The Pessimistic Vision of Evelyn Waugh a Study of Selected Novels

Total Page:16

File Type:pdf, Size:1020Kb

The Pessimistic Vision of Evelyn Waugh a Study of Selected Novels Al-Neelain University Graduate College English Language Department The Wandering Modern World: The Pessimistic Vision of Evelyn Waugh A Study of Selected Novels A Thesis Submitted in Fulfillment of the Requirement for a P.H. Degree in English Literature Prepared by: Jameel Ahmed Khalaf Supervisor: Prof. Eiman El-Nour February, 2019 1 Dedication To My Parents, Wife, and Children Who Were Very Patient and Helpful 2 Acknowledgements All praise and thanks are due first and foremost to Allah the Almighty, who has showered me with His favours of knowledge, health and patience, and enabled me to finish this project in the best way I can do. My deepest thanks to the Iraqi Ministry of Higher Education & Scientific Research, and Ministry of Education who have facilitated and gave me the chance to get such higher studies. The same thanks are extended to the Iraqi Cultural Office in Al-Khartoom for their help and support through all the period of my study. There are no proper words to convey my deep gratitude and respect for the guidance, support, caring and encouragement of my research guide, Prof, Dr. Eiman Alnour, whose attention to detail, and patient gentleness made this thesis possible. I would like to extend my thanks to Al-Neelain University, the Post Graduate Section and the English Department for all the facilities and help they have provided me throughout my work. I would also like to offer special thanks and appreciation to the staff members of the central library of Baghdad University, Al- Mostansiriya University, and the Central Library of Iraq, and the librarians of the College of Education for their assistance in providing me with the important books. The same and more thanks are extended to the staff members of the central library of Al-Neelain University for their valuable help, patience and the library facilities during my stay over there. 3 Abstract This research aims at discussing beyond the insights of the critics views regarding the wandering modern world and the causes behind the pessimistic vision of the novelist, Evelyn Waugh, about the future of Modern life. After analyzing what other critics have seen in the different novels of Waugh, efforts have been made to research upon the modern generations. In fact, the research examines the effect of the two World Wars on humanity and literature that leads to the decline of values, faith, anxiety, loss, despair and death. The writer brings out the history and destiny of the common man and mocks at the behaviour of the English people, especially the upper and the middle class, their ways of life, decline of moral values, corruption, chaos, loss of faith and identity. He reflects the conflict between order and chaos, in which brutality and incivility or discourtesies are allowed to proceed uncontrolled by authority. 4 مستخلص البحث تناول هذا البحث أثر الحربين العااليييين لىاا اليجييا انججىيا بشال لااو ولىاا انءباا بشل خاص حيث في تىك الفيرة اصبح العالم مسرح ﻷحداث ومآسي شنيعة ومرلبة أءت الا تغياارات رذة ااة فااي سااى ا الفاارء انوةبااي بشاال لاااو وانججىياا بشاال خاااص. هااذا الفياارة رعىت كثيرمن اللياب اليعاصر ن ليب ا ح ل انحداث اليي ظهرت بعاد الحارب وخاصاة ماا بعد الحرب العاليية انولا واثاةها لىا الحياة انرييالية , انقيصاء ة والسياساة. اهيهاا ها القىااح حاا ل اليساايقب والوساااةة والياا و والياا ت . اللاتاا سااور ا ضااا ماان اجحاااام القاايم واليباء وضياغ ان يان واله ة. و ص ة لنا ا ضا الصراع بين النظاو من رهاة والف ضاا مان رهااة اخار فااي مجييا ساااءت فياا ال حشااية الياء اة واصاابحت خااة ساايارة الحل مااة. و رك البحث ا ضا لىا اﻷسباب وةا خيبة ام اللاتا فاي الحيااة الحد ثاة الياي فابات فيهاا ك اليقاليد العر قة واليباء السامية وانخﻻق الحييدة اضافة الا اليفلك العائىي واليجييعاي الذ قاء انجسان الحد ث لىدخ ل في ءوامة اللاّبة ومى الحياة. و عرض لنا اللات ا ضاا ,مان خﻻل ةوا اتا, الوياجة ال ورية واجيشاة البربر ة في مجيي دلي اجاا مجييا مثقا للان فاي الحقيقة ه مجيي وحشي لقيم خالي مان أ ةوابا ء نياة أو لائىياة. أصابح انجساان الغرباي يينا الياضي الذ حي ك معاجي الحياة انجساجية. وباليالي اصي بويبة ام اجعلست في ك ر اج الحياة الد نية وانرييالية وانقيصاء ة. وأخاذ فضا اليا ت بادن مان العاي فاي الحياااة الحد ثااة اليااي لاام جااد فيهااا ساا اليىاا والف ضااا فااي لااالم ماااء خااالي ماان الج اجاا الروحية والعامفية. 