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Lillian Wald (1867 - 1940)
Lillian Wald (1867 - 1940) Nursing is love in action, and there is no finer manifestation of it than the care of the poor and disabled in their own homes Lillian D. Wald was a nurse, social worker, public health official, teacher, author, editor, publisher, women's rights activist, and the founder of American community nursing. Her unselfish devotion to humanity is recognized around the world and her visionary programs have been widely copied everywhere. She was born on March 10, 1867, in Cincinnati, Ohio, the third of four children born to Max and Minnie Schwartz Wald. The family moved to Rochester, New York, and Wald received her education in private schools there. Her grandparents on both sides were Jewish scholars and rabbis; one of them, grandfather Schwartz, lived with the family for several years and had a great influence on young Lillian. She was a bright student, completing high school when she was only 15. Wald decided to travel, and for six years she toured the globe and during this time she worked briefly as a newspaper reporter. In 1889, she met a young nurse who impressed Wald so much that she decided to study nursing at New York City Hospital. She graduated and, at the age of 22, entered Women's Medical College studying to become a doctor. At the same time, she volunteered to provide nursing services to the immigrants and the poor living on New York's Lower East Side. Visiting pregnant women, the elderly, and the disabled in their homes, Wald came to the conclusion that there was a crisis in need of immediate redress. -
United States Court of Appeals Second Circuit
Cariou v. Prince Doc. 98Doc. 98 11-1197-cv United States Court of Appeals for the Second Circuit PATRICK CARIOU, Plaintiff-Appellee, – v. – RICHARD PRINCE, Defendant-Appellant, GAGOSIAN GALLERY, INC., LAWRENCE GAGOSIAN, Defendants-Appellants. –––––––––––––––––––––––––––––– ON APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK JOINT APPENDIX Volume 8 of 9 (Pages A-1842 to A-2066) HOLLIS ANNE GONERKA BART JONATHAN D. SCHILLER CHAYA WEINBERG-BRODT GEORGE F. CARPINELLO DARA G. HAMMERMAN JOSHUA I. SCHILLER AZMINA N. JASANI BOIES, SCHILLER & FLEXNER LLP WITHERS BERGMAN LLP Attorneys for Defendant-Appellant Attorneys for Defendants-Appellants Gagosian Richard Prince Gallery, Inc. and Lawrence Gagosian 575 Lexington Avenue, 7th Floor 430 Park Avenue, 10th Floor New York, New York 10022 New York, New York 10022 (212) 446-2300 (212) 848-9800 DANIEL J. BROOKS ERIC A. BODEN SCHNADER HARRISON SEGAL & LEWIS LLP Attorneys for Plaintiff-Appellee 140 Broadway, Suite 3100 New York, New York 10005 (212) 973-8000 Dockets.Justia.comDockets.Justia.com i TABLE OF CONTENTS Page Docket Entries............................................................ A-1 Amended Complaint, dated January 14, 2009........... A-16 Answer to Amended Complaint of Defendant Richard Prince, dated March 3, 2009 .................... A-32 Answer to Amended Complaint of Defendants Gagosian Gallery, Inc. and Lawrence Gagosian, dated March 3, 2009 .............................................. A-41 Plaintiff’s Initial Disclosure, dated April 30, 2009.... A-53 Scheduling Order, dated June 19, 2009 ..................... A-58 Memo Endorsed Letter, dated January 27, 2010 ....... A-60 Order of the Honorable Deborah A. Batts, dated March 19, 2010...................................................... A-61 Memo Endorsed Letter, dated April 21, 2010........... -
Cloth and Wood Come to Life When the Annenberg Center for the Performing Arts Presents the Philadelphia Premiere of Basil Twist’S Petrushka
