Who in Single Picks of the Week the World

Total Page:16

File Type:pdf, Size:1020Kb

Who in Single Picks of the Week the World record Dedicated To Serving The Needs Of The Musk & Recoi 9P006 Industry 4 r 1r3 aQOAAA110H world 0A19 13SNQS Ox l L dtiO3 S31VS ONROS 91!!O O9 a0-zi September 5, 1910 15c In the opinion of the editors, this week the following records are the WHO IN SINGLE PICKS OF THE WEEK THE WORLD ., Glen Campbell updates If you liked "Maybe" you'll Tommy Roe's latest mes- Blues Image follows up Conway Twitty's old smash, dig the Three Degrees sing- sage song is "We Can their smash "Ride Captain "It's Only Make Believe" ing their next smash, "I Do Make Music" (Little Fugi- Ride" with "Gas Lamps and (Marielle, BMI). He should Take You." (Planetary/ tive, BMI). Who said bub- Clay" (Portofino/ATM, AS - score big with his great Make Music, BMI). The girls ble gum is dead? Tommy CAP). The new one is in the version (Capitol 2905(. Flip: are on their way to becom- does his best to keep it same vein which means a "Pave Your Way into To- ing consistent sellers (Rou- alive and well with the repeat performance, no morrow" (Glen Campbell, lette 7088(. kids and on the charts doubt (Atco 6777). BMI). (ABC 11273(. SLEEPER PICKS OF THE WEEK PH! 1f?p.S P.M JAMES IAYEtR FIRE AND RAIN James Taylor's "Fire and Blue Mink sings about "Our "Rubies" (Green Apple, "5.10.15-20 (25-30 Years Rain" (Blackwood/Country World" (Three Bridges, AS - BMI) is a fantastic rhythm of Love)" (Van McCoy/In- Road, BMI) was bound to CAP). The group is always number done up acoustic- terior, BMI) is the Presi- come along. With so many on the verge of a big one ally by Saint Jacques. He dents' countdown to a hit. versions out there is no and this will do it for them performs with great inten- Very solid side will be a reason the excellent orig- thanks to a great perform- sity and will hit with im- stone pop click before inal will not be THE one ance (Philips 50686). Flip: pact (GRT 25). Flip: "She's long (Sussex 207). Flip: (Warner Bros. 7423). "Respect to Mr. Jones" Beautiful" (Green Apple, "I'm Still Dancing" (Van (Three Bridges, ASCAP). BMI). McCoy/Interior, BMI). ALBUM PICKS OF THE WEEK areuW r,emttiel CURTIS tiqre+enunw M,,tf h Edwin Starr, of Motown's Gordy Label, Is Celebrat- ing His No. 1 Single, 'War,' Aretha Franklin is feeling Charles Lloyd takes a Mother Earth are "Satis- Curtis Mayfield steps out At the Same Time as Mo- that "Spirit in the Dark" on right turn into hard rock fied" and so will their as a soloist on the new her new and up to her on this new "Moon Man" growing multitude of fans. "Curtis" album. The theme usual high level album. album. The guy shows just Tracy Nelson, Mother and execution of the debut town Record Corp. Cele- "Don't Play That Song," how close jazz and rock are Earth's earth mother, sings package are extremely etc. (Atlantic SD 8265). (Kapp KS 3634). out smartly (Mercury SR heavy (Curtom CRS 8005). brates 10th Anniversary. 61270). www.americanradiohistory.comAmericanRadioHistory.Com CLOefIE TO WE CARPENTERS Remember how good, how warm, love -rock used to sound? Well, chum, it still does, as you'll discover on listening to Carpenters' new album, CLOSE TO YOU. As you know from pleasant experience with the title track, love -rock still sells pretty good, too. Which means that not only the lovers will want to stock up on the CLOSE TO YOU album and a new single taken, therefrom, "We've Only Just Begun," which figures to follow "Close To You" to the top of the charts and into the hearts of listeners everywhere. Produced by Jack Daugherty for A&M www.americanradiohistory.comAmericanRadioHistory.Com Aleong FORE Editorial Chairman Sidney Miller, Jr., Publicity Repression Growing