Elective 2: Textiles, Fashion and Design
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A Blitz on Bugs in the Bedding
THE MAGAZINE OF THE INSTITUTE OF CONSERVATION • SEPTEMBER 2011 • ISSUE 36 A blitz on bugs in the bedding Also in this issue PACR news and the new Conservation Register Showcasing intern work in Ireland A 16th century clock WILLARD CONSERVATION EQUIPMENT visit us online at www.willard.co.uk Willard Conservation manufactures and supplies a unique range of conservation tools and equipment, specifically designed for use in the conservation and preservation of works of art and historic cultural media. Our product range provides a premier equipment and technology choice at an affordable price. Visit our website at www.willard.co.uk to see our wide range of conservation equipment and tools and to find out how we may be able to help you with your specific conservation needs. Willard Conservation Limited By Appointment To Her Majesty Queen Elizabeth II Leigh Road, Terminus Industrial Estate, Chichester, West Sussex PO19 8TS Conservation Equipment Engineers Willard Conservation Ltd, T: +44 (0)1243 776928 E: [email protected] W: www.willard.co.uk Chichester 2 inside SEPTEMBER 2011 Issue 36 It is an autumn of welcomes. 2 NEWS First, welcome to the new version of the Conservation Interesting blogs and Register which went live at the end of August. Do take a look websites , research projects, at it at www.conservationregister.com and help with putting uses for a municipal sculpture right any last minute glitches by filling in the feedback survey and a new bus shelter form. 7 Welcome, too, to the latest batch of Accredited members. 4 PROFESSIONAL UPDATE Becoming accredited and then sustaining your professional Notice of Board Elections and credentials is no walk in the park, so congratulations for the next AGM, PACR updates, completing the first stage and good luck in your future role as training and library news the profession’s exemplars and ambassadors. -
American Culture: Fashion and Sustainability
AMERICAN CULTURE: FASHION AND SUSTAINABILITY A thesis submitted to the Kent State University Honors College in partial fulfillment of the requirements for Departmental Honors by Kelsey Merritt May, 2018 Thesis written by Kelsey Merritt Approved by _____________________________________________________________________, Advisor _____________________________________________________________________, Co Advisor ______________________________________________, Director of Fashion Accepted by ___________________________________________________, Dean, Honors College ii TABLE OF CONTENTS LIST OF FIGURES…..……………………………………………...……………………iv LIST OF TABLES………..………………………………………………………………vi ACKNOWLEDGMENT………………………………………….……………………..vii CHAPTERS I. INTRODUCTION……………………………………………….………..1 Delimintations……………………………………………………………..4 II. LITERATURE REVIEW………………………………………….………6 III. DATA COLLECTION METHODS……………………………………..12 IV. FINDINGS AND DISCOVERINGS…………………………………….42 V. RECOMMENDATIONS………………………………………………...48 REFERENCES……………………………………………………………………...…...54 APPENDIX 1. Appendix A………………………………………………………………58 2. Appendix B………………………………………………………………60 3. Appendix C………………………………………………………………63 4. Appendix D………………………………………………………………66 iii LIST OF FIGURES Figure 1: Inside Stoll knit factory………………………………………………………..15 Figure 2: Stoll’s knit factory entrance…………………………………………………...16 Figure 3: Sample garments created………………………………………………………16 Figure 4: Ka de We shoe floor…………………………………………………………...18 Figure 5: Rug maker……………………………………………………………………..20 Figure 6: Testing rug making myself…………………………………………………….20 -
A Selection of Details from My Graduate Portfolio - Created to Display My Year Process As an ‘Exhibition’
AMELIA WANG a selection of details from my graduate portfolio - created to display my year process as an ‘exhibition’ instagram: @ameliawang.design email: [email protected] AMELIA WANG exhibition, curation, display. I hope for my graduate collection to be viewed as an exhibition. It is a halt in time, to capture and re-tell memories that are held within clothing. I have specifically placed focus on personal family stories since the Chinese Cultural Revolution (1966-1976). The collection objectifies and presents the experiences of three generations within my family: from my Popo (paternal Chinese grandmother) to my Baba (father), and also me. I have designed garments which cross classical fashion boundaries, steering from what usual connotations of ‘fashion’ are, and instead functioning across both commercial and non-commercial contexts. The collection should be appreciated as a build-up of memories and experiences coming together with the present in both wearable and scultpural ways; to be appreciated whether it is on a living and moving body or not. AMELIA WANG Developing new dimensions for my portfolio. ROOM 4 ROOM 5 ROOM 6 textile select react and and and craft refine adjust ROOM 3 respond and develop ROOM 7 Making a 2D illustrations exhibition space that can be CENTRAL SPACE navigated by the INTRODUCTION viewer. ROOM 2 COLLECTION PLACEMENT curate, hang, MY GRANDMA AS MY MUSE display Project stages ROOM 8 technical drawings divided into rooms. ROOM 1 ROOM 9 research accessories and communicate Taking a walk through my graduate collection. exhibition map AMELIA WANG room plan to imagine my 2D work in a 3D setting. -
