The Tech Cracks 'Reat Art Thef to Quote the Report: "There Quizzes

Total Page:16

File Type:pdf, Size:1020Kb

The Tech Cracks 'Reat Art Thef to Quote the Report: Court delays d[ uction; will hear Zigmont ease By Steve Carhart A court-ordered stay of induction gave Dr. Michael Zigmond, Research Associate in Nutrition and Food Sciene and the first member of the MIT community to attempt to. refase induction, an opportunity to take his case to court. Zigmrnond was to have been inducted Friday. Roger Wertheirmer, a Harvard philosophy tutor who was to refuse induction with Zigmond, was also. denied that op- portunity as the Army physician who examined him determined that he was 4-F due to a dislocatable shoulder. Although he had already received his stay, Zigmond was advised by his attorneys to go to the induction center anyway, along with Wertheimer and about 350 demonstrators supporting their cause. :;5ru X'S,_·; X Among the demonstrators were a large number of MIT students and 'yl, sP:c /ii31 faculty who had left the campus at 7 am to be present when the ix?; *C..( two resistors refused induction. Zigmond's stay proved to be an k' · effective weapon against induction, as security officers would not '9 rv5:rndc Q even let him enter the induction center. V· ·:t- The morning's activities were summarized at a well-attended rally held at noon Friday in front of the Student Center. The rally Ii offered a surprise of its won, as a few spectators in the front rows zee "Hcec ·- were violently attacked by a man who threatened to kill the "come ,, ·"S ·- ·,m·· .w·x* munist bastards." He wrestled one of the spectators to the ground Yoi. 88,, o. 27, and was trying to choke him until Lt. Olivieri of the Campus Patrol Vol.___ 88,_ No. 27 gCambridge. Mtass Tuesday May 14, 1968 5¢ _ _ _ _ I _ _ _4 1 P __ ___ and several other spectators managed to subdue him. I Chomsky After the opening excitement, Professor Noam Chomsky comment- I iamcm ed on the inability of thle judiciary to make a judgment concerning fi0$i; the legality of the war and the role of the university in changing Personal 2attin the current distribution of power in the nation. Following Chomsky By Carson Agnew leadership or social effective- Sarah Lawrence or Bennington." was Rabbi Maurice Zigmond, Michael Zigmond's father and a re- One of the -two principal ness. The admissions office, Coeds were also found to have ligious counselor at Harvard. indicators used as a basis -for however, still uses PR as one significantly higher College Michael Zigmond then spoke briefly, but turned the microphone admission to MIT has been of its criteria in accepting Board scores on the SAT Math over to Wertheimner when the latter returned from the base. Wlerth- called "noise" in a report applicants, and Verbal tests and on the eimer reported that he had "no tale of moral courage," and that he released to the faculty last Scholastic Index the English Composition had been treated well at the base. He reported that he had (some- week. The other measure used by Achievement test, compared how) passed the Army intelligence test ant the Army medical test, The report, entitled A Guide the Admissions Office is the with students at Wellesley. but when they saw his medical record, which included a disloca- to the Freshman Year, was Scholastic Index (SI), now de- Mah Perforemance table shoulder, they decided he was unfit for duty. He noted that written by George Valley, fined as the. probability that an Some other results: good they did not ask him whether it had been recently dislocated (it Undergraduate Planning Profes- applicant will attain a 3,3 performance on the CEEB Math hadn't), nor did he tell them. The comnmanding officer's last words sor, and his assistant Wayne Freshman year (the limit was Achievement tests or the MIT to him as he left the base were, "Good bye, Mr. Wertheimer;, see Stuart during the last two and 3.2 for the Classes of '70 and placement test given during youtin the next war." one-half years. It is the result '69, and 3.0 for previous class- Freshman Weekend indicates Professor Jerome Lettvin was the final faculty speaker, he de- of analysis of many different es). Valley found that, in that the student will do well nounced the division of conscription into many little steps which statistics, and deals primarily general, this predictor wasn't in physics and/or chemisty, gradually work the student into the "system," with the Classes of 1968, 1969, too bad as long as it was high. but doesn't say much about In an interview with The Tech, Zigmond said that his case will and 1970. SI was useless, however, math. In fact, 'students