Problem Chairman, announces that the Board of Directors of FORE regretfully accepted the resig- On the Music Scene nation of Warren Lanier as In any troubled situation or music doesn't start people be- is composed of agitators who are Chairman, effective Friday, climate, a sure way to increase come frustrated and are likely looking to give cause for a riot Aug. 21. problems is the use of repressive to take out their hostilities on when the police must interrupt a Aki Aleong, a member of the tactics. Repression is used to any nearby figure of authority. show which runs late. One thing Board and co -Chairman of the stop incidents but creates riots Now comes word that Howard is certain: there is a feeling that Program Committee, was ap- and worse. Think of Kent State Stein's Capitol Theater in Port - young people and rock fans in ponted Chairman. and Jackson State. The world of chester, N.Y., is the subject of particular are willing to take music is experiencing a disturb- legal harrasment. The Board of any amount of a b u se which (Continued on page 36) ing number of instances of re- Trustees of t h e village has those in power are willing to pression. passed an ordinance prohibiting dish out. Powder Ridge showed Example: Powder Ridge. The musical entertainment after 1 this to be incorrect as the fans courts revoked the festival's per- a.m. which would ruin the Capi- turned towards self-distruction; mit but the rock fans, eager to tol's late shows. It seems that Grant Park proved this theory's hear the music of their culture, the powers that rule Portchester invalidity in a rather vengeful came anyway. Result: incredible feel threatened by the fact that manner. drug abuse which exceeded the people like rock music and are Our hope is that Portchester per capita bummer rate of Wood- willing to stay up late to hear it. will learn from these lessons and stock. Conclusion: when the mu- Not Learned from History perhaps find a way to put up sic stops kids tend to take ab- Stein has never had any trou- with a bit of litter and some surd chances with drugs for ble with the town before and noise in lieu of something no lack of anything better to do. complaints were few, mostly con- rational being would want. Stein Example: Grant Park (1970). cerning minimal littering and stated, "We prefer mediation For some unknown reason Sly loitering. What conclusion may but will do everything we legally and the Family Stone were un- we draw from this latest exam- can to reverse the order." able to show up in time for their ple of repression? One might be The Board of Trustees of Port - free concert. Result: rioting on that the village wise men have chester and other legal bodies a par with the 1968 Democratic not learned the lesson of history with the power to turn off the Convention Grant Park demon- and are not that wise after all. music would do well to follow Aki Aleong strations. Conclusion: when the Perhaps the Board of Trustees Stein's very rational attitude. Mae Comes Up S. Sees Decca NATRA Convention UNIVERSAL CITY, Calif. - brief press conference at which Mae West was the guest of hon- the bejeweled Miss West treated A Financial Success or at the Universal Studios par- the press corps to some of her HOUSTON, TEXAS - The ty held to promote Decca's new famous quips. Mike Maitland, 15th Annual NATRA Conven- LP, "Mae West-Voice Tracks MCA Records President; Jack tion took place here Aug. 19-23 NATRA Awards From Her Greatest Movies." Loetz, MCA Records Executive at the Royal Coach Motor Inn, On Page 36 Over 750 record merchandisers Vice President; Gil Rodin, a and was, according to officials' and store clerks, radio and tele- Kapp Records Vice President reports, a notable financial Americans