2019 Proceedings Las Vegas, Nevada
Las Vegas, Nevada 201 9 Proceedings Art is the Flower, Life is the Green Leaf Erin French, Iowa State University, USA Keywords: Quilt, art, Mackintosh, Scotland Contextual Review and Concept Submission context. Charles Rennie Mackintosh (1868-1928) was a Scottish architect, interior designer, and artist who designed the Glasgow School of Art (GSA) building (Macaulay, 2010). The GSA as an institution of higher education and as a building made a major contribution to a unique visual movement known as the Glasgow Style, which was characterized by forms found in nature such as roses, seeds, and leaves as well as by its emphasis on linearity through vertical lines, elongated forms, and repeated squares (Euler, 2008; Wood, 2004). Nearly a century after Mackintosh’s death, his design, buildings, and artwork continue to inspire fashion designers, fabric designers, and fiber artists. Within the past 10 years, collections by Giorgio Armani, Christopher Kane, and Issey Miyake have featured garments influenced by Mackintosh and the Glasgow Style (Blank, 2010; Blank, 2015; Mower, 2018). Campbell (2008) created a kimono from digitally printed fabric that was inspired by Mackintosh’s fabric designs and the GSA building. In terms of fiber arts, Wood (2004) demonstrated how the major motifs of Mackintosh’s work could serve as inspiration for embroidery designs. I studied, lived, and worked in the Glasgow area for five years and was granted library privileges at the GSA as I studied for my master’s degree. These experiences led me to form an intellectual and emotional bond with the GSA building that moving back to the United States did not break. -
An Evaluation of the Performance of Leggings Based on a Consumer Survey
University of Kentucky UKnowledge Theses and Dissertations--Retailing and Tourism Management Retailing and Tourism Management 2019 AN EVALUATION OF THE PERFORMANCE OF LEGGINGS BASED ON A CONSUMER SURVEY Virginia Elizabeth Groppo University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.312 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Groppo, Virginia Elizabeth, "AN EVALUATION OF THE PERFORMANCE OF LEGGINGS BASED ON A CONSUMER SURVEY" (2019). Theses and Dissertations--Retailing and Tourism Management. 17. https://uknowledge.uky.edu/mat_etds/17 This Master's Thesis is brought to you for free and open access by the Retailing and Tourism Management at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Retailing and Tourism Management by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Athleisure and Femininity Will Lead Spring '18 Fashion
MintModa: Athleisure and Femininity Will Lead Spring ’18 Fashion sourcingjournalonline.com/mintmoda-athleisure-femininity-spring-18/ 9/7/2017 With New York Fashion Week in full swing, MintModa predicts that athleisure and femininity will lead fashion for the coming spring. “Spring ’18 will reflect current movements toward the casual, the functional, the artisanal and the individual, as well as the current fascination with the prim styles of the romantic past,” said Sharon Graubard, founder and creative director of MintModa. “While it sometimes seems like all of New York City is dressed in either workout clothes or jeans, fashion has a wonderful ability to absorb these Photo credit: MintModa movements into forward-thinking, fresh silhouettes.” While consumers remain focused on wellness, athleisure is expected to take a more fashion-forward aesthetic. 1/2 Standard activewear, including leggings and sweats, will become more stylish and suitable for consumers’ daily activities. Dubbed ‘Glo-Mad,’ this trend involves a mix of body-hugging and loose apparel, like a billowing parka over athletic pants or a tight bodysuit. “We will see featherweight techno fabrics cut into nomadic shapes that wrap and tie around the body,” Graubard said. “Colors here will be deep vegetal tones popped with silver, gold or neon, a palette that takes its cue from the Afro-Futurist art movement.” Femininity will also be redefined for Spring ’18. As gender identities continue to blur in fashion, feminine looks will fall into two main categories—mod and reworked vintage. [Read more on 2018 trend forecasting: Pantone Predicts Wellness, Maximalism to Lead 2018 Home Décor Color Trends] Culling inspiration from the ‘60s, apparel will feature a playful mix of feminine details. -
A GLOSSARY of THEATRE TERMS © Peter D