March 21, 2011 CLOTH AND WOOD COME TO LIFE WHEN THE ANNENBERG CENTER FOR THE PERFORMING ARTS PRESENTS THE PHILADELPHIA PREMIERE OF BASIL TWIST’S PETRUSHKA April 6—16, 2011 "Brilliantly imagined, wonderfully expressive, and breathtakingly realized" New York Magazine (Philadelphia, March 21, 2011) — Cloth and wood come to life when the Annenberg Center for the Performing Arts presents the Philadelphia premiere of Petrushka, conceived, designed and directed by Basil Twist, April 6-16, 2011. A tour-de-force of music, movement, design and storytelling, Petrushka is a puppet- theatre version of the legendary 1911 Ballets Russes production Petrouchka, the story of a tragic love triangle between three magical creatures; the lovesick clown Petrushka, the alluring Ballerina and the dashing Moor, whose stories emerge amidst the swirl of the Russian carnival. For tickets or for more information, please visit AnnenbergCenter.org or call 215.898.3900. Tickets can also be purchased in person at the Annenberg Center Box Office. The program begins with an abstract fantasia of puppetry set to Stravinsky's Sonata for Two Pianos, performed by Russian identical twin pianists Julia and Irina Elkina. After a brief pause, the trio of puppets takes the stage and the Elkina Sisters perform their own special two-piano arrangement of Stravinsky’s score based on the composer’s four-hand version of the piece. Nine hidden puppeteers dressed and hooded in black – Lindsay Abromaitis-Smith, Kate Brehm, Jenni Campbell, Kristen Kammermeyer, Keri Lewis, Jonothon Lyons, Marc Petrosino, Lake Simons and Christopher Williams – employ the puppetry technique Japanese Bunraku to bring the four feet tall puppets to life. -
1 June 2016 E-Newsletter
June 2016 e-newsletter Dear Friends of Kehila Kedosha Janina, Wishing all our Jewish readers a Happy Shavuoth. Kehila Kedosha Janina Museum will be closed on Shavuoth. CHECK OUT OUR NEW WEBSITE: www.kkjsm.org and our new e-mails: [email protected] and [email protected]. This newsletter, our 88th will, as always, cover news regarding Kehila Kedosha Janina and news concerning Greek Jewry. We hope you find our newsletter interesting. Your feedback is of utmost importance to us. If you missed previous issues, they can be accessed on our website (www.kkjsm.org). PLEASE NOTE THAT WE NO LONGER USE OUR PO BOX-ALL MAIL SHOULD GO TO 280 BROOME ST. New York, NY 10002. 1 We now reach over 8000 households worldwide, with our community of ‘friends’ continually growing with each newsletter. If you know others who wish to be part of this ever-growing network, please have them contact us at [email protected]. As always, you are all invited to attend our Saturday morning Shabbat services. Just give our Shamas, Sol Kofinas, a heads up ([email protected]) so we are sure that our Kiddush (traditional Greek Jewish Kosher foods) is sufficient. If you wish to sponsor a Kiddush for a special occasion or an Adara, contact Sol. ---------------------------------------------------------------------------------------------------------------- Passings May was a sad month for us as we mourn the passings of too many beloved individuals from our community. While some lived to a blessed old age, two were taken way too young. Our condolences to all of their families and loved ones. ~ We mourn the Passing of Esther Sameh Perl who was only 69 when she died suddenly on May 4th. -
A Daumier of the Rotogravure
FINE FEBRUARY/MARCH 2011 www.galleryandstudiomagazine.com VOL. 13 NO. 3 New York ARTS GALLERY STUDIO Announces the release of Robert Cenedella’s serigraph & “HEINZ 57” 35”x24” , 2011 A DAUMIER OF THE ROTOGRAVURE Hand screened on acid-free stock, signed and numbered by the artist Denys Wortman at the Museum of the City of New York (Certificate of authenticity is available upon request) STUDIO 57 currently represents: Calder Picasso Dali Cenedella Miro Hirschfeld Levine Grosz Gropper Cadmus Benton Pissaro Bellows Renoir Duchamp Landeck Agam Chagal Sloan Wa rh o l “HEINZ 57” by Robert Cenedella 