who be heard this week in the Circuit Court. Because his case is based PR questioned when it was tried as an indica- advance-place mathematics do on the contention that his punitive reclassification has denied him The statistic called into tor of which Freshmenf needed better through all their Fresh- constitutional rights, Zigmond believes that his plea may go to question by the report is thle to defer taking a course, or to man science courses. the Supreme Court. "Personal Rating," which the be placed in a remedial section. Admissions Office assigns to In fact, the only good predic- each applicant for admission. tors of performance in a course Found at Wetllesley It is a number between 5 and 10 are the quiz grades, and so the which is supposed to measure report recommends a thorough the motivation. and the social re-evaluation of a Fresliman's effectiveness of the applicant.* position after his first set of The Tech cracks 'reat art thef To quote the report: "there quizzes. is little relationship between ,Know College? By Reid Ashe sculpture made the trip back to tedly one of disgust, let us as- PR (Personal Rating) and per- Other sections of the report What is believed to be the MIT in the trunk of Lima's girl- sure you that it is a piece of sonality .... For the great ma- debunk other favorite myths $9,500 piece of modern sculpture friend's car with negligible over- "art" valued at $9500. jority of the students, no values about MIT students in general, which was stolen last week from hang. It is part of a total mnonstro- at all can be observed in the and Freshmen in particular. Kresge Plaza was recovered on Roof top art show sity passed off as "sculpture" Personal Rating-it. is almost For example, the Classes of the Wellesley campus Sunday After the work was stolen last (sic) by Mark DiSuvero and Prof- pare noise." (italics from the '69 and '70 were given a test night by a daring team of The week, the MIT Campus Patrol essor Wayne Anderson (sic), report.) asking them to catagorize their Tech staff members. After receiv- made a diligent search of the Chairman of the Faculty Commit- Valley's group tried to test personal philosophy about col- ing an anonymous tip "Terrible campus, but to no avail. The tee on Visual Arts at MI.T.. in the effectiveness of PR against lege in four ways, which may Tony" Lima '69, "Gorgeous' sculpture apparently spent its open defience of the better jud- several other presumed mea- be summarized as Financial George" Flynn '69, "Raunchy first week of liberation on the gemnnt of our senses. It was sures of motivation and social (to get a good job), Academic ,Reid" Ashe '70, and "Pavel" roof of the Phi Beta Epsilon stolen arier this "month from the effectiveness. Items such as (likes to study), Social, and Ambiozele '69, rushed to the house, which was reached through "Park Plae" exhibition currently lecture attendance and. the Rebellious. The overall distri- scene and triumphantly brought the adjoining Delta Kappa Epsi- on display at MJ.,T. length of essays written on the butions between these on 2is the stolen scaipase to The Tech lon house. Unfortnately ,an Ad Hoc Stu- applications form were. fosLhd campus most nearly match the office- It is rummrrd that Editor- At about 2:00 am Sunday the dent Committee on Environment not to be correlated with die profiles df Know College and Driver Lima set speed records on which saw fit to remove the rest PR. A small correlation was Whitman College-both small sculpture was removed from the found between people with liberal arts colleges with con- the trips to and from Wellesley's PBE roof, apparently to Welles- of'the junk from its temporary high PR and those who re- nec ti ons to engineering sohools. Alumnae parking lot. ley. Later in the day came the resting place has been wrongly The sculpture, part of the con- accused of this theft and has been ceived Compton awards, but MIT coeds, dealt with as a tip-off call. in general the -reports shows separate group, "are very dif- troversial Park Place exhibit When the sculpture was re- subject to a good deal of criti- that PR has no significance on ferent from those going to consists of a six-foot piece of covered, a note was found at- cism instead of being lauded. I-beam with a large block of wood tached to it which read: As we do not wish to implicate attached to one end. Wrapped a- · Mayr1, 198 them in any manner, we wish to Johnon nmes -chukfma round the block of wood is a very Tos Whom it May Concern: return this piece of "sculpture". bald size 4.20x15 tubleess Fire- Although youre first reaction Please treat it with care that stone Deluxe Champion tire.
