DOCSLIB.ORG

The Interlude in Adam Street Is Not Very Important in Waugh's Life Or

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Interlude in Adam Street Is Not Very Important in Waugh's Life Or Newsletter_41.2 The interlude in Adam Street is not very important in Waugh’s life or work. It does show, however, how ardently he pursued Evelyn Gardner. It also shows that Waugh prevailed upon an Oxford acquaintance, Robert Byron, to further his romance, though he and Byron were never close friends. Waugh’s experience at St Paul’s, Portman Square also seems to have encouraged him to convert to Roman Catholicism. If she returned with Waugh to 25 Adam Street, and if his rooms were really as “disgusting” as Byron thought they were, She-Evelyn may well have had second thoughts about her marriage. On the other hand, if Waugh went to 25 Adam Street by himself for ten days, She-Evelyn may well have grown bored and lonely. In either case, the time spent in Adam Street probably did not strengthen the marriage. This project is not yet complete. I would like to obtain photographs of St Paul’s, Portman Square and 25 Adam Street. I would also like to learn the identity of the curate who married He- Evelyn and She-Evelyn. His name may be in the records of the London Metropolitan Archives. I plan to visit these sites on my next trip to London, but perhaps someone else can beat me to it. Works Cited Acton, Harold. Memoirs of an Aesthete. London: Methuen, 1948. Byron, Robert. Letters Home. Ed. Lucy Butler. London: John Murray, 1991. Davis, Robert Murray, et al. A Bibliography of Evelyn Waugh. Troy, NY: Whitston, 1986. Hastings, Selina. Evelyn Waugh: A Biography. Boston: Houghton Mifflin, 1994. Stannard, Martin. Evelyn Waugh: The Early Years, 1903-1939. 1986. New York: Norton, 1987. Sykes, Christopher. Evelyn Waugh: A Biography. Boston: Little, Brown, 1975. Waugh, Alec. My Brother Evelyn and Other Portraits. New York: Farrar, Straus & Giroux, 1967. Waugh, Alexander. E-mail to the author. 9 October 2009. Waugh, Evelyn. “Address Snobbery.” Daily Mail, 12 July 1930: 8. ---. The Diaries of Evelyn Waugh. Ed. Michael Davie. Boston: Little, Brown, 1976. ---. Letter to the editor, Daily Express. December 16th [1929]. Box 11, Evelyn Waugh Manuscript Collection. Harry Ransom Center, University of Texas at Austin. Abstracts of Japanese Essays about Evelyn Waugh, 1981-1987 by Yoshiharu Usui Obayashi, Mikiaki. “Evurin Wo oboegaki--Furaitoke to Kurauchibatsukuke” [“A Note on Evelyn Waugh--The Flytes and the Crouchbacks”]. Feris Jogakuindaigaku Kiyo [Bulletin of Ferris University] 16 (1981): 41-58. Abstract: Evelyn Waugh portrayed a phase of the English ruling class in the Flytes in Brideshead Revisited and the Crouchbacks in Men at Arms, Officers and Gentlemen and Unconditional Surrender. He depicted how these two representative families acted and how they survived in the new times from the 1920s to the end of World War II. Unknown forces are working in our daily lives. The young Flytes and Guy Crouchback tried to fulfill their wishes, but they could not do it because of these forces. Waugh portrayed them as an inner force in the Flytes and an outer force in the Crouchbacks. The former is faith and the latter is politics. Suzuki, Shigenobu. “Kindai no fuushika Evurin Wo--Suibouki wo chuushi ni” [“On a Modern Satirist, Evelyn Waugh--A Study of Decline and Fall”]. Kyoto Sangiodaigaku Ronshu [Acta Humanitica et Scientifica Universitatis Sangio Kyotiensis] 11 (1982): 77-93. Abstract: Evelyn Waugh’s Decline and Fall caricatured the English upper class. This novel was received with much applause. Satire expresses fury. Jonathan Swift did that. Waugh did file:////uol.le.ac.uk/...c144/My%20Documents/Evelyn%20Waugh/Evelyn%20Waugh%20Studies/Newsletters/Newsletters/Newsletter_41.2.htm[04/12/2013 14:44:51].
