An Over-The-Top Exemption It’S Time to Fairly Tax and Regulate the New Internet Media Services
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Private Broadcasting and the Path to Radio Broadcasting Policy in Canada
Media and Communication (ISSN: 2183–2439) 2018, Volume 6, Issue 1, Pages 13–20 DOI: 10.17645/mac.v6i1.1219 Article Private Broadcasting and the Path to Radio Broadcasting Policy in Canada Anne Frances MacLennan Department of Communication Studies, York University, Toronto, M3J 1P3, Canada; E-Mail: [email protected] Submitted: 6 October 2017 | Accepted: 6 December 2017 | Published: 9 February 2018 Abstract The largely unregulated early years of Canadian radio were vital to development of broadcasting policy. The Report of the Royal Commission on Radio Broadcasting in 1929 and American broadcasting both changed the direction of Canadian broadcasting, but were mitigated by the early, largely unregulated years. Broadcasters operated initially as small, indepen- dent, and local broadcasters, then, national networks developed in stages during the 1920s and 1930s. The late adoption of radio broadcasting policy to build a national network in Canada allowed other practices to take root in the wake of other examples, in particular, American commercial broadcasting. By 1929 when the Aird Report recommended a national net- work, the potential impact of the report was shaped by the path of early broadcasting and the shifts forced on Canada by American broadcasting and policy. Eventually Canada forged its own course that pulled in both directions, permitting both private commercial networks and public national networks. Keywords America; broadcasting; Canada; commission; frequencies; media history; national; networks; radio; religious Issue This article is part of the issue “Media History and Democracy”, edited by David W. Park (Lake Forest College, USA). © 2018 by the author; licensee Cogitatio (Lisbon, Portugal). This article is licensed under a Creative Commons Attribu- tion 4.0 International License (CC BY). -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
The Role of Hydro Quebec in the Rise of Consulting Engineering
Document generated on 10/01/2021 11:59 a.m. Scientia Canadensis Canadian Journal of the History of Science, Technology and Medicine Revue canadienne d'histoire des sciences, des techniques et de la médecine The Role of Hydro Quebec in the Rise of Consulting Engineering in Montreal 1944-1992 An essay in oral history and company genealogy Martha Whitney Langford and Chris Debresson Volume 16, Number 1 (42), 1992 URI: https://id.erudit.org/iderudit/800343ar DOI: https://doi.org/10.7202/800343ar See table of contents Publisher(s) CSTHA/AHSTC ISSN 0829-2507 (print) 1918-7750 (digital) Explore this journal Cite this article Whitney Langford, M. & Debresson, C. (1992). The Role of Hydro Quebec in the Rise of Consulting Engineering in Montreal 1944-1992: An essay in oral history and company genealogy. Scientia Canadensis, 16(1), 76–108. https://doi.org/10.7202/800343ar Copyright © Canadian Science and Technology Historical Association / This document is protected by copyright law. Use of the services of Érudit Association pour l'histoire de la science et de la technologie au Canada, 1992 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The Role of Hydro Quebec in the Rise of Consulting -
Private Media Ownership in Canada in 2015 the Cable+ Guys the Rest BCE Inc
Private media ownership in Canada in 2015 THE CABLE+ GUYS THE REST BCE INC. (BELL MEDIA) WOODBRIDGE Thomson Family • Globe and Mail BCE • Thomson Reuters (financial wire service and • TV Conventional: CTV, A-Channel trade publishing) Specialty+Pay: 39 channels (eg. TSN, • Canadian Press (in partnership with Gesca MuchMusic, Bravo, CP24, Comedy). and Torstar) • TV distribution Bell ExpressVu, Fibe • Newspaper 15% owner of Globe and Mail TORSTAR • Radio 106 radio stations 5 families, descendants of founder J. Atkinson • Internet, phone & wireless service • Newspapers 5 dailies & 95 community papers (Ont.) • Canadian Press (in partnership with Gesca ROGERS COMMUNICATIONS and Globe and Mail) Rogers Family • Internet: Toronto.com • TV Conventional: citytv; OMNI TV Specialty: 3 channels GESCA LTD. Desmarais Family Shomi over-the-top TV (in partnership • Newspaper La Presse with Shaw) • Canadian Press (in partnership with Globe • Radio 55 stations and Mail and Torstar) • Magazines 50+, inc. Macleans, POST MEDIA Chatelaine • Newspapers 21 dailies (inc. Ottawa Citizen, National Post and Sun chain); 4 free dailies SHAW COMMUNICATIONS (Metro and 24 Hours) Shaw Family • Internet canada.com, FPinfomart.ca • TV Conventional: Global network BLACK PRESS D. Black Family Specialty: 19 channels (eg. HGTV, • Newspapers 170 daily and weekly Showcase, Slice, History) newspapers in Western Canada and the US Shomi over-the-top TV (in partnership with Rogers) BRUNSWICK NEWS Irving Family • Cable biggest cable system in Western • Newspapers All 3 English language -