A GLOSSARY OF THEATRE TERMS © Peter D. Lathan 1996-1999 http://www.schoolshows.demon.co.uk/resources/technical/gloss1.htm Above the title In advertisements, when the performer's name appears before the title of the show or play. Reserved for the big stars! Amplifier Sound term. A piece of equipment which ampilifies or increases the sound captured by a microphone or replayed from record, CD or tape. Each loudspeaker needs a separate amplifier. Apron In a traditional theatre, the part of the stage which projects in front of the curtain. In many theatres this can be extended, sometimes by building out over the pit (qv). Assistant Director Assists the Director (qv) by taking notes on all moves and other decisions and keeping them together in one copy of the script (the Prompt Copy (qv)). In some companies this is done by the Stage Manager (qv), because there is no assistant. Assistant Stage Manager (ASM) Another name for stage crew (usually, in the professional theatre, also an understudy for one of the minor roles who is, in turn, also understudying a major role). The lowest rung on the professional theatre ladder. Auditorium The part of the theatre in which the audience sits. Also known as the House. Backing Flat A flat (qv) which stands behind a window or door in the set (qv). Banjo Not the musical instrument! A rail along which a curtain runs. Bar An aluminium pipe suspended over the stage on which lanterns are hung. Also the place where you will find actors after the show - the stage crew will still be working! Barn Door An arrangement of four metal leaves placed in front of the lenses of certain kinds of spotlight to control the shape of the light beam. -
Global Material Sourcing for the Clothing Industry
International Trade Centre UNCTAD/WTO Source-it Global material sourcing for the clothing industry Source it English copyright.pdf 1 2/17/2014 5:07:03 PM Source it English copyright.pdf 2 2/17/2014 5:07:18 PM International Trade Centre UNCTAD/WTO Source-it Global material sourcing for the clothing industry Geneva 2005 Source it English copyright.pdf 3 2/17/2014 5:07:18 PM ii ABSTRACT FOR TRADE INFORMATION SERVICES 2005 SITC 84 SOU INTERNATIONAL TRADE CENTRE UNCTAD/WTO Source-it – Global material sourcing for the clothing industry Geneva: ITC, 2005. xvi, 201 p. Guide dealing with dynamics of the global textiles and clothing supply chain, and why and how garment manufacturers need to develop alternative sourcing and supply management approaches – reviews historical background; discusses Chinese advantage in the international garment industry; explains different stages involved in material sourcing process; deals with fabric and trim sourcing; discusses politics of trade; includes case studies; appendices cover preferential access to the EU, summary of United States rules of origin, measures and conversions, and shipping terms/Incoterms; also includes glossary of related terms. Descriptors: Clothing, Textiles, Textile fabrics, Supply chain, Supply management, Value chain, Agreement on Textiles and Clothing English, French, Spanish (separate editions) ITC, Palais des Nations, 1211 Geneva 10, Switzerland The designations employed and the presentation of material in this publication do not imply the expression of any opinion whatsoever on the part of the International Trade Centre UNCTAD/WTO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. -
Charles Rennie Mackintosh (1868 –1928)
Duncanrig Secondary School Department of Art&Design Art & Design Studies Learner’s N4/5 Outcome 1 Design Factsheet Design Studies Textiles/Pattern N4: Describe the things that have inspired and influenced designers and their work by: N4: 1.1 Describing how designers use design materials, techniques and/or technology in their work N4: 1.2 Describing the things that have influenced these designers and the work they produce N4: 1.3 Expressing facts and personal opinions about the designers’ work A study of Charles Rennie Mackintosh (1868 –1928) Tobacco Flower textile design, Watercolour design for Rose & Teardrop, Watercolour & Gouache, 1915-23 Furniture Fabric, 1915-23, Watercolour Textile Design, 1915-23 CLICK ON LINK BELOW TO VIEW RELEVANT IMAGES https://s-media-cache-ak0.pinimg.com/originals/f1/e5/70/f1e570055e84b7871a46482a091b610e.jpg https://s-media-cache-ak0.pinimg.com/originals/a9/77/25/a977252411cd1fd494da9bf6e5dae80e.jpg https://s-media-cache-ak0.pinimg.com/originals/5d/46/4a/5d464aa612facc9e943a0e7484abf2a5.jpg Images from The Hunterian Museum, Mackintosh Collection What is Textiles Design? Textile design is a creative field that fulfills a variety of purposes in our lives such as our clothing, carpets, drapes, towels, and historically wall coverings. The creations of patterned textiles are not only important for their use, but also for the role they play in the fashion industry. Textile designers have the ability to inspire collections, trends, and styles. The textile industry, while being a creative art form, is a very business savvy industry. Textile designers marry a creative vision of what a finished textile will look like with a deep understanding of the technical aspects of production and the properties of fibre, yarn, and dyes. -
Medieval Clothing and Textiles
