Global Media and Communication Policy
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Media Influence Matrix Slovakia
J A N U A R Y 2 0 2 0 MEDIA INFLUENCE MATRIX: SLOVAKIA Government, Politics and Regulation Author: Marius Dragomir 2nd updated edition Published by CEU Center for Media, Data and Society (CMDS), Budapest, 2020 About CMDS About the author The Center for Media, Data and Society Marius Dragomir is the Director of the Center (CMDS) is a research center for the study of for Media, Data and Society. He previously media, communication, and information worked for the Open Society Foundations (OSF) policy and its impact on society and for over a decade. Since 2007, he has managed practice. Founded in 2004 as the Center for the research and policy portfolio of the Program Media and Communication Studies, CMDS on Independent Journalism (PIJ), formerly the is part of Central European University’s Network Media Program (NMP), in London. He School of Public Policy and serves as a focal has also been one of the main editors for PIJ's point for an international network of flagship research and advocacy project, Mapping acclaimed scholars, research institutions Digital Media, which covered 56 countries and activists. worldwide, and he was the main writer and editor of OSF’s Television Across Europe, a comparative study of broadcast policies in 20 European countries. CMDS ADVISORY BOARD Clara-Luz Álvarez Floriana Fossato Ellen Hume Monroe Price Anya Schiffrin Stefaan G. Verhulst Hungary, 1051 Budapest, Nador u. 9. Tel: +36 1 327 3000 / 2609 Fax: +36 1 235 6168 E-mail: [email protected] ABOUT THE MEDIA INFLUENCE MATRIX The Media Influence Matrix Project is run collaboratively by the Media & Power Research Consortium, which consists of local as well as regional and international organizations. -
Navigating Producer-Consumer Convergence: Media Policy Priorities in the Era of User- Generated and User-Distributed Content Philip M
Fordham University Masthead Logo DigitalResearch@Fordham Donald McGannon Communication Research McGannon Center Research Resources Center 10-2009 Navigating Producer-Consumer Convergence: Media Policy Priorities in the Era of User- Generated and User-Distributed Content Philip M. Napoli Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/mcgannon_research Part of the Public Relations and Advertising Commons Recommended Citation Napoli, Philip M., "Navigating Producer-Consumer Convergence: Media Policy Priorities in the Era of User-Generated and User- Distributed Content" (2009). McGannon Center Research Resources. 6. https://fordham.bepress.com/mcgannon_research/6 This Article is brought to you for free and open access by the Donald McGannon Communication Research Center at DigitalResearch@Fordham. It has been accepted for inclusion in McGannon Center Research Resources by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. 1 THE D ONALD M C G ANNON C OMMUNICATION R ESEARCH C ENTER W ORKING P APER N AVIGATING P RODUCER-CONSUMER C ONVERGENCE: M EDIA P OLICY P RIORITIES IN THE E RA OF U SER-GENERATED AND U SER-DISTRIBUTED C ONTENT Philip M. Napoli Director Donald McGannon Communication Research Center Professor Graduate School of Business Fordham University October, 2009 The Donald McGannon Communication Research Center Faculty Memorial Hall, 4th fl. Fordham University Bronx, NY 10458 718.817.4195 www.fordham.edu/mcgannon [email protected] 2 Introduction Perhaps the greatest challenge confronting media policymakers and policy researchers is effectively adjusting their analytical frameworks to account for the dramatic changes taking place in the contemporary media environment. -
The Media Democracy Agenda the Strategy and Legacy of Federal Communications Commissioner Michael J
