The Athleisure Movement: It’S a Power Combo of Style, Comfort, Fit and Functionality
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Dress Code and Etiquette Guidelines
DRESS CODE AND ETIQUETTE GUIDELINES The Montour Heights Country Club Dress Code and Etiquette Guidelines apply to all members, their families and guests, including children. The purpose of the Dress Code and Etiquette Guidelines is to ensure that proper respect is shown to all of our members, their families and guests while using the Club. If there are any questions, please contact the Golf Professional. CLUBHOUSE AND CLUB GROUNDS: • Hats, caps or visors are not to be worn in the following areas: Member’s Lounge, Dining Room, Ballroom or Banquet Rooms, including hallways associated with these areas. • Hats, when worn elsewhere, are to be worn in the traditional manner. • Sweatpants, sweatshirts or other related work-out type clothing are not permitted in the Clubhouse in any area. • Dress slacks, dress shorts (Bermuda length) and business casual wear are recommended for all dining areas. • Shirts must be tucked in at all times regardless of age. Shirts and shoes must be worn at all times, except in the pool area. • Pool attire is not permitted. T-shirts and tank tops are not appropriate and are not permitted. GRILL ROOM AND GRANDE TERRACE: • General appearance should remain neat and subdued dressy casual, golf or tennis attire. • Pool attire is not permitted. MAIN DINING ROOM: Prior to 5:30 pm: • Slacks, dressy shorts and shirts with collars or mock-collared shirts are required for men. After 5:30 pm: • Slacks, dressy shorts or evening wear are required for women. • Hats, caps and visors are not permitted. DRESS CODE AND ATTIRE EXCEPTION FOR DRESS BLUE JEANS: • Blue jeans and appropriate denim attire will be permitted in the Member’s Lounge, the Grill Room and Grand Terrace. -
Business Professional Dress Code
Business Professional Dress Code The way you dress can play a big role in your professional career. Part of the culture of a company is the dress code of its employees. Some companies prefer a business casual approach, while other companies require a business professional dress code. BUSINESS PROFESSIONAL ATTIRE FOR MEN Men should wear business suits if possible; however, blazers can be worn with dress slacks or nice khaki pants. Wearing a tie is a requirement for men in a business professional dress code. Sweaters worn with a shirt and tie are an option as well. BUSINESS PROFESSIONAL ATTIRE FOR WOMEN Women should wear business suits or skirt-and-blouse combinations. Women adhering to the business professional dress code can wear slacks, shirts and other formal combinations. Women dressing for a business professional dress code should try to be conservative. Revealing clothing should be avoided, and body art should be covered. Jewelry should be conservative and tasteful. COLORS AND FOOTWEAR When choosing color schemes for your business professional wardrobe, it's advisable to stay conservative. Wear "power" colors such as black, navy, dark gray and earth tones. Avoid bright colors that attract attention. Men should wear dark‐colored dress shoes. Women can wear heels or flats. Women should avoid open‐toe shoes and strapless shoes that expose the heel of the foot. GOOD HYGIENE Always practice good hygiene. For men adhering to a business professional dress code, this means good grooming habits. Facial hair should be either shaved off or well groomed. Clothing should be neat and always pressed. -
Swagger Like Us: Black Millennials' Perceptions of 1990S Urban Brands
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2018 Swagger like us: Black millennials’ perceptions of 1990s urban brands Courtney Danielle Johnson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the American Material Culture Commons, and the Fashion Design Commons Recommended Citation Johnson, Courtney Danielle, "Swagger like us: Black millennials’ perceptions of 1990s urban brands" (2018). Graduate Theses and Dissertations. 16600. https://lib.dr.iastate.edu/etd/16600 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Swagger like us: Black millennials’ perceptions of 1990s urban brands by Courtney Danielle Johnson A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Apparel, Merchandising and Design Program of study committee: Eulanda A. Sanders, Co-major Professor Kelly L. Reddy-Best, Co-major Professor Tera Jordan The student author, whose presentation of the scholarship herein was approved by the program of study committee, is solely responsible for the content of this thesis. The Graduate College will ensure this thesis is globally accessible and will not permit alterations after a degree is conferred. Iowa State University Ames, Iowa 2018 Copyright © Courtney Danielle Johnson, 2018. All rights reserved. ii DEDICATION This thesis is dedicated to Black folks. -
Updated 5.3 EPK 2019 Press Releasefinal
