DOCSLIB.ORG

Samantha Kessler, [email protected], 646.505.4493 Leanne Stella, [email protected], 917.273.4405

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Samantha Kessler, Samkessler@Jccmanhattan.Org, 646.505.4493 Leanne Stella, Leanne@Artinfluxharlem.Com, 917.273.4405 For Immediate Release Press Contact: Samantha Kessler, [email protected], 646.505.4493 Leanne Stella, [email protected], 917.273.4405 “Songs of Freedom” JCC Harlem presents a second Art in Flux exhibition in its community space HARLEM, NY (August 30, 2017) – Songs of Freedom, a show of two and three-dimensional mixed media artworks, video, photography and performance by 10 artists (nine women and one man–a self-proclaimed feminist) opens at the JCC Harlem on Wednesday, September 13. Art In FLUX curators, Leanne Stella and Henone Girma, brought together a group of artists that each use their own experiences and observations to address notions of femininity and female empowerment. "We are ecstatic to be continuing our partnership with Art in Flux to launch a second exhibition at JCC Harlem,” said Meg Sullivan Director of Programs and Community Engagement at JCC Harlem. “And in particular one that elevates women/feminist artists and is sure to encourage conversation about issues that are deeply important to us all." The use of repurposed materials, fabric in Tomo Mori’s Our Little People and wire hangers in Autumn Kioti’s Red Hen (impossible standard) and the painstaking handiwork in each speaks to the resilience and resourcefulness women require to navigate the “modern” world. Our Little People represents the interconnected female bonds that protect voiceless and vulnerable children while the Red Hen performance and installation piece makes a grim yet humorous reference to the expectations surrounding 21st Century womanhood. Lital Dotan’s Transformation on Rockhill (video) and Qinza Najm’s Stretched (mixed media) both depict in their own way how women stretch themselves beyond external limitations and preconceived standards to survive and ultimately flourish. Rejin Leys and Leslie Jimenez paint in a performative piece that can only be completed when they unite in the center. The photographic diptych, Female Empowerment and Blue Building by Ruben Natal-San Miguel shouts shattering the glass ceiling. Hirut Yosef, Tara Sabharwal and Sara Jimenez present a combination of figurative and architectural two- dimensional works that also speak to societal structures surrounding women. The artists collectively weave a story about the challenges women and girls face and the individual and communal strength it takes to stretch beyond clear and abstract restraints. All of the works in Songs Of Freedom are by women in a world where the constant need to protect, nurture, succeed, excel and fight (for gender parity) all co-exist. Exhibition: Songs of Freedom Artists: Autumn Kioti, Hirut Yosef, Leslie Jiménez, Lital Dotan, Qinza Najm, Rejin Leys, Ruben Natal-San Miguel, Sara Jimenez, Tara Sabharwal and Tomo Mori Co-Curators: Leanne Stella and Henone Girma Opening Reception: Wednesday, September 13, 2017, 6:30-9:00 PM Exhibition Dates: September 13 through April 2018 Hours: MON, TUES & FRI 9:00am-6:00pm, WED & THURS 9:00am-9:00pm, SUN 9:00am-5:00pm Location: JCC Harlem, 318 West 118th St, between Frederick Douglass Blvd & Manhattan Avenue, NY 10026 Transportation: C, 2 and 3 trains to 116th Street / M7 or Crosstown M116 to Frederick Douglass Blvd & 116 More Information: www.artinfluxharlem.com, [email protected] Images: 1. Our Little People # 1, Tomo Mori, 2017, 24w x 40h x 24d, recycled fabric and shoes. If you are interested in interviews or photography, please contact Samantha Kessler, [email protected], office: 646.505.4493. # # # About Art in FLUX: Art In FLUX creates opportunities for artists by reclaiming underutilized and unique spaces for art. Since its launch in 2012 as an uptown arts initiative, Art in FLUX has popped up in vacant retail spaces, parks, lobbies, and street corners. In 2015 FLUX expanded to include the FLUX Art Fair and Public Art Projects. By merging artistic, commercial, and community interests, FLUX supports greater accessibility to the arts, connects art patrons with uptown artists, and promotes diversity and inclusivity in the arts. About JCC Harlem Located at 318 West 118th Street, JCC Harlem is a brand-new community space initiative brought to you by JCC Manhattan, in collaboration with UJA-Federation of New York. In our 6,000-square-foot space, we seek to create a hub of Jewish life for Harlem's growing and vibrant Jewish community, hosting holiday celebrations as well as weekly, monthly, and one-time programming for people of all ages and from all walks of life. There will be an exciting array of programming including morning meditation, yoga and MELT Method, family Shabbat and Friday night dinners, Shabbat afternoon programs, Ulpan and adult education, afterschool programs, community engagement through service learning, 20s + 30s events, co-presented ritual events, and birthday parties. About the Artists Autumn Kioti is an interdisciplinary artist and scavenger who combines improvisational movement, aerial arts, choreography, narrative, installation, sound and visual arts, activism and