The Media Democracy Agenda The Strategy and Legacy of Federal Communications Commissioner Michael J. Copps by Victor Pickard and Pawel Popiel Annenberg School for Communication, University of Pennsylvania Published by the Benton Foundation The Media Democracy Agenda The Strategy and Legacy of FCC Commissioner Michael J. Copps This Benton Foundation publication is written by Victor Pickard and Pawel Popiel. This work is licensed under the Creative Commons Attribution-Noncommercial 3.0 United States License. A copy of this license is available at http://creativecommons.org/licenses/by-nc/3.0/us Please include the following attribution when citing this report: Pickard, Victor and Pawel Popiel. September 2018. The Media Democracy Agenda: The Strategy and Legacy of FCC Commissioner Michael J. Copps. Evanston, IL: Benton Foundation. https://www.benton.org/publications/Copps-legacy Benton Foundation 727 Chicago Ave. Evanston, IL 60202 www.benton.org Table of Contents Foreword ....................................................................................................................................... 2 Introduction .................................................................................................................................. 4 Historical Context ......................................................................................................................... 5 Biographical Background .............................................................................................................. 7 Democratic Principles -
Technology, Media and Telecommunications Review
Telecommunications Review Telecommunications the Technology, Media and and Media Technology, Technology, Media and Telecommunications Review Eleventh Edition Editor Matthew T Murchison Eleventh Edition lawreviews © 2020 Law Business Research Ltd Technology, Media and Telecommunications Review Eleventh Edition Reproduced with permission from Law Business Research Ltd This article was first published in December 2020 For further information please contact [email protected] Editor Matthew T Murchison lawreviews © 2020 Law Business Research Ltd PUBLISHER Tom Barnes SENIOR BUSINESS DEVELOPMENT MANAGER Nick Barette BUSINESS DEVELOPMENT MANAGER Joel Woods SENIOR ACCOUNT MANAGERS Pere Aspinall, Jack Bagnall ACCOUNT MANAGERS Olivia Budd, Katie Hodgetts, Reece Whelan PRODUCT MARKETING EXECUTIVE Rebecca Mogridge RESEARCH LEAD Kieran Hansen EDITORIAL COORDINATOR Gavin Jordan PRODUCTION AND OPERATIONS DIRECTOR Adam Myers PRODUCTION EDITOR Anna Andreoli SUBEDITOR Martin Roach CHIEF EXECUTIVE OFFICER Nick Brailey Published in the United Kingdom by Law Business Research Ltd, London Meridian House, 34–35 Farringdon Street, London, EC4A 4HL, UK © 2020 Law Business Research Ltd www.TheLawReviews.co.uk No photocopying: copyright licences do not apply. The information provided in this publication is general and may not apply in a specific situation, nor does it necessarily represent the views of authors’ firms or their clients. Legal advice should always be sought before taking any legal action based on the information provided. The publishers -
Clip De INTERNET
Data: 09-08-2019 Título: Luís Menezes Leitão: greve dos motoristas “chegará aos tribunais” Pub: Tipo: Internet Secção: Nacional São estes os nomeados para os Prémios Meios & Publicidade 2019 Por Meios & Publicidade a 9 de Agosto de 2019 Fique a conhecer os nomeados para a 17ª edição dos Prémios Meios & Publicidade. São 106 empresas, agências, meios e personalidades finalistas repartidos por 31 categorias. Os vencedores serão conhecidos a 3 de Outubro, numa cerimónia a decorrer no Altice Arena. Para se chegar a esta lista de finalistas foram consultados dados MediaMonitor, Marktest, APCT, Bareme Imprensa, Bareme Rádio, NetAudience, audiências TV, tal como os resultados dos Prémios M&P Design, Marketing, Comunicação e Criatividade, do festival do CCP, dos Prémios à Eficácia e dos Prémios Sapo. Período de análise: Agosto de 2018 a Julho de 2019. As votações arrancam em breve. MARKETING E PUBLICIDADE Agência Criativa BAR Ogilvy Ganhou a conta da TAP e da cadeia de distribuição Auchan. Venceu o pitch internacional para o desenvolvimento de um content studio para a Nestlé, com criatividade a chegar a 39 países. No primeiro semestre de 2019 ocupou a quinta posição no ranking MediaMonitor das agências criativas (um posto acima do total de 2018). Fuel Agência do Ano nos Prémios Eficácia e agência líder do ranking MediaMonitor 2018 – está no segundo posto no período Janeiro-Junho de 2019. Na lista de novos clientes 6562613 constam CP, Sporting, Universidade Europeia (incluindo IADE e IPAM), Vasenol ID: (Unilever), Compara Já, Yes Diet, Yåmmi, ZU e Finlog. Nos últimos meses a Fuel assistiu a várias mudanças, com Susana Coerver a ser contratada como CEO e João Silva (ex- Y&R) a assumir a direcção criativa do Continente. -
