Enemy at the Gates
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Friendly Fire Project Examines How a Country Views Itself by How It Tells Its War Story, We Are Also Very Interested in What Other Countries Consume for Entertainment
00:00:00 Music Music Soft, melancholy, somewhat eerie music. 00:00:01 Adam Host If it feels like there are a lot of films about Stalingrad, you’re not Pranica wrong. A quick search in your movie streaming service of choice—or if you’re so lucky, a brick-and-mortar video store—will reveal ten of them. Although only one, to our knowledge, has a scene depicting a Rachel Weisz hand job. It’s enough film content to spin off a podcast of its own, and I’ve already pitched Earwolf a show about German/Russian World War II films with an emphasis on fighter plane aerodynamics/equestrian cavalry enclosures hosted by fifth-year college seniors from acting school with limb fractures called The Stalingrad Stall Stall Stallin’ Grad Cast Cast Cast. For comparison, there are only five more films made about Pearl Harbor, and that’s if you don’t disqualify the Michael Bay movie, which we do. This Stalingrad film is the most successful Russian film of all time, earning 51 million domestically in Russia and $68 million globally. And while the Friendly Fire project examines how a country views itself by how it tells its war story, we are also very interested in what other countries consume for entertainment. Stalingrad accomplishes both. But does that say anything about the importance of this battle in the story of World War II, and the historical record? Well, in our experience watching war films, sometimes quantity doesn’t equal quality. And this is a film that tries very hard to project quality. -
What Was the Turning Point of World War Ii?
WHAT WAS THE TURNING POINT OF WORLD WAR II? Jeff Moore History 420: Senior Seminar December 13, 2012 1 World War II was the decisive war of the twentieth century. Millions of people lost their lives in the fighting. Hitler and the Nazis were eventually stopped in their attempt to dominate Europe, but at a great cost to everyone. Looking back at the war, it is hard to find the definitive moment when the war could no longer be won by the Axis, and it is even more difficult to find the exact moment when the tide of the war turned. This is because there are so many moments that could be argued as the turning point of World War II. Different historians pose different arguments as to what this moment could be. Most agree that the turning point of World War II, in military terms, was either Operation Barbarossa or the Battle of Stalingrad. UCLA professor Robert Dallek, Third Reich and World War II specialist Richard Overy, and British journalist and historian Max Hastings, all argue that Stalingrad was the point of the war in which everything changed.1 The principal arguments surrounding this specific battle are that it was the furthest east that Germany ever made it, and after the Russian victory Stalin’s forces were able to gain the confidence and momentum necessary to push the Germans back to the border. On the other hand, Operation Barbarossa is often cited as the turning point for World War II because the Germans did not have the resources necessary to survive a prolonged invasion of Russia fighting both the Red Army and the harsh Russian weather. -
Deadly Battle of WWII
STALINGRAD 0. STALINGRAD - Story Preface 1. STALINGRAD 2. SOVIET RESISTANCE 3. THE SIEGE OF STALINGRAD 4. VASILY ZAITSEV 5. TANIA CHERNOVA 6. STALINGRAD SNIPERS 7. THE DUEL 8. IS IT TRUE? 9. OPERATION URANUS 10. HITLER FORBIDS SURRENDER 11. GERMAN SURRENDER 12. THE SWORD OF STALINGRAD Hitler and Stalin sign a Non-Aggression Pact, in 1939, leading to a brief period of relative "harmony" between the two leaders and their countries. Political-cartoonist, Clifford Berryman, creates his interpretation of the Stalin-Hitler partnership in this political cartoon which he published on September 24, 1939. Stalingrad (known, since 1961, as Volgograd) was under siege by the German Sixth Army. The great city northeast of the Black Sea, on the Volga River, was the scene of the deadliest battle in military history. Historians estimate nearly 2 million people died before the fighting was over in early 1943. Why did so many people perish? They were sacrificed in a months-long battle of wills between Hitler (who believed that he, and his Army, were invincible) and Stalin (for whom the city, founded in 1589 as Tsaritsyn, had been renamed in 1925.) They were sacrificed even though Hitler and Stalin had agreed to a secret Non-Aggression Pact on August 23, 1939. (Follow the links to see the signed original and the signing ceremony. Legend records Hitler's reaction to the agreement: "I've got them!") The battle for Stalingrad - this Russian link is a picture of the city before its destruction - started at 6 p.m. on August 23, 1942. Within hours, Stalingrad became an inferno as 1,000 German planes carpet-bombed an industrial city filled with wooden houses and oil tanks. -
Week Beginning 1St June Title: Why Did Operation Barbarossa Fail?
