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British Fiction Today
Birkbeck ePrints: an open access repository of the research output of Birkbeck College http://eprints.bbk.ac.uk Brooker, Joseph (2006). The middle years of Martin Amis. In Rod Mengham and Philip Tew eds. British Fiction Today. London/New York: Continuum International Publishing Group Ltd., pp.3-14. This is an author-produced version of a paper published in British Fiction Today (ISBN 0826487319). This version has been peer-reviewed but does not include the final publisher proof corrections, published layout or pagination. All articles available through Birkbeck ePrints are protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Citation for this version: Brooker, Joseph (2006). The middle years of Martin Amis. London: Birkbeck ePrints. Available at: http://eprints.bbk.ac.uk/archive/00000437 Citation for the publisher’s version: Brooker, Joseph (2006). The middle years of Martin Amis. In Rod Mengham and Philip Tew eds. British Fiction Today. London/New York: Continuum International Publishing Group Ltd., pp.3-14. http://eprints.bbk.ac.uk Contact Birkbeck ePrints at [email protected] The Middle Years of Martin Amis Joseph Brooker Martin Amis (b.1949) was a fancied newcomer in the 1970s and a defining voice in the 1980s. He entered the 1990s as a leading player in British fiction; by his early forties, the young talent had grown into a dominant force. Following his debut The Rachel Papers (1973), he subsidised his fictional output through the 1970s with journalistic work, notably as literary editor at the New Statesman. -
The Limits of Irony: the Chronillogical World Of
THELIMITS OF IRONY The Chronillogical World of Martin Arnis' Time's Arrow s a work of Holocaust fiction, Martin Arnis' Time'sArrm is as A, oving and disturbing as it is ingenious; indeed, it is Amis' narrative ingenuity that is responsible for the work's moral and emotional impact. What moves and disturbs the reader is the multitude of ironies that result from the reversal of time- the "narrative conceitn (Diedrick 164) that structures and drives the novel.' In Time'sArrow the normal present-to-future progression becomes the movement from present to past and the normative convention of realistic fiction-the inability to foresee the future- becomes the inability to recall the past. A narrator in Amis' Einstein's Monsters describes the 20th-century as "the age when irony really came into its own" (37) and Time'sAwow is an ironic tour-de-force if ever there was one. The minor and major ironies generated by the time- reversal all follow from the most important effect of the trope- the reversal of all normal cause-effect relations. (The minor become major as the reverse becomes increasinglypmerse.) The irony is structural-formal when the reader recognizes that the novel is an inverted Bihhngsromn- detailing the devolution of the protagonist- and an autobiography told by an amnesiac; but as might be expected, the trope results in an array of more locally comic, and then, grimly dark ironies. Indeed, the work's most disturbing effects are the epistemological and, ultimately, onto- logical uncertainties which are the cumulative impact of the narrative method. -
Political Discourse in Martin Amis's Other People: a Mystery Story
Martin, Karl, and Maggie Too: Political Discourse in Martin Amis’s Other People: A Mystery Story Stephen Jones common thread that runs throughout criticism of Martin Amis’s Awork is a concentration on the formal aspects of his writing. In his earlier work, this concentration often comes at the expense of his novels’ political content. Martin Cropper has written that: Martin Amis has published two novels worth re-reading, his third and fourth: Success (1978) and Other People: A Mystery Story (1981). Each is structurally exquisite—a double helix; a Möbius strip (Cropper, p.6) While I would argue that all of Amis’s work is worth reading regardless, and possibly because, of any ‘aesthetic shortcomings’ that Cropper may identify, his description of Amis’s precise structuring is enlightening. The analogy to the mathematical structures of a double helix and a Möbius strip suggests the precision and rigidity with which Amis has ‘calculated’ his narrative structures, and it is the Möbius strip structure of Other People: A Mystery Story (1981) in particular that appears to have distracted many critics from any political content that the novel may contain. Brian Finney pays close attention to the novel’s metafictional elements, concluding that its cyclical structure entraps ‘the narrator and the reader ... in the web of the fictional construct’ (Finney, p.53). Finney’s suggestion is that the main purpose of the novel’s metafictional devices is to draw attention to the problems of narrative closure. While Finney is correct in noting this, it is also possible to read these devices as drawing attention to social as well as narrative issues. -
Martin Amis: Postmodernism and Beyond, Edited by Gavin Keulks 102 Martin Amis: Postmodernism and Beyond a Lethal Hostility to Deviation Or Resistance