Load more

Recommended publications
  • EVELYN WAUGH NEWSLETTER and STUDIES Volume 34
    EVELYN WAUGH NEWSLETTER AND STUDIES Volume 34 EVELYN WAUGH NEWSLETTER AND STUDIES Volume 34, Number 1 Spring 2003 Evelyn Waugh Centenary Conference Schedule Monday, 22 September 2003 9:30 a.m. Arrival at Castle Howard, Yorkshire 10:00-11:15 a.m. Private tour of Castle Howard 11:15-12:30 p.m. Free time 12:30-1:30 p.m. Luncheon 2:00-3:15 p.m. Brideshead Revisited tour of the Grounds 3:15-4:15 p.m. Lecture on Castle Howard 4:15-5:15 p.m. Afternoon Tea Tuesday, 23 September 2003 Travel to Hertford College, Oxford Wednesday, 24 September 2003 9:00 a.m. Arrival and Registration 9:30 a.m. Panel: Waugh and Modernism Eulàlia Carceller Guillamet, Universitat Autònoma de Barcelona, Chair The Persistence of Waste Lands in Waugh’s Fiction K. J. Gilchrist, Iowa State University "I Must Have a Lot of That": Modernity, Hybridity, and Knowledge in Black Mischief Lewis MacLeod, Memorial University of Newfoundland Eliot and Waugh: A Handful of Dust Sally C. Hoople, Maine Maritime Academy "The Age of Hooper": Brideshead Revisited, Modernism, and the Welfare State Peter Kalliney, University of South Florida-St. Petersburg Against Emotion: Evelyn Waugh's Modernistic Stance Alain Blayac, University of Montpellier 12:00 noon Luncheon 2:00 p.m. Walking tour of Waugh’s Oxford (weather permitting) John Howard Wilson, Lock Haven University of Pennsylvania Patrick Denman Flanery, St Cross College, Oxford Sebastian Perry, Merton College, Oxford 4:00 p.m. Afternoon Tea 5:00 p.m. Visit to Campion Hall (half of group) 6:30 p.m.
    [Show full text]
  • Evelyn Waugh and FRIENDS
    Evelyn Waugh AND FRIENDS JONKERS RARE BOOKS EVELYN WAUGH AND FRIENDS 3 JONKERS RARE BOOKS 4 C A T A L O G U E 7 4 Evelyn Waugh AND FRIENDS JONKERS RARE BOOKS MMXVII CATALOGUE 74 Offered for sale by Jonkers Rare Books 27 Hart Street Henley on Thames RG9 2AR 01491 576427 (within the UK) +44 1491 576427 (from overseas) email: [email protected] website: www.jonkers.co.uk Payment is accepted by cheque or bank transfer in either sterling or US dollars and all major credit cards. All items are unconditionally guaranteed to be authentic and as described. Any unsatisfactory item may be returned within ten days of receipt. All items in this catalogue may be ordered via our secure website. The website also lists over 2000 books, manuscripts and pieces of artwork from our stock, as well as a host of other information. Cover illustration: Mark Gerson’s photo of Evelyn Waugh in the garden at Combe Florey, taken in 1963 Frontispiece: An illustration by Waugh and Derek Hooper (both aged 13) for The Cynic (item 2), Waugh’s prep-school magazine. Pastedown: Waugh’s ‘modernist’ bookplate used in the 1920’s, from item 4. 2 Introduction There has been a more than sufficient amount written about the life and writings of Evelyn Waugh to render any further rehashing of biographical information unneccesary here. However, the scope of the catalogue inevitibly takes the form of a timeline in artifacts. It begins with the proofs of Waugh’s first literary output, aged 7 and his contributions to school and university pub- lications, through to his comprehensive catalogue of published work: non-fiction first followed by his triumphant first novel and the further successes which followed.
