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EPICENTRO Press Notes
Groupe Deux, KGP Filmproduktion, Little Magnet Films present 109 minutes | Austria, France | 2020 World Premiere - 2020 Sundance Film Festival Press Contact: Int’l Sales: US Sales: Susan Norget Film Promotion Wild Bunch, Eva Diederix CAA, Amanda Lebow [email protected] [email protected] [email protected] 212.431.0090 +33 6 10 45 29 37 561.762.2406 c: 917.833.3056 LOGLINE The latest documentary from Oscar®-nominated director Hubert Sauper is an immersive portrait of “utopian” Cuba and its resilient people a century after the explosion of the USS Maine in Havana, the event that ushered in the American Empire alongside a modern form of world conquest: cinema itself. SYNOPSIS From world-renowned filmmaker Hubert Sauper — director of Sundance winner WE COME AS FRIENDS and the Oscar®-nominated DARWIN’S NIGHTMARE — comes EPICENTRO, an immersive and metaphorical portrait of post-colonial, “utopian” Cuba, where the 1898 explosion of the USS Maine still resonates. This Big Bang ended Spanish colonial dominance in the Americas and ushered in the era of the American Empire. At the same time and place, a powerful tool of conquest was born: cinema as propaganda. In EPICENTRO, Sauper explores a century of interventionism and myth-making together with the extraordinary people of Havana — particularly its children, who he calls “young prophets" — to interrogate time, imperialism and cinema itself. HUBERT SAUPER Hubert Sauper was born in Kitzbühel in the Tyrolian Alps and for the past two decades has been based in France after living in Great Britain, Italy, United States, Tanzania, Congo, and South Sudan. -
Curriculum Vitae
Robert von Dassanowsky Dept. of Languages and Cultures Tel: +1.719.255.3562 Dept. of Visual and Performing Arts [email protected] University of Colorado [email protected] Colorado Springs, CO 80918 USA Dual Citizenship: Austria + USA UNIVERSITY FACULTY POSITIONS AND VISITING/ADJUNCT APPOINTMENTS: University of Colorado, Colorado Springs (UCCS) CU Distinguished Professor of Film and Austrian Studies, 2020. Professor of Visual and Performing Arts-Film and German/Austrian Studies, 2006-present. Founding Director, Film Studies Program, 1997-present. Founding Co-Director, European Studies, 2012. Chair, Dept. of Languages and Cultures, 2001-06; Acting chair, 2009; Co-Chair, 2020. Interim Chair, Dept. of Visual and Performing Arts, 2000-01; 2010. Head of German Program, 1993-present. Graduate/Undergraduate Humanities Program, 1993-present. Associate Professor of German and Visual and Performing Arts, 1999-2006. Assistant Professor of German, 1993-99. The Global Center for Advanced Studies (GCAS), New York and Dublin Affiliate Faculty 2017-present; Board Member of the GCAS Research Institute Dublin; Development Director for GCAS Vienna Center, 2019-present. Webster University, Vienna Adjunct Faculty of Media Communication and Film, 2013-15. University of California, Los Angeles Visiting Professor of German (cinema and contemp. literature), 2007-08. Visiting Assistant Professor of German, 1992-93. Teaching Fellow, Department of Germanic Languages, 1989-92. EDUCATION: Ph.D., Germanic Languages, University of California, Los Angeles, 1992. Dissertation Directors: Wolfgang Nehring, Hans Wagener, Kathleen Komar, 2 G. B. Tennyson. MA, German Studies (film spec.), University of California, Los Angeles, 1988. BA, Cum Laude/Highest Departmental Honors, Political Science and German, University of California, Los Angeles, 1985. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
2014 Fellows and Grantees of the American Council of Learned Societies
2014 FELLOWS AND GRANTEES OF THE AMERICAN COUNCIL OF LEARNED SOCIETIES Funded by ACLS COLLABORATIVE RESEARCH FELLOWSHIPS The Andrew W. Mellon Foundation GEORGE EDMONDSON, Associate Professor, English, Dartmouth College KLAUS MLADEK, Associate Professor, German Studies & Comparative Literature, Dartmouth College A Politics of Melancholia ALLISON BUSCH, Associate Professor, Middle Eastern, South Asian, and African Studies, Columbia University EMMA AITKEN, Associate Professor, Art, City University of New York, City College Aesthetic Worlds of the Indian Heroine JAY T. JOHNSON, Associate Professor, Geography, University of Kansas SOREN C. LARSEN, Associate Professor, Geography, University of Missouri Being-together-in-place: A Geohumanistic Exploration of Place-based Politics in Postcolonial Settler-States REBECCA JO PLANT, Associate Professor, History, University