Recommended publications
  • “Grunge Killed Glam Metal” Narrative by Holly Johnson
    The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
    [Show full text]
  • Blue Cheer Outsideinside Mp3, Flac, Wma
    Blue Cheer Outsideinside mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Outsideinside Country: UK Released: 1968 Style: Hard Rock, Psychedelic Rock MP3 version RAR size: 1824 mb FLAC version RAR size: 1562 mb WMA version RAR size: 1793 mb Rating: 4.8 Votes: 867 Other Formats: AC3 MOD AUD DTS MP4 AU AAC Tracklist Hide Credits A1 Feathers From Your Tree 3:29 A2 Sun Cycle 4:12 A3 Just A Little Bit 3:24 A4 Gypsy Ball 2:57 A5 Come And Get It 3:13 (I Can't Get No) Satisfaction B1 5:07 Written-By – Jagger-Richards The Hunter B2 4:22 Written-By – Booker T. Jones B3 Magnolia Caboose Babyfinger 1:38 B4 Babylon 4:22 Companies, etc. Recorded At – Gate Five Recorded At – Muir Beach Recorded At – Pier 57, New York City Recorded At – A&R Studios Recorded At – Olmstead Studios Recorded At – Record Plant, N.Y.C. Recorded At – Pacific Recorders Credits Artwork – Arab , Gut Bass, Vocals – Dick Peterson* Drums – Paul Whaley Engineer – Eddie Kramer, Hank McGil*, Jay Snyder, Tony May Guitar – Leigh Stephens Photography By – Gut , Jim Marshall , Stef Leinwohl Producer – Abe "Voco" Kesh* Notes 'Outside' sessions recorded at Gate Five, Sausalito; Muir Beach, California; Pier 57, NYC. 'Inside' sessions recorded at A&R Studio, NYC; Olmstead Studios, NYC; Record Plant, NYC; and Pacific Recorders Inc., San Mateo, California. This type of gatefold is sometimes referred to as Unipack Other versions Category Artist Title (Format) Label Category Country Year Blue Outsideinside (LP, PHS 600-278 Philips PHS 600-278 US 1968 Cheer Album, Gat) Akarma, Blue Outside Inside (CD, AK 012 Comet AK 012 Italy 2003 Cheer Album, RE) Records SBL.7860, SBL Philips, SBL.7860, SBL Blue Outsideinside (LP, 7860, 852 120 Philips, 7860, 852 120 UK 1968 Cheer Album, Gat) BY Philips BY Blue Outsideinside (CD, 314 514 683-2 Mercury 314 514 683-2 US 1993 Cheer Album, RE) Blue Outsideinside (CD, 314 514 683-2 Mercury 314 514 683-2 US Unknown Cheer Album, RE) Related Music albums to Outsideinside by Blue Cheer 1.