Meredith Ekstedt Senior PR Manager Lands’ End 212-302-6100 [email protected] Lands’ End Showcases Inclusive Swimsuit Offerings for Summer 2019 The Company Offers Over 19,000 Mix and Match Opportunities, 21 One-piece Styles in 78 Colors and Patterns, 23 Cover Up Choices in 96 Colors and Patterns DODGEVILLE, Wis. – May 7, 2019 – Lands’ End (NASDAQ: LE), a leading uni-channel retailer known for high-quality apparel for the whole family, is highlighting its expansive range of inclusive swimwear designed for every body. With over 19,000 mix and match top-and-bottom options, 21 one-piece styles, and 23 cover up choices – ranging from bright yellows to bold prints, and sun protection to versatile beach wear – Lands’ End ensures that everyone can stay on top of this summer’s latest trends and feel their best on the beach. The company’s expansive swimwear collection is available in a range of inclusive sizes, including regular, plus, long, long plus, petite, petite plus and mastectomy. “We believe the best beach body is the one you already have,” said Chieh Tsai, chief product officer, Lands’ End. “We designed our swimwear collection so that everyone can look and feel great in and out of the water while participating in this season’s top style trends, no matter your size, shape or coverage preference.” Lands’ End offers a variety of swimwear in a wide range of inclusive sizes, cuts, coverage options, colors and patterns to meet this season’s top trends: • Bold & Animal Prints: A staple on the runway for many seasons, you can easily incorporate this trend into your swim wardrobe by mixing and matching a bold print with a solid separate, or dive fully into this trend with an animal printed one piece. -
American Culture: Fashion and Sustainability
AMERICAN CULTURE: FASHION AND SUSTAINABILITY A thesis submitted to the Kent State University Honors College in partial fulfillment of the requirements for Departmental Honors by Kelsey Merritt May, 2018 Thesis written by Kelsey Merritt Approved by _____________________________________________________________________, Advisor _____________________________________________________________________, Co Advisor ______________________________________________, Director of Fashion Accepted by ___________________________________________________, Dean, Honors College ii TABLE OF CONTENTS LIST OF FIGURES…..……………………………………………...……………………iv LIST OF TABLES………..………………………………………………………………vi ACKNOWLEDGMENT………………………………………….……………………..vii CHAPTERS I. INTRODUCTION……………………………………………….………..1 Delimintations……………………………………………………………..4 II. LITERATURE REVIEW………………………………………….………6 III. DATA COLLECTION METHODS……………………………………..12 IV. FINDINGS AND DISCOVERINGS…………………………………….42 V. RECOMMENDATIONS………………………………………………...48 REFERENCES……………………………………………………………………...…...54 APPENDIX 1. Appendix A………………………………………………………………58 2. Appendix B………………………………………………………………60 3. Appendix C………………………………………………………………63 4. Appendix D………………………………………………………………66 iii LIST OF FIGURES Figure 1: Inside Stoll knit factory………………………………………………………..15 Figure 2: Stoll’s knit factory entrance…………………………………………………...16 Figure 3: Sample garments created………………………………………………………16 Figure 4: Ka de We shoe floor…………………………………………………………...18 Figure 5: Rug maker……………………………………………………………………..20 Figure 6: Testing rug making myself…………………………………………………….20 -
The Evolution of Streetwear
The Evolution of Streetwear The newfound reality of Streetwear and its luxury-like management Trabalho Final na modalidade de Dissertação apresentado à Universidade Católica Portuguesa para obtenção do grau de mestre em Marketing por Miguel Lobo de Macedo sob orientação de Professora Doutora Joana César Machado Universidade Católica, Faculdade de Economia e Gestão, Maio de 2015 Acknowledgements Máximo 1 página (facultativo) Abstract Purpose: To explore the critical dimensions of successful streetwear brands and how they garner customers’ attention, devotion and regard for the brand. Ultimately, the goal is to compare the anatomy of a streetwear brand to that of a luxury fashion brand and analyze the main differences and similarities between the two in order to understand how a streetwear brand, Supreme, operates in its niche market. By using a case study approach, this study plans on analyzing the newfound reality of streetwear, the reasons for its unprecedented consumption and what the biggest brands in this industry do in order to appeal, constantly, to different crowds: the devoted followers and the fashion-driven consumers. With this in mind, the study intends to validate the relevancy of these streetwear labels in today’s luxury fashion markets. Findings: The aspirational consumer of today’s streetwear will be the aspirational consumer of the eventual luxury market of tomorrow. I understand that there is still a lot to be studied within this streetwear industry but believe to have validated the importance of these brands in the purchasing intention of today’s consumers, by deconstructing the brands. Three important levels of analysis cement my study. -