of California, San Diego FRANCES M. CLARKE, Senior Lecturer, History, University of Sydney Child Soldiers: Militarism and American Youth MARINA A. RUSTOW, Associate Professor, Department of History, The Johns Hopkins University EVE KRAKOWSKI, Postdoctoral Fellow, Judaic Studies, Yale University Documents and Institutions in the Medieval Middle East SUSAN R. GRAYZEL, Professor, History, University of Mississippi LUCY NOAKES, Principal Lecturer, Humanities, University of Brighton Gender, Citizenship, and the Non-Combatant at War in a Democratic State: A Case Study of Civil Defense in Twentieth-Century Britain LISI OLIVER, Houston Chapter Alumni Professor, English, Louisiana State University STEFAN JURASINSKI, Associate Professor, English, The College at Brockport, State University of New York The Laws of Alfred and Ine: An Edition and Interpretive Commentary JEFFREY M. BANISTER, Assistant Research Social Scientist, Southwest Center & School of Geography, University of Arizona STACIE G. WIDDIFIELD, Professor, School of Art, University of Arizona The Visual Culture of Water in Early Twentieth-Century Mexico Funded by the ACLS DIGITAL INNOVATION FELLOWSHIPS The Andrew W. -
EPICENTRO Ein Film Von Hubert Sauper at / FR 2020, 109 Minuten
Groupe Deux, KGP Filmproduktion, Little Magnet Films präsentieren EPICENTRO Ein Film von Hubert Sauper AT / FR 2020, 109 Minuten SK_Epicentro_A1en_FIN.indd 1 14.10.20 11:29 Kinostart: 11. Dezember 2020 Weltpremiere: 2020 Sundance Film Festival — Österreichpremiere: Viennale 2020 VERLEIH: Stadtkino Filmverleih Siebensterngasse 2/12 1070 Wien www.stadtkinowien.at PRESSEKONTAKT: Michaela Englert Film7 Kaiserstraße 91/2/16 1070 Wien Telefon: +43 699 19 46 3634 Mail: [email protected] FILM STILLS: https://stadtkinowien.at/film/1260/bilder/download/ PRESSEHEFT 2 LOGLINE Der neue Dokumentarfilm des Oscar®-nominierten Regisseurs Hubert Sauper ist das eindringliche Portrait eines „utopischen“ Kuba und seiner abgehärteten Bevölkerung mehr als hundert Jahre nach der Explosion der USS Maine im Hafen von Havanna, das Ereignis, das nicht nur der Beginn des amerikanischen Imperiums markiert, sondern auch den Beginn einer modernen Form der Weltherrschaft: der von Film und Kino. Bei seiner Welturaufführung im Rahmen des Sudance Filmfestivals 2020 in der Reihe World Cinema Documentary wurde EPICENTRO mit dem Hauptpreis ausgezeichnet. SYNOPSIS Hubert Sauper – Regisseur des Sundance-Preisträgers WE COME AS FRIENDS und des Oscar®-nominierten DARWIN’S NIGHTMARE – liefert mit seinem neuen Film EPICENTRO, ein eindringliches und metaphorisches Porträt des postkolonialen, „utopischen“ Kubas, in dem die Explosion des Kriegsschiffes USS Maine 1898 im Hafen von Havanna immer noch nachhallt. Dieser Urknall beendete die spanische Kolonialherrschaft in Amerika und läutete die Ära des amerikanischen Imperiums ein. Gleichzeitig und am gleichen Ort wurde ein mächtiges Instrument der Eroberung geboren: das Kino als Propagandawerkzeug. In EPICENTRO erkundet und befragt Hubert Sauper Menschen in Havanna – hört und sieht besonders die Kinder, die „jungen Propheten“ – die von einem Jahrhundert des Interventionismus und der Mythenbildung erzählen – und hinterfragt damit Zeit, Imperialismus und die Kunstform Kino an sich. -
Venice International Film Festival
Venice International Film Festival - Giornate degli Autori Toronto International Film Festival San Sebastian International Film Festival Darwin’s Nightmare is a tale about humans between the North about globalization, and about Some time in the 1960's, in the heart of Africa, a new animal was introduced into Lake Victoria as a little scientific experiment. The Nile Perch, a voracious predator, extinguished almost the entire stock of the native fish species. However, the new fish multiplied so fast, that its white fillets are today exported all around the world. Huge hulking ex-Soviet cargo planes come daily to collect the latest catch in exchange for their southbound cargo… Kalashnikovs and ammunitions for the uncounted wars in the dark center of the continent. This booming multinational industry of fish and weapons has created an ungodly globalized alliance on the shores of the world’s biggest tropical lake: an army of local fishermen, World bank agents, homeless children, African ministers, EU-commissioners, Tanzanian prostitutes and Russian pilots. and the South, fish. Origins of the Nightmare The idea of this film was born during my research on another documentary, KISANGANI DIARY that follows Rwandese refugees in the midst of the Congolese rebellion. In 1997, I witnessed for the first time the bizarre juxtaposition of two gigantic airplanes, both bursting with food. The first cargo jet brought 45 tons of yellow peas from America to feed the refugees in the nearby UN camps. The second plane took off for the European Union, weight with 50 tons of fresh fish. I met the Russian pilots and we became “kamarads”. -