    [Show full text]
  • Blue Cheer There's a Worn Leather Wallet in the Back of My Top Dresser
    Blue Cheer There’s a worn leather wallet in the back of my top dresser drawer. It’s long and thin, calf skin soft and black, with tiny tucks in the leather where the snap on the long edge holds it closed. I love this wallet with its plaid interior, its fine stitching that held until the leather itself started to tear. Finally, too worn to be used, it was relegated to hold something more important: my last tab of Ludiomil. A tab of Ludiomil is not something one saves for a rainy day. It wouldn’t do anything on its own, like a faded hit of acid might, a bit of shriveled mushroom, a nip bottle res- cued from some uncertain vacation. It needs at least thirteen others of its kind to be effective, doled out steadily one per day until two weeks later, swallowing the fourteenth tab, one might feel something a little different; More likely, one would sense an absence of a familiar feeling. Day Fourteen: not so sure about slashing my wrists today. This tiny hard oval of robin’s egg blue is a placeholder, a miniscule iconic bombshell. Just looking at it brings a whole world home to roost. With over 4,000 legitimate variations and an untold number of underground permutations, the ability of pharmaceuticals to provoke a steamer trunk-full of associations, opinions, and emotions, is new only in its industrial and technicolor nature. Drugs have been around. These new drugs, though, bring a cartoonish sheen to the shriveled earthtones of innumerable entheogenic plants and animals.
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • Music Globally Protected Marks List (GPML) Music Brands & Music Artists
    Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please
    [Show full text]
  • Robert Walser Published Titles My Music by Susan D
    Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y.
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc.
    [Show full text]
  • To Download a PDF Copy of Catalog 18
    1 LYSERGIC SOUND DISTRIBUTORS RARE RECORD CATALOG – 2016 GRADING – Cover/disc. We use a slight variation of The Goldmine System with similar abbreviations. If you don’t understand, just ask. Most albums are play graded. One in a while, a problem may occur. If there is a problem, contact us at once and we will work it out. All records are 1st press stereo U.S. unless noted otherwise. Factory sealed records are guaranteed only if they are returned in a still-sealed condition. PAYMENT – We accept most forms of payment including checks drawn on U.S. banks. Checks may be held for a period of time for clearance. All prices are in U.S. dollars. POSTAGE – One album, media rate, is $4. Multiple media rate albums, priority postage & foreign postage will be calculated at actual rates. TRADES – Always looking for trades but usually not until this catalog has been out for about a month. LYSERGIC SOUND DISTRIBUTORS 8751 Old Spanish Trail Tucson, AZ. 85710 1-877-353-1775 Toll Free WWW.LSDSOUNDS.COM Like us on Facebook 2 7001 RECORD COLLECTORS DREAMS - HANS POKORA'S NEWEST HARDCOVER BOOK The cream of Folk, Psychedelic, Progressive, Garage and Beat music. Over 1000 professional colour photographs of the rarest 60s and 70s album covers from around the world. The rarest releases from AUSTRIA to NEW ZEALAND. A kaleidoscopic overview of the rarest and most expensive collectible albums from all over the world. An indispensable book for all serious collectors of 60's and 70's rare records, compiled from the collector Hans Pokora Includes accurate description of: Origin, Label, Value and Rarity.
    [Show full text]
  • Krautrock and the West German Counterculture
    “Macht das Ohr auf” Krautrock and the West German Counterculture Ryan Iseppi A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF GERMANIC LANGUAGES & LITERATURES UNIVERSITY OF MICHIGAN April 17, 2012 Advised by Professor Vanessa Agnew 2 Contents I. Introduction 5 Electric Junk: Krautrock’s Identity Crisis II. Chapter 1 23 Future Days: Krautrock Roots and Synthesis III. Chapter 2 33 The Collaborative Ethos and the Spirit of ‘68 IV: Chapter 3 47 Macht kaputt, was euch kaputt macht: Krautrock in Opposition V: Chapter 4 61 Ethnological Forgeries and Agit-Rock VI: Chapter 5 73 The Man-Machines: Krautrock and Electronic Music VII: Conclusion 85 Ultima Thule: Krautrock and the Modern World VIII: Bibliography 95 IX: Discography 103 3 4 I. Introduction Electric Junk: Krautrock’s Identity Crisis If there is any musical subculture to which this modern age of online music consumption has been particularly kind, it is certainly the obscure, groundbreaking, and oft misunderstood German pop music phenomenon known as “krautrock”. That krautrock’s appeal to new generations of musicians and fans both in Germany and abroad continues to grow with each passing year is a testament to the implicitly iconoclastic nature of the style; krautrock still sounds odd, eccentric, and even confrontational approximately twenty-five years after the movement is generally considered to have ended.1 In fact, it is difficult nowadays to even page through a recent issue of major periodicals like Rolling Stone or Spin without chancing upon some kind of passing reference to the genre.