35”x24” TO COME DOWN ON YOUR PRICES. TO COME DOWN BUY THEM, YOU’LL HAVE IF I HAVE August 30, 1948 Grease pencil, graphite and ink Courtesy of The Center For Cartoon VIII Studies and Denys Wortman plus Sleeping with my Uncle: Coming of Age on the Lower East Side in the '50s Studio 57 Fine Arts Custom Framing 211 West 57th Street New York, NY 10013 212–956–9395 from Ed McCormack’s memoir in progress HOODLUM HEART page 8 Beverly A. Smith Tip Toe Marsh - oil on canvas 24"wide X 36" high Toe Tip March 1st – 19th, 2011 Reception: Friday, March 5th 3-6 PM © Susannah Virginia Griffin - The Warrior 48” x 36” New Century Artist Gallery 530 West 25th, New York Hours: Tues - Sat 10 AM - 6 PM www.beverlyasmith.com Artist seeks gallery representation – [email protected] Wally Gilbert “Geometric Series: SINGULAR SENSATIONS Squares, Triangles, and Lines” Masoud Abedi Jorge Berlato Susannah Virginia Griffin Jenny Medved MORPHING INTO MILIEU Francisco Chediak René Foster Maria José Royuela Maricela Sanchez March 1 - March 22, 2011 Reception: Thursday, March 3, 2011 6-8 pm "Triangles # 2-10," image is 38" x 40" on 44" 36" luster paper. -
THE CITY of NEW YORK MANHATTAN COMMUNITY BOARD 3 59 East 4Th Street - New York, NY 10003 Phone (212) 533 -5300 - [email protected]
THE CITY OF NEW YORK MANHATTAN COMMUNITY BOARD 3 59 East 4th Street - New York, NY 10003 Phone (212) 533 -5300 www.cb3manhattan.org - [email protected] Jamie Rogers, Board Chair Susan Stetzer, District Manager District Needs Statement for Fiscal Year 2019 Introduction Community Board 3 Manhattan spans the East Village, Lower East Side, and a vast amount of Chinatown. It is bounded by 14th Street to the north, the East River to the east, the Brooklyn Bridge to the south, and Fourth Avenue and the Bowery to the west, extending to Baxter and Pearl Streets south of Canal Street. This community is filled with a diversity of cultures, religions, incomes, and languages. Its character comes from its heritage as a historic and present day first stop for many immigrants. CD 3 is one of the largest board Districts and is the fourth most densely populated District, with approximately 164,063 people.1 Our residents are very proud of their historic and diverse neighborhood, however, the very characteristics that make this District unique also make it a challenging place to plan and ensure services for all residents and businesses. Demographic Change The CD 3 population is changing in many ways. The 2000 census reported that 23% of our population, over 38,000 of our residents, required income support. By 2014, this number had jumped to about 41% of the total population, over 68,000 persons.2 The number of people receiving Medicaid-only assistance also continues to increase, climbing from 45,724 in 20053 to more than 48,200 people currently.4 Our community is an example of the growing income inequality that is endemic in New York City. -
Clove Galilee Performance Resume 2017-4
CLOVE GALILEE SAG/AFTRA [email protected], clovegalilee.com Hair: Brown Eyes: Brown Height: 5’2” FILM/TELEVISION NIVEA SMOOTH SENSATION Voice CHIAT DAY National Commercial DEAD END KIDS Stephanie JoAnne Akalaitis CONTEMPLATING EMILY Emily Dickinson Lisa Rothe IN LOVE AGAIN Alex Marjorie Mailman TRICK SADDLE John Wayne Jenny Rogers NEW YORK STAGE DIRECTOR IMAGINING THE IMAGINARY INVALID Toinette/ Madame Bejart LaMama ETC. Clove Galilee RED BEADS Girl Skirball Center Lee Breuer THE TEMPEST Young Miranda NYSF/ Delacorte Lee Breuer CARA LUCIA Lucia Joyce HERE Stage Sharon Fogarty THE ROARING GIRLE Jen Foundry Theater Melanie Joseph MABOU MINES’ LEAR France Triplex Theater Lee Breuer TRICK SADDLE Rodeo Clown PS 122 Jenny Rogers AN EPIDOG Leslie HERE Stage Lee Breuer SCHOOL FOR DEVILS Little Devil Primary Stages Ken Russ Schmoll ANIMAL MAGNETISM Cherie Obey St. Ann’s Warehouse Lee