Brands of Theyear WELCOME to TIMS NATION
Our strong and native Brands of theYear WELCOME TO TIMS NATION Herschel, TD, WestJet & Beyond the Rack OCTOBER 2014 • $6.95 Brands fi nd love on Tinder • Accidentally viral, now what? CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN CANADA USPS AFSM 100 Approved Polywrap CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN USPS AFSM 100 Approved A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. ST.coverOct_14B.indd 1 2014-09-24 9:06 PM Music is my ice breaker. It’s my hello. It’s my voice. It’s my SoundLink.® Give your employees something to talk about with the SoundLink® Color Bluetooth® speaker. Performance so full and lifelike, every song will inspire them – wherever they are, whatever they’re doing. SoundLink® Color is small, durable and simple to use – and it comes in bright colors to suit any style. It’s a great way to motivate, excite and reward your company. To order or to learn more: U.S. – Call 1-888-862-9283 | Email: [email protected] | Visit: incentiveconcepts.com Canada – Call 1-905-831-3364 | Email: [email protected] | Visit: somcan.com ©2014 Bose Corporation. The Bluetooth® word mark is a registered trademark owned by Bluetooth SIG, Inc. and any use of such mark by Bose Corporation is under license. CC015254 ST.25392.Bose.indd 1 2014-09-24 4:26 PM OCTOBER 2014 • VOLUME 25, ISSUE 8 Brand of the Year Tim Hortons enlists some uber-Canadian contest judges: Jason Priestley, Jann Arden, Ben Mulroney and Anna Olson. 17 33 36 Brands of the Year Also trending Aeroplan grows up They’re as Canadian as maple syrup, From a hockey player -
Rogers Communications Reports Third Quarter 2018
ROGERS COMMUNICATIONS REPORTS THIRD QUARTER 2018 RESULTS • Total revenue growth of 3% and adjusted EBITDA growth of 8% • Strong financial and operational performance in Wireless • Service revenue growth of 5% and adjusted EBITDA growth of 8%, margin expansion of 90 basis points • Postpaid net additions of 124,000 • Postpaid churn of 1.09%, improved 7 basis points — best Q3 postpaid churn in 9 years • Blended ABPU increased 4% and blended ARPU increased 3% • Cable revenue growth of 1% and adjusted EBITDA growth of 4%, margin expansion of 160 basis points • Continued strong Internet revenue growth of 8% • Internet net additions of 35,000, up 6,000 • Increasing full-year 2018 guidance for adjusted EBITDA growth to 7% to 9% and for free cash flow growth to 5% to 7% TORONTO (October 19, 2018) - Rogers Communications Inc. today announced its unaudited financial and operating results for the third quarter ended September 30, 2018 in accordance with IFRS 15, Revenue from contracts with customers (IFRS 15). We have separately provided supplementary financial information at investors.rogers.com that also provides our results under the prior accounting basis. Consolidated Financial Highlights Three months ended September 30 Nine months ended September 30 (In millions of Canadian dollars, except per share 2017 2017 amounts, unaudited) 2018 (restated) 1 % Chg 2018 (restated) 1 % Chg Total revenue 3,769 3,646 3 11,158 10,638 5 Total service revenue 2 3,271 3,196 2 9,698 9,386 3 Adjusted EBITDA 3 1,620 1,503 8 4,462 4,066 10 Net income 594 508 17 1,557 1,346 16 Adjusted net income 3 625 551 13 1,656 1,377 20 Diluted earnings per share $1.15 $0.98 17 $3.01 $2.60 16 Adjusted diluted earnings per share 3 $1.21 $1.07 13 $3.21 $2.66 21 Cash provided by operating activities 1,304 1,377 (5) 3,237 2,796 16 Free cash flow 3 550 523 5 1,496 1,455 3 1 2017 reported figures have been restated applying the new revenue recognition standard, IFRS 15. -
Content Everywhere (2): Securing Canada’S Place in the Digital Future
