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EVELYN WAUGH NEWSLETTER and STUDIES Volume 34
EVELYN WAUGH NEWSLETTER AND STUDIES Volume 34 EVELYN WAUGH NEWSLETTER AND STUDIES Volume 34, Number 1 Spring 2003 Evelyn Waugh Centenary Conference Schedule Monday, 22 September 2003 9:30 a.m. Arrival at Castle Howard, Yorkshire 10:00-11:15 a.m. Private tour of Castle Howard 11:15-12:30 p.m. Free time 12:30-1:30 p.m. Luncheon 2:00-3:15 p.m. Brideshead Revisited tour of the Grounds 3:15-4:15 p.m. Lecture on Castle Howard 4:15-5:15 p.m. Afternoon Tea Tuesday, 23 September 2003 Travel to Hertford College, Oxford Wednesday, 24 September 2003 9:00 a.m. Arrival and Registration 9:30 a.m. Panel: Waugh and Modernism Eulàlia Carceller Guillamet, Universitat Autònoma de Barcelona, Chair The Persistence of Waste Lands in Waugh’s Fiction K. J. Gilchrist, Iowa State University "I Must Have a Lot of That": Modernity, Hybridity, and Knowledge in Black Mischief Lewis MacLeod, Memorial University of Newfoundland Eliot and Waugh: A Handful of Dust Sally C. Hoople, Maine Maritime Academy "The Age of Hooper": Brideshead Revisited, Modernism, and the Welfare State Peter Kalliney, University of South Florida-St. Petersburg Against Emotion: Evelyn Waugh's Modernistic Stance Alain Blayac, University of Montpellier 12:00 noon Luncheon 2:00 p.m. Walking tour of Waugh’s Oxford (weather permitting) John Howard Wilson, Lock Haven University of Pennsylvania Patrick Denman Flanery, St Cross College, Oxford Sebastian Perry, Merton College, Oxford 4:00 p.m. Afternoon Tea 5:00 p.m. Visit to Campion Hall (half of group) 6:30 p.m. -
An Analysis on the Novels of Evelyn Waugh and Their Adaptations Evan J
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2016 The alueV of Attending University: An Analysis on the Novels of Evelyn Waugh and their Adaptations Evan J. Molineux Claremont McKenna College Recommended Citation Molineux, Evan J., "The alueV of Attending University: An Analysis on the Novels of Evelyn Waugh and their Adaptations" (2016). CMC Senior Theses. Paper 1407. http://scholarship.claremont.edu/cmc_theses/1407 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Value of Attending University: An Analysis on the Novels of Evelyn Waugh and their Adaptations submitted to Professor Kathryn Stergiopoulos by Evan Molineux for Senior Thesis Spring 2016 April 25, 2016 i Table of Contents Acknowledgements I. Introduction . 1 – 7 II. The Transformative Effects of Oxford in Brideshead Revisited . 8 - 30 III. Paul Pennyfeather’s Chaotic Journey through Decline and Fall . 31 - 55 IV. The Bright Young Things of Vile Bodies . 56 - 70 V. The Reaffirming Power of Evelyn Waugh Through Film and Television . 71 - 85 Works Cited ii Acknowledgements I would like to thank my thesis advisor, Professor Kathryn Stergiopoulos, for her patience, guidance, support, and constructive criticism over the past two semesters. Without her or her colloquiums, this thesis would not have been nearly as enjoyable to work on. I would also like to thank the rest of the literature department for helping to nurture my love for a subject that I have truly enjoyed studying over the past four years. -
The Delius Society Journal Spring 2000, Number 127
Delius Journal 127.qxd 10-04-2000 09:18 Page 1 The Delius Society Journal Spring 2000, Number 127 The Delius Society (Registered Charity No. 298662) Full Membership and Institutions £20 per year UK students: £10 per year USA and Canada US$38 per year Africa, Australasia and Far East £23 per year President Felix Aprahamian Vice Presidents Roland Gibson MSc, PhD (Founder Member) Lionel Carley BA, PhD Meredith Davies CBE Sir Andrew Davis CBE Vernon Handley MA, FRCM, D Univ (Surrey) Richard Hickox FRCO (CHM) Rodney Meadows Robert Threlfall Chairman Lyndon Jenkins Treasurer and Membership Secretary Derek Cox Mercers, 6 Mount Pleasant, Blockley, Glos GL56 9BU Tel: (01386) 700175 Secretary Anthony Lindsey 1 The Pound, Aldwick Village, West Sussex PO21 3SR Tel: (01243) 824964 Delius Journal 127.qxd 10-04-2000 09:18 Page 2 Editor Roger Buckley 57A Wimpole Street, London W1M 7DF (Mail should be marked ‘The Delius Society’) Tel: 020 7935 4241 Fax: 020 7935 5429 email: [email protected] Assistant Editor Jane Armour-Chélu 17 Forest Close, Shawbirch, Telford, Shropshire TF5 0LA Tel: (01952) 408726 email: [email protected] Website: http://www.delius.org.uk email: [email protected] ISSN-0306-0373 Delius Journal 127.qxd 10-04-2000 09:18 Page 3 CONTENTS Chairman’s Message........................................................................................... 5 Editorial................................................................................................................ 6 ORIGINAL ARTICLES Delius and Verlaine, by Robert Threlfall............................................................ 7 Vilhelmine, the Muse of Sakuntala, by Hattie Andersen................................ 11 Delius’s Five Songs from Tennyson’s Maud, by Christopher Redwood.......... 16 The ‘Old Cheshire Cheese’Connection, by Jane Armour-Chélu.................... 22 Delius and the American Connections, by George Little.............................. -
Waugh in Pieces the Critics
98 THE CRITICS A CRITIC AT LARGE 6 WAUGH IN PIECES Cruelty and compassion mingle in the short stories of a master. BY ANTHONY LANE N July, 1956, Evelyn Waugh gave a Complete Stories of Evelyn Waugh” dinner party for his daughter Te- (Little, Brown; $29.95). The title is clear, I resa. In anticipation of the event, although in the Waugh canon a short he wrote to a friend, Brian Franks, with story is not easily defined. The unfin- a description of the menu, closing with ished yet gracefully rounded tale “Work the words “Non Vintage champagne for Suspended,” for instance, which con- all but me.” Rarely has an edict been is- sumes eighty-four pages of the present sued with such a firm smack of the lips, book, feels almost a match for “The yet nothing could be sadder. At Oxford Loved One,” “Helena,” and “The Or- in the nineteen-twenties, Waugh had deal of Gilbert Pinfold”—the brisk, chosen his friends on the basis of their peppery, death-haunted trio of novellas ability to handle, or entertainingly mis- that Waugh produced in his riper years, handle, the effects of alcohol; “an excess and which are available only in individ- of wine nauseated him and this made ual volumes. He himself was a chronic an insurmountable barrier between us,” bibliophile and a connoisseur of typog- he wrote of one college acquaintance. raphy, who was admired in his youth Now, thirty years later, he would sit in for his capacity to illustrate rather than solitude, grasping his glass, bullishly compose a text, and his fussing is conta- proud that there was nobody present gious; as a rule, I am quite happy to read who deserved to share a drop. -
EVELYN WAUGH NEWSLETTER and STUDIES Volume 27, Number 3 Winter 1993
EVELYN WAUGH NEWSLETTER AND STUDIES Volume 27, Number 3 Winter 1993 BARD IA MARTIN STANNARD'S MILITARY MUDDLE By Donat Gallagher (James Cook University, Australia) When reading Martin Stannard's No Abiding City [entitled Evelyn Waugh, The Later Years in the USA], for review, I was struck by what seemed an exceptionally large number of factual errors, unsupported claims, imputations of motive, overstatements and misreadings. The inaccuracy seemed so pervasive as to undermine the book's value as a work of record. In order to test this impression, I decided to examine a short neutral passage that would serve as a fair sample. The passage chosen for scrutiny had to be brief, and about an easily researched subject. The subject also had to be incapable of having stirred the prejudices of the biographer or the reviewer, or of awakening those of the readers of the book or review. Pages 