Lesson 1 – week beginning 1st June Title: Why did Operation Barbarossa fail? WHY DID OPERATION BARBAROSSA FAIL? ‘When Barbarossa commences, the world will hold its breath,’ Hitler said of his bold plan to invade the Soviet Union. The scale of the campaign was certainly huge. Hitler assembled 3 million troops, 3500 tanks and 2700 aircraft for ‘Operation Barbarossa’ - the German code name for the attack on Russia. Why did Hitler break the Molotov-Ribbentrop pact? Hitler invaded the Soviet Union on the 22nd June 1941, ordering his troops to ‘flatten Russia like a hailstorm’. The reasons for the invasion were a mixture of the military and the political. Hitler needed Russia's plentiful raw materials to support his army and population. There was oil in the Caucasus (southern Russia) and wheat in the Ukraine. He was also obsessed by racial ideas. The Russians, he believed, were an inferior ‘Slav’ race which would offer no real resistance (i.e. they wouldn’t be able to fight back) to ‘racially superior’ Germans. Russia's fertile plains could provide even more Lebensraum (living space) than Poland. Russia was also at the heart of world communism, and Hitler detested communists. The Russian Red Army had done very badly during its brief war with Finland in the winter of 1939 – 40. This convinced Hitler the Soviet Union and its Red Army could be beaten in four months. His confidence was also boosted by the fact that in the late 1930s, Stalin, the Soviet dictator, had shot 35,000 officers (43% of all his officers) in ‘purges’ of the Red (Russian) Army. -
The Causes of Ukrainian-Polish Ethnic Cleansing 1943 Author(S): Timothy Snyder Source: Past & Present, No
The Past and Present Society The Causes of Ukrainian-Polish Ethnic Cleansing 1943 Author(s): Timothy Snyder Source: Past & Present, No. 179 (May, 2003), pp. 197-234 Published by: Oxford University Press on behalf of The Past and Present Society Stable URL: http://www.jstor.org/stable/3600827 . Accessed: 05/01/2014 17:29 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Oxford University Press and The Past and Present Society are collaborating with JSTOR to digitize, preserve and extend access to Past &Present. http://www.jstor.org This content downloaded from 137.110.33.183 on Sun, 5 Jan 2014 17:29:27 PM All use subject to JSTOR Terms and Conditions THE CAUSES OF UKRAINIAN-POLISH ETHNIC CLEANSING 1943* Ethniccleansing hides in the shadow of the Holocaust. Even as horrorof Hitler'sFinal Solution motivates the study of other massatrocities, the totality of its exterminatory intention limits thevalue of the comparisons it elicits.Other policies of mass nationalviolence - the Turkish'massacre' of Armenians beginningin 1915, the Greco-Turkish'exchanges' of 1923, Stalin'sdeportation of nine Soviet nations beginning in 1935, Hitler'sexpulsion of Poles and Jewsfrom his enlargedReich after1939, and the forcedflight of Germans fromeastern Europein 1945 - havebeen retrievedfrom the margins of mili- tary and diplomatichistory. -
Ukraine in World War II
Ukraine in World War II. — Kyiv, Ukrainian Institute of National Remembrance, 2015. — 28 p., ill. Ukrainians in the World War II. Facts, figures, persons. A complex pattern of world confrontation in our land and Ukrainians on the all fronts of the global conflict. Ukrainian Institute of National Remembrance Address: 16, Lypska str., Kyiv, 01021, Ukraine. Phone: +38 (044) 253-15-63 Fax: +38 (044) 254-05-85 Е-mail: [email protected] www.memory.gov.ua Printed by ПП «Друк щоденно» 251 Zelena str. Lviv Order N30-04-2015/2в 30.04.2015 © UINR, texts and design, 2015. UKRAINIAN INSTITUTE OF NATIONAL REMEMBRANCE www.memory.gov.ua UKRAINE IN WORLD WAR II Reference book The 70th anniversary of