebrated record store, because a staff job on New Republic would have meant moving to Washington DC, a prospect he found “a bit boring.” From his perch behind the counter, Gahr made sure to photograph the customers he recognised as musicians, quickly building up a portfolio. He turned professional in 1958 when Moses Asch, founder of Folkways Records – “that splendid, cantankerous guru of our time” - commissioned him to photograph such figures as Woody Guthrie, Cisco Houston and Pete Seeger. He went on to capture now-iconic images of the great American bluesmen - Big Bill Broonzy, Lightnin’ Hopkins, Sonny Terry and Brownie McGhee, and Howlin’ Wolf, musicians who were key influences on so many 1960s rock musicians. Gahr was soon the foremost photographer of the Greenwich Village jazz and folk scenes, chronicling the early years of musicians whose work would come to define the 1960s, among them Charles Mingus, Miles Davis, Odetta, Joan Baez, Leonard Cohen, Joni Mitchell and Patti Smith. He photographed Bob Dylan’s celebrated 1963 Newport Folk Festival debut and captured the legendary moment in 1965 when he went electric. -
OBITS REFUND B/W SUEZ CANAL 7” + MP3 / Digital Fecha De Salida: 18 De Octubre De 2012
OBITS REFUND b/w SUEZ CANAL 7” + MP3 / Digital Fecha de salida: 18 de octubre de 2012 LISTA DE CANCIONES El romance de Obits con La Castanya continúa. Después de visitar en A. Refund B. Suez Canal varias ocasiones el estado español (cuatro visitas desde 2010 hasta la fecha organizadas por La Castanya) y de dar la bienvenida en sus filas a un PUNTOS DE INTERÉS • Obits graba dos canciones en exclusiva nuevo batería (nada menos que Alexis Fleisig, antes en Girls Against Boys para La Castanya, que las edita en todo el y Soulside) el cuarteto de Nueva York entrega dos nuevas canciones en un mundo en formato 7 pulgadas y digital • Obits, grupo de Nueva York, cuenta en nuevo single –el cuarto de su carrera– que serán publicadas a nivel mundial sus filas con Rick Froberg (Hot Snakes, por La Castanya. Drive Like Jehu), Sohrab Habibion (Edsel) y Alexis Fleisig (Girls against Boys, Soulside) Si en sus anteriores LPs –I Blame You (2009) y Moody Standard and • Sub Pop, el mítico sello de Seattle, se encarga de publicar los discos de Obits en Poor (2011), ambos editados en Sub Pop– eran un verdadero festín de todo el mundo sonidos rock, garage y surf , estas dos canciones, “Refund” escrita por Rick • Obits han visitado España en cuatro Froberg (Hot Snakes, Drive Like Jehu) y “Suez Canal” compuesta por el ocasiones de la mano de La Castanya • La Castanya se encarga del booking de otro guitarrista del grupo, Sohrab Habibion (Edsel), no se alejan demasiado Obits en España y Portugal –¡afortunadamente!– de lo que los fans del grupo esperan de ellos. -
1968.11.15, GO Magazine 1.Jpg
Page 8 "When I saw those Czech kids fighting in the may do a double album, but I don't know yet. Whatever it streets," said song-writer/singer Joni Mitchell, "it turns out to be, 'CircleGame' and 'LlttleGreen'will be on it was an eye opener for me. They're the same as we for sure. Ifs difficult to choose which songs will go into the album. I've got 80 songs now. are. "There is a certain chronology to the songs I've set for It': " Youth is hungly for truth. thl' same all over the the album. Like what we had on the first album. By world. We've had so much leisure time - I guess because we changing the order of the songs, they tell a different story. I were all spoiled children - that we've had had more time to haven't decided on a story line yet. When I get them all I. think; perhaps more than any other generation in centuries. 2. Love Child • . • •••• .•. •••. • ••• Diana Ross & Supremes - Motown It's the thinking more than the drugs that is responsible for 3. Hold Me Tight . ••. • .........•..... .... JohnnyJNash -JAD what's happening now. I think it's incredible. 4. Abraham, Martin & John ........ -. .•... • .....• •. Dion - Laurie Joni is originally from Saskatoon, Saskatchewan, but 5. Magic Carpet Ride .•••. .............' ... .' Steppenwolf - Dunhill now makes her home in Los Angeles. She began singing 6. Hey Jude • ....• . .......•.. ·. ..• . • .• '. ...• Beatles - Apple four and a half years ago and has been writing songs for '7. Elenore .• ......... _ •.•.•. • • • •.•. • . ..Turtles - White Whale about three years and recently rocketed to national 8: Chewy, Chewy . -