    [Show full text]
  • Copyrighted Material
    bindex.qxd 6/26/07 1:14 PM Page 301 INDEX Abbott, “Dimebag” Darryl, 266–267. See problems in Van Halen, 218, 248, 250, also Pantera 256, 257, 261, 268, 274–275, 277 Abbott, Vinnie Paul, 49, 266. See also trumpet playing, 16–17, 20 Pantera Arcadia, CA, 9, 16, 20 AC/DC, 95, 108–110, 156 Arch Enemy, 264 Accept, 108 Arrows, the, 11 Adams, Bryan, 186, 259 ASCAP, 33 Aerosmith, 32, 50, 54, 72, 83, 165, 185, Atlanta Rhythm Section, 49 208, 256 Atomic Punks, 246 After the Fire, 84 Atreyu, 264–265 Aguilera, Christina, 255 Aucoin, Bill, 34–35 Alice in Chains, 174, 195, 204, 264 Australia, 77, 225–226 American Bandstand (TV show), 26 Autograph, 164 Amsterdam, 7, 48, 71, 188 Azoff, Irving, 255, 256, 279 Anderson, “Big Ed,” 85–86 Angel, 44 Bach, Johann Sebastian, 12, 191 Angelus, Pete, 68, 116, 117, 156 Bach, Sebastian, 217 Anka, Paul, 269 Back to the Future (film), 150 Anthony, Michael Baker, Ginger, 17, 37. See also Cream backing vocals,COPYRIGHTED 25, 32, 69, 154, 188, Ballard, MATERIAL Glen, 208 259, 288 Baltimore Orioles, 263 bass solo, 90, 141–142, 159, 227, 259, Barnes, Jimmy, 126 273, 283 Beach Boys, the, 14, 42, 113 childhood, 4, 16–17, 25 Beatles, the, 10, 14, 31, 115, 171, 208, gear, 17, 97, 191, 187, 227 209, 251, 252, 284 family, 67, 187 Beck, 205 Jack Daniel’s bass, 97, 227, 253, 259 Beck, Jeff, 11, 58, 174, 185 Mad Anthony hot sauce, 261, 273 Becker, Jason, 169–170, 209 301 bindex.qxd 6/26/07 1:14 PM Page 302 302 INDEX Bee Gees, the, 60 Cabo Wabo Tequila, 242–243, 261, 266, Beethoven, Ludwig van, 8, 12, 21 272, 274 Berle, Marshall, 38, 45, 50, 53 Cactus, 17 Berle, Milton, 38, 50 Camel Filters cigarettes, 31, 42 Bertinelli, Valerie, 5, 65, 70, 99, 103, Campari, 274 109, 126, 148–149, 158, 160, 182, Cantrell, Jerry, 174, 195, 204.
