DOCSLIB.ORG

MAERY S. the SECURELY CONFERRED, 7 Daughters of Eve Thtr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MAERY S. the SECURELY CONFERRED, 7 Daughters of Eve Thtr JAN 25 - MAY 15, 2021 25 - MAY JAN THE SECURELY CONFERRED, VOUCHSAFED KEEPSAKES OF MAERY S. 7 Daughters of Eve Thtr. & Perf. Co. 7 DAUGHTERS OF EVE THTR. & PERF. CO. THE SECURELY CONFERRED VOUCHSAFED KEEPSAKES OF MAERY S. WRITTEN AND DIRECTED BY INTRODUCTORY REMARKS Combining literary and dramatic narrative SIBYL KEMPSON JESS BARBAGALLO with eye-witness accounts of Sasquatch MUSIC AND SONGS BY INVOCATIONS encounters from the internet, THE GRAHAM REYNOLDS OCEANA JAMES SECURELY CONFERRED, VOUCHSAFED SOUND DESIGN, ORGINAL AUDIENCE PLANT KEEPSAKES OF MAERY S. reinvents as many SCORING, MUSICAL DIRECTION, NATHAN LEMOINE versions of the Frankenstein author Mary AND SONIC STAGING CHRIS GIARMO ADDITIONAL MONSTER SOUNDS Shelley as there are definitions of the word BUDDY BLOBNER “Gothic.” CO-DIRECTED BY BRIAN MENDES PRE-SHOW CHATTER MAURINA LIOCE The second work of a diptych by 7 Daughters of Eve STAGE MANAGER ADRIENNE TRUSCOTT, Thtr. & Perf. Co., THE SECURELY CONFERRED, VOUCHSAFED OLIVIA O’BRIEN ROSEMARY QUINN KEEPSAKES OF MAERY S. combines literary and dramatic AMANDA DAVIS & narrative with eye-witness internet reportage following PRODUCED BY NATALIE SMITH upon SASQUATCH RITUALS which premiered at The Kitchen AMANDA DAVIS ELLIOTT & FRANK CENNETOGLU NYC in 2018 and was developed and workshopped at LARYSSA, SHARYN & Abrons. Just as the piece spans several time periods STARRING MILO JACKSON HUSIAK and geographies, this new version sews together motley ANDREEA MINCIC & methods of performance making as conduced by the DEE DORCAS BEASNAEL AS AARON TREAT current limitations of our monstrous global moment. MAERY, CLARIE, AND FANNY BRIAN MENDES AS A string of financial, maternal, and familial misfortunes, THE MONSTER coinciding with the advent of electricity, causes Shelley— referred to in this production as Maery S.—to spawn a CHRIS GIARMO AS THE POET LB, monstrous creative expression, which, as technology will MRS. WILLS (OR “COOK”), do, takes on its own life and violent history. Maery, unable LEFT PEASANT MAID, AND to be an impartial witness to the changes unfolding in her THE DAEMONUS CERAMICI time, can’t help falling in love with her Monster, only to see it “collected” and imprisoned by charitable funding at a SIBYL KEMPSON AS THE LADY JANE WILLIAMS DORIS DUKE, mandatory artists’ residency. THE GHOST OF PERCY SHELLEY, AND RIGHT PEASANT THE SECURELY CONFERRED, VOUCHSAFED KEEPSAKES OF MAERY S. is a co-commission by Abrons Arts Center and the VICTOR MORALES & Chocolate Factory Theater. CRYSTAL WEI AS THE WITNESSES ABRONS ARTS CENTER 7 DAUGHTERS OF EVE THTR. & PERF. CO. THE SECURELY CONFERRED VOUCHSAFED KEEPSAKES OF MAERY S. ABOUT MAERY S. Jess Barbagallo is an actor/writer/adjunct. He is currently waiting to get through to the NYS Office of Unemployment. It is an honor to speak the words of Sibyl Kempson and to collaborate with his best friend of (almost) twenty years, Chris Giarmo. Dee Beasneal was nominated for Best Actress nominee for the French Syndicate of Theatre Award. Her work spans stage, voice over, and film. A proud member of 7 daughters of eve theatre company, Dee recently performed as Nina Simone in a touring French production, “Le Silence et la Peur.” Her theatre credits include “All Over Everywhere” (The Kitchen), “In the Solitude of The Cotton Fields” (Skirball Center/ Brooklyn Museum), ”12 shouts to the 10 Forgotten Heavens” (Whitney Museum of Art), “Police and Thieves” (Performance Garage); Film “Before the World Set On Fire”, “The Falling World” Voice Over: “Caillou” (French Market), Sorghum and Spear (PepSqually Productions), “Opal Watson Private Eye, (Pinna Originals); Kyle’s World, (Pinna Originals). Dee currently resides Brooklyn, New York