City of Big Bear Lake Development Code
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Yamaha Guitar Information
Yamaha Strengths, Artist’s Advantage “Yamaha Guitars: Essential Knowledge” has been created to give you a behind-the-scenes view of the surprisingly vast and varied resources, facilities, skills, and people involved in making Yamaha guitars the special instruments that they are. Yamaha’s enviable position in musical instrument manufacturing is not only a result of more than 120 years of experience (the company was established in 1887), but also of the unique strengths that its expansive operations bring to bear. From research and development through design and manufacturing to sales and support, Yamaha goes to lengths that are simply beyond the capabilities of most guitar makers. But an underlying dedication to music and the creation of fine musical instruments is always there, forming a steadfast foundation that often results in profit taking a back seat to the pursuit of quality. Yamaha’s true strengths as a guitar maker are not apparent in product brochures or specifications, but they are clearly reflected in the sound, playability, dependability, and overall quality of every guitar that bears the Yamaha name. “Essential Knowledge” includes information that will hopefully provide a clearer picture of the prodigious resources and effort that give artists who choose Yamaha a significant musical advantage. Contents Research & Material Optimization......................p.4 Woods ...................................................................p.6 The Acoustic Guitar Elements of Sound and Playability ....................p.8 The Electric -
NOISE and MILITARY SERVICE Implications for Hearing Loss and Tinnitus
NOISE AND MILITARY SERVICE Implications for Hearing Loss and Tinnitus Committee on Noise-Induced Hearing Loss and Tinnitus Associated with Military Service from World War II to the Present Medical Follow-up Agency Larry E. Humes, Lois M. Joellenbeck, and Jane S. Durch, Editors THE NATIONAL ACADEMIES PRESS Washington, DC www.nap.edu THE NATIONAL ACADEMIES PRESS • 500 Fifth Street, N.W. • Washington, DC 20001 NOTICE: The project that is the subject of this report was approved by the Governing Board of the National Research Council, whose members are drawn from the councils of the National Academy of Sciences, the National Academy of Engineering, and the Insti- tute of Medicine. The members of the committee responsible for the report were chosen for their special competences and with regard for appropriate balance. This study was supported by Contract No. V101(93)P-1637 #29 between the Na- tional Academy of Sciences and the Department of Veterans Affairs. Any opinions, find- ings, conclusions, or recommendations expressed in this publication are those of the author(s) and do not necessarily reflect the view of the organizations or agencies that provided support for this project. Library of Congress Cataloging-in-Publication Data Noise and military service : implications for hearing loss and tinnitus / Committee on Noise-Induced Hearing Loss and Tinnitus Associated with Military Service from World War II to the Present, Medical Follow- up Agency ; Larry E. Humes, Lois M. Joellenbeck, and Jane S. Durch, editors. p. ; cm. Includes bibliographical references. ISBN 0-309-09949-8 — ISBN 0-309-65307-X 1. Deafness—Etiology. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
CHAPTER ONE What Is Biomedia?