5 Table of Contents Titles Page No Dedication …………………………………………………………………….I Acknowledgements …………………………………………………………. II Abstract ………………………………………………………………………III Abstract (Arabic) …………………………………………………………….IV Table of Contents ……………………………………………………………V Chapter One Introduction P - 1 1.0 Overview…………………………………………………………...……. 2 1.1 Statement of the problem ……………………...………………………...2 1.2 The Objectives of The Study …………………………………………… 4 1.3 The Hypothesis …………………….………………………………….... 4 1.4 Questions of the study ………..………………………………………… 5 1.5 Methodology of the study ………………………………………………. 6 1.6 The Significance of the Study ...………………………………………… 6 1.7 The Impact of The Two World Wars on Humanity and Literature ..…… 7 1.8 Evelyn Waugh's Life ……….…………………………………………… 20 1.9 Evelyn Waugh's literary Career …………………………………………. 24 1.10 Waugh's War Experience & Works …………………………………… 33 Chapter Two Literature Review and Theoretical Frame Work P-41 2.0 Modern Literature and Modernism ……………………………………… 42 2.1 The Previous Studies about the Topic ...…………………………………. 47 2.2 The Theoretical Study ...…………………………………………………. 54 6 Chapter Three The Author's Views of Modern Life & A Brief Summary of the Novels under Study P-62 3.0 Evelyn Waugh's Views of Modern Life ………………………………. 63 3.1 A Brief Summary of the Novels under Study ……………………….... 66 3.1.1 Decline and Fall (1928) ……………………………………………... 66 3.2 A Handful of Dust (1934) ……………………………………………... 70 3.3 Love Among the Ruins (1953) …………………………………………. 77 Chapter Four Analysis of The Novels P-80 4.0 The Century of The Common Man ..………………………………….. 81 4.1 A Gothic Man at the Hands of Savages ……………………………… 105 4.2 The Modern man's Image …………………………………………….. 133 4.3 The Image of Death …………………………………………………... 144 4.4 The Image of Love ………………………………………………….... 152 Chapter Five Conclusion P-157 5.0 Conclusion .…………………………………………………………… 158 5.1 Inferences and recommendations …………………………………….. 162 Bibliography P-171 7 Chapter one Introduction 8 Chapter One Introduction 1.0 overview Evelyn Waugh ( 1903 – 1966 ) was born in London into a comfortable middle class literary family. In his fiction, Waugh shows the diverse difference between the old and new values in his own society, and reveals in stark reality a society and culture rotting from inside. He sees modern life as one in which all values have cheapened and collapsed. That is why he is considered a prophet of the same spirit of disillusionment that can be seen not only in the fiction of his contemporary novelists but in most poetry of T.S. Eliot especially in his pioneer poem The West Land. His fame continued to grow between the two world wars. His novels were based on sharp satires of disorderliness, chance events, and the collapse of values and meaning in modern life. He saw the struggle as quite simply between truth, order and civilization, and their opposite, disorder and barbarism. By using the element of extravagant farce and caricature in his works, Waugh, can drive comedy from the cruelty of tragedy. To him the world is not a composite of visible facts; it is a "bodiless harlequinade" , where individual is still swamped in the mob and swept along by circumstance over which he has no control. 