where she has been enjoying copious amounts of baked goods and varieties of tea. Chris Giarmo is a performer, composer, and designer based in New Orleans, LA. He is resident composer of Tina Satter’s theater company, Half Straddle, having sound designed/scored most of their shows since 2008, including Ancient Lives, House of Dance, and Ghost Rings (co-composed with Erin Markey). Chris recently starred in David Byrne’s American Utopia, as a backing vocalist, dancer, dance & vocal captain, and choreographer of the marching-band-inspired “Burning Down the House.” The show toured the world in 2018 (with venues including Red Rocks Amphitheater, Forest Hills Tennis Stadium, and the O2 Arena in London), had a limited run on Broadway in 2019/20, and is currently a feature film on HBO, directed by Spike Lee. Chris has worked with American Utopia choreographer Annie-B Parson since 2005, performing with her company, Big Dance Theater, as well as assisting her on various projects, like David Lang’s the public domain, a 1000-person choral piece performed at Lincoln Center in 2016. He has also sound designed and created original compositions for the works of Jackie Sibblies-Drury, Jess Barbagallo, Faye Driscoll, Mac Wellman and Young Jean Lee and was a backing vocalist in Taylor Mac’s A 24-decade History of Popular Music. His solo music project is called Boys Don’t Fight and his alter-ego is anti-consumerist drag queen and YouTube beauty guru, Kimberly Clark. More info: chrisgiarmo.com ABRONS ARTS CENTER 7 DAUGHTERS OF EVE THTR. & PERF. CO. THE SECURELY CONFERRED VOUCHSAFED KEEPSAKES OF MAERY S. ABOUT MAERY S. Oceana James (b. St. Croix, USVI) is an interdisciplinary artist. Her work retells and re-imagines her Caribbean roots and American experiences. It comments on the socio-political, cultural & economic realities of people of African descent. Her research is centered on epigenetics, the biology and mythology of trees, the intersection of science and religion; and the use of the body to embody and then exorcise traumas of the Trans-Atlantic slave trade. Oceana has a MFA in theatre from Sarah Lawrence College (Bronxville, NY) and a Bachelor of Arts (BA, magna cum laude) in English Literature from the University of the Virgin Islands (St. Croix, USVI). Her recent solo piece For Gowie: The Deceitful Fellow was performed at Dixon Place (New York). Additionally, James is performing and serving as a consultant for Sibyl Kempson’s project 12 Shouts to the Ten Forgotten Heavens at The Whitney Museum (New York). James has worked with The Caribbean Community Theatre; Moving Women Ensemble Theatre; Per Ankh Inc.; St. Croix Sankofa for the Cultural Arts to name a few. She lives and works in Long Island, New York. Sibyl Kempson began making performances at Little Theater and Dixon Place at the turn of the millennium. She launched the 7 Daughters of Eve Thtr. & Perf. Co. in 2015 at the Martin E. Segal Center at the City University of New York. The company’s inaugural production, Let Us Now Praise Susan Sontag, premiered at Abrons Arts Center in NYC the same year. Big Dance Theater’s production of Kempson’s play, Ich, KürbisGeist, premiered at the Chocolate Factory Theater in 2012. Other works have been presented by the Whitney Museum of American Art, the Isabella Stewart Gardner Museum, The Kitchen NYC, New York Live Arts, the Walker Art Center, Salvage Vanguard Theater, Performance Space 122 and New York Theatre Workshop. Kempson was a resident of New Dramatists class of ‘17. Kempson is the recipient of a 2018 PEN/Laura Pels International Foundation for Theater Award for an American Playwright at Mid-Career. She is a four-time Mondo Cane! commissionee at Dixon Place in NYC. She is a 2014 USA Artists Rockefeller Fellow, a NYFA fellow, and a MacDowell Fellow. As a performer Kempson toured internationally with Nature Theater of Oklahoma, New York