7 Martin Amis’s Time’s Arrow and the Postmodern Sublime Brian Finney California State University, Long Beach Time’s Arrow (1991) confronts a question that has consumed Amis from an early stage in his career: is modernity leading civilization to self-destruction? While his main concern remains the world’s develop- ment of nuclear weapons, he sees the origins of the West’s drive to implode not just in Hiroshima and Nagasaki but in the Holocaust (Time’s Arrow) and the Soviet gulags (Koba the Dread). The Holocaust is, he has said, “the central event of the twentieth century” (Bellante, 16). As Dermot McCarthy observes: Amis’s “generation suffers from an event it did not experience, and will expire from one it seems power- less to prevent” (301). James Diedrick has called Einstein’s Monsters (1987), London Fields (1989), and Time’s Arrow an “informal trilogy” (104). The first two focus on a nuclear holocaust that threatens postwar civilization, whereas Time’s Arrow returns to the Holocaust, which cast its shadow over the rest of the century. London Fields and Time’s Arrow complement one another in particular. In a prefatory note to London Fields Amis mentions that he even considered calling the novel by the latter’s title. Indeed, Hitler remains at the heart of Amis’s belief that we are living in the aftermath of disaster. In London Fields Nicola Six remarks that “it seemed possible to argue that Hitler was still running the century” (395), and in 2002 Amis confessed, “I feel I have unfinished business with Hitler” (Heawood, 18). -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Immortality in Ravelstein
[Expositions 6.1 (2012) 81–89] Expositions (online) ISSN: 1747–5376 Immortality in Ravelstein STEPHEN BLOCK Baylor University This essay takes up the issue of “return” in Saul Bellow’s Ravelstein, a theme related to the alternatives of faith and philosophy or Jerusalem and Athens. Although the “return” is usually associated with faith, Bellow portrays Abe Ravelstein as initiating a return to the great texts of philosophy. Thus, the great question at the end of the novel which Bellow asks us is, Which provides a path towards immortality: faith or philosophy, Jerusalem or Athens? In the novel, Chick, who is the narrator, provides an absurd picture of Ravelstein as a Moses- like lawgiver creating a religion for his students and friends based on the Platonic dialogues. On Ravelstein’s account, modernity has perverted the human soul, making it neither faithful nor philosophic. And yet this same critique undercuts the idea that the question of philosophy or faith is a permanent question, as on his account moderns evade these alternatives. Ravelstein’s return to the ancients is thus paradoxical: it accepts the impermanence of the question of philosophy or faith, such that a call to return to these alternatives cannot be understood as philosophic. While Ravelstein is certainly about the relationship between faith and reason, it is also about whether we should understand human choices either as modern versus ancient or as philosophy versus faith. It is Chick’s less critical stance towards modern life that preserves Athens and Jerusalem as fundamentally human alternatives. Chick’s, and ultimately Bellow’s, manner of “seeing” and writing is aimed at showing the persistence and continuance of the old in the new, of the ancient in the modern, and thus of the persistence of the alternatives between faith and philosophy. -
A Study of Jake Barnes Self - Awareness of His Weakness and His Relationship with the Woman
A Study of Jake Barnes Self - Awareness of His Weakness and His Relationship with the Woman In Hemingway’s Novel A Thesis Submitted in Fulfillment of the Requirement For the Sarjana Sastra Degree at Faculty of Letters Hasanuddin University ANDINI SARI MAKKA F21107102 ENGLISH DEPARTMENT, FACULTY OF LETTER HASANUDDIN UNIVERSITY MAKASSAR 2011 ACKNOWLEDGMENT Praise and gratitude the writer prayed as much as possible to Jesus Christ for all his inclusion and protection, so this paper can be resolved as such. During the process of writing, there are many challenges, trials, and problems that writers face. But with perseverance, patience and hard work of the writer, as well as encouragement and guidance from faculty mentors, eventually everything can be resolved. The writer awares of her ability in writing this thesis, therefore this thesis is still far from perfection, both the content and composition. Thus the writer with all the limitations expecting suggestions from any readers, for discussion in this paper is more perfect. In preparation of this thesis from begin to end, many people are involved. Therefore, with humility the writers say many thanks and highest appreciation to Drs. Hussain Hasyim,M.Hum as the head of English Department, Drs.R.S.M.Assagaf,M.Ed as her first consultant and Drs.M.Amir P.M.Hum as her second consultant. who gave her the time in motivating , helping, correcting, and guiding during the preparation of this thesis. And also the writers thanks to Drs. M Syafri Badaruddin, M.Hum as her first examiner and Karmila Mokoginta,SS,M.Hum as her second examiner who gave many correction.The writers also thanks to all the lectures and staffs of English department who helping and educated the writer during her study. -
Holding House Meetings
Organizing Toolbox Articles from Kentuckians for the Commonwealth and the Southern Empowerment Project Holding House Meetings One method that local groups have found effective in strengthening an organization is to hold a series of house meetings. House meetings help an organization to get basic information out quickly and efficiently to a wider range of people. It can also be an efficient approach to get a broader group of people to define a particular issue and to be more specific about what they want to see changed in their community. For example, in one county, a group of people interested in forming a VOP chapter had one-to-one conversations with members of the community for over nine months. They heard in many of these conversations that education was a problem, so they decided to hold a series of house meetings to find out more specifically what people wanted to see changed about the educational system in the county. The group had to develop a plan for the house meetings. At a planning meeting, the coordinating committee set a goal of having 20 house meeting in two months, assigned tasks that are described below and set a date to come together to discuss the comments they received at each house meeting. Besides refining the focus of the issue work, the group was hoping to get more people active and to build support and momentum for a public action (or actions). The group also used the house meeting approach to increase the diversity of their group, to get new ideas about possible strategies and to help members learn new leadership skills. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