GAO-14-558, Media Ownership: FCC Should Review the Effects of Broadcaster Agreements on Its Media Policy Goals
United States Government Accountability Office Report to the Chairman, Committee on Commerce, Science, and Transportation, U.S. Senate June 2014 MEDIA OWNERSHIP FCC Should Review the Effects of Broadcaster Agreements on Its Media Policy Goals GAO-14-558 June 2014 MEDIA OWNERSHIP FCC Should Review the Effects of Broadcaster Agreements on Its Media Policy Goals Highlights of GAO-14-558, a report to the Chairman, Committee on Commerce, Science, and Transportation, U.S. Senate Why GAO Did This Study What GAO Found Local television stations play an important role in educating, Local television stations use broadcaster agreements to share services with one entertaining, and informing the citizens another, but data are limited on the prevalence of these agreements. Stations they serve. FCC limits the number of use agreements to share or outsource a range of services, such as selling television stations an entity can own or advertising time and producing local news. Agreements are referred to by a control to advance its media policy variety of names and two—joint sales agreements and local marketing goals of competition, localism, and agreements—have regulatory definitions; other types of agreements have diversity. Competing television stations commonly been referred to as shared service agreements or local news service are entering into agreements to share agreements. Stations may participate in more than one type of agreement. or outsource services, and some Federal Communications Commission (FCC) officials and industry policymakers are concerned about the representatives could not identify a central data source that tracks all broadcaster effects of these agreements on agreements. Station owners and financial analysts said that agreements are competition and programming. -
The Political Economy of International Communications Foundations for the Emerging Global Debate About Media Ownership and Regulation
The Political Economy of International Communications Foundations for the Emerging Global Debate about Media Ownership and Regulation Robert W. McChesney and Dan Schiller Technology, Business and Society United Nations Programme Paper Number 11 Research Institute October 2003 for Social Development This United Nations Research Institute for Social Development (UNRISD) Programme Paper has been produced with the support of UNRISD core funds. UNRISD thanks the governments of Denmark, Finland, Mexico, the Netherlands, Norway, Sweden, Switzerland and the United Kingdom for this funding. Copyright © UNRISD. Short extracts from this publication may be reproduced unaltered without authorization on condition that the source is indicated. For rights of reproduction or translation, application should be made to UNRISD, Palais des Nations, 1211 Geneva 10, Switzerland. UNRISD welcomes such applications. The designations employed in UNRISD publications, which are in conformity with United Nations practice, and the presentation of material therein do not imply the expression of any opinion whatsoever on the part of UNRISD con- cerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The responsibility for opinions expressed rests solely with the author(s), and publication does not constitute endorse- ment by UNRISD. ISSN 1020-8216 Contents Acronyms ii Summary/Résumé/Resumen iii Summary iii Résumé iv Resumen vi Introduction 1 The Mythology of Freedom of Communications in the United States 1 The Move To Neoliberalism: The US System Goes Global 4 The Global Media System 8 Global Consolidation: A Two-Stage Process 15 Telecommunications 17 Conclusion 24 Bibliography 26 UNRISD Programme Papers on Technology, Business and Society 33 Acronyms AT&T American Telephone and Telegraph ABC American Broadcasting Company AOL America Online, Inc. -
Obitel 2015 Inglêsl Color.Indd