social justice. Finding value in society's discards, she builds masks, puppets, installations and environments. She marries a subconscious narrative with mythic and folk impulses, scavenging bits of everything from history and literature, science and mathematics, to David Attenborough animal documentaries, in the creation of ritual-inspired participatory performances centered on intuitive movement and pure emotion. Select performance/installations include: whisper to me…, ITINERANT Performance Art Festival, Queens Museum, NYC; WHISPERING VOICES, Last Frontier NYC; segment I [in respect for food], Spazio MATTA, Italy; AESCULAPIAN HARVEST [in respect for food], site-specific, Chimayo, New Mexico; BECOMING THEM: a fantasy narrative on our relationship to our tech devices, Gallery Aferro, New Jersey; RUN:rabbit, Dixon Place, NYC; IDEAS IN THE AIR, a conversation with Fritjov Capra, Last Frontier NYC. Artist residencies include: NYC Audubon Society on Governors Island, NYC, NOoSphere Arts, NYC, Santa Fe Art Institute (FOOD JUSTICE residency), Art Monastery Italia, Abruzzo region, Italy. Hirut Yosef is an Illustrator, Fashion Designer and Graphic Artist from Israel. She was born in the city of Gonder in Ethiopia in 1979. Her family immigrated to Israel in 1984 hoping for a better future. In 2005 she graduated from Shenkar College of Engineering and Design with a B.A in Fashion Design. Determined to follow her dreams and passion she moved to Istanbul. While there, she started working on a series of colorful illustrations, which she named Mulu and The Beta Clan. Hirut draws her inspiration from various sources and life experiences. Some of her biggest inspirations would be her Ethiopian mother and grandmother, her African roots and her lifetime love for street art and old school American hip-hop and soul culture. Her work has been shown In Istanbul-Turkey, ATL-usa and New York. Leslie JiméneZ Leslie Jiménez is a Dominican multi-disciplinary artist, illustrator, and museum educator. Based in NY where she works and lives with her husband, daughter and two blood parrot fish. Ms. Jiménez believes in the power of representation from a social justice standpoint. In her work, she explores a wide range of subjects, such as internalized racism and the complexity of formulated identities, the power of choice and its relation to mental and personal health. She aims at questioning narratives of established ideas about beauty, personal relationships, girlhood, womanhood, and motherhood and the constraints of social standards of female behavior. Leslie Jiménez graduated from the prestigious Altos de Chavón School of Design, in the Dominican Republic. She was awarded a full scholarship and graduated with honors from Parsons The New School for Design in New York City. Leslie's work has been exhibited in galleries in NYC, Washington DC, Barbados, Santo Domingo, SCOPE Contemporary Art Fair NY, and New York Presbyterian - The Allen Hospital. Other venues include PBS, and online magazine Mashable. Jiménez has been invited to talk about her work at El Museo del Barrio, CNN en Español, Rutgers University, City College, Art In FLUX and Parsons The New School. Lital Dotan is an immersive artist and playwright working with performance, video and installation art; her works are dedicated to creating independent environments for sustainable performance practice, presentation and preservation. She is the co-founder and artistic director of Glasshouse ArtLifeLab, an art- house currently based in Brooklyn. Co-founded with Eyal Perry in 2007, Glasshouse is a platform dedicated to performance in the domestic sphere, where she organizes and produces festivals, exhibitions, thematic performances, collaborations and residencies, which nourish artists and audiences across generations and disciplines. In 2015 Dotan founded Que sal mah, a bespoke dressmaking studio that merges performance art, choreography and fashion design, where clients book a one-to-one performance session culminating in a dress. The following year she premiered an immersive dinner performance series called A Folded Storm. Her immersive art works and performances have been exhibited in museum and galleries world- wide such as the Israel Museum, National Museum Cracow, Queens Museum, Haifa Museum, Jewish Contemporary SF to name a few and was featured in magazines such as DNA Info, NY Mag, Paper Mag, ArtSlant, Haaretz, Huffington Post, VISION China, TAR Magazine and many more. Since early in her artistic career, she has collaborated with photographer Eyal Perry who is responsible for the photography in the majority of her work. QinZa Najm is a Pakistani-American artist whose work has been selected for many national and international juried exhibitions. Currently Najm's large-scale work is held in several prestigious public and private art collections. She has exhibited at Dubai's Christie’s Art, Miami Art Basel, Sikka Art Dubai, Dumbo Art Fair, Governors Island Art Fair, and Times Square. Najm’s large scale hanging installation will be open to public in February 2016 for three years at Children’s Museum of Manhattan. Najm completed her psychology Ph.D. in the United States, which enables her to explore her subconscious and bring it onto the canvas.