Content Everywhere (2): Securing Canada’s Place in the Digital Future White Paper by Duopoly February, 2015 1 1 Table of Contents – Content Everywhere 2 1. Content Everywhere 2: Securing Canada’s Place in the Digital Future Introduction: a. Scope of the White Paper b. 'Videofication' of the Internet Takes Hold c. The Great Unbundling d. Canada Follows Suit e. What’s Different? Note: This paper has been prepared with the input of many entertainment and 2. What are the Major Trends? media industry leaders, listed in Appendix B. The authors thank these a. The US Leads the Way individuals for their contribution to this study. b. OTTs Surging Buying Power c. More Players Jump Into the Digital-First Game Funding for this study was provided by Ontario Media Development d. Smaller Players Pioneer Original Content Corporation, the Canada Media Fund and the Independent Production e. Old Media Races to Catch Up Fund. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the 3. Preliminary Findings From Industry Reviews views of Ontario Media Development Corporation, Canada Media Fund, the Government of Ontario or the Government of Canada, or the Independent 4. Case Studies Production Fund. The funders, the Governments of Ontario and Canada and a. Canada: Annedroids; Out With Dad; Bite on Mondo; CBC ComedyCoup; their agencies are in no way bound by the recommendations contained in b. US: East Los High; Frankenstein MD; Marco Polo this document. c. UK: Ripper Street; Portal; The Crown Version disponible en français dans trends.cmf-fmc.ca/fr 5. -
Film and Television Production
Produced by the CMPA and the AQPM, in conjunction with the Department of Canadian Heritage. Production facts and figures prepared by Nordicity Group Ltd. Profile 2014 | 1 TITLE GOES HERE The Canadian Media Production Association (CMPA), the Association québécoise de la production médiatique (AQPM), the Department of Canadian Heritage, and Nordicity Group Ltd. have once again collaborated to prepare Profile 2014. Profile 2014 marks the 18th edition of the annual economic report prepared by CMPA and its project partners. Profile 2014 provides an analysis of economic activity in Canada’s screen-based production industry during the period April 1, 2013 to March 31, 2014. It also provides comprehensive reviews of the historical trends in production activity between the fiscal years of 2004/05 and 2013/14. Ottawa Vancouver AQPM 601 Bank Street, 2nd Floor 736 Granville Street, Suite 600 1470 Peel Street, Suite 950, Tower A Ottawa, ON K1S 3T4 Vancouver, BC V6Z 1G3 Montréal, QC H3A 1T1 Tel: 1-800-656-7440 (Canada only)/ Tel: 1-866-390-7639 (Canada only)/ Tel: 514-397-8600 613-233-1444 604-682-8619 Fax: 514-392-0232 Fax: 613-233-0073 Fax: 604-684-9294 Email: [email protected] Email: [email protected] Email: [email protected] www.aqpm.ca www.cmpa.ca At the CMPA: At the AQPM: Susanne Vaas Toronto Vice-president, Corporate Marie Collin 160 John Street, 5th Floor and International Affairs President and CEO Toronto, ON M5V 2E5 Tel: 1-800-267-8208 (Canada only)/ Brigitte Doucet 416-304-0280 Deputy General Director Fax: 416-304-0499 Email: [email protected] At the Department of Canadian Heritage: Nordicity Group Ltd. -
Advanced Course Television
Advanced Course Television Course: Advanced course television Teacher: Ton te Slaa Date: 31-10-2016 Toetscode Name: Kylian Dirkse Name: Joelle van Schaik Studentnumber:2223401 Studentnumber: 2414171 Class: COAC4C Class: COAC4C Name: Alyssa Jongenengel Name: Melissa de Kok Studentnumber: 2320398 Studentnumber: Class: CEAC4B Class:COAC4 Name: June Da Jung Im Studentnumber: 3147657 Class: Exchange Table of content Research Research on Public Television Research on Commercial Televison Research on VOD Target group analysis 2 Research Research Public Television The history of Public Television According to Bruggeman, R (2012). Public television started on October 2th 1951. There came a tv decision in where it was arranged that television-broadcasters need a license. Broadcasts had to make sure that the safety of The State and the public policy were not harmed. Broadcasts could be taken by the minister. For the transmission time de NTS came alive. In the first Televisonnota was arranged that only broadcasters within the cooperation of the NTS were allowed to broadcast. The televisiondescion of 1956 made sure that the NTS had their own licence to create the overall program. They got a minimum of 25% of the total broadcasting time. They also got the taks of the government to create neutral programmes such as ‘Het Journaal’ and sports. (OverNPO, 2016) In 1960 all of the big broadcasters had between de 400.00-500.000 The NTS stands for ‘Nederlandse Televisie Stichting’ and was the first Dutch television broadcaster and was the precursor of the current NPO and foundation NTR. The NTS was created on May 31th 1951 by the broadcasters AVRO, KRO, NCRV and VARA. -