City Players and Elevator Repair Service from 2000 – 2011. Her plays are published by 53rd State Press, PLAY: Journal of Plays, and Performance & Art Journal (PAJ). Ugly Duckling Presse has just published “Invisible Horizon: A Religious Pamphlet.” Kempson teaches experimental performance writing at Sarah Lawrence College, Victoria College of the Arts/University of Melbourne, and through 7 Daughters of Eve. www.7daughtersofeve.com ABRONS ARTS CENTER 7 DAUGHTERS OF EVE THTR. & PERF. CO. THE SECURELY CONFERRED VOUCHSAFED KEEPSAKES OF MAERY S. ABOUT MAERY S. Brian Mendes: with Richard Maxwell and NYC Players-Police and Thieves, The Evening, Isolde, Saxophone (dir.) People without History (dir.) Ode to the Man Who Kneels, The Darkness of this Reading, Das Maedchen, The Frame, End of Reality, Joe, Henry IV. With Adam Rapp-Through the Yellow Hour and Animals and Plants. With Annie Baker-The Last of the Little Hours (at Sundance Theater Lab). With Tania Bruguerra-Endgame. With James Tyson and Gekidan Kaitaisha (Tokyo)-Spring, Summer, Autumn, Winter. With Sibyl Kempson -Crime or Emergency. Victor Morales, born in Venezuela, is a theater maker whose work includes video design, animation and digital puppetry. Since 2003, Victor has been obsessed with video game engines’ possibilities as an expressive tool for creating performance, film and interactive media. Most recently Olivia O’Brien served as Production Supervisor at the Brooklyn Academy of Music. Select credits include Porgy and Bess at Spoleto Festival USA, Liz Lerman’s Healing Wars (Arena Stage, La Jolla Playhouse), White Plains Performing Arts Center, The Asolo Theater Company, Barrington Stage Co., PICT; Select NY credits: The Women’s Project, New Dramatists, The Water Dream (NYMF), Target Margin Theater Co.’s Mourning Becomes Electra, Uriel Acosta, and The Dinner Party, Jennifer Muller’s The White Room (Cedar Lake), Monte Muller Move! (New York Live Arts), Parallel Exit’s TimeStep (New Victory Theater). Olivia is an Associated Artist of Target Margin Theater Company. www.oliviaobrien.com Called “the quintessential modern composer” by the London Independent, Austin-based composer- bandleader-improviser Graham Reynolds creates, performs, and records music for film, tv, theater, dance, rock clubs, and concert halls, with collaborators ranging from Richard Linklater and Jack Black to DJ Spooky and Jeffrey Zeigler. His Creative Capital Award winning project, Pancho Villa from a Safe Distance, a bilingual cross-border opera created with librettists Lagartijas Tiradas al Sol (Mexico City) and director Shawn Sides (Rude Mechs), has been staged in over a dozen cities in North America.
Load more

Recommended publications
  • WE COULD GIVE Program
    Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 Targetmargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Lorna I. Pérez Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Sarah McEneaney, Matt Hunter Press Representation: John Wyszniewski/Everyman Agency BOARD OF DIRECTORS NEWS OF THE Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. STRANGE LAB ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. TMT PROGRAMS INSTITUTE The Institute is a year-long fellowship (January – December) that provides five diverse artists space, support and a $1,000 stipend to challenge themselves and their art-making practice. 2019 Fellows: Sarah Dahnke, Mashuq Mushtaq Deen, Yoni Oppenheim, Gabrielle Revlock, and Sarah K. Williams. ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid-career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in-Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, Deepali Gupta, Sarah Hughes, and Chana Porter. SPACE RENTALS THE DOXSEE THEATER Our SPACE program provides long term / short term studio nd space for all artists to gather and engage in their creative / 232 52 Street, BK 11220 cultural practices.