should enter gov- vision programmers and mem- and co -producer of t h e voice success. ernment to see that govern- bers of the press attended the track LP (and the man respon- A highlight of the five-day ment works for ethnic groups," Aug. 20 event, which began in sible for the LP) ; Mel Nimon, conclave was the speech given Fletcher said in his talk. "The the studio commissary with a District Sales Manager for the on Aug. 20 by Arthur A. name of the game for the next cocktail party and ended there Western region; and Jim Ran- Fletcher, Assistant Secretary- 10 years is bringing an end to with a buffet dinner. dazzo, District Promotion Man- U.S. Department of Labor, who e c on o m i c discrimination." Following the star's arrival ager, were among the partygo- spoke on the job bias problem. Fletcher noted that the Phila- by police escort, there was a (Continued on page 36) "Negroes and Mexican-Me (Continued on page 36) McKune Named Motown VP, Operations John F. McKune has been named Vice -President in Charge of Operations for Motown Rec- ordCorp., assuming responsibil- ity for the worldwide operations of the entertainment complex. Prior to joining Motown, Mc - Rune was a top executive of the Management Consulting compa- ny of Touche Ross & Company, (International Consulting and Public Accounting Firm) where his responsibilities included or- ganizational planning and sys- tem analysis. McKune, a business adminis- From left, Mae West J. K. (Mike) Maitland, MCA Records President, tration graduate from . UCLA and Gil Rodin, Kapp VP and producer of the West voice track Decca LP. (Continued on page 36) John McKune RECORD WORLD-September 5, 1970 3 www.americanradiohistory.comAmericanRadioHistory.Com Price Named West Coast Chess Appoints IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIu1I111I1IIIIIIIIIIIIIIIIIIIIIIIi Patterson Colossus Operations Director record NEW YORK - Arnie Or- world NEW YORK - Jerry Ross leans, Director of Marketing o has not only been busy lately announced for Chess Records, 200 W.
Recommended publications
  • I Can Hear Music
    5 I CAN HEAR MUSIC 1969–1970 “Aquarius,” “Let the Sunshine In” » The 5th Dimension “Crimson and Clover” » Tommy James and the Shondells “Get Back,” “Come Together” » The Beatles “Honky Tonk Women” » Rolling Stones “Everyday People” » Sly and the Family Stone “Proud Mary,” “Born on the Bayou,” “Bad Moon Rising,” “Green River,” “Traveling Band” » Creedence Clearwater Revival “In-a-Gadda-Da-Vida” » Iron Butterfly “Mama Told Me Not to Come” » Three Dog Night “All Right Now” » Free “Evil Ways” » Santanaproof “Ride Captain Ride” » Blues Image Songs! The entire Gainesville music scene was built around songs: Top Forty songs on the radio, songs on albums, original songs performed on stage by bands and other musical ensembles. The late sixties was a golden age of rock and pop music and the rise of the rock band as a musical entity. As the counterculture marched for equal rights and against the war in Vietnam, a sonic revolution was occurring in the recording studio and on the concert stage. New sounds were being created through multitrack recording techniques, and record producers such as Phil Spector and George Martin became integral parts of the creative process. Musicians expanded their sonic palette by experimenting with the sounds of sitar, and through sound-modifying electronic ef- fects such as the wah-wah pedal, fuzz tone, and the Echoplex tape-de- lay unit, as well as a variety of new electronic keyboard instruments and synthesizers. The sound of every musical instrument contributed toward the overall sound of a performance or recording, and bands were begin- ning to expand beyond the core of drums, bass, and a couple guitars.