1.1 Statement of the problem Waugh's art in general, and his refusal to the bitter facts of the decline of values in his society in particular, is submitted to study and analysis. This thesis will attempt to focus on the purpose and motive 9 behind Waugh's pessimistic vision where he presents a world unable to be corrected, especially when the Catholic God and the Kingdom of heaven have been ignored and abandoned by the modern secular society embodied in the absence of moral standards in the modern world! Anyone can wonder, is not such a world, described by such talented, genius and prophetic writer, is perfectly and unfortunately the world we are living now? Even his warnings, about the cultureless modern world and the appearance of a new class of educated but rootless people, are clear and tangible not only in the period of postwar world but also in the time we live in nowadays! In fact, the writer saw not only his own time, but ours also; both of them were afraid and anxious about the future because he imagined the possibility of continuation of the evil of his own time to the next. Waugh understood how the moral relativism had brought the bad people and the totalitarians to power!!! Waugh portrays the modern world as anarchic and incoherent represented by what are called the Bright Young People who are wandering aimlessly in their destructive lifestyle. Waugh expresses his frustration and disgust with all the parties, sterility, futility, and shallowness of the modern English society. He shows his respect for the past and revealed his ill-feeling towards the modern world and he portrays modern life as hopelessly violent and absurd, while the vanished past is introduced as the most ordered and reasonable one. 10 1.2 The Objectives of The Study 1- The study aims at clarifying Waugh's realistic, satirical, and pessimistic vision of modern life which can be achieved through a precise analytical study of selected novels which often feature an empty-headed society. 2- The study concentrates on the spiritual truth which is considered as the highest one for a world in which people are spiritually dead though they are physically alive. For instance the socialites represented by the Bright Young People were wandering in a destructive lifestyle that suggests unending chaos in the aftermath of the Great War.
Recommended publications
  • EVELYN WAUGH NEWSLETTER and STUDIES Volume 34
    EVELYN WAUGH NEWSLETTER AND STUDIES Volume 34 EVELYN WAUGH NEWSLETTER AND STUDIES Volume 34, Number 1 Spring 2003 Evelyn Waugh Centenary Conference Schedule Monday, 22 September 2003 9:30 a.m. Arrival at Castle Howard, Yorkshire 10:00-11:15 a.m. Private tour of Castle Howard 11:15-12:30 p.m. Free time 12:30-1:30 p.m. Luncheon 2:00-3:15 p.m. Brideshead Revisited tour of the Grounds 3:15-4:15 p.m. Lecture on Castle Howard 4:15-5:15 p.m. Afternoon Tea Tuesday, 23 September 2003 Travel to Hertford College, Oxford Wednesday, 24 September 2003 9:00 a.m. Arrival and Registration 9:30 a.m. Panel: Waugh and Modernism Eulàlia Carceller Guillamet, Universitat Autònoma de Barcelona, Chair The Persistence of Waste Lands in Waugh’s Fiction K. J. Gilchrist, Iowa State University "I Must Have a Lot of That": Modernity, Hybridity, and Knowledge in Black Mischief Lewis MacLeod, Memorial University of Newfoundland Eliot and Waugh: A Handful of Dust Sally C. Hoople, Maine Maritime Academy "The Age of Hooper": Brideshead Revisited, Modernism, and the Welfare State Peter Kalliney, University of South Florida-St. Petersburg Against Emotion: Evelyn Waugh's Modernistic Stance Alain Blayac, University of Montpellier 12:00 noon Luncheon 2:00 p.m. Walking tour of Waugh’s Oxford (weather permitting) John Howard Wilson, Lock Haven University of Pennsylvania Patrick Denman Flanery, St Cross College, Oxford Sebastian Perry, Merton College, Oxford 4:00 p.m. Afternoon Tea 5:00 p.m. Visit to Campion Hall (half of group) 6:30 p.m.