Medieval Clothing & Textiles 2 Robin Netherton Gale R. Owen-Crocker Medieval Clothing and Textiles Volume 2 Medieval Clothing and Textiles ISSN 1744–5787 General Editors Robin Netherton St. Louis, Missouri, USA Gale R. Owen-Crocker University of Manchester, England Editorial Board Miranda Howard Haddock Western Michigan University, USA John Hines Cardiff University, Wales Kay Lacey Swindon, England John H. Munro University of Toronto, Ontario, Canada M. A. Nordtorp-Madson University of St. Thomas, Minnesota, USA Frances Pritchard Whitworth Art Gallery, Manchester, England Monica L. Wright Middle Tennessee State University, USA Medieval Clothing and Textiles Volume 2 edited by ROBIN NETHERTON GALE R. OWEN-CROCKER THE BOYDELL PRESS © Contributors 2006 All Rights Reserved. Except as permitted under current legislation no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form or by any means, without the prior permission of the copyright owner First published 2006 The Boydell Press, Woodbridge ISBN 1 84383 203 8 The Boydell Press is an imprint of Boydell & Brewer Ltd PO Box 9, Woodbridge, Suffolk IP12 3DF, UK and of Boydell & Brewer Inc. 668 Mt Hope Avenue, Rochester, NY 14620, USA website: www.boydellandbrewer.com A CIP catalogue record for this book is available from the British Library This publication is printed on acid-free paper Typeset by Frances Hackeson Freelance Publishing Services, Brinscall, Lancs Printed in Great Britain by Cromwell Press, Trowbridge, Wiltshire Contents Illustrations page vii Tables ix Contributors xi Preface xiii 1 Dress and Accessories in the Early Irish Tale “The Wooing Of 1 Becfhola” Niamh Whitfield 2 The Embroidered Word: Text in the Bayeux Tapestry 35 Gale R. -
Motivations Behind University Students' Decisions to Wear Athletic Attire
University of Central Florida STARS HIM 1990-2015 2015 The Performance of Health? Motivations Behind University Students' Decisions to Wear Athletic Attire Shannon Payne University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Payne, Shannon, "The Performance of Health? Motivations Behind University Students' Decisions to Wear Athletic Attire" (2015). HIM 1990-2015. 615. https://stars.library.ucf.edu/honorstheses1990-2015/615 THE PERFORMANCE OF HEALTH? MOTIVATIONS BEHIND UNIVERSITY STUDENTS’ DECISIONS TO WEAR ATHLETIC ATTIRE by SHANNON N. PAYNE A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Anthropology in the College of Sciences and in The Burnett Honors College at the University of Central Florida Orlando, Florida Summer Term 2015 Thesis Chair: Dr. Joanna Mishtal ABSTRACT “Athleisure” is a relatively new term to the American lexicon, a portmanteau used to describe athletic clothing used for leisure purposes. Recent studies show a disconnect between consumers’ desire to purchase athletic attire and the percentage of Americans considered “active to a healthy level and beyond.” While athletic wear sales skyrocket, reported levels of inactivity have slowly increased in recent years. These trends indicate a phenomenon in which consumers prioritize ownership of athletic wear over athletics. -
The 5 Next Activewear Opportunities in Southeast Asia
OCTOBER 2020 • PRODUCT & TREND The 5 Next Activewear Opportunities in Southeast Asia Introduction | The Region’s Strong Sell-Out Performance| Five Growth Opportunities | Key Next Steps Written by Amelia Teh, Head of Business Intelligence OCTOBER 2020 • PRODUCT & TREND Introduction ADIDAS SINGAPORE HOMEPAGE ON MAY 8, 2020 AS CAPTURED BY OMNILYTICS’ VISUAL MERCHANDISING SOLUTION Key Insights • Covid-19 Shifts Demand: Southeast Asians’ growing need to stay healthy and comfortable with daily wear have translated to strong demand for running gear and yoga wear. At the same time, they also demand for value in purchases. • Women on the Rise: Women’s category for running outperformed men’s in terms of sell-out growth at +55% vs. +28% in the last 6 months, against the previous period (Apr – Sep 2020 versus Oct 2019 – Mar 2020). • Sustainability Awareness: Activewear products containing recycled materials have doubled in the past 6 months. The pro-longed Covid-19 pandemic has given rise to running and other forms of exercise including home fitness regimes. This new norm coupled with the existing demand for activewear to be worn as daily wear, have led consumers in Southeast Asia to spend more on the segment as it enters essential consumption. While athleisure-inspired and performance footwear leads activewear in the region, there are opportunities in the other categories. This report shares the five neXt growth opportunities of activewear, in a region that will become the world’s fourth- largest economy worth approXimately $4 trillion USD by the neXt decade. Exactly 69,121 data points were analysed from October 2019 to September 2020 (last 12 months) on womenswear and menswear from Nike, Adidas, Under Armour, New Balance and Puma, including both mono-brand and multi-label retailer sites such as Zalora, Bobobobo and Sports Direct across Indonesia, Singapore and Malaysia.