Load more

Recommended publications
  • THE AMERICAN ART-1 Corregido
    THE AMERICAN ART: AN INTRODUCTION Compiled by Antoni Gelonch-Viladegut For the Gelonch Viladegut Collection Paris-Boston, April 2011 SOMMARY INTRODUCTION 3 18th CENTURY 5 19th CENTURY 6 20th CENTURY 8 AMERICAN REALISM 8 ASHCAN SCHOOL 9 AMERICAN MODERNISM 9 MODERNIST PAINTING 13 THE AMERICAN SOUTHWEST 14 HARLEM RENAISSANCE 14 NEW DEAL ART 14 ABSTRACT EXPRESSIONISM 15 ACTION PAINTING 18 COLOR FIELD 19 POLLOCK AND ABSTRACT INFLUENCES 20 ART CRITICS OF THE POST-WORLD WAR II ERA 21 AFTER ABSTRACT EXPRESSIONISM 23 OTHER MODERN AMERICAN MOVEMENTS 24 THE GELONCH VILADEGUT COLLECTION 2 http://www.gelonchviladegut.com The vitality and the international presence of a big country can also be measured in the field of culture. This is why Statesmen, and more generally the leaders, always have the objective and concern to leave for posterity or to strengthen big cultural institutions. As proof of this we can quote, as examples, the Bibliothèque Nationale de France, the British Museum, the Monastery of Escorial or the many American Presidential Libraries which honor the memory of the various Presidents of the United States. Since the Holy Roman Empire and, notably, in Europe during the Renaissance times cultural sponsorship has been increasingly active for the sake of art or for the sense of splendor. Nowadays, if there is a country where sponsors have a constant and decisive presence in the world of the art, this is certainly the United States. Names given to museum rooms in memory of devoted sponsors, as well as labels next to the paintings noting the donor’s name, are a very visible aspect of cultural sponsorship, especially in America.
    [Show full text]
  • March 3-9, 2017 Books/Talks Santa Fe Ukulele Social Club Events ¡Chispa! at El Mesón Jordan Flaherty Thebeestrobistro, 101 W
    CALENDAR LISTING GUIDELINES •Tolist an eventinPasa Week,sendanemail or press release to [email protected] or [email protected]. •Send material no less than twoweeks prior to the desired publication date. •For each event, provide the following information: time,day,date, venue/address,ticket prices,web address,phone number,and brief description of event(15 to 20 words). •All submissions arewelcome; however, events areincluded in Pasa Week as spaceallows. Thereisnocharge forlistings. • Returnofphotos and other materialscannot be guaranteed. • Pasatiempo reserves the righttopublish received information and photographs on The NewMexican's website. ARTS AND ENTERTAINMENT CALENDAR •Toadd your eventtoThe New Mexican online calendar,visit santafenewmexican.com and click on the Calendar tab. March3-9,2017 •For further information contactPamela Beach: [email protected], 202 E. MarcySt., Santa Fe,NM87501, phone: 505-986-3019. CALENDAR COMPILED BYPAMELABEACH FRIDAY 3/3 available,505-988-1234, ticketssantafe.org, Saturdayencore. Galleryand Museum Openings Enfrascada AdobeGallery Teatro Paraguas Studio,3205 Calle Marie, 505-424-1601 221 Canyon Rd., 505-955-0550 Teatro Paraguas presents acomedy by playwright ACenturyofSan Ildefonso Painters: 1900-1999; TanyaSaracho,7:30 p.m., $12 and $20, enfrascada reception 5-7 p.m.; through April. .brownpapertickets.com, Thursdays-Sundays Axle Contemporary through March12. Look forthe mobile galleryinfront of the New Mexico Spring IntoMotion Museum of Art, 107W.PalaceAve. National DanceInstituteNew MexicoDanceBarns, Physical,mixed-media installation by Kathamann; 1140 Alto St. reception 5-7 p.m. Visit axleart.com forvan Astudentproduction, 7p.m., $10 and $15, locations through March26. ndi-nm.org, 505-983-7661. Back PewGallery UnnecessaryFarce First Presbyterian Church of SantaFe, 108 GrantAve., SantaFePlayhouse,142 E.