    [Show full text]
  • And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
    POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ 1967-06-18 P-1 --------- 1967-06-18 / CP010340 / CS05917 Jimi Hendrix at Monterey Pop Festival - Monterey, CA Artist: Randy Tuten Venue: Monterey Pop Festival Items: Original poster (Original artwork) Edition 1 / CP010340 / CS05917 (14 x 20) Performers: 1967-06-18: Monterey Pop Festival Jimi Hendrix ------------------------------ 1967-06-18 P --------- 1967-06-18 / CP060692 / CP060692 Monterey Pop Festival (Original Art) Notes: Original Art Artist: Randy Tuten Venue: Monterey Pop Festival Items: Original poster / CP060692 / CP060692 (14 x 20) Performers: 1967-06-18: Monterey Pop Festival Jimi Hendrix ------------------------------ FW-BG-159 1968-02-06 P-1 --------- 1968-02-06 / FW BG-159 CP007260 / CP02510 Byrds, Michael Bloomfield at Fillmore West - San Francisco, CA Private Notes: BG-CD(+BG-158) BG-OP-1-Signed-Tuten A- 50- Artist: Randy Tuten Venue: Fillmore West Promoter: Bill Graham Original Series Items: Original poster FW-BG-159 Edition 1 / CP007260 / CP02510 Description: 1 original (14 x 21-3/4) Price: 100.00 Postcard FW-BG-159 Edition 1 / CP007858 / CP03102 Description: original, postal variations, double with BG158 (7
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Number Symbolism in Old Norse Literature
    Háskóli Íslands Hugvísindasvið Medieval Icelandic Studies Number Symbolism in Old Norse Literature A Brief Study Ritgerð til MA-prófs í íslenskum miðaldafræðum Li Tang Kt.: 270988-5049 Leiðbeinandi: Torfi H. Tulinius September 2015 Acknowledgements I would like to thank firstly my supervisor, Torfi H. Tulinius for his confidence and counsels which have greatly encouraged my writing of this paper. Because of this confidence, I have been able to explore a domain almost unstudied which attracts me the most. Thanks to his counsels (such as his advice on the “Blóð-Egill” Episode in Knýtlinga saga and the reading of important references), my work has been able to find its way through the different numbers. My thanks also go to Haraldur Bernharðsson whose courses on Old Icelandic have been helpful to the translations in this paper and have become an unforgettable memory for me. I‟m indebted to Moritz as well for our interesting discussion about the translation of some paragraphs, and to Capucine and Luis for their meticulous reading. Any fault, however, is my own. Abstract It is generally agreed that some numbers such as three and nine which appear frequently in the two Eddas hold special significances in Norse mythology. Furthermore, numbers appearing in sagas not only denote factual quantity, but also stand for specific symbolic meanings. This tradition of number symbolism could be traced to Pythagorean thought and to St. Augustine‟s writings. But the result in Old Norse literature is its own system influenced both by Nordic beliefs and Christianity. This double influence complicates the intertextuality in the light of which the symbolic meanings of numbers should be interpreted.
    [Show full text]
  • Eric Dolphy Collection [Finding Aid]. Library of Congress
    Eric Dolphy Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2014 Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu014006 LC Online Catalog record: http://lccn.loc.gov/2014565637 Processed by the Music Division of the Library of Congress Collection Summary Title: Eric Dolphy Collection Span Dates: 1939-1964 Bulk Dates: (bulk 1960-1964) Call No.: ML31.D67 Creator: Dolphy, Eric Extent: Approximately 250 items ; 6 containers ; 5.0 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Eric Dolphy was an American jazz alto saxophonist, flautist, and bass clarinetist. The collection consists of manuscript scores, sketches, parts, and lead sheets for works composed by Dolphy and others. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Dolphy, Eric--Manuscripts. Dolphy, Eric. Dolphy, Eric. Dolphy, Eric. Works. Selections. Mingus, Charles, 1922-1979. Works. Selections. Schuller, Gunther. Works. Selections. Subjects Composers--United States. Jazz musicians--United States. Jazz--Lead sheets. Jazz. Music--Manuscripts--United States. Saxophonists--United States. Form/Genre Scores. Administrative Information Provenance Gift, James Newton, 2014. Accruals No further accruals are expected. Processing History The Eric Dolphy Collection was processed by Thomas Barrick in 2014. Thomas Barrick coded the finding aid for EAD format in October 2014.
    [Show full text]
  • The Twenty Greatest Music Concerts I've Ever Seen
    THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there.