Breuer WICKETS (Fefu Adaptation) Julia HERE Stage & 3LD Jenny Rogers ECCO PORCO Rose, Sue Lee PS 122 Lee Breuer IMAGINATION DEAD IMAGINE Woman Performing Garage Ruth Maleczech THE SHAGGY DOG ANIMATION Young Rose The Public Theater Lee Breuer SUMMA DRAMATICA Joey The Flea Lee Breuer BEEBO BRINKER (Reading) Laura NY Theater Wkshp Linda Chapman REGIONAL SCOTUS Theater Elena Kagan Flight Deck, CA Becca Wolff SILENT SKY Henrietta Leavitt Knox Center, CA Kelly Ground SYMPHONIE FANTASTIQUE Puppeteer Zeum Theater, CA Basil Twist THE CONDUCT OF LIFE Nena Rites & Reasons, RI Sara Smith STUPID KIDS (original production) Kimberly Leeds Theater, RI Angela Robinson EVEN AMONG -
Here to Attend the Stella Adler Studio the Mysteries
THE FLEA THEATER JIM SIMPSON ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF THE MYSTERIES ED SYLVANUS ISKANDAR CONCEPT AND DIRECTION JILL RAFSON DRAMATURGY DAVID DABBON MUSIC DIRECTION AND ARRANGMENTS DAVID DABBON ORIGINAL MUSIC CHAse BROCK CHOREOGRAPHY COLLABORATIONTOWN ADDITIONAL CREATIVE SUPPORT MICHAEL WIeseR FIGHT DIRECTION AMY JO JACKSON VOICE AND TEXT DIRECTION JASON SHERWOOD SCENIC DESIGN SETH REIseR LIGHTING DESIGN LOREN SHAW COSTUME AND HAIR DESIGN JEREMY S. BLOOM SOUND DESIGN MARIssA BERGMAN PROPS MASTER KARA KAUFMAN PRODUCTION STAGE MANAGER BETH DEMBROW MANAGING DIRECTOR BENJAMIN D. RUSH TECHNICAL DIRECTOR RON LASKO/SPIN CYCLE PRESS REPRESENTATIVE This work was supported by an Exploration grant from the Doris Duke Charitable Foundation to The Flea Theater for the Building Demand for the Performing Arts Program. PlayWRIGHTS (in order of performance) ACT I - THE FALL Dael Orlandersmith........Song of the Trimorph (Lucifer’s Lament) Liz Duffy Adams....................................................Falling for You Jason Williamson........................The Eighth Day (Creation Hymn) Johnna Adams............................................................God’s Rules Madeleine George.............................A Worm Walks into a Garden, or The Fall of Man Jorge Ignacio Cortinas..........................................Right of Return David Henry Hwang..................................................Cain and Abel Trista Baldwin...................................................................Build -
On Stealing Viewpoints
Performance Research A Journal of the Performing Arts ISSN: 1352-8165 (Print) 1469-9990 (Online) Journal homepage: http://www.tandfonline.com/loi/rprs20 On Stealing Viewpoints Tony Perucci To cite this article: Tony Perucci (2017) On Stealing Viewpoints, Performance Research, 22:5, 113-124, DOI: 10.1080/13528165.2017.1384188 To link to this article: https://doi.org/10.1080/13528165.2017.1384188 Published online: 19 Dec 2017. Submit your article to this journal Article views: 79 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rprs20 On Stealing Viewpoints TONY PERUCCI Mary Overlie is an observer/participant, (NYU’s) Experimental Theatre Wing (ETW) a deconstructing postmodern theatre practitioner, studio incorporated them into their theatre an original anarchist. She is a woman who is not practice. However, the increasing currency of afraid of obscurity, or worried that being unknown the ‘Viewpoints’ name in recent years is largely might obscure her ideas … The Six Viewpoints is due to its popularization by the acclaimed her child. Mary Overlie, Standing in Space: The Six Viewpoints theatre director Anne Bogart, through her Theory & Practice (2016c: 198) well-known work with SITI Company and their regular training ‘intensives’, as well as As she admits freely and often, Anne Bogart stole the 2005 publication of Anne Bogart and Tina the Viewpoints from Mary Overlie, a postmodern Landau’s The Viewpoints Book: A practical dancer and choreographer from Montana who came to New York in 1971. guide to viewpoints and composition. Bogart has Scott Cummings, Remaking American Theatre: long boasted of having ‘stolen’ the Viewpoints Charles Mee, Anne Bogart and the SITI Company from Overlie during her brief time teaching (2006: 110) at ETW, the studio that Overlie had helped You do not take work from someone else and use to found. -