    [Show full text]
  • Reinblättern (Pdf)
    HEAR FRANK SCHÄFER (HG.) ’EM HEAVY METAL FÜR DIE EISERNE INSEL ALL INHALT Metal On Metal : Vorrede Frank Schäfer 10 1968 Blue Cheer : Vincebus Eruptum Toddn Kandziora 13 Steppenwolf : Steppenwolf Toddn Kandziora 15 1969 Coven : Witchcraft – Destroys Minds Jens Balzer 17 Pink Floyd : More Arno Frank 19 1970 Black Sabbath : Black Sabbath Wenzel Storch 20 Black Sabbath : Paranoid Carsten Klook 24 Lucifer’s Friend : Lucifer’s Friend Uwe Kalwar 25 1971 Jethro Tull : Aqualung André Buron 27 Uriah Heep : Look At Yourself Thorsten Hindrichs 28 1972 Slade : Slade Alive! Wolfgang Weber 30 Deep Purple : Made In Japan André Buron 32 1973 Iggy and The Stooges : Raw Power Christof Meueler 33 Budgie : Never Turn Your Back On A Friend Ernst Hofacker 36 1974 Aerosmith : Get Your Wings Torsten Groß 38 Queen : Sheer Heart Attack Steffen Greiner 39 1975 Led Zeppelin : Physical Graffiti Dietrich zur Nedden 41 1976 Rush : 2112 Schepper 42 Scorpions : Virgin Killer Jochen Neuffer 43 1978 Judas Priest : Stained Class Erich Keller 46 AC/DC : Powerage Kristof Schreuf 47 Thin Lizzy : Live And Dangerous Klaus Walter 50 1980 Loverboy : Loverboy Joachim Hiller 53 AC/DC : Back In Black Gerald Fricke 54 © Ventil Verlag UG (haftungsbeschränkt) & Co.KG , Mainz, 2018 1981 Kiss : (Music From) The Elder Sascha Seiler 56 Iron Maiden : Killers Berni Mayer 58 Abdruck, auch in Auszügen, nur mit ausdrücklicher Erlaubnis des Verlages. Motörhead : No Sleep ’til Hammersmith Christina Mohr 59 Alle Rechte vorbehalten. Saga : Worlds Apart Joachim Hiller 60 1. Auflage November 2018 Ozzy Osbourne : Diary Of A Madman Radek Krolczyk 62 ISBN 978-3-95575-098-5 Thin Lizzy : Renegade Frank Schäfer 63 Layout und Satz: Oliver Schmitt Venom : Welcome To Hell Erich Keller 66 Druck: Buchdruck Zentrum 1982 Judas Priest : Screaming For Vengeance Matthias Penzel 67 Ventil Verlag, Boppstr.
    [Show full text]
  • Myspace.Com - NCR - 36 - Male - AU
    MySpace.com - NCR - 36 - Male - AU - www.myspace.com/ncr600 http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&frien... NCR NCR in your extended network view more NCR's Latest Blog Entry [ Subscribe to this Blog ] The Most Interesting Thing That's Happened to me in a While ( view more ) Male [View All Blog Entries ] 36 years old Australia NCR's Blurbs About me: Last Login: 4/7/2009 You wouldn't be interested. Who I'd like to meet: Doom Bands. NCR's Friend Space (Randomized) NCR has 199 friends. Mood: angry Spirits of the THE HORDE EYEHATEGOD DEVIL’S View My: Pics | Videos Dead KITCHEN MUSIC FESTIVAL Contacting NCR MySpace URL: www.myspace.com/ncr600 Hotel Wrecking Devil to Pay Bonjour Colour Haze City Traders Monsoon R.I.P. 06-08 NCR's Interests General Stupid old racing motorcycles, old racing cars, being aggressive, drinking, old aeroplanes, idiot-savant nerdishness, hating flying, drinking, driving long distance, drinking, eating weird food, mountain bikes, strange mental states,unpopular music, general weirdness View NCR's Friends: All | Online | New | Mutual Music Fuckin' Heavy Metal. 1000 Funerals 13 137 18 Speed Tranny 206 & Thinkers 35007 3D House of Beef 3D House of Beef 3rd and the Mortal, the NCR's Friends Comments 5ive's Continuum Research Project A Dawn Serene Displaying 25 of 54 comments ( View All | Add Comment ) Aardtmann op Vuurtopberg Aarni Abandon Abdullah Ablaze King of Coma Apr 17 2009 5:04 AM In Hatred Abraham's Meat Plow Abramis Brama Abske Fides The King of Coma track “mental fragments” is 1 of 9 4/25/2009 1:51 AM MySpace.com - NCR - 36 - Male - AU - www.myspace.com/ncr600 http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&frien..
    [Show full text]