Who in Single Picks of the Week the World
record Dedicated To Serving The Needs Of The Musk & Recoi 9P006 Industry 4 r 1r3 aQOAAA110H world 0A19 13SNQS Ox l L dtiO3 S31VS ONROS 91!!O O9 a0-zi September 5, 1910 15c In the opinion of the editors, this week the following records are the WHO IN SINGLE PICKS OF THE WEEK THE WORLD ., Glen Campbell updates If you liked "Maybe" you'll Tommy Roe's latest mes- Blues Image follows up Conway Twitty's old smash, dig the Three Degrees sing- sage song is "We Can their smash "Ride Captain "It's Only Make Believe" ing their next smash, "I Do Make Music" (Little Fugi- Ride" with "Gas Lamps and (Marielle, BMI). He should Take You." (Planetary/ tive, BMI). Who said bub- Clay" (Portofino/ATM, AS - score big with his great Make Music, BMI). The girls ble gum is dead? Tommy CAP). The new one is in the version (Capitol 2905(. Flip: are on their way to becom- does his best to keep it same vein which means a "Pave Your Way into To- ing consistent sellers (Rou- alive and well with the repeat performance, no morrow" (Glen Campbell, lette 7088(. kids and on the charts doubt (Atco 6777). BMI). (ABC 11273(. SLEEPER PICKS OF THE WEEK PH! 1f?p.S P.M JAMES IAYEtR FIRE AND RAIN James Taylor's "Fire and Blue Mink sings about "Our "Rubies" (Green Apple, "5.10.15-20 (25-30 Years Rain" (Blackwood/Country World" (Three Bridges, AS - BMI) is a fantastic rhythm of Love)" (Van McCoy/In- Road, BMI) was bound to CAP). -
Peter Paul and Mary.Pptx
Peter, Paul and Mary Group 3: Chen Chen & Hailey Funk Outline • Biography -- Peter; Paul; Mary; Albert Gross the group • Album timeline • Musical style • Musical Analysis (vocal, instrumentation) • Comparison between Peter, Paul and Mary's cover version and original version • Musical influence on&of Peter, Paul and Mary Biography-Peter • Born May 31st 1938, in New York City • learned guitar and violin early on o Went to high school for "Music and Art" • Got a Bachelor's degree in psychology from Cornell • Met Mary and Paul in Greenwich Village (1960) o Due to manager, Albert Grossman Biography-Paul • Born Dec. 30 1937 in Baltimore, Maryland as Noel "Paul" Stookey • Raised in Michigan • Learned to play guitar at 11 • Graduated from Michigan State University o he was a master of ceremonies o involved in band, Corsairs • Moved to New York in 1959 • Worked in sales and at a club in Greenwich Village o Albert Grossman introduced him to Peter and Mary Biography-Mary • Born November 9 1936 in Louisville, Kentucky • Raised in Greenwich Village • Her and schoolmates sang backup for Pete Seeger's album • Dropped out of high school in 11th grade • In Broadway musical The Next President Albert Grossman • Manager of folk/folk rock: o Bob Dylan o Janis Joplin o +others • Put together Peter, Paul and Mary • looking for tall and blonde women (Mary), a good-looking guy (Peter) and a comedic man (Paul). Biography-Peter, Paul and Mary After auditioning several singers in the New York folk scene, Albert Grossman, the Manager, created Peter, Paul and Mary in 1961, After rehearsing them out of town in Boston and Miami, Grossman booked them into The Bitter End, a coffee house, nightclub and popular folk music venue in New York City's Greenwich Village. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.