    [Show full text]
  • Name Website Address Email Telephone 11R Www
    A B C D E F 1 Name Website Address Email Telephone 2 11R www.11rgallery.com 195 Chrystie Street, New York, NY 10002 [email protected] 212 982 1930 Gallery 14th St. Y https://www.14streety.org/ 344 East 14th St, New York, NY 10003 [email protected] 212-780-0800 Community 3 4 A Gathering of the Tribes tribes.org 745 East 6th St Apt.1A, New York, NY 10009 [email protected] 212-777-2038 Cultural 5 ABC No Rio abcnorio.org 156 Rivington Street , New York, NY 10002 [email protected] 212-254-3697 Cultural 6 Abrons Arts Center abronsartscenter.org 456 Grand Street 10002 [email protected] 212-598-0400 Cultural 7 Allied Productions http://alliedproductions.org/ PO Box 20260, New York, NY 10009 [email protected] 212-529-8815 Cultural Alpha Omega Theatrical Dance Company, http://alphaomegadance.org/ 70 East 4th Street, New York, NY 10003 [email protected] Cultural 8 Inc. 9 Amerinda Inc. (American Indian Artists) amerinda.org 288 E. 10th Street New York, NY 10009 [email protected] 212-598-0968 Cultural 10 Anastasia Photo anastasia-photo.com 166 Orchard Street 10002(@ Stanton) [email protected] 212-677-9725 Gallery 11 Angel Orensanz Foundation orensanz.org 172 Norfolk Street, NY, NY 10002 [email protected] 212-529-7194 Cultural 12 Anthology Film Archives anthologyfilmarchives.org 32 2nd Avenue, NY, NY 10003 [email protected] 212-505-5181 Cultural 13 ART Loisaida / Caroline Ratcliffe http://www.artistasdeloisiada.org 608 East 9th St. #15, NYC 10009 [email protected] 212-674-4057 Cultural 14 ARTIFACT http://artifactnyc.net/ 84 Orchard Street [email protected] Gallery 15 Artist Alliance Inc.
    [Show full text]
  • 18 Delancey Street, New York, NY
    LOWER NEW YORK EAST SIDE NY 18 DELANCEY STREET CONCEPTUAL RENDERING SPACE DETAILS LOCATION FRONTAGE Northwest corner of Chrystie Street 30 FT on Delancey Street 50 FT on Chrystie Street APPROXIMATE SIZE Ground Floor 1,500 SF SITE STATUS Basement 1,500 SF Currently vacant Second Floor 1,500 SF NEIGHBORS Roof 1,500 SF Bowery Ballroom, Vandal, Reformation, The New Museum, Public Hotel, Total 6,000 SF SIXTY LES, Ludlow House, Whole Foods Market, rag & bone, and Sammy’s Roumanian Steakhouse CEILING HEIGHT Ground Floor 15 FT COMMENTS Basement 9 FT Full branding opportunity on a prominent Lower East Side corner Second Floor 10 FT Second Floor can be leased separately from the Ground Floor A few blocks from the Essex Crossing Project with 1.8 million SF of mixed use retail, POSSESSION residential and commercial space Immediate In close proximity to trendy galleries and outstanding restaurants and hotels including Ian Schrager’s Public Hotel, CitizenM Hotel (coming soon) TERM and Sister City Hotel Negotiable All uses allowed In front of the Bowery station AREA NEIGHBORS FLOOR PLANS GROUND FLOOR BASEMENT DELANCEY STREET 30 FT 1,500 SF 1,500 SF 50 FT CHRYSTIE STREET SECOND FLOOR ROOF 1,500 SF 1,500 SF Blue & Bowery Cream SECOND AVENUE Meat Company EAST 1ST STREET FIRST AVENUE The Alchemist's Otherwild Kitchen NY Cozy Cafe Siggy's Good Food AVENUE A AREATom & Jerry's RETAIL EAST HOUSTON STREET EAST HOUSTON STREET Suffolk A Little Popular East Sugar Russ & Mercury element Remedy Diner Fools Gold Mezetto Daughters Lounge Arms Wicked Tax The Gatsby Hotel Houston Café 18 Heaven's Hotel Macando Army & Navy Hot Bagel myplasticheart Club Element Mole The Masalawala ABC L.E.S.