victory over Nazism in World War II Kyiv, 2015 Victims and heroes VICTIMS AND HEROES Ukrainians – the Heroes of Second World War During the Second World War, Ukraine lost more people than the combined losses Ivan Kozhedub Peter Dmytruk Nicholas Oresko of Great Britain, Canada, Poland, the USA and France. The total Ukrainian losses during the war is an estimated 8-10 million lives. The number of Ukrainian victims Soviet fighter pilot. The most Canadian military pilot. Master Sergeant U.S. Army. effective Allied ace. Had 64 air He was shot down and For a daring attack on the can be compared to the modern population of Austria. victories. Awarded the Hero joined the French enemy’s fortified position of the Soviet Union three Resistance. Saved civilians in Germany, he was awarded times. from German repression. the highest American The Ukrainians in the Transcarpathia were the first during the interwar period, who Awarded the Cross of War. -
Books Added to Benner Library from Estate of Dr. William Foote
Books added to Benner Library from estate of Dr. William Foote # CALL NUMBER TITLE Scribes and scholars : a guide to the transmission of Greek and Latin literature / by L.D. Reynolds and N.G. 1 001.2 R335s, 1991 Wilson. 2 001.2 Se15e Emerson on the scholar / Merton M. Sealts, Jr. 3 001.3 R921f Future without a past : the humanities in a technological society / John Paul Russo. 4 001.30711 G163a Academic instincts / Marjorie Garber. Book of the book : some works & projections about the book & writing / edited by Jerome Rothenberg and 5 002 B644r Steven Clay. 6 002 OL5s Smithsonian book of books / Michael Olmert. 7 002 T361g Great books and book collectors / Alan G. Thomas. 8 002.075 B29g Gentle madness : bibliophiles, bibliomanes, and the eternal passion for books / Nicholas A. Basbanes. 9 002.09 B29p Patience & fortitude : a roving chronicle of book people, book places, and book culture / Nicholas A. Basbanes. Books of the brave : being an account of books and of men in the Spanish Conquest and settlement of the 10 002.098 L552b sixteenth-century New World / Irving A. Leonard ; with a new introduction by Rolena Adorno. 11 020.973 R824f Foundations of library and information science / Richard E. Rubin. 12 021.009 J631h, 1976 History of libraries in the Western World / by Elmer D. Johnson and Michael H. Harris. 13 025.2832 B175d Double fold : libraries and the assault on paper / Nicholson Baker. London booksellers and American customers : transatlantic literary community and the Charleston Library 14 027.2 R196L Society, 1748-1811 / James Raven. -
The Media and Reserve Library, Located on the Lower Level West Wing, Has Over 9,000 Videotapes, Dvds and Audiobooks Covering a Multitude of Subjects
Libraries WAR The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days to D-Day DVD-0690 Anthropoid DVD-8859 1776 DVD-0397 Apocalypse Now DVD-3440 1900 DVD-4443 DVD-6825 9/11 c.2 DVD-0056 c.2 Army of Shadows DVD-3022 9th Company DVD-1383 Ashes and Diamonds DVD-3642 Act of Killing DVD-4434 Auschwitz Death Camp DVD-8792 Adams Chronicles DVD-3572 Auschwitz: Inside the Nazi State DVD-7615 Aftermath: The Remnants of War DVD-5233 Bad Voodoo's War DVD-1254 Against the Odds: Resistance in Nazi Concentration DVD-0592 Baghdad ER DVD-2538 Camps Age of Anxiety VHS-4359 Ballad of a Soldier DVD-1330 Al Qaeda Files DVD-5382 Band of Brothers (Discs 1-4) c.2 DVD-0580 Discs Alexander DVD-5380 Band of Brothers (Discs 5-6) c.2 DVD-0580 Discs Alive Day Memories: Home from Iraq DVD-6536 Bataan/Back to Bataan DVD-1645 All Quiet on the Western Front DVD-0238 Battle of Algiers DVD-0826 DVD-1284 Battle of Algiers c.4 DVD-0826 c.4 America Goes to War: World War II DVD-8059 Battle of Algiers c.3 DVD-0826 c.3 