IBERO-AMERICAN OBSERVATORY OF TELEVISION FICTION OBITEL 2015 GENDER RELATIONS IN TELEVISION FICTION IBERO-AMERICAN OBSERVATORY OF TELEVISION FICTION OBITEL 2015 GENDER RELATIONS IN TELEVISION FICTION Maria Immacolata Vassallo de Lopes Guillermo Orozco Gómez General Coordinators Morella Alvarado, Gustavo Aprea, Fernando Aranguren, Alexandra Ayala-Marín, Catarina Burnay, Borys Bustamante, Giuliana Cassano, Pamela Cruz Páez, James Dettleff, Francisco Fernández, Francisco Hernández, Pablo Julio, Mónica Kirchheimer, Charo Lacalle, Pedro Lopes, Maria Cristina Mungioli, Guillermo Orozco Gómez, Juan Piñón, Rosario Sánchez, Luisa Torrealba and Maria Immacolata Vassallo de Lopes National Coordinators © Globo Comunicação e Participações S.A., 2015 Capa: Letícia Lampert Projeto gráfico e editoração:Niura Fernanda Souza Produção editorial: Felícia Xavier Volkweis Revisão, leitura de originais: Felícia Xavier Volkweis Revisão gráfica:Niura Fernanda Souza Editores: Luis Antônio Paim Gomes, Juan Manuel Guadelis Crisafulli Foto de capa: Louie Psihoyos. High-definition televisions in the information era. Librarian: Denise Mari de Andrade Souza – CRB 10/960 G325 Gender relations in television fiction: 2015 Obitel yearbook / general coordina- tors Maria Immacolata Vassallo de Lopes and Guillermo Orozco Gómez. -- Porto Alegre: Sulina, 2015. 526 p.; il. ISBN: 978-85-205-0738-4 1. Television – Programs. 2. Fiction – Television. 3. Programs Television – Ibero-American. 4. Media. 5. Television – Gender Relations. I. Lopes, Maria Immacolata Vassallo de. II. Gómez, Guillermo Orozco. CDU: 654.19 659.3 CDD: 301.161 791.445 Direitos desta edição adquiridos por Globo Comunicação e Participações S.A. Editora Meridional Ltda. Av. Osvaldo Aranha, 440 cj. 101 – Bom Fim Cep: 90035-190 – Porto Alegre/RS Fone: (0xx51) 3311.4082 Fax: (0xx51) 2364.4194 www.editorasulina.com.br e-mail: [email protected] July/2015 INDEX INTRODUCTION............................................................................................ -
Aa5eb7e88f8b7f67a6176e8097a
Editora chefe Profª Drª Antonella Carvalho de Oliveira Assistentes editoriais Natalia Oliveira Flávia Roberta Barão Bibliotecária Janaina Ramos Projeto gráfico Natália Sandrini de Azevedo Camila Alves de Cremo Luiza Alves Batista Maria Alice Pinheiro 2021 by Atena Editora Imagens da capa Copyright © Atena Editora iStock Copyright do Texto © 2021 Os autores Edição de arte Copyright da Edição © 2021 Atena Editora Luiza Alves Batista Direitos para esta edição cedidos à Atena Revisão Editora pelos autores. Os autores Open access publication by Atena Editora Todo o conteúdo deste livro está licenciado sob uma Licença de Atribuição Creative Commons. Atribuição-Não-Comercial- NãoDerivativos 4.0 Internacional (CC BY-NC-ND 4.0). O conteúdo dos artigos e seus dados em sua forma, correção e confiabilidade são de responsabilidade exclusiva dos autores, inclusive não representam necessariamente a posição oficial da Atena Editora. Permitido o download da obra e o compartilhamento desde que sejam atribuídos créditos aos autores, mas sem a possibilidade de alterá-la de nenhuma forma ou utilizá-la para fins comerciais. Todos os manuscritos foram previamente submetidos à avaliação cega pelos pares, membros do Conselho Editorial desta Editora, tendo sido aprovados para a publicação com base em critérios de neutralidade e imparcialidade acadêmica. A Atena Editora é comprometida em garantir a integridade editorial em todas as etapas do processo de publicação, evitando plágio, dados ou resultados fraudulentos e impedindo que interesses financeiros comprometam os padrões éticos da publicação. Situações suspeitas de má conduta científica serão investigadas sob o mais alto padrão de rigor acadêmico e ético. Conselho Editorial Ciências Humanas e Sociais Aplicadas Prof. -
Communications (COMM) 1
Communications (COMM) 1 COMMUNICATIONS (COMM) COMM 99: Foreign Studies 1-6 Credits/Maximum of 6 COMM 1: Newspaper Practicum Courses offered in foreign countries by individual or group instruction. 1-3 Credits/Maximum of 8 This course may not be used to satisfy the basic minimum requirements for graduation in any baccalaureate degree program. A newspaper/print media practicum. Credits do not fulfill Communication major credits in all programs. COMM 100N: The Mass Media and Society COMM 2: Newspaper Editorial Staff 3 Credits 1-3 Credits/Maximum of 8 Mass communications in the United States: organization, role, content, A newspaper/print media practicum. Credits do not fulfill Communication and effects of newspapers, magazines, television, radio, books, and major credits in all programs. films. The Mass Media and Society is an overview of the interaction between mass media and society. By drawing from selected topics, the Enforced Prerequisite at Enrollment: COMM 1 course pays particular attention to the social influences (e.g., economics, politics, technology, law and culture) that shape media messages. Among COMM 3: Radio Practicum others, the course examines the nature of media controllers as well as 1-3 Credits/Maximum of 8 the character of users and consumers of media products. By so doing, students are informed about the overall structure and scope of the mass A broadcast media practicum. Credits do not fulfill Communication major media and led to understand the power and influences associated with credits in all programs. media messages and practices. By the end of the semester, each student should have a better understanding of the dynamic nature of the mass COMM 4: Television Practicum media in an information society. -
Media Policy and Free Speech: the First Amendment at War with Itself
MEDIA POLICY AND FREE SPEECH: THE FIRST AMENDMENT AT WAR WITH ITSELF Ellen P. Goodman* I. INTRODUCTION A symposium on “reclaiming” the First Amendment for media policy begs the question from what and whom the First Amendment must be reclaimed. Who has it and what are they doing with it? Since we also gather to commemorate the fortieth anniversary of Jerome Barron’s watershed article, Access to the Press ,1 I consider these questions as they relate to his aspirations for a more pluralistic system of communication. 2 Media policy, as I define it, consists of regulatory interventions specifically designed to promote communicative opportunities. Communications and copyright law are the federal government’s two principal tools in this project. 3 Such an expansive definition of media policy is not uniformly accepted today and certainly would not have been in 1967 when Access to the Press was published. Then, media policy was virtually coextensive with broadcast regulation. The comprehensive system of subsidies at the federal level for noncommercial media had only just begun with the passage of the Public Broadcasting Act that same year. 4 The regulation of mere communications carriers, like telephones, was thought to have little to do with speech. And the implications of copyright law for media policy were still obscure. 5 Digital networks have strengthened and revealed the nexus between * Professor, Rutgers University School of Law–Camden. I am grateful for comments from participants at the University of Pennsylvania Law School faculty colloquium and the Hofstra Law School symposium at which this paper was delivered. Special thanks to Ed Baker, Frank Goodman, Ed Rock, and Phil Weiser for their useful ideas. -
Communication, Cultural and Media Studies: the Key Concepts
COMMUNICATION, CULTURAL AND MEDIA STUDIES: THE KEY CONCEPTS This book provides a topical and authoritative guide to Communica- tion, Cultural and Media Studies. It brings together in an accessible form some of the most important concepts that you will need, and shows how they have been - or might be - used. This third edition of the classic text Key Concepts in Communication and Cultural Studies forms an up-to-date, multi-disciplinary explanation and assessment of the key concepts and new terms that you will encounter in your studies, from `anti-globalisation' to `reality TV', from `celebrity' to `tech-wreck'. This new edition includes: . Over 70 new entries, . Most entries revised, rewritten and updated, . Coverage of recent developments in the field, . Coverage of new interactive media and the `new economy', . An extensive bibliography to aid further study. John Hartley is Professor and Dean of the Creative Industries Faculty at Queensland University of Technology, Australia. He is author of many books and articles on television, journalism and cultural studies. His mostrecentbooks are: Popular Reality (1996), Uses of Television (1999), The Indigenous Public Sphere, with Alan McKee (2000), American Cultural Studies: A Reader, edited with Roberta E. Pearson (2000) and A Short History of Cultural Studies (2003). ROUTLEDGE KEY GUIDES Routledge Key Guides are accessible, informative and lucid handbooks, which define and discuss the central concepts, thinkers and debates in a broad range of academic disciplines. All are written by noted experts in their respective subjects. Clear, concise exposition of complex and stimulating issues and ideas make Routledge Key Guides the ultimate reference resources for students, teachers, researchers and the interested lay person.