28-31 of No Abiding City were selected because they dealt with a very minor military operation, viz. a Commando raid on Bardia, and with a humdrum article Waugh wrote about it. No issue of class, religion, politics, literary theory or internal military squabbling arises. Nor does the spectre of professional rivalry, for no one, I imagine, seeks the bubble reputation in a war of words about Bardia. The three pages narrate the events of the raid, using information drawn from Waugh's article and diaries. In addition, criticisms are made of Waugh on the basis of real and purported discrepancies between the article and the diaries. Little is said about the genesis of the article or about the administrative difficulties attending its publication. -
Evelyn Waugh and FRIENDS
Evelyn Waugh AND FRIENDS JONKERS RARE BOOKS EVELYN WAUGH AND FRIENDS 3 JONKERS RARE BOOKS 4 C A T A L O G U E 7 4 Evelyn Waugh AND FRIENDS JONKERS RARE BOOKS MMXVII CATALOGUE 74 Offered for sale by Jonkers Rare Books 27 Hart Street Henley on Thames RG9 2AR 01491 576427 (within the UK) +44 1491 576427 (from overseas) email: [email protected] website: www.jonkers.co.uk Payment is accepted by cheque or bank transfer in either sterling or US dollars and all major credit cards. All items are unconditionally guaranteed to be authentic and as described. Any unsatisfactory item may be returned within ten days of receipt. All items in this catalogue may be ordered via our secure website. The website also lists over 2000 books, manuscripts and pieces of artwork from our stock, as well as a host of other information. Cover illustration: Mark Gerson’s photo of Evelyn Waugh in the garden at Combe Florey, taken in 1963 Frontispiece: An illustration by Waugh and Derek Hooper (both aged 13) for The Cynic (item 2), Waugh’s prep-school magazine. Pastedown: Waugh’s ‘modernist’ bookplate used in the 1920’s, from item 4. 2 Introduction There has been a more than sufficient amount written about the life and writings of Evelyn Waugh to render any further rehashing of biographical information unneccesary here. However, the scope of the catalogue inevitibly takes the form of a timeline in artifacts. It begins with the proofs of Waugh’s first literary output, aged 7 and his contributions to school and university pub- lications, through to his comprehensive catalogue of published work: non-fiction first followed by his triumphant first novel and the further successes which followed. -
Marston Lafrance SWORD of HONOUR
Marston LaFrance SWORD OF HONOUR: THE IRONIST PLACATUS Sword of Honour offers plenty of critical problems quite sufficient unto themselves, but they are further complicated by the mere fact of the trilogy's place in the canon. Because it comes at the end of Waugh's long career the reader is bound to be influenced, more or less unavoidably, by his general view of the earlier work, by his overall conception of an author whom he has enjoyed- or resented- for almost four decades. At least three such general views seem to have emerged over the years, and a brief look at them will suggest that a fourth might prove useful. Those readers who consider Waugh "essentially a comedian", 1 for example, should find Men at Arms the most attractive part of the trilogy, and thus it should surprise no one that this book, the least important of the three, has been called "the best of Waugh's novels".2 Readers convinced that Waugh is the twentieth century's archetypal snob, and prejudiced champion of a defunct aristocracy, must find Officers and Gentlemen impossible and parts of Unconditional Surrend er difficult to accept. Those who view him as primarily a disgruntled Tory satirist- probably the majority, and the best of the lot- will find abundant grist for their aesthetic mills throughout the trilogy, but they will also encounter solid blocks of material which their machinery canno t easily accommodate. There is nothing conspicuously satiric about the relationship between Guy and his father,3 about the deaths of Gervase and lvo, Tony Box-Bender's becoming a monk, Guy's betrayal by Virgini a, Guy's devotion to the ideal represented by Sir Roger of Waybroke, Guy's escape from Crete, Mr. -