Of Analogue: Access to Cbc/Radio-Canada Television Programming in an Era of Digital Delivery
THE END(S) OF ANALOGUE: ACCESS TO CBC/RADIO-CANADA TELEVISION PROGRAMMING IN AN ERA OF DIGITAL DELIVERY by Steven James May Master of Arts, Ryerson University, Toronto, Ontario, Canada, 2008 Bachelor of Applied Arts (Honours), Ryerson University, Toronto, Ontario, Canada, 1999 Bachelor of Administrative Studies (Honours), Trent University, Peterborough, Ontario, Canada, 1997 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program of Communication and Culture Toronto, Ontario, Canada, 2017 © Steven James May, 2017 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT The End(s) of Analogue: Access to CBC/Radio-Canada Television Programming in an Era of Digital Delivery Steven James May Doctor of Philosophy in the Program of Communication and Culture Ryerson University and York University, 2017 This dissertation -
Local Radio Stations' Online Revenues
Benchmarking: Local Radio Stations’ Online Revenues 2 Benchmarking: Local Radio Stations’ Online Revenues Analysis of Online Sales, Plus Online Advertising Estimates for 210 Markets Special Report for Arbitron Inc. Compiled by Borrell Associates Inc. We would like to thank Arbitron Inc. for its eagerness to help the radio industry understand the changing media landscape. With Arbitron’s assistance we were able to expand our sample size, reaching out to 2,338 stations contributing data. We would also like to thank the hundreds of broadcast executives who participate in our ongoing surveys. Their willingness to share information and their insights has helped us—and the industry—better understand a rapidly changing media environment. Borrell Associates Leadership Team: Colby Atwood [email protected] Gordon Borrell [email protected] Kip Cassino [email protected] Peter Conti Jr. [email protected] 1643 Merrimac Trail, Suite B, Williamsburg, VA 23185 Phone: 757-221-6641 www.borrellassociates.com © 2012 Arbitron Inc. Benchmarking: Local Radio Stations’ Online Revenues 3 Table of Contents Introduction ................................................................................................................................................. 4 Chapter 1: The Local Online Advertising Landscape ............................................................................. 5 Figure 1.1: Local Online Advertising: 21.3% Uptick Forecast for 2012 .................................... 5 Figure 1.2: Radio’s -
What's up at Canada's Top Agencies?
WHAT’S UP AT CANADA’S TOP AGENCIES? HOW GAMIFICATION, START-UP INCUBATION, CONTENT FACTORIES AND CULTURE REBOOTS LEAD TO GOLD + THE BEST-LAID PLANS IN THE INAUGURAL STRATEGY AWARDS NOV/DEC 2016 • $6.95 CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN CANADA USPS AFSM 100 Approved Polywrap CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN USPS AFSM 100 Approved A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. ST.coverNOV16B.indd 1 2016-11-01 11:10 AM DIRECT MAIL PRE-ROLL DISPLAY EMAIL WHAT GETS PEOPLE TO BUY WHAT THEY BUY? To answer this question, Canada Post has recently completed extensive neuroscientific research. The results suggest an integrated marketing campaign that includes direct mail Ct is more effective in driving consumer action. In fact, campaigns including direct mail Connectivity can drive greater consumer attention, more emotional intensity, and higher brand recall Ph Da than single-media digital campaigns. Read the research that confirms, what we call, the Physicality Data connectivity effect. Download our whitepaper Connecting for Action at canadapost.ca/getconnected TM Trademarks of Canada Post Corporation. ST.27708.CanadaPostCorp.FP.indd 4 2016-10-14 3:31 PM NOVEMBER/DECEMBER 2016 • VOLUME 27, ISSUE 7 Media Profi le's Fashion Santa brought the PR agency more than Christmas cheer, helping earn it PRAOY Gold. 1015 33 The UX shift Strategy Awards Agencies of the Year Tackling nitty-gritty business problems Planners get the limelight in the fi rst awards The industry’s a labyrinth of change. Here’s one user experience at a time