CHAPTER ONE What Is Biomedia? Can I Download It? Cultural anxieties concerning biotechnologies are often played out in the news media, where the latest reports on genetic cloning, stem cell research, gene therapy, and bio- terrorism all command a significant amount of reportage on current events. Each of these issues is a discourse of the body, and a discourse that articulates specific kinds of bodies (the body of nuclear transfer cloning, the body of adult stem cells, etc.). The issues they raise are difficult and contentious ones: In which cases should experimen- tation of human embryos be allowed? In which cases is human cloning warranted? How can engineered biological agents be detected in time to deter a bioterrorist attack? Too often, however, the solutions that come up are haphazard, ad hoc modifica- tions of existing legislation. For instance, the temporary U.S. presidential ban on human embryonic stem cell research in 2000 pertained only to federally funded research, not biotech companies such as Geron.1 Alternately, when policy changes are made, resolu- tions usually fall back on more traditional ethical models. An example is the U.S. pol- icy on human embryonic stem cell research, which in essence is a version of "the greatest good for the greatest number of people."2 That continued attempts are being made to formulate ethical approaches to such complicated issues is in itself encouraging. Yet, what often goes unquestioned, and un- contested, is whether the foundations on which such decisions are being made is in the process -
2019 Custom Guitar
2019 FENDER CUSTOM GUITAR CUSTOMDESIGN SHOP GUIDE | 2019 CUSTOM GUITAR DESIGN GUIDE '62 Strat® Heavy Relic,2018 Aged '50s Shoreline Jazzmaster Gold,® PN#Faded 9216088727, Daphne Blue, Built PN# by 9235000535 Jason Smith CUSTOM SHOP CUSTOM SHOP CUSTOM ® ® FENDER FENDER FOREWORD A Fender Custom Shop instrument is extraordinary. You know it knowledge and skill into every instrument they build. It’s no when you play one—it’s definitely more than the sum of its parts. ordinary place, and the creations that come from it are no It’s filled with intangible, electrifying elements that add a new ordinary instruments. Welcome to the Fender Custom Shop. dimension to your playing experience. It’s as if the instrument itself is imbued with history, alive with the spirit of the place For players who wish to create a completely custom where it was built and the devotion of those who crafted it. instrument—anything from a humbucking pickup-equipped banjo to a custom-engraved aluminum-bodied Strat®—we The Custom Shop is home to Fender’s most skilled and talented offer Masterbuilt, a singular experience working one-on- builders. It’s a bustling, noisy and creatively volcanic place one with one of our Master Builders. Custom-Built is for those that re-earns its nickname—the Dream Factory—every day. prefer to start with one of our time-honored models and Custom Shop builders are completely dedicated to their personalize the specifications to meet your specific needs. Use art—part craftsman, part artist, part music fan and, more this guide to design your very own Masterbuilt or Custom- often than not, part mad scientist. -
Zoning Regulations
CITY OF BOX ELDER TITLE 15 CHAPTER 153: ZONING REGULATIONS SECTION PAGE General Provisions 153.001: Title 153-6 153.002: Short Title 153-6 153.003: Purpose and jurisdiction 153-6 153.004: Definitions 153-6 153.005: Severability and Separability 153-31 Adoption of a Comprehensive Plan, a Major Street Plan, Regulations, and Codes 153.015 Adoption of a comprehensive plan 153-31 153.016 Adoption of a major street plan 153-31 153.017 Adoption of flood damage prevention regulations 153-31 Permit Regulations 153.055 General permit requirements 153-32 153.056 Approach permit requirements 153-32 153.057 Conditional use permit requirements 153-33 153.058 Grading permit requirements 153-33 153.060 Manufactured