How Fashion Erased the Politics of Streetwear in 2017
City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism Fall 12-15-2017 Mask On: How Fashion Erased the Politics of Streetwear in 2017 Frances Sola-Santiago How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/219 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Mask On: How Fashion Erased the Politics of Streetwear in 2017 By Frances Sola-Santiago Hip-hop culture dominated the fashion zeitgeist in 2017. From a Louis Vuitton and Supreme collaboration to Gucci’s support of Harlem designer Dapper Dan’s store reopening, the fashion industry welcomed Black culture into the highest echelons of high fashion. Rapper Cardi B became the darling of New York Fashion Week in September after being rejected by designers throughout most of her career. Marc Jacobs traded the runway for the street, staging a show that included bucket hats, oversized jackets, and loads of corduroy on a large number of models of color. But while the industry appeared to diversify by acknowledging the indomitable force of hip-hop culture, it truly didn’t. The politics of hip-hop and Black culture were left out of the conversation and the players behind-the-scenes remained a homogeneous mass of privileged white Westerners. Nearly every high fashion brand this year capitalized on streetwear— a style of clothing born out of hip-hop culture in marginalized neighborhoods of New York City and Los Angeles, and none recognized the historical, cultural, and political heritage that made streetwear a worldwide phenomenon, symbolizing power and cool. -
Exploring Generation Y Consumers' Fitness Clothing Consumption: A
Volume 10, Issue 3, 2018 Exploring Generation Y Consumers’ Fitness Clothing Consumption: A Means-end Chain Approach Katelyn Patrick Business Development Specialist, Glen Raven, MS & BS, College of Textiles, North Carolina State University Yingjiao Xu, Ph.D. Associate Professor, Textile and Apparel, Technology and Management, College of Textiles, North Carolina State University, Raleigh, NC ABSTRACT Thanks to the growing health awareness and the trend of athleisure, the fitness clothing market has been substantially growing. Generation Y consumers are one of the major segments for the sportswear industry in the U.S. The purpose of this study is to identify preferred product attributes, perceived benefits/consequences and driving values related to Generation Y consumers’ fitness clothing consumption. The means-end chain (MEC) model was adopted to identify the underlying values related to Generation Y consumers’ fitness clothing consumption. Data were collected from 35 subjects via laddering interviews. A hierarchical value matrix (HVM) was structured following the means-end chain analysis. Results highlighted Gen Y consumers’ self-esteem, social recognition, and financial needs in their consumption of fitness clothing. Aesthetics and price seemed to be the most salient attributes identified by the subjects for fitness clothing, followed by durability, performance, fit, breathability and wick-ability. Connecting product attributes to consumer values, perceived consequences included economic value, comfort, image, efficiency, and avoiding embarrassment. This study revealed the major values underlying Generation Y consumers’ consumption of fitness clothing as well as preferred product attributes and perceived benefits/consequences. These findings could provide great implications to the fitness clothing companies in their product development and marketing communication. -
Dress Code – Standards of Modesty Linfield Christian School (LCS)
Dress Code – Standards of Modesty Linfield Christian School (LCS) desires to create an educational atmosphere that honors God and maximizes learning. Modesty, moderation, neatness, cleanliness, and gender distinction are the overriding principles of the LCS dress code and are values expected to be embraced by all LCS students whenever they are on campus or attending a school- related activity. All wardrobe related decisions are at the discretion of school administration. Clothing should be clean, neat, and appropriately sized. Clothing that is excessively tight, baggy, dirty, or sloppy is not allowed. Modesty is very important. Clothing and/or any pictures, drawings, symbols, or values advertising/promotional material that promote drugs, alcohol, tobacco, anti-Americanism, racism, or sexual promiscuity is not allowed. Parental review and support before a student leaves for school is an important aspect of meeting dress code standards. Students are expected to arrive in uniform and remain in wardrobe attire until they depart from school for the day. Students must be in modest dress at all times while on campus or attending all school events, or participating in co-curricular activities. The intent of these guidelines is to allow some variety of tastes within the wardrobe framework of modesty, decency, and appropriateness. If attire is not appropriate, student will be required to change into suitable clothing in order for the student to continue the day of classes. Students will not be permitted to attend class until they are in approved wardrobe. Consequences for not following the dress regulations will result in discipline outlined by each division administrator. Modesty Guiding Principle – It is a violation of the dress code to show underwear, midriff, lower back, or cleavage at any time (including while leaning over or raising the arms). -