American Humanitarian Effort: Out-Takes from Vietnam DVD-8130 Battleground DVD-9109 American Sniper DVD-8997 Bedford Incident DVD-6742 DVD-8328 Beirut Diaries and 33 Days DVD-5080 Americanization of Emily DVD-1501 Beowulf DVD-3570 Andre's Lives VHS-4725 Best Years of Our Lives DVD-5227 Anne Frank DVD-3303 Best Years of Our Lives c.3 DVD-5227 c.3 Anne Frank: The Life of a Young Girl DVD-3579 Beyond Treason: What You Don't Know About Your DVD-4903 Government Could Kill You 9/6/2018 Big Red One DVD-2680 Catch-22 DVD-3479 DVD-9115 Cell Next Door DVD-4578 Birth of a Nation DVD-0060 Charge of the Light Brigade (Flynn) DVD-2931 Birth of a Nation and the Civil War Films of D.W. -
Performing for the Nazis: Foreign Musicians in Germany, 1933-1939
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2015-04-24 Performing for the Nazis: Foreign Musicians in Germany, 1933-1939 Bailey, Robert Warren Bailey, R. W. (2015). Performing for the Nazis: Foreign Musicians in Germany, 1933-1939 (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27304 http://hdl.handle.net/11023/2167 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Performing for the Nazis: Foreign Musicians in Germany, 1933-1939 by Robert Warren Bailey A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN THE SCHOOL OF CREATIVE AND PERFORMING ARTS, MUSIC CALGARY, ALBERTA APRIL, 2015 © Robert Warren Bailey 2015 Abstract This thesis focuses on foreign musicians in Nazi Germany from 1933 to 1939. What place did foreign musical performers have in Germany’s increasingly xenophobic employment market during the 1930s? Likewise, how did the Nazis deal with those musicians, and what margin of manoeuvre were foreigners given to carry out their craft? These are the questions that form the basis of this thesis. To answer them, I examine a collection of primary Reichsmusikkammer (Reich Music Chamber) records that are now held on microfilm in the United States National Archives, grouped under the description “Auftrittsgenehmigungen für Ausländer” (Performance Permits for Foreigners; specifically musicians). -
Der Letzte Wolf
präsentiert DER LETZTE WOLF Ein Film von Jean-Jacques Annaud mit Shaofeng Feng, Shawn Dou, Ankhnyam Ragchaa, Yin Zhusheng, Basen Zhabu, Baoyingexige Kinostart: 29. Oktober 2015 PRESSEHEFT DER LETZTE WOLF 1 VERLEIH Wild Bunch Germany GmbH Holzstraße 30 80469 München PRESSEBETREUUNG mm filmpresse Schliemannstraße 5 10437 Berlin Tel. 030 – 41 71 57 23 Fax: 030 – 41 71 57 25 [email protected] MATERIAL / INFORMATIONEN Über die Homepage www.wildbunch-germany.de haben Sie die Möglichkeit, sich für die Presse-Lounge zu akkreditieren. Dort stehen Ihnen alle Pressematerialien, Fotos und viele weitere Informationen als Download zur Verfügung: www.wildbunch-germany.de/press. Ihre Zugangsdaten sind dieselben wie bei Senator Film Verleih. DER LETZTE WOLF 2 INHALTSVERZEICHNIS BESETZUNG & STAB 04 TECHNISCHE DATEN 04 KURZINHALT & PRESSENOTIZ 05 LANGINHALT 06 INTERVIEW MIT JEAN-JACQUES ANNAUD 08 BIOGRAFIE JEAN-JACQUES ANNAUD 12 JIANG RONG – ROMANAUTOR 14 SHAOFENG FENG – CHEN ZHEN 15 SHAWN DOU – YANG KE 15 ANDREW SIMPSON – TIERTRAINER 16 JAMES HORNER – MUSIK 18 MENSCH UND TIER – EIN INTERVIEW MIT BORIS CYRULNIK 19 GESCHICHTE DER WÖLFE 22 KULTURREVOLUTION IN CHINA 27 DIE INNERE MONGOLEI 29 DER LETZTE WOLF 3 BESETZUNG Shaofeng Feng Chen Zhen Shawn Dou Yang Ke Ankhnyam Ragchaa Gasma Yin Zhusheng Bao Basen Zhabu Shunghi Baoyingexige Bilig STAB Regie Jean-Jacques Annaud Drehbuch Alain Godard Jean-Jacques Annaud Lu Wei John Collee Nach dem Roman „Der Zorn der Wölfe“ von Jiang Rong Musik James Horner Tiertrainer Andrew Simpson Kamera Jean Marie Dreujou, AFC Schnitt Reynald Bertrand Regieassistenz Matthieu de la Mortière, AFAR Xi Zi Szenenbild Quan Rongzhe Mischung Cyril Holtz Visuelle Effekte Christian Rajaud Guo Jianquan Eine chinesisch-französische Koproduktion China Film Co., LTD. -