home park requirements 153-34 153.061 Moving permit requirements 153-34 153.062 Inspection of factory-built homes 153-35 153.063 Structure parking permit requirements 153-35 153.064 Grounds for moving or parking permit denial 153-36 Zoning Regulations 153.095 Purpose 153-36 153.096 General regulations 153-36 153.097 Zoning districts and the zoning map 153-38 153.098 Rules for interpretation of zoning district boundaries 153-39 153.099 Conditional use permits 153-40 153.100 District regulations 153-41 (A) Agricultural District (AD3) 153-41 (B) Park Land District (PK) 153-44 (C) Public Land District (PUB) 153-46 (D) General Residential District I (Low Density) (GR-1) 153-48 (E) General Residential District II (Moderate Density) (GR-2) 153-53 (F) Mixed Use Residential (High Density) (GR-3) 153-59 153-1 CITY OF BOX ELDER TITLE 15 SECTION PAGE (G) -
The BEST $500 VIOLIN
Serving All Levels Of Players The SHAR Connection Just Starting A Global Network Have questions about instruments? SHAR’s purchasing agents are string players, and they Only Musicians Answer the phone at travel the globe to work directly with our partner SHAR 800.248.7427 workshops. For nearly 50 years we have established longstanding relationships with the world’s leading makers and workshops in America, Europe, and Asia. How can I tell the quality of my student violin? Of course, a violin must sound good in order to From the wood selection to the acoustic models motivate your young student. But a high quality used, from the neck shapes to the various varnish instrument must also have easy-turning pegs that stay properties, our purchasing agents work with our in tune. The bridge, fingerboard, nut and soundpost partners to ensure that every detail is crafted to our must be carefully shaped and fit so that the violin is specifications. Our world-wide logistics network also easy to play and feels good to the hand. guarantees that our instruments and bows arrive here in Ann Arbor in ideal, safe condition. What makes one violin more expensive than another? The two biggest factors are the quality and age of the wood and the skill of the makers. Only a skilled maker is able to make all the parts fit together The SHAR Setup properly so the violin will work perfectly. Where Millimeters Count What size violin does my child need? That is best answered by the child’s teacher. The musicians who SHAR’s own Setup Shop, Restoration and Repair answer the phone at SHAR are well qualified to make department, staffed by experienced luthiers and a recommendation based on your child’s age and arm technicians, ensures each instrument is in healthy, length, but there’s no substitute for having a good stable condition and adjusted for optimal tonal response. -
Appendix 1: Appropriate Street Trees
APPENDIX 1: APPROPRIATE STREET TREES LARGE TREES: 75’-up Acer saccharum Sugar Maple 75’/45’ broad Acer rubrum Scarlet Maple 75’/45’ broad Acer platanoides Norway Maple 75’/45’ ovate Ginkgo biloba Maidenhair Tree 75’/35’ male only Quercus palustris Pin Oak 75’/40’ conical Quercus phellos Willow Oak 75’/40’ broad Taxodium distichium Baldcypress 75’/35’ conical Tilia cordata Littleleaf Linden 75’/45’ ovate MEDIUM TREES: 40’-65’ Acer saccharum “Goldspire” Maple 40’/15’ columnar Acer rubrum “Armstrong” Maple 60’/25’ columnar Acer rubrum “Autumn Flame” Maple 55’/45’ ovate Acer rubrum “October Glory” Maple 60’/45’ ovate Cladastrus lutea Yellowwood 45’/35’ broad Lyquidambar styraciflua Sweetbum “seedless” 65’/45’ ovate Ulmus parviflora Chinese Elm 65’/45’ broad Zelkova serrata Japanese zelkova 65’/40’ vase-shaped SMALL TREES: 20’-35’ Acer buergeranum Trident Maple 30’/30’ broad Acer campestre Hedge Maple 35’/35’ broad Carpinas betulus European Hornbeam 35’/20’ ovate Cornus kousa “Milky Way” 30’/30’ vase-shaped Cornus kousa x florida “Galaxy” 30’/35’ Lagerstroemia indica Crapemyrtle “Natchez” 20’/30’ Malus floribunda Crabapple 35’/20’ broad Malus floribunda “Adam” 35’/20’ broad Malus floribunda “Adirondack” 35’/20’ broad Malus floribunda “Sugartime” 35’/20’ broad Malus floribunda “Sargent” 35’/20’ broad Ostrya virginiana Hophornbeam 35’/25’ conical Prunus mume Japanese Apricot 30’/35’ Prunus okame Japanese Cherry 30’/35’ Styrax japonica Japanese Styrax 20’/10’ Design Review Manual Appropriate Street Trees Page A1-1 APPENDIX 2: GLOSSARY OF TERMS Alligatored - Cracked or having acquired the appearance of alligator hide, as from weathering or improper application to a surface. -