Urban Representation in Fashion Magazines
Chair of Urban Studies and Social Research Faculty of Architecture and Urbanism Bauhaus-University Weimar Fashion in the City and The City in Fashion: Urban Representation in Fashion Magazines Doctoral dissertation presented in fulfillment of the requirement for the degree of Doctor philosophiae (Dr. phil.) Maria Skivko 10.03.1986 Supervising committee: First Supervisor: Prof. Dr. Frank Eckardt, Bauhaus-University, Weimar Second Supervisor: Prof. Dr. Stephan Sonnenburg, Karlshochschule International University, Karlsruhe Thesis Defence: 22.01.2018 Contents Acknowledgements ................................................................................................................................. 5 Thesis Introduction .................................................................................................................................. 6 Part I. Conceptual Approach for Studying Fashion and City: Theoretical Framework ........................ 16 Chapter 1. Fashion in the city ................................................................................................................ 16 Introduction ....................................................................................................................................... 16 1.1. Fashion concepts in the perspective ........................................................................................... 18 1.1.1. Imitation and differentiation ................................................................................................ 18 1.1.2. Identity -
An Evaluation of the Performance of Leggings Based on a Consumer Survey
University of Kentucky UKnowledge Theses and Dissertations--Retailing and Tourism Management Retailing and Tourism Management 2019 AN EVALUATION OF THE PERFORMANCE OF LEGGINGS BASED ON A CONSUMER SURVEY Virginia Elizabeth Groppo University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.312 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Groppo, Virginia Elizabeth, "AN EVALUATION OF THE PERFORMANCE OF LEGGINGS BASED ON A CONSUMER SURVEY" (2019). Theses and Dissertations--Retailing and Tourism Management. 17. https://uknowledge.uky.edu/mat_etds/17 This Master's Thesis is brought to you for free and open access by the Retailing and Tourism Management at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Retailing and Tourism Management by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Wardrobe Care 101
Wardrobe Care 101 www.marthastewart.comwww.marthastewart.com marthastewart.comc 20052005 MARTHA STEWARTSTEWART LIVINGLIVING OMNIMEDIAOMNIMEDIA c 2006 MARTHA STEWART LIVING OMNIMEDIA ................................................ ................................................CONTENTS 3 WASHING, DRYING, IRONING, & MENDING CLOTHES Our favorite tips and techniques for keeping clothing and accessories in tip-top condition. 7 PRINTABLE STAIN CHART Keep this guide in the laundry room for easy reference when spills occur. 8 DE-CLUTTER YOUR CLOSET & DRAWERS Three smart strategies for organizing your entire wardrobe. 12 CLOTHESKEEPING ‘GOOD THINGS’ Soap sachets, no-slip hangers, a clever laundry sack, and more easy projects. marthastewart.com sponsored by: PAGE 2 ................................................ ................................................WASHING, DRYING, IRONING, & MENDING CLOTHES Ten Tips for a Perfect Wash 1. READ THE LABELS: The tags sewn into most articles of clothing advise about specific treatments. 2. TEST FOR COLORFASTNESS: Labels often indicate whether a garment is colorfast. If you’re unsure, dampen fabric in a discreet spot (like an inside seam), wait a minute or two, and blot with a white cloth; if the cloth takes on color, the garment is not colorfast. Wash noncolorfast clothes alone until they stop releasing dye (include an old white sock in the wash each time; once it emerges untainted, you can add the garment to the rest of your wash). 3. SORT AND SEPARATE: Put whites and light colors in one basket, darks in another. Use additional baskets for extra- dirty garments or items that produce a lot of lint, such as terry- cloth towels and flannel shirts. Divide heavy clothes (like jeans) and lighter sheers and permanent-press items. Zip zippers, tie drawstrings, empty pockets, and unroll cuffs.