Annual Report 2012
Cover Back Spine: (TBA) Front PMS 032U Knock out Annual Report 2012 LETTER FROM THE MAYOR 4 PART I: 2007–2012: A PERIOD OF AGENCY INNOVATION 11 PART II: AGENCY PORTFOLIO, FY12 37 PROGRAMSERVICES 39 PROGRAM SERVICES AWARD RECIPIENTS 40 CULTURAL DEVELOPMENT FUND PANELISTS 50 CULTURAL AFTER SCHOOL ADVENTURES GRANT RECIPIENTS 53 CULTURAL INSTITUTIONS GROUP 58 CAPITALPROJECTS 63 CAPITAL PROJECTS FUNDED 66 RIBBON CUTTINGS 68 GROUNDBREAKINGS 69 EQUIPMENT PURCHASES 69 COMMUNITY ARTS DEVELOPMENT PROGRAM 70 30TH ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 71 PERCENT FOR ART PROGRAM 72 MATERIALS FOR THE ARTS 74 RECIPIENTS OF DONATED GOODS 76 PARTICIPATING SCHOOLS IN ARTS EDUCATION PROGRAMS 88 CULTURAL AFFAIRS ADVISORY COMMISSION 90 MAYOR’S AWARDS FOR ARTS AND CULTURE 91 DEPARTMENT OF CULTURAL AFFAIRS STAFF 92 P HO TO CREDITSPHOTO 94 ACKNOWLEDGEMENTS 95 4 Letter from The Mayor NEW YORK CITY: STRENGTHENING INVESTMENT IN THE ARTS Our City’s cultural organizations are essential arts are to New York City’s vibrancy and to improving to ensuring that New York remains one of the world’s the lives of New Yorkers and visitors from around the great cities. A magnet for talent from around the world, world. In addition, the development of new information our creative community is also a thriving small business technology systems has enabled the Department to track sector that exists in every neighborhood throughout these services and further advocate on behalf of culture’s the five boroughs. That is why our Administration has tremendous impact on our City. made supporting the arts a top priority, and why over And we continue to push boundaries in expanding our the past five years—despite challenging times—we have service to the creative sector. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
For Immediate Release
For Immediate Release ELLENEllen Jacobs JACOBS Associates ASSOCIATES611 Broadway Suite 403 New York, NY 10012 USA T: 212.245.5100 F: 212.397.1102 [email protected] www.ejassociates.org photo by Alex Fabozzi LA MAMA PRESENTS WORLD PREMIERE OF ‘IMAGINING THE IMAGINARY INVALID,’ A MABOU MINES AND TRICK SADDLE PRODUCTION BASED ON MOLIERE’S ‘THE IMAGINARY INVALID,’ JANUARY 21-FEBRUARY 7 AT LA MAMA’S ELLEN STEWART THEATRE A classic Mabou Mines feat is to take a theatrical classic, reimagine it from top to bottom, then turn it inside out; the result is a production so spanking new that the original gleams with fresh and unexpected relevance. The tradition continues in a collaboration with Trick Saddle and the 45-year old company. The two companies combine forces in the world premiere of “Imagining the Imaginary Invalid,” inspired by “The Imaginary Invalid,” Moliere’s piercing satiric take on the pretension, gullibility and vulnerability of we poor mortals. Presented by La MaMa, a production of Mabou Mines and Trick Saddle, the play runs January 21-February 7 at La MaMa’s Ellen Stewart Theatre. Conceived in 2012 by the beloved late actress/director Ruth Maleczech, one of the cofounders of the tradition-bending troupe, and her daughter Clove Galilee, Trick Saddle Co-Artistic Director and a Mabou Mines Associate Artist , who serves as the show’s director and choreographer, the radically reimagined and reworked classic has original text by Valeria Vasilevski and is adapted by Trick Saddle Co-Artistic Director Jenny Rogers. Adhering to the spirit of Trick Saddle’s use of unconventional settings , the play takes place backstage where the actors are preparing for their performance.