    [Show full text]
  • Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media
    Dan Hicks’ Caucasian Hip-Hop For Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media Author: Steve Roby Showdate : Feb. 18, 2015 Performance Venue : Yoshi’s Oakland Bay Area legend Dan Hicks performed to a sold-out crowd at Yoshi’s on Wednesday. The audience was made up of his loyal fans (Hicksters) who probably first heard his music on KSAN, Jive 95, back in 1969. At age 11, Hicks started out as a drummer, and was heavily influenced by jazz and Dixieland music, often playing dances at the VFW. During the folk revival of the ‘60s, he picked up a guitar, and would go to hootenannies while attending San Francisco State. Hicks began writing songs, an eclectic mix of Western swing, folk, jazz, and blues, and eventually formed Dan Hicks and his Hot Licks. His offbeat humor filtered its way into his stage act. Today, with tongue firmly planted in cheek, Hicks sums up his special genre as “Caucasian hip-hop.” Over four decades later, Hicks still delivers a unique performance, and Wednesday’s show was jammed with many great moments. One of the evenings highlights was the classic “I Scare Myself,” which Hicks is still unclear if it’s a love song when he wrote it back in 1969. “I was either in love, or I’d just eaten a big hashish brownie,” recalled Hicks. Adding to the song’s paranoia theme, back-up singers Daria and Roberta Donnay dawned dark shades while Benito Cortez played a chilling violin solo complete with creepy horror movie sound effects.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • BEHIND the MUSIC Featuring Nicola Benedetti Larkinsurance.Co.Uk
    ISSUE 5 BEHIND THE MUSIC Featuring Nicola Benedetti larkinsurance.co.uk What’s Inside Cover Story 12-15 4-5 Nicola Benedetti at 30 I had to be tough She has no wish for lavish gifts on her 30th birthday but Lyric baritone Sir Thomas Allen has natural Nicola Benedetti expresses her desire to fathom a way to talent and shares his craft by encouraging formalise her education work young opera hopefuls 26-29 22-25 Land of legends It was serendipity The Gower Festival goes from strength to strength, thanks Annette Isserlis put her heart and soul into to a music-loving team led by Artistic Director Gordon arranging the posthumous birthday concert in Back who has been attracting top musicians to the idyllic honour of Francis Baines – and she planned it peninsula in south-west Wales in her personal woodland Welcome t is fascinating to discover what goes on behind the scenes in the world of top-class music and inside this issue of LARKmusic I hope you will enjoy reading the exclusive features which capture our Iinterviewees’ passion and incredible drive for perfection. The Lark team has been enjoying some wonderful music, attending events from the Francis Baines’ centenary concert to recitals at the Royal College of Music, the Suffolk schools’ Celebration at Snape Maltings and this summer’s Gower Festival – meeting clients and making new friends along the way. Read on for the full stories! Back in the office, it’s been busy with a focus on improving our insurance products and online service so I am pleased to introduce our new Public Liability Cover, as well as highlighting our new quote and buy portal which will make buying insurance cover online even more convenient.
    [Show full text]
  • Record-World-1980-01
    111.111110. SINGLES SLEEPERS ALBUMS KOOL & THE GANG, "TOO HOT" (prod. by THE JAM, "THE ETON RIFLES" (prod. UTOPIA, "ADVENTURES IN UTO- Deodato) (writers: Brown -group) by Coppersmith -Heaven) (writer:PIA." Todd Rundgren's multi -media (Delightful/Gang, BMI) (3:48). Weller) (Front Wheel, BMI) (3:58). visions get the supreme workout on While thetitlecut fromtheir This brash British trio has alreadythis new album, originally written as "Ladies Night" LP hits top 5, topped the charts in their home-a video soundtrack. The four -man this second release from that 0land and they aim for the same unit combineselectronicexperi- album offers a midtempo pace success here with this tumultu- mentation with absolutely commer- with delightful keyboards & ousrocker fromthe"Setting cialrocksensibilities.Bearsville vocals. De-Lite 802 (Mercury). Sons" LP. Polydor 2051. BRK 6991 (WB) (7.98). CHUCK MANGIONE, "GIVE IT ALL YOU MIKE PINERA, "GOODNIGHT MY LOVE" THE BABYS, "UNION JACK." The GOT" (prod. by Mangione) (writ- (prod. by Pinera) (writer: Pinera) group has changed personnel over er: Mangione) (Gates, BMI) (3:55). (Bayard, BMI) (3:40). Pinera took the years but retained a dramatic From his upcoming "Fun And the Blues Image to #4 in'70 and thundering rock sound through- Games" LP is this melodic piece withhis "Ride Captain,Ride." out. Keyed by the single "Back On that will be used by ABC Sports He's hitbound again as a solo My Feet Again" this new album in the 1980 Winter Olympics. A actwiththistouchingballad should find fast AOR attention. John typically flawless Mangione work- that's as simple as it is effective.