    [Show full text]
  • When Pipsy, a Pedigree Cocker Spaniel, Lands at Bitchfield Animal Shelter, She Becomes the Center of a Turf War Between Dogs & Cats
    LOCKED UP BITCHES by catya mcmullen featuring original music by scott allen klopfenstein directed + choreographed by michael raine performed by the bats FEBRUARY 21 – APRIL 28 wednesdays @ 7PM, thursdays @ 9PM fridays and saturdays @ 11PM TICKETS S15 THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF LOCKED UP BITCHES BOOK AND LYRICS BY CATYA MCMULLEN FEATURING ORIGINAL MUSIC BY SCOTT ALLEN KLOPFENSTEIN DIRECTED AND CHOREOGRAPHED BY MICHAEL RAINE FEATURING THE BATS LACY ALLEN, LEILA BEN-ABDALLAH, XANDRA CLARK, CHARLY DANNIS, JANUCHI URE EGBUHO, PHILIP FELDMAN, KATHERINE GEORGE, ARIELLE GONZALEZ, ALICE GORELICK, ALEX HAYNES, CRISTINA HENRIQUEZ, TIFFANY IRIS, ADAMA B. JACKSON, JENNY JARNAGIN, MARCUS JONES, BRE NORTHRUP, EMMA ORME, JUAN “SKITTLEZ” ORTIZ, JEN PARKHILL, ALEXANDRA SLATER, RYAN WESLEY STINNETT, TANYAMARIA, XAVIER VELASQUEZ, KEITH WEISS, TAMARA WILLIAMS SCOTT ALLEN KLOPFENSTEIN MUSIC DIRECTOR AND ARRANGER KERRY BLU CO-MUSIC DIRECTOR YU-HSUAN CHEN SCENIC AND PROPERTIES DESIGNER EVA JAUNZEMIS COSTUME DESIGNER JONATHAN COTTLE LIGHTING DESIGNER MEGAN DEETS CULLEY SOUND DESIGNER KIMILLE HOWARD AssISTANT DIRECTOR CODY HOM STAGE MANAGER CAST Pipsy ..................................................................................Emma Orme All-Licks ..........................................................................Charly Dannis Crazy Tongue ............................................................ Adama B. Jackson Bull .....................................................................
    [Show full text]
  • East Bowery Preservation Plan: Goals
    Bowery Alliance of Neighbors www.boweryalliance.org East Bowery Preservation Doris Diether, Plan Zoning Consultant East Bowery, Hester to Grand Street Photo: D. Mulkins *Area: 100’ corridor along east Bowery from Canal Street to Stuyvesant Street (above Cooper Sq) (Left out of East Village/Lower East Side Rezoning) *Zoning: Existing zoning remains C6-1 and C6-1G C-6-1: Residential, commercial, community facilities, including hotels, entertainment facilities, retail stores, office space, mixed buildings C6-1G: Same as C6-1 except the conversion of non-residential space to residential space requires a special permit from DCP. *Height Limit: 85’ or 8 stories Conforms to west Bowery zoning. *Lot coverage: Residential 60% (20% of lot must be useable landscaped recreational space) Commercial 70% with 100% coverage on the first floor only. *Protections for Buildings of Special Significance East Bowery Preservation Plan: Goals * Preserve low-rise historic context of entire Bowery. * Preserve Bowery’s low-rise context in relation to adjacent historic Chinatown, Little Italy, NoHo, East Village, and Lower East Side. * Prevent out-of-scale, out-of-context developments * Protect low-rise buildings of special significance. * Allow controlled, responsible development, including community facilities, while maintaining low-rise character. * Promote retention of mixed socio-economic populations, affordable housing, social services, & artists’ live/work spaces. * Protect small businesses, including long-established lighting, jewelry, and restaurant supply
    [Show full text]
  • My Community-To Not Woodhaven Queens 11421 Bandshell Restaurants Music Venues Y Not Sure Y Feel Like I Have to Go Elsewhere
    Represent for Your Community Activity 1. Where do you Live 2. What are your favorite Arts and Culture Spots 3. Does your Neighborhood Have... 5. Anything else? Express yourself. a) How are you most likely to find out about arts and culture Do you go to those places/enjoy events? b) How many arts and/or culture events do you attend a month? c) What would malke you those activities? Why or Why not? more likely to attend more arts and culture events than you normally do? d) Are you an artist or 6. If you were in charge of the budget for Places to Hang Places to be Borough Zipcode Neighborhood Neighborhood Borough All of NYC Activities (Y/N) What programs, places or activities from arts