    [Show full text]
  • Modernism 1 Modernism
    Modernism 1 Modernism Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement, its set of cultural tendencies and array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late 19th and early 20th centuries. Modernism was a revolt against the conservative values of realism.[2] [3] [4] Arguably the most paradigmatic motive of modernism is the rejection of tradition and its reprise, incorporation, rewriting, recapitulation, revision and parody in new forms.[5] [6] [7] Modernism rejected the lingering certainty of Enlightenment thinking and also rejected the existence of a compassionate, all-powerful Creator God.[8] [9] In general, the term modernism encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social, and political conditions of an Hans Hofmann, "The Gate", 1959–1960, emerging fully industrialized world. The poet Ezra Pound's 1934 collection: Solomon R. Guggenheim Museum. injunction to "Make it new!" was paradigmatic of the movement's Hofmann was renowned not only as an artist but approach towards the obsolete. Another paradigmatic exhortation was also as a teacher of art, and a modernist theorist articulated by philosopher and composer Theodor Adorno, who, in the both in his native Germany and later in the U.S. During the 1930s in New York and California he 1940s, challenged conventional surface coherence and appearance of introduced modernism and modernist theories to [10] harmony typical of the rationality of Enlightenment thinking.
    [Show full text]
  • The Museum of Modern Art U West 53 Street, New York, N.Y
    The Museum of Modern Art U west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart NO. 13 FOR RELEASE: FEBRUARY 11, 1972 RECENT ACQUISITIONS X A construction and a painting from the early twentieth century by two Russians and a group of six paintings from the sixties make up the exhibition of new acquisitions to The Museum of Modern Art Painting and Sculpture Collection on view on the first floor through March 5. The Russian works are a life-size figure constructed of painted wood elements (with some crushed eggshells applied for pointillist effect) by the virtually forgotten sculptor and painter Vladimir Baranoff-Rossine (1888-1942), and a large gouache by Ivan Puni (1894- 1956) called Flight of Forms. These purchases constitute major additions by artists not previously represented in the Museum's collection of the crucial, short-lived development of abstract art in Russia before and after the Revolution of 1917. Historically, the Bara- noff-Rossine is especially interesting. Called Symphony Number 1, it was done in Paris in 1913 under the influence of Cubism and establishes the artist as a pioneer experimenter, together with Picasso and Archipenko, with the concept of constructed sculpture, using found components and unconventional materials. In its ambitious scale and intricacy of construction and painted surface, however, it goes beyond anything produced until then by either Picasso or Archipenko. Its title parallels the use of musical nomenclature by the artist's fellow Russian, Wassily Kandinsky, and other works by Baranoff-Rossine confirm his interest in finding a means of integrating musical concepts with those of the visual arts.