    [Show full text]
  • Download Book // the Loved One (Paperback) » AXNQZIR7FDZY
    NUDOUTBDLTU5 ^ PDF » The Loved One (Paperback) Th e Loved One (Paperback) Filesize: 6.49 MB Reviews It in a single of the best pdf. Of course, it can be enjoy, still an amazing and interesting literature. I discovered this publication from my i and dad encouraged this pdf to learn. (Baron Steuber) DISCLAIMER | DMCA 431WOE4POO0M » eBook « The Loved One (Paperback) THE LOVED ONE (PAPERBACK) To get The Loved One (Paperback) PDF, remember to click the button listed below and save the ebook or get access to other information which are highly relevant to THE LOVED ONE (PAPERBACK) ebook. Penguin Books Ltd, United Kingdom, 2010. Paperback. Condition: New. Language: English . Brand New Book. Subtitled An Anglo-American Tragedy, Evelyn Waugh s The Loved One is a witty satirical novel on artistic integrity and the British expat community in Hollywood, published in Penguin Modern Classics.The more startling for the economy of its prose and plot, this novel s story, set among the manicured lawns and euphemisms of Whispering Glades Memorial Park in Hollywood, satirizes the American way of death and oers Waugh s memento mori. Following the death of a friend, poet and pets mortician Dennis Barlow finds himself entering into the artificial Hollywood paradise of the Whispering Glades Memorial Park. Within its golden gates, death, American-style, is wrapped up and sold like a package holiday. There, Dennis enters the fragile and bizarre world of Aimee, the naive Californian corpse beautician, and Mr Joyboy, the master of the embalmer s art.A dark and savage satire on the Anglo-American cultural divide, The Loved One depicts a world where love, reputation and death cost a very great deal.Evelyn Waugh (1903-66) was born in Hampstead, second son of Arthur Waugh, publisher and literary critic, and brother of Alec Waugh, the popular novelist.
    [Show full text]
  • Alexander Raban Waugh Archive Sherborne School (Archon Code: Gb1949)
    ALEXANDER RABAN WAUGH ARCHIVE SHERBORNE SCHOOL (ARCHON CODE: GB1949) Alexander Raban Waugh was born on the 8 July 1898, the elder son of Arthur Waugh (1866-1943) and his wife Catherine Charlotte Raban (1870-1954). His younger brother, Evelyn Arthur St John Waugh, was born on 28 October 1903. Alec attended Fernden Preparatory School in Haslemere, Surrey. In September 1911, aged 13, he joined Sherborne School and, like his father before him, was a member of School House (a). During his time at Sherborne Alec was a member of the 1st XV (1914) and of the 1st XI (1914, 1915), a House Prefect, captain of the School House XV, editor of The Shirburnian, a member of the Games Committee, and a Corporal in the OTC. In October 1913 S.P.B. Mais joined the School’s teaching staff. Mais was in favour of educational reform and was a frequent contributor to discussions in the press. During the next four years Alec became increasingly influenced by Mais who was later blamed by the Headmaster for encouraging Alec to write The Loom of Youth. In June 1915 Alec was awarded the School English Verse prize for his poem ‘Flanders’ (published in The Shirburnian, June 1915). However, in July 1915, aged 17, Alec was expelled from Sherborne School. In September 1915 Alec joined the Inns of Court OTC and was sent to camp in Berkhamstead for training with his company. From January 1916 to the middle of March 1916 Alec wrote his first novel, The Loom of Youth, posting section by section to his father who corrected the spelling and punctuation.
    [Show full text]
  • Evelyn Waugh and FRIENDS
    Evelyn Waugh AND FRIENDS JONKERS RARE BOOKS EVELYN WAUGH AND FRIENDS 3 JONKERS RARE BOOKS 4 C A T A L O G U E 7 4 Evelyn Waugh AND FRIENDS JONKERS RARE BOOKS MMXVII CATALOGUE 74 Offered for sale by Jonkers Rare Books 27 Hart Street Henley on Thames RG9 2AR 01491 576427 (within the UK) +44 1491 576427 (from overseas) email: [email protected] website: www.jonkers.co.uk Payment is accepted by cheque or bank transfer in either sterling or US dollars and all major credit cards. All items are unconditionally guaranteed to be authentic and as described. Any unsatisfactory item may be returned within ten days of receipt. All items in this catalogue may be ordered via our secure website. The website also lists over 2000 books, manuscripts and pieces of artwork from our stock, as well as a host of other information. Cover illustration: Mark Gerson’s photo of Evelyn Waugh in the garden at Combe Florey, taken in 1963 Frontispiece: An illustration by Waugh and Derek Hooper (both aged 13) for The Cynic (item 2), Waugh’s prep-school magazine. Pastedown: Waugh’s ‘modernist’ bookplate used in the 1920’s, from item 4. 2 Introduction There has been a more than sufficient amount written about the life and writings of Evelyn Waugh to render any further rehashing of biographical information unneccesary here. However, the scope of the catalogue inevitibly takes the form of a timeline in artifacts. It begins with the proofs of Waugh’s first literary output, aged 7 and his contributions to school and university pub- lications, through to his comprehensive catalogue of published work: non-fiction first followed by his triumphant first novel and the further successes which followed.