    [Show full text]
  • Modernist Vintages: the Significance of Wine in Wilde, Richardson, Joyce
    Modernist Vintages: The Significance of Wine in Wilde, Richardson, Joyce and Waugh by Laura Waugh A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved March 2013 by the Graduate Supervisory Committee: Mark Lussier, Chair Daniel Bivona Patrick Bixby ARIZONA STATE UNIVERSITY May 2013 ABSTRACT “Modernist Vintages” considers the significance of wine in a selection of modernist texts that includes Oscar Wilde’s Salomé (1891), Dorothy Richardson’s Honeycomb (1917), James Joyce’s Ulysses (1922), and Evelyn Waugh’s Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder (1945). The representations of wine in these fictions respond to the creative and destructive depictions of Wine that have imbued the narratives of myth, religion, and philosophy for thousands of years; simultaneously, these WorKs recreate and reflect on numerous Wine-related events and movements that shaped European discourse in the nineteenth and tWentieth centuries. The modernists use Wine’s conventional associations to diverse and innovative ends: as the playWright August Strindberg Writes, “NeW forms have not been found for the neW content, so that the neW Wine has burst the old bottles.” Wine in these works alternately, and often concurrently, evoKes themes that Were important to the modernists, including notions of indulgence and Waste, pleasure and addiction, experimentation and ritual, tradition and nostalgia, regional distinction and global expansion, wanton intoxication and artistic clarity.
    [Show full text]
  • The World of Evelyn Waugh
    PERSPECTIVES The World of Evelyn Waugh The late Edmund Wilson, America's foremost critic, once hailed Britain's Evelyn Waugh as "the only first rate comic genius in English since George Bernard Shaw." Waugh's more serious work, including Brideshead Revisited and his war trilogy Sword of Honour, has steadily gained renown in this country. Yet until last fall, when they were re-issued here to coincide with the publication of his diary, Waugh's early comic novels were hard to find in America. Here, we present Kathleen Darman's profile of Waugh, followed by several excerpts from those penetratingly funny early books. by Kathleen Emmet Barman A comic, detached ambivalence lies cism. (Still, he found the Church's at the heart of Evelyn Waugh's work. Index of forbidden books a "conven- He immersed himself in the glitter- ient excuse for not reading Sartre.") ing, sordid swirl of prewar England He came out of a Victorian middle- but at the same time believed it class family but chose the high life would be "very wicked indeed to do among the titled rich, the merely anything to fit a boy for the modem rich, and the leisured indigent-most world." He could be generous, chari- of whom he both loved and deplored. table, and kind, but in his novels he His first published essay was a de- clearly, if genially, detests Ameri- fense of Cubism; but in the end, as he cans, blacks, peers, machines, Eng- conceded in his autobiographical lishmen, Jews, everything. He meted The Ordeal of Gilbert Pinfold, "his out prejudice equitably, outrage- strongest tastes were negative.
    [Show full text]
  • Brideshead Revisited
    1 | P a g e “Snobbery, sin and salvation*” – Why Should We Bother Revisiting Brideshead? (*with apologies to Henry Mount) (APE THEME: The Danger of a Single Story) PAMELA NEETHLING (EPWORTH HIGH SCHOOL) Arthur Evelyn St John Waugh was born on October 28, 1903, the second son of a more than respectable middle class, High Church Anglican British family with some distinguished ancestors. His father, Arthur, was a literary critic, publisher and author, and Waugh’s older brother, Alec, also enjoyed a respectable career as an author – although according to his nephew, Auberon, his uncle “wrote many books, each worse than the last”! After the devastating infidelity of his first wife, also called Evelyn, with one of their best friends, Waugh would persevere on a spiritual journey which probably began at Oxford and convert to Catholicism. This conversion would inform everything he did, and was, for the rest of his life, not least of which his writing. During the course of his prolific writing life, despite Waugh’s “untenable opinions” (as George Orwell put it), which unfortunately appear to have included anti-Semitism and xenophobia, he would go on to be described by Orwell as “almost as good a novelist as it is possible to be” and by novelist Graham Greene, shortly after Waugh’s passing in April 1966, as “the greatest novelist of my generation”. Heady praise for a man who has variously been described as a cynical churl; a misogynist, possibly a “permanent adolescent” (by Cyril Connolly, referring to a “certain type of Englishman doomed to relive school days”) and famously mean, cruel and hurtful to his family and friends – so much so that when Nancy Mitford challenged him on his behaviour, he retorted that nobody could imagine how horrid he would be if he weren’t a Catholic.