THE DUNEDIN ISSUE Issue 26 – 03Rd October 2011
THE DUNEDIN ISSUE Issue 26 – 03rd October 2011 VSM finally passes | OUSA election extravaganza The other side to Dunedin | How to deal with the ‘real world’ Dai Henwood | OUSA budget excitement More news that you can shake a stick at Critic Issue 26 – 1 Critic Issue 26 – 2 Critic – Te Arohi P.O. Box 1436, Dunedin (03) 479 5335 [email protected] www.critic.co.nz contents Editor: Julia Hollingsworth THE DUNEDIN ISSUE Designer: Issue 26 – 03rd October 2011 Andrew Jacombs News Editor: Gregor Whyte News Reporters: Aimee Gulliver, Editorial 5 Lozz Holding Sub Editor: Letters to the Editor 6 Lisa McGonigle Feature Writers: Notices 7 Charlotte Greenfield, Phoebe Harrop, Snippets 8 Siobhan Downes, Joe Stockman News 10 Ad Designer: Karl Mayhew OUSA Election Special 17 Elections are a tricky beast. We equip you with Feature Illustrator: candidates’ blurbs and presidential pundits to Tom Garden make the decision just a little easier. Music Editor: Sam Valentine Celebrate Hidden Dunedin 22 Phoebe Harrop talks to some well-known Film Editor: Dunedinophiles, and discovers Dunedin has Sarah Baillie more to it than goons and stubbies. Books Editor: Sarah Maessen Welcome to the Real World 26 Joe Stockman eases us into the post-graduation Performance Editor: real world of pay slips and boardrooms. Bronwyn Wallace Food Editor: Profile: Dai Henwood 30 Georgie Fenwicke interviews New Zealand Niki Lomax comedy royalty, Dai Henwood. Games Editor: Toby Hills Opinion 31 Art Editor: Hana Aoake Review 37 Food, Games, Theatre, Books, Film, Art, Music Poetry Editor: Tash Smillie State of the Nation 46 Comics Editor: Spencer Hall Summer Lovin 47 And a whole heap of lovely volunteers Poetry and Style 48 Advertising: Comics 49 Kate Kidson, Tim Couch, Dave Eley, OUSA Page 51 Logan Valentine For Ad sales contact: (03) 479 5361 [email protected] www.planetmedia.co.nz Critic Issue 26 – 3 ay With Wo Got a W rds? Critic wants you baby.. -
Engel's Nursery
Engel’s Nursery 2015-2016 Price List DECIDUOUS SIZE 25-75 100-375 400 & Up SIZE 25-75 100-375 400 & Up Acer ginnala “flame” Amelanchier Alnifolia Flame Maple Juneberry Serviceberry H W 15-18 ft Zone 2-8 H 3-18 ft Zone 4-9 Can be grown as a tree or multi-stemmed shrub. Is very hardy tree known Also known as Saskatoon. Is a native to Northern Great Plains, Intermountain for its brilliant autumn color ranging from orange-red to deep red. West and Canada. Is a small to medium suckering shrub that bears white 6-12” .72 .54 .36 flowers followed by edible fruit in June-July. 12-18” .94 .70 .47 6-12” .72 .54 .36 18-24” 1.14 .86 .57 12-18” .94 .70 .47 24-36” 1.40 1.05 .70 18-24” 1.14 .86 .57 36-48” 1.70 1.28 .85 24-36” 1.40 1.05 .70 Acer rubrum Amelanchier laevis Red Maple Alleghany Serviceberry H 40-60 ft Zone 3-9 Zone 4-9 A rapid grower that can adapt to a wide range of soil conditions. Bright red Bears sweet black fruit and is characterized by the bronzy color of its flowers in spring followed by green leaves. Fall colors vary from yellow to unfolding leaves. Leaves turn orange-red in fall. scarlet. 6-12” .72 .54 .36 6-12” .72 .54 .36 12-18” .94 .70 .47 12-18” .94 .70 .47 18-24” 1.14 .86 .57 18-24” 1.14 .86 .57 24-36” 1.40 1.05 .70 24-36” 1.40 1.05 .70 10-199 200 & Up 10-199 200 & Up TR* 12-18” 1.50 1.00 TR* 18-24” 1.50 1.00 TR* 18-24” 1.88 1.25 TR* 24-36” 1.88 1.25 TR* 24-36” 2.93 1.95 TR* 36-48” 2.93 1.95 Amelanchier Lamarckii Acer saccharinum Lamarcki Serviceberry Silver Maple H Zone H 50-70 ft Zone 3-9 Bears purple-black fruit and soft pale pink flower buds in the spring. -