    [Show full text]
  • Ronnie Landfield
    FIRST STREET GALLERY 2018 NATIONAL JURIED EXHIBITION JUNE 21 - JULY 14, 2018 JUROR: Ronnie Landfield ENTRY DEADLINE INQUIRIES CONTACT: MUST BE RECEIVED BY [email protected] APRIL 3, 2018 (646) 336- 8053 ABOUT THE JUROR Ronnie Landfield is an American abstract painter, born in 1947 in the Bronx, NY. It is during his early career from the mid-1960s through the 1970s, that his paintings were first associated with Lyrical Abstraction, (related to Post Minimalism, Color Field Painting, and Abstract Expressionism). Represented in those years by the David Whitney Gallery and the André Emmerich Gallery in NYC, he is currently represented by Findlay Galleries, NYC and Palm Beach, FL Landfield has had more than seventy-five solo exhibitions in New York City and elsewhere. In 2007-8, he had a major retrospective at the Butler Institute of American Art, Youngstown, OH, "Ronnie Landfield, Paintings from Five Decades". His work has appeared in more than two hundred group exhibitions worldwide. His paintings are represented in public and private collections including The Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago, the Hirshhorn Museum and Sculpture Garden, the National Gallery of Art, The Seattle Museum of Art, the Norton Simon Museum, the Philadelphia Museum of Art, the Walker Art Center, New York University, Stanford University, Yale University, the University of New Mexico, the U.S. State Department and the Federal Reserve Board, amongst many others. ELIGIBILITY Open to U.S. resident artists at least 18 yrs. old. Exception: Artists currently represented by FIRST STREET GALLERY.
    [Show full text]
  • From Theleague
    LINES from the League The Magazine of the Art Students League of New York Spring 2017 Message from President Ellen Taylor Dear League Community, Welcome to our Spring 2017 issue of Lines from the League. I’m happy and proud to share with you the art, news, listings, and insights in this issue. My fellow Board members and I have been meeting with instructors and many members, students, and staff. You are reaching out to us and we are listening. You’ve got some great ideas. Let’s keep that up! Timothy J. Clark, our Interim Executive Director, has been graciously helping the League through this transition period. He’s been working with the staff and the Board to secure the schedule for both the summer and fall sessions. You will see some exciting new classes and workshops. I encourage you to branch out and sample some of them. Take advantage of what the League has to offer. The diversity of instruction the League provides is unparalleled. We are truly a “one-of- a-kind” place. This issue of Lines features stories about all the things that make the League so fantastic: a discussion of teaching with Costa Vavagiakis, news of the success of our members, suggestions of what exhibitions to see around town this spring and summer, programming updates, news of our supporters, and of course art! In addition, an interview I did with Stephanie Cassidy and Jeanne Lunin is on page 8. It gives some insight into my personal history and relationship with the League. I hope it’s an interesting read.
    [Show full text]
  • JAMES LITTLE FOREWORD the Vanguard Become So Widely Accepted That They Constitute a New Shifting Towards Representation of Any Kind
    NEW YORK CEN TRIC Curated by The Art Students League of New York The American Fine Arts Society Gallery 215 West 57th Street, NYC JAMES LITTLE FOREWORD the vanguard become so widely accepted that they constitute a new shifting towards representation of any kind. academy and, in turn, provoke the development of alternatives. In the NEW YORK–CENTRIC: A NON-COMPREHENSIVE OVERVIEW late 1950s, when Abstract Expressionism was increasingly acclaimed The Color Field painters remained faithful to their older predecessors’ by the small art world of the time, and the meaning of authenticity, conviction that abstraction was the only viable language for artists “Too much is expected of Art, that it mean all kinds of things and is of what he called “color-space-logic.” His work for social justice de- the necessity of abstraction, and the function of art as a revelation of their generation and faithful, as well, to the idea that the painter’s the solution to questions no one can answer. Art is much simpler than manded so much of his time that it often prevented him from painting of the unseen were passionately debated in the Cedar Tavern and role was to respond to inner imperatives, not reproduce the visible. that. Its pretentions more modest. Art is a sign, an insignia to cel- (he mainly produced drawings and works on paper in the 1930s) but The Club, so many younger artists who absorbed these values strove Like the Abstract Expressionists, too, the Color Field painters were ebrate the faculty for invention.” it had significant results, such as getting artists classified as workers to emulate Willem de Kooning’s dense, layered paint-handling that convinced that every canvas, no matter how much it resembled noth- eligible for government support—hence the WPA art programs.
    [Show full text]
  • WE COULD GIVE Program
    Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 Targetmargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Lorna I. Pérez Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Sarah McEneaney, Matt Hunter Press Representation: John Wyszniewski/Everyman Agency BOARD OF DIRECTORS NEWS OF THE Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. STRANGE LAB ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. TMT PROGRAMS INSTITUTE The Institute is a year-long fellowship (January – December) that provides five diverse artists space, support and a $1,000 stipend to challenge themselves and their art-making practice. 2019 Fellows: Sarah Dahnke, Mashuq Mushtaq Deen, Yoni Oppenheim, Gabrielle Revlock, and Sarah K. Williams. ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid-career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in-Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, Deepali Gupta, Sarah Hughes, and Chana Porter. SPACE RENTALS THE DOXSEE THEATER Our SPACE program provides long term / short term studio nd space for all artists to gather and engage in their creative / 232 52 Street, BK 11220 cultural practices.