Books and Articles by Evelyn Waugh Black Mischief (1930), Harmondsworth: Penguin, 1938
BIBLIOGRAPHY Books and articles by Evelyn Waugh Black Mischief (1930), Harmondsworth: Penguin, 1938. Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder (1945), Harmondsworth: Penguin, 1962. Decline and Fall (1928), Harmondsworth: Penguin, 1937. Edmund Campion (1935), London: Cassell, 1987. A Little Learning, London: Chapman and Hall, 1964. Put Out More Flags (1942), Harmondsworth: Penguin, 1976. Scott-King’s Modern Europe, in Work Suspended and Other Stories (1947), Harmondsworth: Penguin, 1982. The Sword of Honour Trilogy (1952, 1955, 1961), Harmondsworth: Penguin, 1984. Vile Bodies (1930), Harmondsworth: Penguin, 1938. “Beau Brummells on £60 A Year”, Daily Express, 13 February 1929, 5. “Commando Raid on Bardia”, Life, 17 November 1941, 63-66, 71, 72, 74. “Failure of a Mission”, review of Miss Fire, by Jasper Rootham, The Tablet, 11 May 1946, 241. “Fan-Fare”, Life, 8 April 1946, 53, 54, 56, 58, 60. “Introduction”, to Christie Lawrence, Irregular Adventure, London: Faber and Faber, 1947, 11-13. “Marshal Tito’s Regime”, The Times, 23 May 1945, 5. “Marshal Tito’s Regime”, The Times, 5 June 1945, 5 [both under the pseudonym “A British Soldier Lately in Yugoslavia”]. “Marshal Tito’s Visit”, Spectator, 19 December 1952, 846. “Marshal Tito’s Visit”, Sunday Times, 1 February 1953, 6. “Mr Waugh Replies”, Sunday Express, 14 December 1952, 3. “Our Guest of Dishonour”, Sunday Express, 30 November 1952, 2. “President Tito’s Visit”, The Times, 24 March 1953, 9. “A Self-Made Myth”, review of Tito Speaks: His Self Portrait and Struggle with Stalin by Vladimir Dedijer, The Month NS 9 (April 1953), 240-45. 332 In the Picture “Tito and Stepinac”, New Statesman and Nation, 31 January 1953, 122. -
508642 VOL2.Pdf
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Lord Berners : Aspects of a Biography Gifford, Mary The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 23. Sep. 2021 LORD BERNERS: ASPECTS OF A BIOGRAPHY Name: MARY GIFFORD College: KING'S COLLEGE LONDON, UNIVERSITY OF LONDON Examination: PhD VOLUME2 Selected bibliography 186 Published music by Berners 200 Recorded music 204 Tables (working documents) 1. -
Mad Boy, Lord Berners, Meine Grossmutter Und Ich
vg593644ad593644_10_00 / Sign. 1 vg593644ad593644_10_00 DTV Zinovieff, Mad Boy, Lord Berners, meine Großmutter und ich, dtv HC, 28136 Projektnummer VP105494 / Sign. 1 MAD BOY, LORD BERNERS, MEINE GROSSMUTTER UND ICH Sofka Zinovieff Aus dem britischen Englisch von Gregor Runge Editorische Anmerkung: Die deutsche Ausgabe wurde in Absprache mit der Autorin behutsam um wenige Passagen gekürzt. Anmerkung des Übersetzers: Bei den Übersetzungen der Zitate handelt es sich, soweit nicht anders angegeben, um eigene Übersetzungen. Ausführliche Informationen über unsere Autoren und Bücher www.dtv.de Deutsche Erstausgabe 2017 dtv Verlagsgesellschaft mbH & Co. KG, München Copyright © 2014 by Sofka Zinovieff Die Originalausgabe erschien 2014 unter dem Titel ›The Mad Boy, Lord Berners, My Grandmother and Me‹ bei Jonathan Cape, London. © der deutschsprachigen Ausgabe: dtv Verlagsgesellschaft mbH & Co. KG, München Gesetzt aus der Electra Satz: Fotosatz Amann, Memmingen Druck und Bindung: CPI books GmbH Gedruckt auf säurefreiem, chlorfrei gebleichtem Papier Printed in Germany ∙ ISBN 978-3-423-28136-2 Für Vassilis x x INHALTSVERZEICHNIS 1 Jennifers Handtasche 9 2 Das Schaukelpferd 21 3 Russisch, radikal, römisch-katholisch 43 4 Panther und Trompetervogel 65 5 Et in Arcadia ego 93 6 Jungs und Mädchen 121 7 Unholde 141 8 Torheiten 159 9 Das Waisenkind unter dem Dach 185 10 In der Stadt der träumenden Professoren 219 11 Meine Güte, sie ist famos! 