organization? If so, please let us know your discipline or your organization) e) Do you arts and culture in NYC, what's the one (Y/N) creative (Y/N) would you most like to add or bring want to join the Northern Manhattan Arts and Culture email list? (You do not need to be an artist or thing you would fund? back? 4. What is in your neighborhood that you arts organization in order to be updatedon the progress of this organization! We would love to can't find anywhere else? keep everyone informed.) If yes, what is your email address. Manhattan La Mama, all of 4th The Kraine, Under Central Park Y Y Y Yes, because I want to live full life and Diversity in Manhattan on LES, though it is Civil service, non profit, artist job program + more equity in funding.
    [Show full text]
  • Dear Neighbor, I Will Start by Addressing the Protests We Have Seen
    Dear Neighbor, I will start by addressing the protests we have seen take place across the country in response to the murders of George Floyd and Breonna Taylor by police officers. To say I’m appalled by these killings is an understatement. It is beyond devastating to witness how black people are dehumanized in this country. We must all look to systemic changes to undo the legacy of hatred and violence that plagues our city, state and country. Two of my legislative colleagues Diana Richardson and Zellnor Myrie both went to observe protests as elected officials. Both were identified as such, but even still were pepper sprayed and Zellnor was handcuffed. How dehumanizing to be state representatives, but only seen as other during the protest. This is a moment for us to act. In the legislature we are considering a range of bills that would increase police accountability and transparency. This is an important first step. For people who have privilege, I urge you to recognize that and think about how you can be an ally. Protest peacefully and safely, listen and show compassion. We are living through multiple crises and I understand many are feeling overwhelmed right now. We need to work together to stay healthy: wear a face covering, wash your hands, keep up social distancing. People are going to protest. I support that. I’m out there too. If you do decide to protest, please do it in a way that limits your risk of contracting or spreading COVID-19 and does not support the physical destruction of communities we have fought so hard to build.
    [Show full text]
  • Diane Torr, Studio 227, WASPS Artists' Studios Mobile: +44 (0)7791 617
    Diane Torr, Studio 227, WASPS Artists' Studios The Briggait, 141 Bridgegate, Glasgow G15HZ, U.K. Mobile: +44 (0)7791 617 973 [email protected] www.dianetorr.com CV Summary Diane Torr is an artist, director, writer and educator working in performance, film and installation. After graduating from Dartington College of Arts in 1976, Diane moved to New York, where she was an integral part of the lively downtown Manhattan art scene. during the late 70s, 80s 90s. Diane created over 35 original performance works, videos and installations, and her work was presented, and continues to be presented, in downtown spaces such as Franklin Furnace, The Kitchen, James Cohan Gallery. She created work for clubs including The Mudd Club, the Palladium and Danceteria, where she also performed with the all- female art band, DISBAND, of which she is an original member. Her performances have been seen internationally at venues and festivals such as an-de-werf Festival, Utrecht, Festival Internacional de Cabaret, Mexico City, and Migros Museum, Zurich. She is a fellow of the Whitney Museum Independent Study Program. In 2003, she gained a Masters Degree in Fine Art from the Milton Avery Graduate School, Bard College, New York. Diane re-situated to Glasgow at the end of 2002, where she has a studio at WASPS Studios and is a Visiting Lecturer at Glasgow School of Art. Her performance work focuses on strategies to reinvent the narratives of age, sex and gender. Her solo drag performances have been seen around New York since 1982. Diane’s art performances and installations are presented in galleries, performance venues and festivals throughout N.