    [Show full text]
  • For Immediate Release
    FOR IMMEDIATE RELEASE Contact: [email protected] PETER YOUNG Ellipse Paintings ARTIST’S FIRST SOLO EXHIBITION AT GALLERY WENDI NORRIS September 8 – October 29, 2016 Opening Reception: Thursday, September 8, 6-8PM Peter Young in conversation with Gary Garrels, Elise S. Haas Senior Curator of Painting & Sculpture, SFMOMA Wednesday, September 28, 6-7PM #36 – 1994, 1994, Acrylic on canvas, 67 3/4 x 80 1/2 inches (172.1 x 204.5 cm) July 5, 2016 – San Francisco – For the first exhibition with Peter Young, Gallery Wendi Norris will exhibit nine large paintings on canvas and eight small paintings on paper from the artist’s “Ellipse” series. The solo show will encompass the entire gallery with works completed between 1989-2001. Charisma and exuberance flow through the gestural color swatches in Young’s work. In works like #75- 2000 and #76-2000, the central color palette is that of primary colors, and in others, such as #36-1994, the softer hues of western landscapes appear. For example, in #36-1994, the sienna glow of the rocky environs surrounding his Southern Arizona home is prominent, with thinly washed turquoise strokes, suggesting the pristine blue skies of the desert. Though the foreground is made up of flat, thickly colored geometric shapes, the background is comprised of delicate washes of acrylic or vacant white canvas. Such distinct layers produce a surprising sense of depth and motion as the viewer’s eye moves from one plane to the other. A dancing effect materializes and the works approach the near figurative, as if in conversation with paintings of an earlier era with a similar emphasis on joie-de-vivre, perhaps those of Matisse and his fauvist compatriots.
    [Show full text]
  • Name Website Address Email Telephone 11R Www
    A B C D E F 1 Name Website Address Email Telephone 2 11R www.11rgallery.com 195 Chrystie Street, New York, NY 10002 [email protected] 212 982 1930 Gallery 14th St. Y https://www.14streety.org/ 344 East 14th St, New York, NY 10003 [email protected] 212-780-0800 Community 3 4 A Gathering of the Tribes tribes.org 745 East 6th St Apt.1A, New York, NY 10009 [email protected] 212-777-2038 Cultural 5 ABC No Rio abcnorio.org 156 Rivington Street , New York, NY 10002 [email protected] 212-254-3697 Cultural 6 Abrons Arts Center abronsartscenter.org 456 Grand Street 10002 [email protected] 212-598-0400 Cultural 7 Allied Productions http://alliedproductions.org/ PO Box 20260, New York, NY 10009 [email protected] 212-529-8815 Cultural Alpha Omega Theatrical Dance Company, http://alphaomegadance.org/ 70 East 4th Street, New York, NY 10003 [email protected] Cultural 8 Inc. 9 Amerinda Inc. (American Indian Artists) amerinda.org 288 E. 10th Street New York, NY 10009 [email protected] 212-598-0968 Cultural 10 Anastasia Photo anastasia-photo.com 166 Orchard Street 10002(@ Stanton) [email protected] 212-677-9725 Gallery 11 Angel Orensanz Foundation orensanz.org 172 Norfolk Street, NY, NY 10002 [email protected] 212-529-7194 Cultural 12 Anthology Film Archives anthologyfilmarchives.org 32 2nd Avenue, NY, NY 10003 [email protected] 212-505-5181 Cultural 13 ART Loisaida / Caroline Ratcliffe http://www.artistasdeloisiada.org 608 East 9th St. #15, NYC 10009 [email protected] 212-674-4057 Cultural 14 ARTIFACT http://artifactnyc.net/ 84 Orchard Street [email protected] Gallery 15 Artist Alliance Inc.