Penguin Publishing Group
NEW TITLES • MILITARY HISTORY NEW TITLES • MILITARY HISTORY JEAN LARTÉGUY JAMES M. McPHERSON The Centurions Embattled Rebel PAID TRANSLATED BY XAN FIELDING • FOREWORD BY ROBERT D. KAPLAN Presort Std Jefferson Davis and the Confederate Civil War U.S. Postage MILITARY Permit No. 169 As relevant today as it was half a century ago, The Centurions is a gripping military Staten Island, NY From the Pulitzer Prize–winning author of Battle Cry of Freedom, a powerful new reckoning adventure, an extended symposium on waging war in a new global order, and an es- with Jefferson Davis as military commander of the Confederacy. sential investigation of the ethics of counterinsurgency. “The best concise book we have on the subject….McPherson is…our most distinguished “I first studied Lartéguy’s stunning reflection of modern war in 1974 at West Point. scholar of the Civil War era.”—The New York Times Book Review My notes served as a cautionary primer for the challenges I’d later see emerge time “Quietly persuasive….There is an economical grace to [McPherson’s] prose that makes the and again. The lands, languages, uniforms, and personalities were different—but the book a lightning-quick but lingering read.”—The Wall Street Journal themes and emotions were constant.”—General Stanley McChrystal HISTORY PENGUIN PAPERBACK • 320 PP. • 978-0-14-312775-8 • $17.00 "The depth of the principals and the author’s sure sense of their complex torment bring the soldiers’ world vibrantly to life...The Centurions rewards fast, consumptive reading as well as deeper engagement, offering provocative insights into military lead- CHRISTIAN G. -
History 133 the Russian Revolutions from Lenin to Putin Matthew Lenoe Rush Rhees Library 372 [email protected]
History 133 The Russian Revolutions from Lenin to Putin Matthew Lenoe Rush Rhees Library 372 [email protected] Course Overview: Russia’s history over the past century has been extraordinarily turbulent. Russians have experienced war and revolution, state terror, anarchy, famine, mass epidemics, industrialization, and dizzying social, political and economic transformations. In this course we will focus on four eras of rapid change – the Russian revolution of 1917-1921, the “revolution from above” of 1928-1938 which combined breakneck industrialization, forced collectivization of agriculture and terror, the years of de-Stalinization and liberalization under Nikita Khrushchev (1956-1964), and finally the collapse of the USSR and the rise of a new authoritarianism personified by Vladimir Putin. We will ask which of these phenomena deserves the title of “revolution,” and we will explore the deeper causes of change as well as the experiences of ordinary Russians in this tumultuous century. The goals of this course include – Learning close analysis of documents and debates within their historical contexts. Moving beyond stereotypes about “the Russian bear,” and Russians’ supposed longing for “the iron fist” to a more nuanced understanding of the processes and driving forces of modern Russian history. Understanding the deep background of present-day developments in Russia (for example, growing authoritarian nationalism and the takeover of Crimea). Gaining a basic knowledge of the most important events, prominent personalities, socioeconomic developments, etc. in Russian history from 1900 to the present. Improving students’ skills in writing and argument. Examine the meanings of the word “revolution” and learn the concept of “heuristic device” and the importance of defining terms in an argument.