    [Show full text]
  • East Village • Little Italy • Chinatown
    Lower East Side EAST VILLAGE • LITTLE ITALY • CHINATOWN Streets & Bridges Cooper Square, B2 Gouverneur St, J10 Pell St, L3 Amalgamated Housing, G10 Chatham Towers, M3 Cooper Square Hotel, C2 First Houses, C5 Holy Trinity Ukrainian Orthodox Church, H3 Lillian Wald Houses, C11 Mulberry Street Branch NY Public Library, F1 Off Soho Suites Hotel, G3 PS 20, E6 St. Stanislaus Church, B5 United Jewish Council, J9 Abraham E. Kazan St, G10 Crosby St, F-H1 Grand St, H8-11, J3 Peretz Square, D6 Angel Orensanz Cultural Center, E6 # Children’s Museum of the Arts, H1 # Cooper Union, A2 First Roumanian American Congregation, F6 Home of the Sages of Israel, G9 Little Missionary Day Nursery, A5 Mulberry Street Theater, K2 # Old Merchant's House, C2 PS 42, J6 St. Theresa RC Church, K7 # US Customs Courthouse, M1 Allen St, F-J5 Delancey St, G4-11 Great Jones St, D2 Pike Slip, M7 Anthology Film Archives, D4 Chinatown Day Care, L4 Cooper Union/Hewitt Building, B2 # First Shearith Israel Graveyard, M4 Hotel 91, L5 Love A Lot Preschool, F7 Museum at Eldridge St/Eldridge St Open Door Senior Citizens Center, H2 PS 63, C5 Sara D. Roosevelt Park, F4, H4 Universal Church, C4 Key Astor Place, B1 Delancey St North, F11 Gustav Hartman Square, D9 Pike St, L6 Assembly of God Church in the Village, B2 Chinatown YMCA, E3 Corlears Hook Park, J12 Forsyth Satellite Academy, E4 Hotel Mulberry, L2 Lower East Side Conservancy, J8 Synagogue, K5 Orpheum Theatre, B4 PS 64, B7 School for Global Leaders, E7 University Neighborhood HS, J10 Attorney St, E8, F8 Division St, K6, L4 Henry
    [Show full text]
  • Copyrighted Material
    13_289723-bindex.qxp 10/23/08 12:12 PM Page 332 INDEX Atlas Barber School, 171 @Seaport, 81 Absolute Bagel, 129–130 Audubon Terrace, 235 Academy Records and CDs, 218 Austrian Cultural Forum, 58, 235 Adorama, 219 Aveda Institute New York, 168 African Burial Ground, 322 African Diaspora Ciné-Club, 49–50 AIA New York Chapter, 304, 307 BAC Gallery (Brooklyn), 298 Alexander Technique, 161–162 BAM Rhythm & Blues Festival, 40 Allan & Suzi, 200 B&H, 219–220 Alligator Lounge, 135 Bánh Mì Saigon Bakery, 117 Altman Luggage, 217 Banjo Jim’s, 30 AMC MJ Harlem 9, 52 Bargemusic, 35 American Barber Institute, 170 Barnes & Noble, 89, 90, 307, 331 American Folk Art Museum, 234, 244 Bar None, 137 American Museum of Natural Baryshnikov Arts Center, 75 History, 253 Batista Grocery, 213 Americas Society Art Gallery, 264 Battery Park/Battery Park City, Angelica Kitchen, 128 23, 41, 148, 181, 270, 279, Angel Street Thrift Shop, 196 281, 322 Antarctica, 139 Beaches, 291–295 April Fool’s Day Parade, 20 Beacon’s Closet, 198–199 Aqueduct Racetrack, 97 Beard Papa Sweets Cafe, 132 Arlene’s Grocery, 77–78 Belmont Park, 97 Arthur SeelenCOPYRIGHTED Theatre, 90 Bennie’s MATERIALThai Café, 110 Arthur’s Tavern, 33 Bent Festival, 74 Artists Space, 263 Bereket Turkish Kebob House, 114 The Art Parade, 25 Best Cellars New York, 133 Art Students League, 234–235 Best of Broadway, 73 Asia Society, 244, 246 Bideawee, 224 Asser Levy pool, 176 Big Apple Hostel, 165 Astoria Park Pool, 176 Big Nick’s Joint, 125 Astor Place Hairstylist, 170 Biking, 172–174, 210–211 Astor Wines & Spirits, 133 Birdies, 119 13_289723-bindex.qxp 10/23/08 12:12 PM Page 333 INDEX 333 Bluestockings, 89 Carl’s Steaks, 113 BMCC Tribeca Performing Arts Carnegie Hall, 36, 235–236 Center, 148 Castle Clinton, 42, 320, 323 BookCourt, 89–90 Cathedral of St.