    [Show full text]
  • Modernist Vintages: the Significance of Wine in Wilde, Richardson, Joyce
    Modernist Vintages: The Significance of Wine in Wilde, Richardson, Joyce and Waugh by Laura Waugh A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved March 2013 by the Graduate Supervisory Committee: Mark Lussier, Chair Daniel Bivona Patrick Bixby ARIZONA STATE UNIVERSITY May 2013 ABSTRACT “Modernist Vintages” considers the significance of wine in a selection of modernist texts that includes Oscar Wilde’s Salomé (1891), Dorothy Richardson’s Honeycomb (1917), James Joyce’s Ulysses (1922), and Evelyn Waugh’s Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder (1945). The representations of wine in these fictions respond to the creative and destructive depictions of Wine that have imbued the narratives of myth, religion, and philosophy for thousands of years; simultaneously, these WorKs recreate and reflect on numerous Wine-related events and movements that shaped European discourse in the nineteenth and tWentieth centuries. The modernists use Wine’s conventional associations to diverse and innovative ends: as the playWright August Strindberg Writes, “NeW forms have not been found for the neW content, so that the neW Wine has burst the old bottles.” Wine in these works alternately, and often concurrently, evoKes themes that Were important to the modernists, including notions of indulgence and Waste, pleasure and addiction, experimentation and ritual, tradition and nostalgia, regional distinction and global expansion, wanton intoxication and artistic clarity.
    [Show full text]
  • EVELYN WAUGH NEWSLETTER and STUDIES Vol
    EVELYN WAUGH NEWSLETTER AND STUDIES Vol. 36, No. 1 Spring 2005 “The Funniest Book in the World”: Waugh and The Diary of a Nobody by Peter Morton Flinders University Evelyn Waugh did not enjoy his Christmas of 1946. It was the second after the war and the national mood was somber. Troops were still being demobilized and the food rationing was worse than ever. As a Christmas “bonus” the government had allowed an extra eight pence worth of meat (half to be corned beef), but bread and potatoes were about to be rationed for the first time. To top it all, the weather was deteriorating and the winter 1946-7 would be the worst in living memory. Waugh, then in his early 40s, was en famille at Piers Court, and that was always a trial in itself. And he felt beleaguered. New houses were encroaching on his land, the socialist “grey lice” were in government, taxes were punitive and he was thinking of emigrating to Ireland. He tried to stay in fairly good humor on the day itself, for the sake of the children, but without much success. He was disgusted by his children’s shoddy presents and the general disorder. Their lunch was cold and ill-cooked. His wife had given him some caviar, but he had eaten that the week before. All in all, it was a “ghastly” day. He had already told his diary that he was looking forward to his forthcoming stay in hospital, for an operation on his hemorrhoids, to get away from them all.[1] The one bright spot of the day was his mother’s gift: a copy of George & Weedon Grossmith’s Diary of a Nobody, the seventh edition (J.
    [Show full text]
  • The World of Evelyn Waugh
    PERSPECTIVES The World of Evelyn Waugh The late Edmund Wilson, America's foremost critic, once hailed Britain's Evelyn Waugh as "the only first rate comic genius in English since George Bernard Shaw." Waugh's more serious work, including Brideshead Revisited and his war trilogy Sword of Honour, has steadily gained renown in this country. Yet until last fall, when they were re-issued here to coincide with the publication of his diary, Waugh's early comic novels were hard to find in America. Here, we present Kathleen Darman's profile of Waugh, followed by several excerpts from those penetratingly funny early books. by Kathleen Emmet Barman A comic, detached ambivalence lies cism. (Still, he found the Church's at the heart of Evelyn Waugh's work. Index of forbidden books a "conven- He immersed himself in the glitter- ient excuse for not reading Sartre.") ing, sordid swirl of prewar England He came out of a Victorian middle- but at the same time believed it class family but chose the high life would be "very wicked indeed to do among the titled rich, the merely anything to fit a boy for the modem rich, and the leisured indigent-most world." He could be generous, chari- of whom he both loved and deplored. table, and kind, but in his novels he His first published essay was a de- clearly, if genially, detests Ameri- fense of Cubism; but in the end, as he cans, blacks, peers, machines, Eng- conceded in his autobiographical lishmen, Jews, everything. He meted The Ordeal of Gilbert Pinfold, "his out prejudice equitably, outrage- strongest tastes were negative.