Austrian Films Review /2014/ Austrian Films Review /2014/ Austrian Films 2014 – Review
Austrian Films Review /2014/ Austrian Films Review /2014/ Austrian Films 2014 – Review Owned by: Austrian Film Commission Stiftgasse 6 1070 Vienna – Austria tel +43 1 526 33 23 [email protected] www.AustrianFilm.Com www.afc.at Publisher: Martin Schweighofer Editors: Charlotte Rühm, Karin Schiefer Graphic design: Perndl+Co / Josef Perndl, Aleksandra Gustin, Claudette Hanzl Printed by: REMAprint Litteradruck, Vienna Contents Austrian Films 2014 Introduction 4 Fiction Films 7 Documentary Films 31 Coproductions 67 TV Features 75 Next Generation 91 Directors 102 Films 102 Producers 103 World Sales 105 5 Introduction 2014 was a remarkable year for Austrian films. the psychological chamber piece THE HOLDUP. In But also a very sad one. retrospect it seems like a hand of fate had picked the title of what was to be his last film: CROSSING THE If one looks at the big picture his films add up to some BORDERS. uncanny kind of modern Odyssey. Michael Glawogger restlessly roamed the continents, passionately Had it not been overshadowed by these traumatic observing the wonders and the horrors that would events 2014 would have been just another very bright await him in some of the most remote corners of our and successful film year in all respects. New Austrian world. The harsher the environment and the more films have been doing extremely well. With the fes- unsettling the situations he had to deal with as a tivals (we registered a new record of more than 600 filmmaker and as a human being, the more at ease festival participations of Austrian films), but also he seemed to feel. -
Boomerang Festival
Documentation Alliance Francaise d’Ahmedabad 2017 Boomerang Festival Boomerang was a two month festival by Alliance Francaise d’Ahmedabad in collaboration with Architecture with Differ- ence, demanding reflection and thinking on sustainable living through various domains and arts. The objective was to better understand the need for sustainable development, finding local solutions all the while exploring the roots of the current global scenario. The festival was organized in context of COP 21 and French President’s slogan of Make World Great Again. Taking forward the stand of India-France partnership on Climate Change, this festival was a collaborative feat of many institu- tions, people, organisations, and companies who came together with Alliance Française d’Ahmedabad to present a thought prov- ing two months long festival. Sustainability being a vast topic, we focused on its two main aspects in each month. September 2017| Food and Agriculture October 2017 | Urbanism and Sustainable Living Through different fields and going back and forth in history and future, this was an honest attempt to find the way forward in our neighborhood for a sustainable environment. Presented by Alliance Francaise d’Ahmedabad in collaboration with Architecture with Difference Curated by Khayal Trivedi and Abhijeet Chandel Presented by in collaboration with Partner Institutes September 2017 Sustainability in Food and Agriculture Inaugural | Sustainability in India Panel Discussion 8th September 2017 The discussion exploring through conversations nally and externally made sense to him. Abhi- the length and breadth of the subject in past, jeet Chandel, carried an alternative and more present and future by bringing people from differ- practical approach to sustainability in cities, by ent fields and marking a way forward. -
Transmission