    [Show full text]
  • ¡Oye! for My Dear Brooklyn
    March 15 - 31, 2018 March MODESTO FLAKO JIMENEZ & OYE GROUP ¡OYE! FOR MY DEAR BROOKLYN MODESTO FLAKO JIMENEZ & OYE GROUP ABOUT ¡OYE! FOR MY DEAR BROOKLYN OYE GROUP Runtime: 60 minutes “Listen to the beats / The rhythm of my Oye Group (formerly Brooklyn Gypsies) Writer & Performer Bushwick streets.” Brooklyn impresario is an artist collective made up of New Modesto Flako Jimenez Modesto Flako Jimenez conjures his Yorkers both native and immigrant to beloved borough in this bilingual elegy, the city. We present annual showcases Director told through poems, projections, of new work in theater, dance, poetry Artem Yatsunov and music. With lyrical brilliance and and film that spark dialogue on Video Designer irreverent play, ¡Oye! For My Dear critical issues such as immigration, Kevin Torres Brooklyn complicates our perceptions gentrification, economics, and urban of race, language, and gentrification survival. We curate a mix of established Lighting Designer and calls us to be truly present to ask and emerging artists and give them Megan Lang the question: “What is my moral worth?” a platform to share their art in a Sound Designer stimulating environment. Oye Group is a Drew Weinstein playground to celebrate what is unique about New York City’s eclectic and Set Designer converging art communities. Michael Minahan Stage Manager Kendall Allen Installation Artist Sara Sciabbarrasi Production Manager Skye Morse-Hodgson Production Consultant Jose Esquea WHO’S WHO Modesto Flako Jimenez Co-Founder of the North Jersey nomadic Drew Weinstein Writer & Performer collective StrangeDog Theatre (est. Sound Designer Modesto Flako Jimenez is a Dominican- 2008), called “very raw, very present” Drew is a New York-based director, born, Bushwick-raised theater maker, by the New York Times.
    [Show full text]
  • View Program
    Co-produced by India Blake / IB Productions Cecelia Joyce Johnson / Deep End Productions FROM THE ARTISTIC DIRECTOR A covered mirror. Mourning. Expelling our personal phantoms. These are what initially caused Azure D. Osborne-Lee to write their beautiful play Mirrors. Azure is a dazzling new force in the playwriting community, and New York Theatre Workshop has recognized this, too. We are so pleased that the World Premiere of Mirrors is happening at Next Door at New York Theatre Workshop. Our story begins in the fictional town of Etheridge, Mississippi in the summer of 1960 with Bird – a Black, queer woman (and the town pariah) who is mourning the death of her former love, Belle, and attempting to bond with Belle’s 17-year-old daughter, Alma Jean, who is now Bird’s ward. Though it began with an exploration of death rituals, Mirrors has become a work about the importance of love in the face of grief. And while it is funny and spiritual, it also is an unsparing reminder as to what happens when a larger community deems someone “unacceptable.” Unfair judgments. Isolation. Violence. Discrimination and prejudice at all levels of society are far worse for LGBTQ+ Americans of color. Mirrors is a personal story about death and life in the American South, but it’s also a poignant contribution to the ongoing conversation on social and racial justice, and about the love we find for ourselves and each other when we have the courage to look. At its heart, Mirrors reminds us of the importance of family and community.
    [Show full text]