    [Show full text]
  • Brideshead Revisited
    1 | P a g e “Snobbery, sin and salvation*” – Why Should We Bother Revisiting Brideshead? (*with apologies to Henry Mount) (APE THEME: The Danger of a Single Story) PAMELA NEETHLING (EPWORTH HIGH SCHOOL) Arthur Evelyn St John Waugh was born on October 28, 1903, the second son of a more than respectable middle class, High Church Anglican British family with some distinguished ancestors. His father, Arthur, was a literary critic, publisher and author, and Waugh’s older brother, Alec, also enjoyed a respectable career as an author – although according to his nephew, Auberon, his uncle “wrote many books, each worse than the last”! After the devastating infidelity of his first wife, also called Evelyn, with one of their best friends, Waugh would persevere on a spiritual journey which probably began at Oxford and convert to Catholicism. This conversion would inform everything he did, and was, for the rest of his life, not least of which his writing. During the course of his prolific writing life, despite Waugh’s “untenable opinions” (as George Orwell put it), which unfortunately appear to have included anti-Semitism and xenophobia, he would go on to be described by Orwell as “almost as good a novelist as it is possible to be” and by novelist Graham Greene, shortly after Waugh’s passing in April 1966, as “the greatest novelist of my generation”. Heady praise for a man who has variously been described as a cynical churl; a misogynist, possibly a “permanent adolescent” (by Cyril Connolly, referring to a “certain type of Englishman doomed to relive school days”) and famously mean, cruel and hurtful to his family and friends – so much so that when Nancy Mitford challenged him on his behaviour, he retorted that nobody could imagine how horrid he would be if he weren’t a Catholic.
    [Show full text]
  • THE CHARACTER of CORDELIA in BRIDESHEAD REVISITED by John W
    EVELYN WAUGH NEWSLETTER AND STUDIES Volume 29, Number 3 Winter, 1995 THE CHARACTER OF CORDELIA IN BRIDESHEAD REVISITED By John W. Osborne (Rutgers University) Cordelia is wise about religious matters as Cara is knowing about worldly affairs. Cordelia is the only person who understands Sebastian, and her love for her brother is demonstrated throughout the novel. This love is deep, and she shames Ryder when she speaks of their joint love for Sebastian in the present tense, long after Ryder ceased to care deeply about his friend (p. 308). Years before, Ryder's last sight of Sebastian was when he left the sick man in squalid circumstances in North Africa, noting that nothing more could be done. But Cordelia visits Sebastian in the late 1930's and grasps the fact that while he was lost to his ancestral home he had found a curious peace as a hanger on in a religious community. Cordelia notes that neither she nor her brother, Sebastian, fit into either the secular world or a monastic community (her spell in a convent did not work out) (p. 308). In her soliloquy she tells a confused Ryder that Sebastian is holy and close to God. The still secular Ryder immediately thinks of ''the joyful youth with the Teddy-bear under the flowering chestnuts," and confesses that he never anticipated Sebastian's fate (p. 309). The religious outlook of Cordelia had always been a mystery to Ryder. Both he and Julia referred to Cordelia as odd (p. 221 and p. 300). Ryder finally changes his mind as Cordelia's wisdom penetrates his skepticism (p.