    [Show full text]
  • 18 Delancey Street, New York, NY
    LOWER NEW YORK EAST SIDE NY 18 DELANCEY STREET CONCEPTUAL RENDERING SPACE DETAILS LOCATION FRONTAGE Northwest corner of Chrystie Street 30 FT on Delancey Street 50 FT on Chrystie Street APPROXIMATE SIZE Ground Floor 1,500 SF SITE STATUS Basement 1,500 SF Currently vacant Second Floor 1,500 SF NEIGHBORS Roof 1,500 SF Bowery Ballroom, Vandal, Reformation, The New Museum, Public Hotel, Total 6,000 SF SIXTY LES, Ludlow House, Whole Foods Market, rag & bone, and Sammy’s Roumanian Steakhouse CEILING HEIGHT Ground Floor 15 FT COMMENTS Basement 9 FT Full branding opportunity on a prominent Lower East Side corner Second Floor 10 FT Second Floor can be leased separately from the Ground Floor A few blocks from the Essex Crossing Project with 1.8 million SF of mixed use retail, POSSESSION residential and commercial space Immediate In close proximity to trendy galleries and outstanding restaurants and hotels including Ian Schrager’s Public Hotel, CitizenM Hotel (coming soon) TERM and Sister City Hotel Negotiable All uses allowed In front of the Bowery station AREA NEIGHBORS FLOOR PLANS GROUND FLOOR BASEMENT DELANCEY STREET 30 FT 1,500 SF 1,500 SF 50 FT CHRYSTIE STREET SECOND FLOOR ROOF 1,500 SF 1,500 SF Blue & Bowery Cream SECOND AVENUE Meat Company EAST 1ST STREET FIRST AVENUE The Alchemist's Otherwild Kitchen NY Cozy Cafe Siggy's Good Food AVENUE A AREATom & Jerry's RETAIL EAST HOUSTON STREET EAST HOUSTON STREET Suffolk A Little Popular East Sugar Russ & Mercury element Remedy Diner Fools Gold Mezetto Daughters Lounge Arms Wicked Tax The Gatsby Hotel Houston Café 18 Heaven's Hotel Macando Army & Navy Hot Bagel myplasticheart Club Element Mole The Masalawala ABC L.E.S.
    [Show full text]
  • When Pipsy, a Pedigree Cocker Spaniel, Lands at Bitchfield Animal Shelter, She Becomes the Center of a Turf War Between Dogs & Cats
    LOCKED UP BITCHES by catya mcmullen featuring original music by scott allen klopfenstein directed + choreographed by michael raine performed by the bats FEBRUARY 21 – APRIL 28 wednesdays @ 7PM, thursdays @ 9PM fridays and saturdays @ 11PM TICKETS S15 THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF LOCKED UP BITCHES BOOK AND LYRICS BY CATYA MCMULLEN FEATURING ORIGINAL MUSIC BY SCOTT ALLEN KLOPFENSTEIN DIRECTED AND CHOREOGRAPHED BY MICHAEL RAINE FEATURING THE BATS LACY ALLEN, LEILA BEN-ABDALLAH, XANDRA CLARK, CHARLY DANNIS, JANUCHI URE EGBUHO, PHILIP FELDMAN, KATHERINE GEORGE, ARIELLE GONZALEZ, ALICE GORELICK, ALEX HAYNES, CRISTINA HENRIQUEZ, TIFFANY IRIS, ADAMA B. JACKSON, JENNY JARNAGIN, MARCUS JONES, BRE NORTHRUP, EMMA ORME, JUAN “SKITTLEZ” ORTIZ, JEN PARKHILL, ALEXANDRA SLATER, RYAN WESLEY STINNETT, TANYAMARIA, XAVIER VELASQUEZ, KEITH WEISS, TAMARA WILLIAMS SCOTT ALLEN KLOPFENSTEIN MUSIC DIRECTOR AND ARRANGER KERRY BLU CO-MUSIC DIRECTOR YU-HSUAN CHEN SCENIC AND PROPERTIES DESIGNER EVA JAUNZEMIS COSTUME DESIGNER JONATHAN COTTLE LIGHTING DESIGNER MEGAN DEETS CULLEY SOUND DESIGNER KIMILLE HOWARD AssISTANT DIRECTOR CODY HOM STAGE MANAGER CAST Pipsy ..................................................................................Emma Orme All-Licks ..........................................................................Charly Dannis Crazy Tongue ............................................................ Adama B. Jackson Bull .....................................................................
    [Show full text]