251 12 Der Kinderwagen im Vestibül 279 13 Im Auf und Ab der Nachkriegsjahre 301 14 »Von Lustknabe an Lustknabe« 331 15 Ein Nazi im Haus 355 16 Die »Treppe ins Nichts« 371 17 Die Tauben tragen Violett 393 18 Blutsbande 421 19 Asche und Staub 435 20 Die Glocke und die Gedenktafel 443 Quellenverzeichnis 452 Ausgewählte Literaturhinweise 462 Abbildungsverzeichnis 468 Danksagung 472 Personenverzeichnis 474 x x EINS Jennifers Handtasche CH WAR SIEBZEHN, als meine Mutter mich zum ersten Mal mit zu ihrem Vater nahm. -
Modernist Vintages: the Significance of Wine in Wilde, Richardson, Joyce
Modernist Vintages: The Significance of Wine in Wilde, Richardson, Joyce and Waugh by Laura Waugh A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved March 2013 by the Graduate Supervisory Committee: Mark Lussier, Chair Daniel Bivona Patrick Bixby ARIZONA STATE UNIVERSITY May 2013 ABSTRACT “Modernist Vintages” considers the significance of wine in a selection of modernist texts that includes Oscar Wilde’s Salomé (1891), Dorothy Richardson’s Honeycomb (1917), James Joyce’s Ulysses (1922), and Evelyn Waugh’s Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder (1945). The representations of wine in these fictions respond to the creative and destructive depictions of Wine that have imbued the narratives of myth, religion, and philosophy for thousands of years; simultaneously, these WorKs recreate and reflect on numerous Wine-related events and movements that shaped European discourse in the nineteenth and tWentieth centuries. The modernists use Wine’s conventional associations to diverse and innovative ends: as the playWright August Strindberg Writes, “NeW forms have not been found for the neW content, so that the neW Wine has burst the old bottles.” Wine in these works alternately, and often concurrently, evoKes themes that Were important to the modernists, including notions of indulgence and Waste, pleasure and addiction, experimentation and ritual, tradition and nostalgia, regional distinction and global expansion, wanton intoxication and artistic clarity. -
Royal Ballet Sinfonia
Lord BERNERS The Triumph of Neptune (Complete ballet) L’uomo dai baffi • Valses bourgeoises • Polka English Northern Philharmonia • Royal Ballet Sinfonia David Lloyd-Jones Lord Lord Berners (1883–1950) The Triumph of Neptune BE(1R883N–19E50R) S The Right Honourable Sir Gerald Hugh Tyrwhitt-Wilson, Bouquet , Cupid and Psyche and Les Sirènes . Lambert and later 14th Baron Berners in the peerage of England, and a the young William Walton were the only two British The Triumph of Neptune L’uomo dai baffi baronet, was born on 18 September 1883 at Apley Park, composers with whom Berners felt a sympathy. (Not for him near Bridgnorth, Shropshire, the son of Commodore the the pastoral school of Vaughan Williams and Holst.) Walton (Complete ballet) (1926) 42:58 (‘The Man with the Moustache’) 1 Hon. Hugh Tyrwhitt (third son of Emma Harriet, Baroness certainly received regular amounts of financial assistance 2 Prelude 2:47 ) (1918) 15:43 Berners in her own right) and Julia Mary Foster. (The title from Berners for many years, even up to the composition Schottische 2:11 Strada d’oro 1:15 is one of few in the British peerage that can pass through of Belshazzar’s Feast , which is dedicated to him. 3 ¡ the female, as well as the male line.) Educated at Eton, During the 1940s Berners involved himself in the 4 Cloudland 3:41 ™ Intermezzo I (orch. Philip Lane) 2:14 and later in Dresden, Vienna, France and Italy, mainly in medium of cinema, writing two complete film scores pursuit of a knowledge of languages to equip him for the for The Halfway House (1943) and Nicholas 5 Farewell (Scherzo) 3:43 £ Ballerina azzurra 2:31 diplomatic service, he succeeded his uncle in 1918, Nickleby (1946).