    [Show full text]
  • EW Studies 49.1
    EVELYN WAUGH STUDIES Vol. 49, No. 1 Spring 2018 CONTENTS Evelyn Waugh’s Yugoslav Mission: Politics and Religion 2 Milena Borden “Just You Look at Yourselves:” 26 Relativisation of the Authentic Image of Manliness in Vile Bodies Toshiaki Onishi REVIEWS “In my beginning is my end:” 41 A Little Learning. The Complete Works of Evelyn Waugh. Edited by John Howard Wilson and Barbara Cooke. Reviewed by Jeffrey Manley NEWS Evelyn Waugh Studies 2 Evelyn Waugh’s Yugoslav Mission: Politics and Religion Milena Borden In Evelyn Waugh’s only government Report, “Church and State in Liberated Croatia” (30 March, 1945), the novelist presented documentary evidence for his concerns about the alliance of Britain with the Yugoslav leader Josip Broz Tito during the Second World War, recording the killing of 17 Catholic priests as human rights violations. In 2016, the National Archives of Croatia and the Institute for Croatian History in Zagreb confirmed, for the purpose of this article, the identities of these individuals. Their full details and what is known about their fates, as reported by these official bodies, are published here, in Appendices 1 and 2, for the first time. The article argues that Waugh’s views in his Report reflected his moral, religious beliefs and that they were vindicated by the post-Cold War history of Yugoslavia and Europe. In seeking to explain an understanding of Waugh’s political outlook, it discusses why and how he went beyond the aim of his military mission. The background research uses Waugh’s diaries, letters, political, polemical writings and biographies of him.
    [Show full text]
  • EVELYN WAUGH STUDIES Vol
    EVELYN WAUGH STUDIES Vol. 50, No. 1 Spring 2019 CONTENTS “Huxley’s Ape:” Waugh in Scandinavia (August-September 1947) 2 Jeffrey Manley REVIEWS Reconstruction and Ricochet 29 The Bitter Taste of Victory: Life, Love and Art in the Ruins of the Reich, by Lara Feigel. Reviewed by Marshall McGraw Inez, Evelyn, and the Blitz 33 The Blitz Writing: Night Shift and It Was Different at the Time, by Inez Holden. Reviewed by Jeffrey Manley NEWS Evelyn Waugh Studies 2 “Huxley’s Ape:” Waugh in Scandinavia (August-September 1947) Jeffrey Manley Between his first two trips to the USA (Spring 1947 and Fall 1948), Evelyn Waugh made a two-week tour of Scandinavia. This was proposed and sponsored by the Daily Telegraph, publishing two articles about the trip afterwards. Unlike his earlier postwar journeys to Spain and the USA, this one produced neither a novel nor a travel book. Nor do his biographers spend much time considering either the motivations for the trip or the newspaper articles it produced. The trip is of interest to Waugh readers, however, because it took place at the peak of his popularity as a novelist, between the publication of his two best-selling works. Brideshead had been issued in 1945, and he had just completed The Loved One, that would be published in 1948. During the tour he was extensively interviewed by reporters and asked about these two books, as well as those written previously and what new works he had in mind. In addition, he had recently returned from his trip to Hollywood and discussed his impressions of the USA and the film industry as well as the burial practices at Forest Lawn.
    [Show full text]
  • E V E L Y N W a U G H N E W S L E I
    ~.;tvml\ len?> E V E L Y N WA U G H N E WS L E I , E R Vo 1uni~ 7, Number 2 Autumn, 1973 THE WICKED MARQUESS: DJSRAELI TO THACKERAY TO WAUGH By Donald Greene (University of Southern California) One can speculate in various ways about why one of the five ranks of the British Peerage; that of marquess, holds more glamor for writers and readers of fiction than the other four. For one thing, until the late eighteenth century it was rare. Young Frank Castlewood in Henry Esmond proclaims, supposedly in 1703, "There are but two marquises in all England, William Herbert Marquis of Powis, and Francis James "larquis of Esmond"; since the latter title was an empty one conferred by the exiled James II, and in any case a fiction of Thackeray's, there appears to have been only one. For another, it seemed an exotic import, as the persistence of the French spelling, "marquis," indicates, and carried with it strong overtones of French romance in which the elegant villain often bears that tit 1e. Although de Sa de's hereditary title was actually "Comte," his contemporaries (and their descendants) felt it more appropriate to his character to promote him, without authority, to "Marquis." The incredibly cruel Saint-Evremonde in Dickens's Tale of Two Cities is a marquis. It is perhaps also significant that of the 38 extant marquessates listed in Whitaker's Almanack for 1971, 24 were created during the fifty-odd years between 1784 and 1838; only five come from the two-and-a-half centuries between 1551 and 1784, and only nine from the century between 1838 and 1936.
    [Show full text]