    [Show full text]
  • THE CHARACTER of CORDELIA in BRIDESHEAD REVISITED by John W
    EVELYN WAUGH NEWSLETTER AND STUDIES Volume 29, Number 3 Winter, 1995 THE CHARACTER OF CORDELIA IN BRIDESHEAD REVISITED By John W. Osborne (Rutgers University) Cordelia is wise about religious matters as Cara is knowing about worldly affairs. Cordelia is the only person who understands Sebastian, and her love for her brother is demonstrated throughout the novel. This love is deep, and she shames Ryder when she speaks of their joint love for Sebastian in the present tense, long after Ryder ceased to care deeply about his friend (p. 308). Years before, Ryder's last sight of Sebastian was when he left the sick man in squalid circumstances in North Africa, noting that nothing more could be done. But Cordelia visits Sebastian in the late 1930's and grasps the fact that while he was lost to his ancestral home he had found a curious peace as a hanger on in a religious community. Cordelia notes that neither she nor her brother, Sebastian, fit into either the secular world or a monastic community (her spell in a convent did not work out) (p. 308). In her soliloquy she tells a confused Ryder that Sebastian is holy and close to God. The still secular Ryder immediately thinks of ''the joyful youth with the Teddy-bear under the flowering chestnuts," and confesses that he never anticipated Sebastian's fate (p. 309). The religious outlook of Cordelia had always been a mystery to Ryder. Both he and Julia referred to Cordelia as odd (p. 221 and p. 300). Ryder finally changes his mind as Cordelia's wisdom penetrates his skepticism (p.
    [Show full text]
  • EW Studies 49.1
    EVELYN WAUGH STUDIES Vol. 49, No. 1 Spring 2018 CONTENTS Evelyn Waugh’s Yugoslav Mission: Politics and Religion 2 Milena Borden “Just You Look at Yourselves:” 26 Relativisation of the Authentic Image of Manliness in Vile Bodies Toshiaki Onishi REVIEWS “In my beginning is my end:” 41 A Little Learning. The Complete Works of Evelyn Waugh. Edited by John Howard Wilson and Barbara Cooke. Reviewed by Jeffrey Manley NEWS Evelyn Waugh Studies 2 Evelyn Waugh’s Yugoslav Mission: Politics and Religion Milena Borden In Evelyn Waugh’s only government Report, “Church and State in Liberated Croatia” (30 March, 1945), the novelist presented documentary evidence for his concerns about the alliance of Britain with the Yugoslav leader Josip Broz Tito during the Second World War, recording the killing of 17 Catholic priests as human rights violations. In 2016, the National Archives of Croatia and the Institute for Croatian History in Zagreb confirmed, for the purpose of this article, the identities of these individuals. Their full details and what is known about their fates, as reported by these official bodies, are published here, in Appendices 1 and 2, for the first time. The article argues that Waugh’s views in his Report reflected his moral, religious beliefs and that they were vindicated by the post-Cold War history of Yugoslavia and Europe. In seeking to explain an understanding of Waugh’s political outlook, it discusses why and how he went beyond the aim of his military mission. The background research uses Waugh’s diaries, letters, political, polemical writings and biographies of him.