    [Show full text]
  • VOG Holidayprogram2010.Pdf
    LARRY BOMBACK – ARTISTIC DIRECTOR | PHIL WILCOX – PRESIDENT ERIC ENGLEHARDT, VP PERFORMANCE TENOR LEAD BARITONE BASS Larry Bomback Doug Brown Pat Autilio Kyle Althof Ariel Estrada John Cape Brian Lindvall Scott Colman Chris Granger Max Demers Ardon Schorr Bryce Cooney Sam Ruiz David Hason Matt Saucier Andrew Cortesi Evan Shyer Lee Markham Braden Lynk Bob Murphy Josh Elrich James Nickerson Eric Englehardt Dave Roush Steve Skolnick Dan Scott Jeremy Weissman William Hartley Phil Wilcox Welcome to “Under the Mistletoe,” Voices of Gotham’s 3rd annual Holiday Concert! It has been a banner year for the Voices. In May, we won our first ever Mid-Atlantic District Division Championship, and in July, performed as the official mic testing chorus at the International Convention of the Barbershop Harmony Society in Philadelphia. In the past month, we have had the honor of performing the Star Spangled Banner at Madison Square Garden, and enjoyed our first performance as featured guests on the Hickory Tree Chorus’ show “Happy Together.” This month, the Voices were selected by Brookfield Properties to sing holiday carols in buildings across Manhattan, including the World Financial Center and the Rockefeller Center Cafe (at which VoG provided entertainment for ING Direct Bank’s holiday party). We have had a wonderful year full of growth and music, and are glad that you, our family, friends and fans are here to celebrate the season with a cappella, barbershop, jazz, pop and traditional holiday tunes. We are especially joyful to welcome our special guests
    [Show full text]
  • Roberto Miranda Dewey Johnson
    ENCORE played all those instruments and he taught those taught me.” instruments to me and my brother. One of the Miranda recalls that he made his first recording at ROBERTO favorite memories I have of my life is watching my age 21 with pianist Larry Nash and drummer Woody parents dance to Latin music. Man! That still is an “Sonship” Theus, who were both just 16 at the time. incredible memory.” The name of the album was The Beginning and it also Years later in school, his brother played percussion featured saxophonists Herman Riley and Pony MIRANDA in concert band and Miranda asked for a trumpet. All Poindexter and trumpeter Luis Gasca (who, under those chairs were taken, he was told, so he requested contract elsewhere, used a pseudonym). The drummer by anders griffen a guitar, but was told that was not a band instrument. became a dear friend and was instrumental in Miranda They did need bass players, however, so that’s when he ending up on a record with Charles Lloyd (Waves, Bassist Roberto Miranda has been on many musical first played bass but gave it up after the semester. The A&M, 1972), even though, as it was happening, adventures, performing and recording with his brothers had formed a band together in which Louis Miranda didn’t even know he was being recorded. mentors—Horace Tapscott, John Carter and Bobby played drum set and Roberto played congas. As “Sonship Theus was a very close friend of mine. Bradford and later, Kenny Burrell—as well as artists teenagers they started a social club and held dances.
    [Show full text]