Mobile Learning Transforming the Delivery of Education and Training
Mobile Learning Transforming the Delivery of Education and Training Edited by Mohamed Ally 066897_Book.indb i 3/10/09 9:02:31 AM 066897_Book.indb ii 3/10/09 9:02:34 AM Mobile Learning Transforming the Delivery of Education and Training Edited by Mohamed Ally Issues in Distance Education series 066897_Book.indb iii 3/10/09 9:02:34 AM © 2009 Mohamed Ally Published by AU Press, Athabasca University 1200, 10011 – 109 Street Edmonton, AB T5J 3S8 Library and Archives Canada Cataloguing in Publication Mobile learning: transforming the delivery of education and training / edited by Mohamed Ally. (Issues in distance education) Includes index. Also available in electronic format (ISBN 978-1-897425-44-2). ISBN 978-1-897425-43-5 1. Mobile communication systems in education. 2. Distance education. I. Ally, Mohamed II. Series: Issues in distance education series (Print) LB1044.84.M62 2009 371.33 C2009-900642-1 ISSN 1919-4382 Issues in Distance Education Series (Print) ISSN 1919-4390 Issues in Distance Education Series (Online) Book design by Infoscan Collette, Québec Cover design by W2 Community Media Arts Lab | Vancouver Printed and bound in Canada by Marquis Book Printing This publication is licensed under a Creative Commons License, see www.creativecommons.org. The text may be reproduced for non-com- mercial purposes, provided that credit is given to the original author(s). Please contact AU Press, Athabasca University at [email protected] for permission beyond the usage outlined in the Creative Commons license. 066897_Book.indb iv 3/10/09 9:02:35 AM Contents Foreword ix Contributing Authors xi INTRODUCTION 1 Mohamed Ally Athabasca University, Canada PART ONE: Advances in Mobile Learning Chapter 1 Current State of Mobile Learning 9 John Traxler University of Wolverhampton, United Kingdom Chapter 2 A Model for Framing Mobile Learning 25 Marguerite L. -
Urban Forest Management Plan
CITY OF LACEY URBAN FOREST MANAGEMENT PLAN Lacey Urban Forest Management Plan . 2 Lacey Urban Forest Management Plan URBAN FOREST MANAGEMENT PLAN CITY OF LACEY JULY 25, 2013 . 3 Lacey Urban Forest Management Plan LACEY CITY COUNCIL Virgil Clarkson, Mayor Jason Hearn, Deputy Mayor Jeff Gadman Lenny Greenstein Ron Lawson Cynthia Pratt Andy Ryder LACEY PLANNING COMMISSION Gail Madden, Chair Raymond Payne, Vice Chair Mike Beehler Donald Melnick Kenneth Mitchell Richard Sovde Michael Steadman Ruth Shearer Vasiliy Stupin LACEY CITY MANAGER Scott Spence LACEY COMMUNITY DEVELOPMENT DEPARTMENT Rick Walk, AICP, Director Ryan Andrews, Associate Planner, Lead Staff on 2013 Update David R. Burns, AICP, Principal Planner Sarah Schelling, AICP, Associate Planner Samra Seymour, AICP, Associate Planner Leah Bender and Cindy Carmichael, Permit Technicians Principal technical assistance: Galen M. Wright, ACF, ASCA Certified Arborist No. PN-0129 Certified Forester No. 44 Washington Forestry Consultants, Inc. 1919 Yelm Hwy. SE Olympia, WA 98501 (360) 943-1723 4 Lacey Urban Forest Management Plan Table of Contents Page Table of Contents 5 Executive Summary Background 7 Methodology for Developing the Plan 9 Urban Forester's Technical Review and Recommendations 10 Urban Forest Management Plan A. Introduction 13 B. Goals and Policies for the Urban Forestry Management Plan 22 Technical Appendixes - (Separate Document) Appendix 1 Background and Baseline Information A. Council's First Visioning Work-session for the Development of the Urban Forestry Management Plan B. Soils and Site Information C. Forested Cover D. Street Trees and Maintenance Evaluation 1. Private Street Trees 2. City Maintained Street Trees 3. Tree Diversity and Planting Spot Data 4.