ORB 3 1.Indd
Oxonianthe Review michaelmas 2003 . volume 3 . issue 1 of books Voices of the Victims Narrating the Genocide in Rwanda n May 2003, I rode a bus from Kigali, the capital of Rwanda, to Gashora, a village two Ihours south, with 70 men who had committed genocide or crimes against humanity nine years earlier, when between 500,000 and 1 million Tutsis and moderate Hutus were systematically killed in rapid and barbaric waves of ethnic violence. The men on the bus – some as young as 19, meaning they had committed genocide crimes when they were 10 – had, along with 20,000 other detainees across Rwanda, confessed to participating in the killing spree. In return for their confessions, the prisoners were being released provi- Gil Courtemanche. sionally from the country’s sordid, overcrowded jails and transported back to their home A Sunday at the Pool in communities. Waving, cheering locals – mostly Hutus – lined the streets to welcome the Kigali. Translated by Patricia returning genocidaires as if they were a liberation army. Claxton. Edinburgh: Onboard the detainees danced and sang as they watched the prison camp recede in Canongate Books, 2003. the rear window and the red dirt roads wind homeward before them. Soon their ecstasy 258 pages. turned to frustration at the slowness of the bus as it bounced along the rutted, dusty Peter Harrell. tracks out of Kigali, then to fatigue and finally to uncertainty and fear at the realities of Rwanda’s Gamble: Gacaca their situation. They had confessed to some of the worst crimes imaginable and now they and a New Model of Transi- tional Justice. -
The Science of Getting Rich” Written by Wallace D
“The Science of Getting Rich” written by Wallace D. Wattles was first published in 1910 by Elizabeth Towne Publishing New York. The original text is now in public domain. However, this free e-book edition is not in public domain. It cannot be shared, distributed or reproduced in whole or in part. If you would like to share this e-book with others please direct them to our website www.thesecret.tv where a legitimate copy can be downloaded for free. Copy as preface page for e-book of “The Science of Getting Rich” A note from Rhonda Byrne, creator and executive producer of ‘The Secret’. Less than two years ago, at a time in my life when I was facing challenges from every direction – business, relationships, family, you name it – I stumbled across this book. Or, to be more accurate, IT stumbled across me! I can honestly say that, since that first night when a tattered printed transcript found its way to me (thanks to one of my daughters), my life has never been the same. Once you read it yourself, you will understand why. And “why” was the question I had been asking myself. Why are there people who seem to attract unlimited wealth into their lives, while others, equally as capable or talented or worthy, suffer from poverty and lack? As you’ll discover when you work your way through this wonderful little book, it has nothing to do with education, status, talent, environment, intellectual ability, physical prowess, or geography. Wallace Wattles explains, in simple, straightforward language, how ANYONE, regardless of their background or circumstances, can attract wealth into their lives. -
The Amis Inheritance
Martin Amis Kingsley Amis Writing and Writers Books Authors ... http://www.nytimes.com/2007/04/22/magazine/22amises.t.html?_r=1&o... April 22, 2007 The Amis Inheritance By CHARLES McGRATH Ben Jonson wrote: “Greatness of name in the father ofttimes helps not forth, but overwhelms the son; they stand too near one another. The shadow kills the growth.” This Oedipal principle applies to all sorts of professions, but few more so than the literary one. It’s not unheard of for the child of an author to try his hand at writing. Stephen King’s two sons are writers, and so is one of John Updike’s. Hilma Wolitzer’s daughter Meg is a novelist, as is Anita Desai’s daughter Kiran, whose second book just won the Booker Prize — an award that has so far eluded her mother. But writers’ offspring tend to go into the family business with far less regularity than, say, the children of doctors or lawyers, and it seldom happens that over the long haul, and in the deepening shade, the younger equals or outstrips the elder — the way that Anthony Trollope, to take a famous example, bested his mother, Fanny. The exception these days is the curious writerly firm of Amis & Amis, founded by Kingsley, who died in 1995, and now run by his son Martin. Kingsley Amis, an indelible figure in British letters, is the subject of an immense and sympathetic new biography by Zachary Leader (published this month in the United States) that has already caused a stir in England both by reminding readers of how funny Kingsley could be and because of its frankness about his personal life.