    [Show full text]
  • EVELYN WAUGH STUDIES Vol
    EVELYN WAUGH STUDIES Vol. 50, No. 1 Spring 2019 CONTENTS “Huxley’s Ape:” Waugh in Scandinavia (August-September 1947) 2 Jeffrey Manley REVIEWS Reconstruction and Ricochet 29 The Bitter Taste of Victory: Life, Love and Art in the Ruins of the Reich, by Lara Feigel. Reviewed by Marshall McGraw Inez, Evelyn, and the Blitz 33 The Blitz Writing: Night Shift and It Was Different at the Time, by Inez Holden. Reviewed by Jeffrey Manley NEWS Evelyn Waugh Studies 2 “Huxley’s Ape:” Waugh in Scandinavia (August-September 1947) Jeffrey Manley Between his first two trips to the USA (Spring 1947 and Fall 1948), Evelyn Waugh made a two-week tour of Scandinavia. This was proposed and sponsored by the Daily Telegraph, publishing two articles about the trip afterwards. Unlike his earlier postwar journeys to Spain and the USA, this one produced neither a novel nor a travel book. Nor do his biographers spend much time considering either the motivations for the trip or the newspaper articles it produced. The trip is of interest to Waugh readers, however, because it took place at the peak of his popularity as a novelist, between the publication of his two best-selling works. Brideshead had been issued in 1945, and he had just completed The Loved One, that would be published in 1948. During the tour he was extensively interviewed by reporters and asked about these two books, as well as those written previously and what new works he had in mind. In addition, he had recently returned from his trip to Hollywood and discussed his impressions of the USA and the film industry as well as the burial practices at Forest Lawn.
    [Show full text]
  • The Evelyn Waugh Circle
    The Evelyn Waugh Circle Acton, Sir Harold (1904-94), of Anglo-American parentage, was at Eton and Christ Church, Oxford and spent most of his life at the family horne, La Pietra, near Florence. As well as poems, novels and historical works, he published Memoirs of an Aesthete (1948), More Memoirs (1970) and a memoir of Nancy Mitford (1975). Asquith, Katharine (1885-1977), nee Horner, married (1907) Raymond Asquith (killed in action 1916), eldest son of H.H. Asquith, Prime Minister. A Roman Catholic convert, she lived at the Manor House, Mells, Somerset, inherited from her father, Sir John Horner; from 1949 Ronald Knox also lived there, and EW was a frequent visitor to the house. Balfour, Patrick (1904-77), author and journalist, was educated at Winchester and Balliol College, Oxford, and succeeded to the title of 3rd Baron Kinross in 1939. As an Evening Standard corre­ spondent, he covered the war in Abyssinia. The character of Lord Kilbannock in the Sword of Honour trilogy is based on Balfour. Baxter, Beverley (1891-1964), born and educated in Canada, be­ came a journalist in England and served for many years on the staff of the Daily Express. Later he served as a Member of Parlia­ ment (1935-50) and was knighted in 1954. Beaton, Cecil (1904-80), photographer and stage designer. Educated at Harrow and Cambridge. Knighted in 1972. Beerbohm, Max (1872-1956), essayist, dramatic critic, parodist and caricaturist, greatly admired by EW from boyhood onwards. He lived mainly in Italy after his marriage in 1910, but often visited England. Bell, Clive (1881-1962), writer on art and a member of the Bloomsbury Group, married (1907) Vanessa Stephen, herself an artist and a sister of Virginia Woolf.
    [Show full text]
  • The Doomed Struggle of Tony Last with the Society and the Individual
    GAUN JSS The Doomed Struggle of Tony Last with the Society and the Individual in Evelyn Waugh’s A Handful of Dust Evelyn Waugh’un Bir Avuç Toz’unda Tony Last’ın Birey ve Toplumla Umutsuz Çarpışması Cemre Mimoza BARTU Abstract A Handful of Dust (1934), the fourth novel of Evelyn Waugh, deals with the struggles of the protagonist Tony Last in various stages of the twentieth century society. Waugh in this novel illustrates a dark picture of the twentieth century English society and its individuals with the aim of laying bare the “human selfishness and self-delusion” (Ward, 2008, p.679). In general sense, the author directs his criticism towards the various aspects of English social life indicating the pervading decadence in the soul of the individual and modern zeitgeist. Focusing on Tony Last’ marriage, social relationships and expedition to Brazil, Waugh delineates the portrait of an innocent man who values the past and its traditions. Yet, in order to survive in the society Tony embarks on a quest for self-identity but fails in each attempt. Coinciding with the time of the author’s own personal tragedies, the novel also revolves around some certain autobiographical parallelism that Waugh suffered from. As a means of critique of the society and its members, he juxtaposes himself with his character Tony Last to demonstrate their struggle. So as to illustrate Tony’s futile attempts in his struggle, Waugh writes two different endings for the novel, both of which end in utter failures. Therefore, by virtue of individual failures and socio-cultural corruption, the novel is concerned with the struggle of Tony Last who is surrounded by those individual, cultural and social adversities.