TRANSMISSION PËRMBAJTJA CONTENTS 6 PARATHËNIE | FOREWORD 10 ÇMIMET | AWARDS 12 JURIA | JURY 22 GARAT | COMPETITIONS 24 BALKAN 36 INTERNATIONAL DOCS: FEATURES 48 INTERNATIONAL DOCS: SHORTS 60 SHORTS 88 HUMAN RIGHTS 98 GREEN 108 TRUTH 118 NATIONAL 132 PROGRAMET SPECIALE | SPECIAL PROGRAMMES 134 VIEW FROM THE WORLD 148 DISORDER: MUSIC ON FILM 156 SHADOWPLAY: FILM ON FILM 162 EFA SHORTS 180 FUTURE IS HERE 190 DOKUKIDS 204 DIREKTORIA | DIRECTORY 226 SPONZORËT & PARTNERËT SPONSORS & PARTNERS PARATHËNIE FOREWORD LETËR mirëseardhje Teksa me ditë të tëra po përpiqem ta nisë Se festivali po ndodhë në formën virtuale këtë letër dhe po mendohem çfarë të shkruaj është përgjigja dhe regaimi ynë ndaj krizës, - nëse të shkruaj ndonjë gjë ka kuptim këto kokëfortësi që na u zhvillua duke jetuar dhe ditë - në këtë periudhë të çuditshme dhe të punuar në një shtet ku kriza është konstante vështirë, kur bota është zhytur në krizë të në 20 vitet e fundit. Ose edhe më shumë ose përmasave monumentale dhe vendi ynë po edhe më gjatë - sikur është pjesë e ADN-së përballet me shembje të sistemit shëndetësor sonë! dhe ekonomik për shkak të politikanëve tërësisht të paaftë dhe të papërgjegjshëm, Fakti që festivalin nuk e anuluam është unë megjithatë kujtohem për rëndësinë edhe falë besimit në fuqinë transformuese të e ngjarjeve si DokuFesti dhe kuptimin që ngjarjeve kulturore, si dhe falë përkushtimit festivali ynë ka për komunitetin këtu si dhe dhe energjisë së jashtëzakonshme të të gjithë arsyet pse vendosëm ta organizojmë sivjet ekipit, të cilëve u jam thellësisht mirënjohës pavarësisht hezitimeve dhe përkundër që besuan se DokuFest mund të ekzistojë situatës së pazakontë. -
Education for Sustainable Development a Tool to Design Training Courses Project N° Llp-Ldv-Toi-09-It-490 Nj Esd Com
Francesca romana mastrandrea Fabrizio santini education For sustainable development A tool to design training courses project n° llp-ldv-toi-09-it-490 nJ esd com New Jobs through Education for Sustainable Development Competencies Preface by Edo Ronchi Progetto NJ ESD COM “New Jobs through Società Cooperativa s.r.l. Education for Sustainable Development Nuova Maremma Laboratorio Educazione Competencies; Nuove professionalità attraverso Ambientale “La Finoria” le competenze per lo sviluppo sostenibile” Fabrizio Santini, Marco Porciani, Mario Matteucci www.njesd.com Istituto Statale di Istruzione Professionale “Da Vinci - Balducci” - Arcidosso (GR) Daniela Giovannini, Fabio Maria Risolo, Lead partner: Alessandra Biondi ASSOCIAZIONE INDUSTRIALI DI GROSSETO Istituto Tecnico Industriale Statale “A. Monaco”, Viale Monte Rosa 196 Cosenza 58100 Grosseto Ennio Guzzo, Rosa Principe, Loriana Aiello email: [email protected] sito internet: www.confindustriagrosseto.it Project Monitoring and Evaluation tel: +39 0564.468811 - fax: + 39 0564.454588 Fabio Ferretti Project designing: Project Communication Management Antonio Gallotta Annarosa Pacini Francesca Romana Mastrandrea Project Graphics Project coordinator: Franco Passarini Francesca Romana Mastrandrea Book translation PROJECT STAFF James Bradley, Paola Della Santina Local and International Scientific Slides translation and Technical Committees Jody Cutler Associazione Industriali Grosseto Antonio Capone, Tiziana Carrozzino, Francesca Romana Mastrandrea, Jodi Cutler ISBN 978-88-6760-002-1 -
Cultivating Peace Food War
www.uidaho.edu/borah 2012 BORAH SYMPOSIUM | APRIL 9-11 APRIL | SYMPOSIUM BORAH 2012 FOOD WAR CULTIVATING PEACE CULTIVATING 2011-2012 Borah The Foundation Foundation This year marks 74 years since the first Borah Foundation-sponsored program, Committee which featured an address by then-First Lady Eleanor Roosevelt. It also marks the 64th consecutive annual Borah Symposium, dating from 1948’s event Romuald Afatchao titled “The Causes of War and the Conditions for Peace.” Kristine Clausen Amber Denman The Borah Foundation Committee wishes to sincerely thank the Martin Ellen Kittell Institute, the Environmental Science Program, the UI Sustainability Center, Keelcy Perez, Co-chair the Office of Community Partnerships, the Women’s Center, the College of Michelle Polansky Agricultural and Life Sciences, the Environmental Science Program, the College Garth Reese of Education, and TerraGraphics for their support of this year’s symposium. In Lysa Salsbury addition, the Office of the President and the Borah Foundation co- sponsored a Melissa Saul, Co-chair reception for symposium participants. Kelli Schrand For more information or to make a donation, visit our website at www.uidaho. Vern Sielert edu/borah, write to The Borah Foundation, University of Idaho, Moscow, ID Bill L. Smith 83844-3177, or call (208) 885-6527. Samantha Storm Anastasia Telesetsky Lee Vierling Dr. Shiva’s contributions to DR. VANDANA SHIVA gender issues are nationally Biodiversity and Conservation Activist and internationally recognized. Her book, Dr. Vandana Shiva is a world-renowned environmental thinker and activist. A Staying Alive dramatically leader in the International Forum on Globalization (IFG) along with Ralph Nader shifted he perception of and Jeremy Rifkin and the Slow Food movement.