    [Show full text]
  • E.W. Pinxit: the Graphic Art of Evelyn Waugh
    E.W. PINXIT THE G RAPHIC ART OF E VELYN WAUGH E.W. PINXIT AN EXHIBITI ON OF THE G RAPHIC ART OF EV ELYN WAUGH 18th to 28th July 2 017 Maggs Bros Ltd 48 Bedford Square London WC1B 3DR Exhibition organised principally by Alice Rowell and Ed Maggs with assistance from Mark Everett: Catalogue written principally by Mark Everett, with assistance from Ed Maggs and Alice Rowell Photography by Ivo Karaivanov. Design by Kate Tattersall, Tattersall Hammarling & Silk. Front cover from item 3.1, inside front cover item 1.11, inside rear cover item 1.17, outside rear cover item 11.4 www.maggs.com 020 7493 7160 introduction The Graphic Work of evelyn WauGh Holding an exhibition devoted to the graphic work of Evelyn Waugh might seem an eccentric act. To make claims for Evelyn Waugh as a graphic artist is surely, at best, irrelevant, given that the whole point of Waugh is his matchless prose? Up to a point, Lord Copper, as the author himself might have put it. “An Illustrated Novelette” is how Evelyn Waugh chose to describe his first novel on its title page. Today’s readers of Decline and Fall (1928) might well be surprised by the description. It only makes sense if one is lucky enough to come across a copy of the first edition in its original dustwrapper (Catalogue No. 3.1). The wrapper illustration was designed by the author, who also contributed six full page black and white line drawings to the text. The front panel of the dustwrapper features four simple head and shoulder drawings of the novel’s hero, Paul Pennyfeather, dressed respectively in the appropriate garb for the stages in his rackety career: Oxford undergraduate, Bright Young Person, prison inmate and clergyman.
    [Show full text]
  • Evelyn Waugh's First Eight Books
    FICTION Evelyn Waugh’s First Eight Books Paul Williamson The Early Works of Evelyn Waugh, Evelyn Waugh, Penguin, £20 each (hardback) The initial instalment of Penguin’s new, twenty-four volume, hardback edition of the works of Evelyn Waugh comprises Waugh’s frst eight books, from his biography of Dante Gabriel Rossetti (1928) to A Handful of Dust (1934). The Rossetti biography, three travel books and four novels are the substantial products of a decade of radical, itinerant instability in Waugh’s life. He left Oxford in 1924 without taking a degree, deciding not to fulfl the residence requirement that would have given him his third in history, when, after a predictably dismal performance in fnals, his scholarship at Hertford was revoked. Burdened with debts, Waugh went to live at the family home in Hampstead – attending art school, studying carpentry, and eventually (after being briefy apprenticed to a cabinet-maker near Bournemouth) failing to realise his Pre-Raphaelite- inspired dream of turning himself into an artist-craftsman. He then did stints as a schoolteacher in Wales, Buckinghamshire and Notting Hill, experiences that provided raw materials to be worked up in the depiction of Paul Pennyfeather in Decline and Fall. In 1926 Waugh’s long-term lover, Alastair Graham, joined the Diplomatic Service and moved to Athens. Separation signalled the natural end of the relationship, leaving Waugh gradually to establish his heterosexuality before falling in love with Evelyn Gardner (‘She-Evelyn’), whom he married in June 1928 and traumatically divorced in a ‘smutty lawsuit’ little more than a year later. At the same time, sorely in need of an income and still volubly resisting the claims of ‘Literature’, Waugh was writing Rossetti: His Life and Works and sketching out his frst novel, Decline and Fall (both published in 1928).
    [Show full text]